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CRAFTS•SEWING

From sewing expert and pattern designer Linda Lee, The Sewing Workshop gives you the know-how to become a bona fide sewer. From tools and terms to essential techniques—it’s all here! Each of the more than 30 fabulous projects introduces a new skill or combination of skills to practice, and all the while you’ll be making super fashions for you and hip soft furnishings for your home. The easy-to-follow, step-by-step directions and clear illustrations guarantee success.

T H E SEW ING W O R K S H O P

Cover design by Diane Lamphron Cover photography by Dan Howell

• ALSO PUBLISHED BY SIXTH&SPRING BOOKS

Fabric Guide The Ultimate Fiber Resource

CUSTOM COUTURE 32 Ways to Transform Your Wardrobe with Needle and Thread

SIMPLICITY FABRIC GUIDE: The Ultimate Fiber Resource

LINDA LEE

LINDA LEE, ASID, is the founder of SewingWorkshop.com and the owner of The Sewing Workshop Pattern Collection, which features distinctive garments that use innovative sewing techniques. Linda travels the country teaching fine sewing techniques and the art of combining beautiful fabrics and distinctive design in garments and home decorating creations. She has written fourteen books about sewing garments and soft furnishings, and also writes for Threads, Sew News, and Stitch magazines. She lives in Topeka, Kansas.

Sew What You Want Exactly The Way You Want It!

The Sewing Workshop

$17.95 U.S.A. • $21.95 Canada

The Sewing Workshop MAKE IT YOUR OWN– SEW IT YOURSELF!

In The Sewing Workshop, author and sewing expert Linda Lee gives you the knowledge and skills you need to create your own home décor, bags, and fashion accessories—exactly what you want, exactly the way you want it! Start by learning about the materials, tools, and techniques you’ll need, from preparing fabric, to sewing with a machine and by hand, to creating special elements. The more than 30 projects are designed not only to teach you how to sew but to inspire your creativity.

LEARN TO SEW

with 30+ Easy, Pattern-Free Projects

• HOME ACCENTS Fresh ideas for decorating, organizing, and giving creative gifts with a personal touch.

• BAGS & TOTES Hip ways to carry everything you need so you can express your style while toting your stuff.

• WEAR IT Unique projects for fun fashions like scarves, a belt, a brooch, even a tube top and a skirt.

$17.95 U.S.A. • $21.95 Canada

ISBN 978-1936096404

Make a project according to the directions, or make it your way by changing the size, adding your own details, or using a special fabric. Whatever you do, have a blast and be proud of it, because you made it yourself!

51795

sixthandspringbooks.com PR I NT E D I N CH I N A

9 781936 096404

LINDA LEE


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the sewing workshop


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the sewing workshop learn to sew with 30 easy, no-pattern projects L I N D A

L E E

NEW YORK

000


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161 Avenue of the Americas New York, New York 10013 sixthandspringbooks.com Editorial Director: Joy Aquilino Senior Editor: Michelle Bredeson Art Director: Diane Lamphron Editorial Assistant: Alexandra Joinnides Instructions Editor: Pat Harste Designer: Joy Toltzis Makon Photographer: Dan Howell Photo Stylist: Laura Maffeo Illustrators: Matt Dojny and Jane Fay Vice President, Publisher: Trisha Malcolm Creative Director: Joe Vior Production Manager: David Joinnides President: Art Joinnides Copyright © 2012 by Sixth & Spring All rights reserved. No part of this publication may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, or information storage-and-retrieval systems— without written permission of the publisher. The written instructions, photographs, designs, projects, and patterns are intended for the personal, noncommercial use of the retail purchaser and are under federal copyright laws; they are not to be reproduced in any form for commercial use. Permission is granted to photocopy patterns for the personal use of the retail purchaser.

