Autonomy, Activism and Art Direction

Page 104

MERCEDES LEWIS.

ARTIST AND CREATIVE DIRECTOR, SAVANNAH COLLEGE OF ART & DESIGN.

How does diversity play a role in art direction? Diversity plays a major role in art direction to visualize a different narrative or viewpoint from another cultures perspective. Art direction brings an opportunity for representation, especially for people of color. Representation is so key in the documentation of African Americans own art & history. Whether its fashion, music, art or visual content in general it’s vital that we add our own viewpoints and culture from our own perspective. For so many years black culture has been suppressed or appropriated. To think that we were once killed for learning simply how to read to becoming faces on magazine covers to being in the covers is outstanding. It would be even greater if we controlled our own content with no restrictions on how we speak up for ourselves and explain our truth. We were not allowed to be treated as human beings let alone praised in the public eye. We are constantly dehumanized and the diversity art direction gives us an opportunity to change that. To create visuals that show the emotions, skill, talent and beauty shows our story and the value of a black life. It’s vital order to break the stereotypes, discrimination and systematic oppression that we still face today. Can Art Direction be used as a tool for activism? Yes I believe art direction can be used as a tool for activism. To have the opportunity to express our own black history and culture is to make sure that our culture isn’t stolen or suppressed. Art direction allows us to showcase our greatness and leadership. The 104 // AUTONOMY, ACTIVISM & ART DIRECTION.

purpose of art direction is to tell a story. When given the opportunity to have art or a visual representation that represents a black culture its history within itself. Even seeing a black images of people existing is history within itself. Living in a world that oppresses black people and culture. Art Direction not only becomes a part of our history but allows us to have a voice to share our viewpoints visually that may not be shared in the mainstream media. Art direction fuels me as an artist to shed light on certain concepts of racism, systematic oppression, black culture and history that normally is not shared in our education system or media. Think about the movie Get Out, this movie was an opportunity for someone of color to tell a story about these concepts from a black man’s perspective. Through the lighting, music, composition of shots and timing the art director was able to portray the emotion, feeling, and mindsets of the characters that are relatable to most black people today. The concepts of racial tension, slavery, systematic oppression were key themes that were highlighted that were portrayed in a way that most black people could relate to. How can we preserve and protect marginal voices within art? We can preserve and protect marginal voices within art by ownership of our artwork, support more black businesses and create black businesses. It’s important for black culture to have more investments in our own art to preserve our own history. Often times our art is not showcased or given the same opportunities as the average European male artists. It’s vital that we


Articles inside

Digital Resources

13min
pages 155-166

Further Reading

4min
pages 151-154

Bibliography

1min
pages 149-150

Key Terms

4min
pages 144-145, 147-148

It's Never East to Say Goodbye by Bee Smith

1min
pages 142-143

The Pedantic Inventor 1 by Andrew Hart

1min
pages 138-141

NY-LON by Favour Jonathan

3min
pages 134-137

Black Girl Series by Ryann L. Oakley

2min
pages 128-133

An Interview with Gold Maria Akanbi

7min
pages 124-127

Introspection Illusion by Bunmi Agusto

1min
pages 122-123

Diversity Reports by Kourtney Paul Stuart-Mason

2min
pages 114-121

Black Female Bodies by Shannon Bono

1min
pages 112-113

Retweet by Lois Majek-odunmi

1min
pages 108-111

Akwaaba. The Balancing Act: Being Both Black and British by Rose Ofori-Darkwah

1min
pages 106-107

Mercedes Lewis

3min
pages 104-105

The Modern Day Black Woman

1min
pages 100-103

Generica/Obamacare

1min
pages 96-99

Cherry by In\u00EAs Mour\u00E3o

1min
pages 92-95

I Don't See in Colour by Mercedes Lewis

8min
pages 84-91

2 Moons by Jonathan Fernandez

2min
pages 82-83

The 'Cool Black' by Gold Maria Akanbi

2min
pages 80-81

Motherhood (Series) by Sharon Foster

2min
pages 74-79

Base Head Jazz by Alaa Kassim

1min
pages 70-73

Arts 'Double Character' Rayvenn Shaleigha D'Clark

5min
pages 64-69

Blk. by Inës Mourão

1min
pages 58-63

Sam Nairobi (2017) by Awuor Onyango

1min
pages 56-57

House Party by Favour Jonathan

3min
pages 52-55

Tesifa (2019) by Mikael Calandra Achode

1min
pages 50-51

Agbogho II by Chizitalu "Chiizii" Uwechia

2min
pages 44-49

The Extraordinary Qualities of the Gaderene Swine by Tam Joseph

1min
pages 40-43

Body by Shannon Bono

1min
pages 38-39

Jason Sam (Antony)

1min
page 37

Inés Mourão

1min
page 36

Sankara (2018) by Ethel-Ruth Tawe

1min
pages 34-35

Key Term Video: Art Activism

1min
pages 32-33

Donald Rodney - 20 Year Anniversary (1961-1998)

3min
pages 30-31

For Us, By Us

1min
pages 24-29

Key Data

1min
pages 20-23

A Note from Richie Manu

5min
pages 17-19

A Note from Lawrence Lartey

5min
pages 14-16

Peer Review: Lawrence Lartey and Richie Manu

2min
pages 12-13

A Note From the Leads

4min
pages 8-11

Welcome.

4min
pages 1-3, 6-7
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