Quickfolio 2018

Page 1

Luís

Ferreira

PORTFOLIO 2

0

1

8


Luís Ferreira

01

http://ineedanarchitect.wordpress.com/

Contacts

+351963441418

luisfilipensf@gmail.com

Education

l

urban planning Abu-Dhabi l United Arab Emirates l 2008

pool and gym Carcereira l Oporto l 2007

02

Faculdade de Arquitectura da Universidade do Porto No. 030201061 September July 2007 (4 years)

l

2003 -

Politecnico di Milano

No. 720170 September 2007 - July 2008, 5

th

03

open source competition Accra l Ghana l 2010

year, by ERASMUS student exchange protocol

Professional

Edigaia

imobil-

iária, S.A. . V ila Nova de Gaia (Portugal) . Professional

internship

- March 2009

l

.

September

2008

Architects Portugal January 2010 - July 2010 Câmara Municipal de Espinho . Espinho

PEPAL gram

(Professional at

internship

Municipal

May 2011 - May 2012

Council) l

internship

REM Pro . Riga (Lat-

April 2014 l In Concept . Porto/Maputo . BIM

Autodesk 3Ds Max

chitecture

l

l

l

Autodesk VIZ

Autodesk Revit Ar-

Sketchup Pro

l

Moscow l Russia l 2010

office refurbishment S. Mamede Infesta l Oporto l 2011

06

Skills

architect . April 2015 - Present Software Autodesk Autocad

05

collective housing

pro-

via) . Professional Internship . October 2013 -

l

Ermesinde l Portugal l 2010

04

VA studio . Oporto (Portu-

gal) Internship for admission in Order of the

l

municipal market

Rhinoceros

l

07

artistic installation Guimarães l Portugal l 2012

Adobe Photoshop, Illustrator, Indesign, Premiere Pro

l

Microsoft Office

l

Lumion Pro

Languages English (C1) . Italian (B1) . Spanish (A2)

master plan Samara l Russia l 2013

08


01 l pool and gym

Carcereira l Oporto l 2007

Urban context

The

area

in

analysis

is mainly characterized by intense road traffic, since this block, latter terminal for vans and buses, is surrounded by Sidónio Pais avenue, one of the entry/exit points of the city from the VCI (one of the main traffic rings of Oporto). The site has an irregular form and its dimension is huge regarding the dimension of the asked program.

Concept

[Water vapour Be submerged

Do not see clearly]

It’s a one piece building volume,

arousing people’s curiosity for its translucent nature. Almost a strange object that appears in the city, the volume is easily accepted as an equipment, but not quite easy as a pool and a gym.

Insertion

The volume sits on

the center of the site, controlling the space. On an effort to overcome the volumetrical scarcity of the place, a 65 meter side square with leaning rooftop rises.The building reaches 7,5 meter high, a reasonable but not excessive height for this kind of equipment. Besides, these dimensions have to do with the dominant surrounding heights. It’s a building that gains a dominant character in a very disqualified place of the city. A volume that shows its skin but hides the interior.

N


02 l urban planning

Abu-Dhabi l United Arab Emirates l 2008

+ Concept

The acknowledge and constant refor-

mulation of what could be the axis which would provide the connection between Abu-Dhabi and the site was the greatest generator of the plan. Regarding the Brasilia and Washington examples, both presented a straight axis where more or less the treatment and result of public spaces leaded us to a certain monotony. The aim in this plan was to escape from that single direction, presenting a dynamic axis, where public spaces were succeding one after another with always diferent characteristics, shapes and sizes.

Proposal

The plan went through much experi-

mentation, especially regarding to the main axis. The road network configuration, its interrelation with the water system and consequently the organization and definition of public space over the territory were the key points for further definition of the entire plan. Functionally, residential zones (orange in the picture), the embassies and the mosque (in purple) and government area (in blue) were distinguished and separated. The most important buildings appear along the axis, such is the case of the mosque or the towers corresponding to the 7 Emirates.

=


03 l open source competition

Accra l Ghana l 2010

Concept

The coverage of Ghanaian vernacular

house has a very important role in defining the housing space, as well as the climate control. Departing from here, the “Home Coverage” was generated, in which coverage defines an area of family life protected from the hot African sun.

Description

The spatial configuration

of “Home Coverage” arose from the reinterpretation of the concept of local family - the relations established in a shared outdoor space, the patio, which in turn is related to the interior of the house, running everything as a whole. With an external image defined by the nature of its material/skin, the bamboo, the house shifts on the inside.The materials used (wood and bamboo) are available locally and the construction does not require skilled labor, ensuring a construction available to everyone.

Modular system

For economic reasons,

both the structure and coverage are fixed elements, allowing residents the possibility of future development, reorganizing the house internally through the addition / subtraction of panels.

Sustainability

To

build

the

“Home Coverage”, we chose to use the largest possible number of natural elements to ensure the rational use of resources to build, light and ventilate the house, as well as reduce the environmental impact and the use of polluting energy .

solar protection rainwater ventilation


04 l municipal market

Ermesinde l Portugal l 2010

Context

The study area / intervention falls within

the core of a block in a dense urban fabric of the town of Ermesinde, characterized by a disordered and disqualified urbanism, where the structural equipments appear on random locations, reflecting the lack of a proper urban planning.

Insertion

The urban space is the unifying element

of the different functional benefits, providing more human scale pathways, a more direct contact with the functionality of buildings and urban facilities, as playgrounds and amphitheaters. In the market it is assumed to be fundamental to revive the tradition associated with it, giving rise to a new concept of living space also framed in the ambition to rejuvenate the economic activity of the area.