Library of Congress Catalog Control Number: 2011942090 ISBN 978-1-936096-40-4 Manufactured in China 1 3 5 7 9 10 8 6 4 2 First Edition


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Page 5

contents P R E FA C E 8

Sewing Starters

page 10

S E W I N G W I T H A M A C H I N E page 20

FA B R I C B A S I C S page 12

What you’ll need . . . . . . . . . . . . . . . . . . . 20

The anatomy of fabric . . . . . . . . . . . . . . . 12

Machine stitches . . . . . . . . . . . . . . . . . . . 21

Preparing your fabric . . . . . . . . . . . . . . . 13 Fusible web . . . . . . . . . . . . . . . . . . . . . . . 13

S E W I N G B Y H A N D page 24

On the inside . . . . . . . . . . . . . . . . . . . . . . 14

What you’ll need . . . . . . . . . . . . . . . . . . . 24 Hand-sewing stitches . . . . . . . . . . . . . . . 24

M E A S U R I N G & M A R K I N G page 15

What you’ll need . . . . . . . . . . . . . . . . . . . 15

C O N S T R U C T I N G A S E A M page 26

Making a pattern . . . . . . . . . . . . . . . . . . . 16

What you’ll need . . . . . . . . . . . . . . . . . . . 26

Enlarging a pattern . . . . . . . . . . . . . . . . . 16

Seaming essentials . . . . . . . . . . . . . . . . . 26 Sewing a seam . . . . . . . . . . . . . . . . . . . . 27

L A Y I N G O U T FA B R I C page 18

Pressing seams . . . . . . . . . . . . . . . . . . . . 28

What you’ll need . . . . . . . . . . . . . . . . . . . 18

Trimming seams and corners . . . . . . . . . 28

How-to . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Special seams . . . . . . . . . . . . . . . . . . . . . 29 Inserting a zipper . . . . . . . . . . . . . . . . . . 30

C U T T I N G page 19

Adding buttonholes . . . . . . . . . . . . . . . . 30

What you’ll need . . . . . . . . . . . . . . . . . . .19 How-to . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

S E W I N G A H E M page 32

What You’ll Need . . . . . . . . . . . . . . . . . . . 32 How-to . . . . . . . . . . . . . . . . . . . . . . . . . . . 32


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contents S P E C I A L E L E M E N T S page 34

Fabric tubes, straps & drawstrings . . . . 34

Home Accents

How-to . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Appliqué placemat . . . . . . . . . . . . . . . . . 46

Pocket . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Trimmed napkin . . . . . . . . . . . . . . . . . . . . 48

Knotted buttons . . . . . . . . . . . . . . . . . . . 37

Layered table runner . . . . . . . . . . . . . . . . 50

Prairie points . . . . . . . . . . . . . . . . . . . . . . 38

Ball fringe pillow . . . . . . . . . . . . . . . . . . . 52 Quilted throw . . . . . . . . . . . . . . . . . . . . . . 54

P R E S S I N G page 40

Journal cover . . . . . . . . . . . . . . . . . . . . . . 56

What you’ll need . . . . . . . . . . . . . . . . . . . 40

Zippered pouch . . . . . . . . . . . . . . . . . . . . 58

How-to . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Laundry bag . . . . . . . . . . . . . . . . . . . . . . . 60

Fusing . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Lingerie bag . . . . . . . . . . . . . . . . . . . . . . . 62

Appliqué . . . . . . . . . . . . . . . . . . . . . . . . . . 41

F I N I S H I N G page 42

Bags & Totes

What you’ll need . . . . . . . . . . . . . . . . . . . 42

Flat shopper . . . . . . . . . . . . . . . . . . . . . . . 68

Finishing seams . . . . . . . . . . . . . . . . . . . . 42

Raw-edge tote . . . . . . . . . . . . . . . . . . . . . 70

Sewing on a button . . . . . . . . . . . . . . . . . 43

Handy shoulder bag . . . . . . . . . . . . . . . . 72 Oversized carryall . . . . . . . . . . . . . . . . . . 74 Retro bucket bag . . . . . . . . . . . . . . . . . . . 76 Suede hobo . . . . . . . . . . . . . . . . . . . . . . . 79 Swing satchel . . . . . . . . . . . . . . . . . . . . . 82 Roomy backpack . . . . . . . . . . . . . . . . . . . 85 Courier bag . . . . . . . . . . . . . . . . . . . . . . . 89 Drawstring pouch . . . . . . . . . . . . . . . . . . 93


