Southern Theatre, Vol. 61, Issue 2

Page 6

Plays About Uncomfortable Truths by Zackary Ross

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lays often reveal characters coming to terms with themselves in profound ways. As a result of circumstance, they become aware of a previously unknown or unspoken truth about their nature and their relationships to others. The Greeks spoke of these as moments of

recognition and believed them central to the very nature of drama. What follows is a collection of newly-published plays from major play publishers that feature characters grappling with uncomfortable truths about themselves or their community. Following each description, you’ll find information about the cast breakdown and a referral to the publisher who holds the rights. Human Rites, by Seth Rozin

in life can sometimes be painful and confus-

an invitation to the school’s upcoming

After reading a controversial paper on

ing, our mere act of existence has meaning

Sadie Hawkins dance, a springboard to

female circumcision practices to his

in and of itself.

his rise to the top. This poignant, funny

undergraduate class, Alan Friedman is

Cast breakdown: 3 females; 2 males

and thoroughly engrossing play offers a

summoned to Dean Michaela Richards’

Publisher: Samuel French

brilliantly nuanced and complex study of

office to discuss his students’ objections.

www.samuelfrench.com

disability on stage.

Complicated by their romantic history

Cast breakdown: 4 females; 2 males* (*re-

years earlier and the racial differences

Amy and the Orphans,

quires one actor with cerebral palsy and

that exist between them, the conversation

by Lindsey Ferrentino

one wheelchair user)

quickly becomes heated and the two trade

When adult siblings Maggie and Jake

Publisher: Dramatists Play Service, Inc.

assertions of white privilege and Western

must tell their sister Amy, who has Down

www.dramatists.com

superiority. When Dean Richards brings

syndrome, about their father’s death, they

in a third party – an African graduate

unwittingly discover that they know very

A Good Farmer, by Sharyn Rothstein

student familiar with the people studied

little about their parents’ decision to place

Bonnie is a widow struggling to keep her

in Dr. Friedman’s paper – to contradict his

Amy in a state home for most of her life.

small cabbage farm operating with the

findings, tensions boil over and the ground

Touching, deeply funny and, at times,

help of her best friend, Carla, an undocu-

shifts dramatically under their feet.

heartbreaking, Amy and the Orphans ex-

mented worker. Set against the immigration

Cast breakdown: 2 females; 1 male

plores the slowly expanding rift that can

battleground that is our current political

Publisher: Broadway Play Publishing

develop between siblings when adulthood

landscape, A Good Farmer puts a human face

www.broadwayplaypub.com

changes their relationship.

on the nature of this conflict and examines

Cast breakdown: 4 females*; 2 males

the humanity we lose when differences are

A Life, by Adam Bock

(*requires one actor with Down syndrome)

used as a wedge to divide us.

Lamenting yet another breakdown of a

Publisher: Samuel French

Cast breakdown: 5 females; 3 males (flex-

relationship due to his “intimacy issues,”

www.samuelfrench.com

ible casting)

Nate Martin looks for meaning outside

Publisher: Dramatists Play Service, Inc.

himself – first in the astrological charts he

Teenage Dick, by Mike Lew

has come to depend on and later through

In this retelling of Richard III, one of

the advice given to him by his best friend,

Shakespeare’s most iconic villains is

Curtis. Ultimately, he discovers the futility

reimagined in the form of a 17-year-old

of his endless search for life’s answers in a

high school student with cerebral palsy.

shocking twist midway through the play.

Plotting his ascent to high school royalty –

Bock’s darkly humorous A Life reminds

and the class presidency – young Richard

audiences that while the search for answers

plays on Anne’s liberal guilt to secure

4 x Southern Theatre x Winter 2020

www.dramatists.com n

Zackary Ross, an assistant professor of theatre at Bellarmine University in Louisville, KY, also works regularly as a director and a dramaturg.


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