Concept

Formally, the interven-

tion in the central space - the starting point - is the outcome from an orthogonal modeling effort associated with a tridimensional morphology of the fair tents, embodied in the fragmentation of the building and the slope of the roofs, creating a spatial dynamic that brings together the various functional spaces. Socially, the intervention aims to humanize spaces through a more direct interconnection with the population, approaching the scale of buildings to the human scale.


05 l collective housing

Moscow l Russia l 2010

Concept

The modular plugging construction - Lego

- emerges as the active ingredient in the project design, providing a variety of formal compositions, either through an organic pattern, based on a relation between Nature and Man, or in a geometric pattern, based on the relation Construction - Man. The intervention strategy relates with the distinction between public and private space, resulting from the specific requirements of the program, and the evolutive character of the floors developed, providing a switch between the use and omission of typologies that create a porous building, leading to its own architectural dynamism.

Insertion

The program clearly refers not only to a

Russian context but instead calls for global urban coverage, whose response to that would clearly be an asset. In this sense, the program proposes right from the start a study on a possible integration of the proposal in four urban contexts - highway, main road, compact urban area and city park. The pursue of this flexibility helped actually to the arrival at final solution, since volumetric and programmatic factors were progressively shaped to meet these different contexts.


06 l office refurbishment

S. Mamede Infesta l Oporto l 2011

Program

The project to renovate the facilities of

Oporto delegation of Pierre Fabre Dermo CosmÊtique was requested in order to upgrade the image of the training room and work spaces, somewhat dated, and create new functional relationships and benefits that would contribute to the best use of the space. After contact with the older solution, two main objectives became clear, guiding the intervention: enhancing the entry of natural light and ensure continuity and functionality of both the space and program – the distribution of different rooms and services was not consistent in the previous model, as it generated programmatic incompatibilities.

Concept

The foundation of all the intervention is

based on a path, an undulating corridor, which was thought not only as a circulation and access space, but as an essential void to a program that is condensed into it at different moments. The route, touching both ends of the interior space, creates visual communication to the outside and thus provides the natural light. On the right side are located, sequentially, the entrances to the offices, the treatment room and training room. In turn, on the left side were grouped the services and several cabinets to support training in a continuing curved body punctuated by small niches, each with its own specific function.

Materials

The use of

polycarbonate, although limited for budget reasons to the room entrances, was crucial, allowing exterior light to enter into the rooms. Regarding artificial lighting, the corridor curviness and continuity was addressed and reinforced through plans of indirect light that wave, following the design of the space. The contrast between the black carpet and white walls in plasterboard were explored in pursuit of a clean, almost laboratory visual, in accordance with the ideals and image that the company wants to convey.


07 l artistic installation

Guimarães l Portugal l 2012

Context

As a part on schedule to Guimarães

- European Capital of Culture 2012 - the POP-UP spaces competition aimed at producing art installations that could move through the city, offering something unexpected. In the present work, it was the intention to design something able to gather the attentions and reactions to anyone visiting the city streets, turning this interaction into a future memory of who visited Guimarães by this time, providing a reinterpretation of a particular cultural and educational message.

Inspiration

The

images that refer to this “magic box”, where the body is separated and lives momentarily distinct realities, seemed to us a very interesting starting point. By placing the head in a “hole,” the person “leaves” the body in the background reality and the head engages a completely different scenario.

Project

The project consists of a tubular steel

structure wrapped around in white screen and its main purpose is to allow the observation of one or more monuments from a central point in the city. This structure gives us a new framework of these monuments. People who walk by are invited to enter inside through a slot in its base screen at the height of 1.40 m above the ground. Inside, the viewer is limited by the view of the screen all the way around, which is cut at a strategic point in order to create a framework for a particular point of interest nearby, in the exterior. The experience is completed by sentences printed in the screen that refer to what the viewer is looking at.

“...let the compass of curiosity guide us through the Couros neighbourhood, where men transfigured in primitive servants move their hook sticks, plunging and revolving fresh hides in the pools, rasping and greasing them on platforms in their mills.”


08 l masterplan

Samara l Russia l 2013

Context

Samara is nowadays one important city

in Russia, continuously growing across the decades in political, social, economic and cultural magnitude. This master plan brings the opportunity to participate actively in this process by proposing an urban solution for a disregarded site within the city of Samara.

Concept

An option was

taken to continue the main existing axis as the proposal intends to connect the new with the old. In that way, a main axis is designed to connect west and east parts of the site, at the same time organizing it in two main areas. Facing the river to the north, the strategy was to create an urban park which spreads all across that area. The other main area, facing Novo-Sadovaya street to the south, has the quality of an urban centre, since it faces one of the main traffic axis of the city.

Project A new vibrant city emerges, aiming to connect itself to the remaining urban territory, although also capable to function on its own as it implements residential, commerce, services and offices. The calmness and leisure ambiance of the park is carefully balanced with the urban dynamic from the shopping and business activities present in the mixed use area through a controlled permeability. Becoming a hotspot for the connection of old and new, the master plan has the potential to generate a new urban dynamic to a continuously growing Samara.


LuĂ­s Ferreira

h t t p : / / w w w. b e h a n c e . n e t / l u i s f i l i p e s f http://500px.com/luisfilipensf

Contact me

+351963441418 luisfilipensf@gmail.com

;

skype user: luisfilipesf1


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.