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Wear It Sheer geometry scarf . . . . . . . . . . . . . . 100 Pearl essence belt . . . . . . . . . . . . . . . . . 102 Confetti fleece scarf . . . . . . . . . . . . . . . 104 Fabric brooch . . . . . . . . . . . . . . . . . . . . . 106 Gossamer ribbon scarf . . . . . . . . . . . . . 108 Mini phone tote . . . . . . . . . . . . . . . . . . . 110 Sequin pocket scarf . . . . . . . . . . . . . . . 112 Tube top . . . . . . . . . . . . . . . . . . . . . . . . . 114 Scrap fabric boa . . . . . . . . . . . . . . . . . . 116 Wrap skirt . . . . . . . . . . . . . . . . . . . . . . . 118 Connecting scarves . . . . . . . . . . . . . . . . 120 Buttonhole play scarf . . . . . . . . . . . . . . 123

H E L P F U L I N F O R M AT I O N page 126

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 Measurement Chart . . . . . . . . . . . . . . . 128 Sources . . . . . . . . . . . . . . . . . . . . . . . . . 128

TRIMMED N A P K I N page 48


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THIS CHAPTER OFFERS AN OVERVIEW

of the basics of the sewing process—the materials, tools, and techniques you’ll need to make all the projects in this book—from preparing fabrics, to pressing, to creating special elements.


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sewing starters


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fabric basics THE ANATOMY OF FABRIC

BIAS

The woven edge of a fabric is called

This is any diagonal line intersecting

the selvage and runs parallel to the

the lengthwise and crosswise

lengthwise grain of fabric. The right-

threads. Fabric that has been cut on

angled edge to the selvage is called

the bias has more stretch.

the crosswise grain. selvage

Fabrics have a right side and a wrong bi as

which is which before you begin your project. The way the fabric is displayed on the bolt is a good clue

WS

to distinguishing the right and wrong sides. Most cottons and linens are placed on the bolt with the right side facing out, while woolens are generally bolted with the right side facing in. For knits, the cut edge usually rolls toward the right side when pulled. Unfortunately, there are no real hard-and-fast rules. So, if you’re unsure, either ask the salesperson or use the side that you like the best.

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sewing starters

RS lengthwise grain selvage

crosswise grain

side, and it’s important to know


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fabric basics ON THE INSIDE LINING

INTERLINING

UNDERLINING

fabric or the end

A lining is a second

Interlining is a

Underlining is

result that you want

layer of fabric

separate layer of

another word for

to achieve. Sew or

that hides raw seams

fabric placed

interlining.

fuse 4"/10cm

and other inner

between the lining

construction details.

and the outer fabric.

INTERFACING

wrong side of your

You can use the

It is cut the same size

Interfacing is used to

fabric. For fusing

same fabric or a

as the outer fabric.

shape detail areas

methods, follow the

contrasting fabric.

Once it is basted to

and to add body

manufacturer’s

Lining gives a project

the outer fabric, the

without adding bulk.

instructions included

a professional,

two layers are

Interfacing is

in the packaging.

finished look. In this

treated as one piece.

available in a wide

“Handle” the sample

book, linings are

It is meant to add

range of fibers

from the right side

primarily used in the

support or alter the

and textures,

to see how each

bag projects.

character of the outer

in either sew-in or

interfacing looks

fabric. Some good

fusible varieties.

and feels, then

examples of

The selection of the

choose the weight

interlining materials

appropriate

you like best.

are cotton batiste,

interfacing depends

cotton flannel,

on the weight of the

lightweight fleece, batting and organza.

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sewing starters

squares to the


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measuring & marking MAKING A PAT TERN

patternmaking paper (sold in

Most of the projects in this book

fabric stores). You’ll also need a

don’t require patterns, but the ones

ruler and a pencil.

that do (see below, right) use

RETRO BUCKET BAG

page 76

gridded templates that can be

ENL ARGING A PAT TERN

copied onto plain paper such as

On a separate sheet of paper, draw

banner paper (comes in a roll and is

horizontal and vertical lines in a

available at office suppy stores),

2"/5cm grid, or make multiple

butcher paper (available at

copies of the grid shown opposite

supermarkets) or specialty

and tape them together. Using the pattern templates as a guide, copy each pattern piece line for line to achieve the appropriate scale. Cut along your drawn lines, then use the patterns to make the project.

