of design rather than just pitch organization. This would elevate orchestration from the present craft-like status it is usually treated with in literature, to an art, crucial to the musical design. To conclude the discussion of the arts and crafts of orchestration: the craft is that of designing and creating orchestral sounds, the art that which makes these sounds meaningful in composition; the art of orchestration is in connection with both the creation and experience of a work of art aesthetically, and it functions as a temporal and formal operator within the structural framework of the composition. References Adler, Samuel 1982. The Study of Orchestration. New York: W.W. Norton & Company, Inc. Alperson, Philip 2010. Robust Praxialism and the Anti-Aesthetic Turn. Philosophy of Music Education Review, Volume 18, Number 2, Fall 2010. 171–193. Beach, David 1993. Schubert’s Experiments with Sonata Form: Formal-Tonal Design versus Underlying Structure. Music Theory Spectrum, Volume 15, Number 1 Spring 1993. 1–18. Berlioz, Hector and Strauss, Richard 1991. Treatise on instrumentation. Transl. Theodore Front. Mineola: Dover Publications. Original publication Edwin F. Kalmus, New York 1948. Collingwood, R.G. 1938. The Principles of Art. London: Oxford University. Cutler, Timothy. 2000. Orchestration and the Analysis of Tonal Music: Interaction Between Orchestration and Other Musical Parameters in Selected Symphonic Compositions, c. 1785–1835. Ph.D. dissertation, Yale University. Ann Arbor: UMI. Downes, Olin 1945. Sibelius. Eds. Paul Sjöblom and Jussi Jalas. Helsinki: Otava. Goldman, Alan 2001. The Aesthetic. The Routledge Companion to Aesthetics. Eds. Berys Grauf and Dominic Lopes. New York: Routledge. 181–192. Helasvuo, Pekka 2007. Jean Sibeliuksen laulujen orkestraatio [Orchestration of Jean Sibelius’ songs]. Licentiate thesis, Sibelius Academy. Kreitner, Kenneth et al. Instrumentation and orchestration. Grove Music Online. http://www.oxfordmusiconline.com/subscriber/article/grove/music/20404 (accessed January 4, 2013). Levinson, Jerrold 1980. What a Musical Work is. The Journal of Philosophy, Volume 77, Number 1, January 1980. 5–28. Piston, Walter 1955. Orchestration. New York: W.W. Norton & Company, Inc. Rimsky-Korsakov, Nikolay 1964. Principles of Orchestration. Transl. Edward Agate. Ed. Maximilian Steinberg. Mineola: Dover Publications. (Original publication Edition Russe de Musique, 1922.) Rossing, Thomas D. 1990. The Science of Sound. Reading: Addison-Wesley Publishing Company. Salzer, Felix 1952. Structural Hearing. Tonal coherence in music. New York: Dover Publications, Inc. Sevsay, Ertugrul 2005. Handbuch der Instrumentationspraxis. Kassel: Bärenreiter. Taylor, Charles and Campbell, Murray. Sound. Grove Music Online. http://www.oxfordmusiconline.com/subscriber/article/grove/music/26289 (accessed January 4, 2013). Timbre. Oxford Music Online. http://www.oxfordmusiconline.com/subscriber/article/opr/t237/ e10276 (accessed January 4, 2013).
77