383. Gregory, Jamaica/ Caribbean Caribbean Woman With Fruit Basket On Her Head. c. 20th century. Signed and numbered, 191495, lower right (the reason for this numbering is unknown). Oil on canvas. 23” w x 25” h including frame. Slight surface distortions in canvas at the lower right which happened when the painting was made and were caused by the artist’s technique, otherwise excellent condition. Est. $1,000-1,500. Ship: $55 Inscription verso, “Gregory originally from Jamaica. He is a carpenter and work in St. Maarten. Very Humble and kind person.”
Alfredus Williams (1875-1967) Alfredus Williams was a pioneering, self-taught Afro-Caribbean artist born on the island of Dominica in the West Indies whose body of work crossed many genres, including landscapes, portraits, figure paintings, and still-lifes. Working primarily in oil and in a manner reflecting the “primitive” or “intuitive” styles arising from the West Indian folk art tradition, Williams composed a body of work laden with mystical and magical-realist elements, often highly detailed and with rich primary colors. The settings of his work included his native Dominica, as well as North Africa and the island of Bermuda. His Bermudian Work from 1959 is considered the earliest Outsider Art relating to the island. For many years he lived and worked in the historic Harlem neighborhood of New York City. Though he did not seriously take up painting until the age of 65, Williams’ work began to appear in New York City shows in the 1950s, including the “Art on the Square” exhibition in Washington Square Park in 1956, and the “Fourth Annual Exhibition of Negro Art,” held at the Jo Marino Gallery in 1958. Posthumously, his work was featured in the major group retrospective, “Visionary Landscapes: Work of Three Self-Taught Painters,” held at the Luise Ross Gallery in New York City in 1996. In addition to Williams, the show also featured the work of Minnie Evans and Louis Monza. Having worked well into his eighties, Williams’ contributions as a key figure in the development and legacy of twentieth century African-American art have earned him representation in several important reference books, including Theresa Cedarholm’s Afro-American Artists: A Bio-Bibliographical Dictionary, Roslyn Walker’s A Research Guide to the Visual Arts of Afro-Americans, and Ralph Harley Jr.’s A Checklist of Afro-American Art.
385. Alfredus Williams 384. Alfredus Williams Untitled. Fruit Girl. 1959. Signed, dated and titled. Oil on canvas panel. Excellent condition. 14.5” w x 18.5” h with frame. Provenance: The Melvin Holmes Collection of African American Art. Est. $800-1,200. Ship: $35 Page 132
Untitled. Sponge Workers, Bridge of Soufriere, Dominica. 1960. Signed and dated. Oil on canvas panel. Excellent condition. 18” w x 14” h with frame. Provenance: The Melvin Holmes Collection of African American Art. Est. $800-1,200. Ship: $35
386. Alfredus Williams Girl With Nose Ring. c. 1959. Not signed. Oil and glue with sawdust texture on canvas panel. Excellent condition. 16” w x 20”. Provenance: The Melvin Holmes Collection of African American Art. Est. $800-1,200. Ship: $35