PATTE R N-BA S E D PROJ ECTS

Raw-Edge Tote . . . . . . . . . . . . . . . . . 70 Retro Bucket Bag . . . . . . . . . . . . . . 76 Swing Satchel . . . . . . . . . . . . . . . . . 82 Courier Bag . . . . . . . . . . . . . . . . . . . 89 Drawstring Pouch . . . . . . . . . . . . . . 93 Fabric Brooch . . . . . . . . . . . . . . . . 106

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preface

ACROSS THE COUNTRY,

people are learning to sew and enjoying their new hobby to make gifts, save money, or simply express their creativity. If you’ve never sewn before, this book will help demystify the process.

8


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SEWING ENCOMPA SSE S A

THE SEWING WORKSHOP

WIDE RANGE OF TECHNIQUES,

GIVE S YOU THE KNOWLEDGE

from stitching on a button to creating

and skills to make you a bona fide sewer.

a haute couture evening gown. Those of

From tools to use and terms to know

generations before us sewed because

to the essential techniques—it’s all here!

they had to. They had to put clothes on

Each of the more than thirty fabulous

their family’s back, utilizing any scrap

projects introduces you to a new skill or

of fabric they could find, from old overalls

combination of skills to practice; all

to feed sacks. A new piece of fabric

the while you’ll be making super fashions

was a luxury and used only for the most

for you and your home. The easy-to-

special occasion.

follow, step-by-step directions and clear illustrations ensure success.

TODAY, WE NO LONGER “ N E E D ” T O S E W . Fashionable

THE PROJECTS ARE

clothes and soft furnishings are available

S P E C I F I C A L LY D E S I G N E D

everywhere and for every budget. While

not only to teach you how to sew, but to

professional sewing is still a serious and

inspire your own creativity. Start by

respected art, home sewing has evolved

making one of the projects according

from a necessity to a fun hobby that’s

to the directions, then make it again your

creative, rewarding and relaxing. Sure,

way! Change the size, make up your

you can buy a placemat that kind of goes

own detail, use some outrageous fabric

with your decor. But now, you’ll be able to

or decorate it with something old that

match your decor exactly using beautiful

you’ve had stashed away.

fabrics in colors and textures you choose yourself! And, gifts for family and friends

W H A T E V E R Y O U D O , have a

are even more special and appreciated

blast and be proud of it, because

when you make them yourself.

YOU MADE IT YOURSELF!

9


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laying out fabric WHAT YOU’LL NEED

HOW-TO

PINS

Place your washed and pressed

Glass-head straight pins with good

fabric on a large, flat surface.

sharp points are a must. To prevent

Spread it out either in a single layer

fabric from snagging, replace pins

or, if you’re cutting duplicate pieces,

as the points become dull and throw

folded in half (right sides together)

away pins that get bent.

with the selvages perfectly aligned.

MAGNETIC PIN HOLDER

If you aren’t using a pattern, roughly

OR PIN CUSHION

measure your project pieces so you

Either of these notions is a

know you have enough fabric, then

handy place to store pins and

draw the cutting lines on the fabric

keep them accessible.

using a ruler and chalk marker. If you’re using a pattern, place your pattern pieces, without pinning, in a layout that conserves fabric and keeps the pieces on the straight of grain. When your layout is finalized, pin the pattern pieces to the fabric, placing the pins through all layers and perpendicular to the edge of the pattern piece.

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sewing with a machine MACHINE STITCHES

BASTE

In addition to the basic straight

A basting stitch is an elongated

stitch and zigzag stitch, you’ll use

stitch used to temporarily hold two

these essential stitches and

pieces of fabric together.

techniques to make the projects. L

B A R TAC K

WS

This is a zigzag stitch that is

BACKSTITCH

Backstitches reinforce a stitching

sewn with the feed dogs lowered

line. To backstitch when machine

so that a few stitches are sewn

sewing, begin stitching about

in the same place.

1

⁄4"/.6cm from the end and sew in

reverse to the edge, then stitch

EDGESTITCH

forward. Keep stitching to the other

This is topstitching that’s placed

end, then reverse your stitches

very close to an edge.

1

L

again for about ⁄4"/.6cm. STITCH IN THE DITCH

WS

The ditch is the “well” or center of a

RS

seam that you see on the right side of the fabric. Stitching down the center of the “well” holds layers of fabric together invisibly.

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sewing by hand WHAT YOU’LL NEED

HAND-SEWING STITCHES

HAND-SEWING NEEDLES

RUNNING STITCH

Crewel embroidery needles have

The running stitch is a temporary

the largest eyes, for easier

stitch used for basting and is

threading, and the sharpest points

intended to be removed. It is done

as well.

using a contrasting color thread so it’s easy to see the stitches when

THREAD

removing them. The running stitch

You can use the same thread for

can be stitched either by hand or by

sewing by hand as you do for

machine.

machine sewing (see page 20). M

SLIPSTITCH

The slipstitch joins a folded edge to a flat layer of fabric. Working from right to left, insert the needle into the folded edge for about 1⁄4"/.6cm, then pick up a single thread of the other layer. Insert the needle into the folded edge again and continue as before. This stitch is also used to join two folded edges together such as the opening in a pillow cover.

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constructing a seam WHAT YOU’LL NEED

SEAMING ESSENTIALS

SEAM GAUGE

SEAM ALLOWANCE

This handy 6"/15cm metal ruler has

There are three standard seam

a sliding marker and is used to mark

allowances that you should know.

and check small measurements

For garments, it’s a 5⁄8"/1.6cm seam

during construction.

allowance. Home decorating and other craft projects use a 1⁄2"/1.3cm

SEAM RIPPER

seam, and quilting projects

This penlike tool has a sharp point

traditionally use a 1⁄4"/.6cm

and a small cutting groove. It’s

allowance. The seam allowance

used to quickly and accurately

for all the projects in this book is

remove stitches so you can correct

1

⁄2"/1.3cm.

mistakes. STITCH LENGTH

Use a stitch length of 2mm to 2.5mm for most fabrics. The general rule is the heavier the fabric, the longer the stitch length.

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EVEN IF YOU’RE AN ABSOLUTE BEGINNER,

the nine stylish projects in this chapter make decorating and organizing your home—and giving creative wedding or housewarming gifts with a personal touch— simple and easy.


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home accents


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With right sides together, fold the

6

Slipstitch the folded edge of the brocade

brocade back on itself,

to the stitching line of the

leaving the 1â „2"/1.3cm turned

sheer fabrics. /

WS

back. Stitch the side seams 4

RS

RS

and trim. Press the seams open and turn to the outside.

5

home accents

51


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laundry bag A laundry bag, a linen bag, a drawstring bag, a sack—it’s whatever you want it to be. It’s an easy bag to make large for toting stuff or small and dressed up for evening.

FINISHED SIZE

PREPAR ATION

• Cut one piece lace

toward the center of the

20" x 28"/51 x 71cm

• If using towels, remove

22"/56cm wide.

bag. Baste in place.

MATERIAL S

hem stitches and press flat,

• Two towels 21" x 28"/ 53.5 x 71cm or 17⁄8 yd/ 1.75m fabric for bag

or cut two bag pieces

• Cut two strips of lining

22"/56cm wide x

fabric the width of the top

4

29"/73.5cm long.

of the bag plus seam

sides and bottom of the bag

allowances x 4"/10cm.

pieces together.

2 1⁄2"/6.5cm wide x

CONSTRUCTION

22"/56cm long for casing.

1

Turn the edges of

5

each end of the lace

to the wrong side 31⁄2"/9cm.

• 1⁄4 yd/.25m contrasting fabric for casing and drawstrings • 2⁄3 yd/.75m lace trim TECHNIQUES Baste, page 22

together, sew the

• Cut two contrasting pieces

1

Continuous drawstring, page 36

With right sides

Finish the top edge of the bag. Fold the top

• Cut enough strips of 1 ⁄2"/

to the wrong side and stitch

Topstitch near the finished

4cm wide contrasting fabric

to finish.

edge of the turndown.

2

6

to sew together to make two

Edgestitch, page 22

strips 54"/137cm long.

Finishing, page 42 Topstitch, page 23

Finish the bottom edges of each bag

Press the two long edges of casing strip

1

⁄2"/1.3cm to the wrong side.

piece.

Press each end 1⁄2"/1.3cm to 4

3

RS

3

Center the lace piece

the wrong side. Pin a casing

on the right side of

strip to the right side of both

one bag piece, placing the

the front and back of the bag

decorative edge of the lace

2 3⁄4"/7cm from the top and

WS

WS

60

home accents

5

6


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leaving the ends open at the side seams of the bag. Edgestitch both long edges of the casing.

7

Make two 54"/137cm long drawstrings.

Attach the safety pin to the end of one drawstring. Starting at one side, feed the pin and drawstring through the casing, bringing it out the same side it was inserted.

8

Feed the second drawstring through

the casing, starting on the side opposite from the previous drawstring and bringing it out on the side of insertion.

9

Complete each drawstring as a

continuous piece. Loosely knot each drawstring. /

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THIS CHAPTER OFFERS TEN TRENDY PROJECTS

for carrying everything you need—not just the usual day-to-day items, but groceries, laptops, books, and more—so you can express your style while toting your stuff around town.


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bags & totes


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RS WS

5

5

Turn tote to the outside. Place the

plastic or cardboard piece in the bottom. Stitch a few stitches through the bottom seam to secure in place. POCKET AND LINING

6

Sew a 1"/2.5cm finished hem in the

pocket top.

8

Center the pocket

2"

2"/5cm from the top RS

of one lining piece and

3"

9

Construct the lining pieces same as for

the outer tote.

topstitch in place. Stitch a

7

Press 1â „2"/1.3cm

vertical line 3 1â „2"/9cm from

seam allowances of

one edge.

the pocket sides and bottom to the wrong side.

RS

8

10

Insert the lining into the tote. Pin

the top edges together and topstitch. /

bags & totes

73


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3

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Clip the bottom edge every 1â „2"/1.3cm to

the staystitching.

4

With right sides together, pin the bag

to the bottom circle, matching the raw edges and allowing the clipped seam allowance to spread open.

5

Stitch over the previous staystitching

line. Finish the raw edges together. 4

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suede hobo This fashionable bag is made of asymmetrical pieces of felled wool and real suede that are sewn in an overlapping free-form design to a flower-motif lining.

FINISHED SIZE

PREPAR ATION

19"/48cm wide x 15"/38cm high (excluding handles)

• Using the template grid

MATERIAL S

• 1⁄4 yd/.25m each of five fabrics such as wool, felt or washed wool jersey

(see below), enlarge the pattern and draw the bag shape on pattern paper. • Draw shapes of fabric pieces on pattern paper.

• One suede skin or pieces

• Cut out each shape in

• 2yd/2m lining fabric

various fabrics, adding extra

• Pattern paper

fabric where necessary for

• One pair 9"/23cm diameter wood handles TECHNIQUES

Enlarging a pattern, page 16

underlapping. (If using suede, let the edge of the skin dictate the general character of the shapes and arrangements.)

Finishing, page 42 Lining (see On the Inside), page 14

• Using the bag pattern, cut out two pieces of lining.

Slipstitch, page 24 Topstitch, page 23 Walking foot (see Presser Feet), page 21

• Cut two strips of lining fabric the width of the top of

TEMPLATE GRID

one square = 2"

the bag plus seam allowances x 4"/10cm.

bags & totes

79


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NEED TO SPICE UP YOUR WARDROBE

without spending a bundle? Check out this chapter’s twelve quick and easy projects for fun fashions and accessories like scarves, a belt, and a brooch, plus a tube top and a skirt.


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wear it


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CONSTRUCTION

1

Using the template method of pressing

hems, press 11⁄4"/3cm finished hems in the sides and bottom of each rectangle. Topstitch the side hems in place first, then topstitch the bottom hem.

2

Using the template with the 1⁄2"/1.3cm-

marked line, press 1

⁄2"/1.3cm to the wrong side

of the top hem. Now, press the top hem 4"/10cm to the wrong side.

3

Pin one rectangle over the other

drawing. Wrap the skirt

4

around yourself and adjust

previous hem seamlines.

rectangle according to the

Follow the drawing to topstitch along the

Try on the skirt and mark the button

placements. Sew on the buttons. /

the angle and placement for size and fit.

6

5

RS

Make a buttonhole in the upper corner of

each rectangle.

4

RS

wear it

119


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The Sewing Workshop  

Author and sewing expert Linda Lee shares her knowledge and skills to create personalized home décor, bags, and fashion accessories. From to...

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