Dessner VOY A DORMIR

Page 1

Voy a Dormir Four Poems by Alfonsina Storni for Mezzo-soprano and Orchestra

Full Score

Bryce Dessner

CHESTER MUSIC


This work was co-commissioned by Carnegie Hall, Orchestra of St. Luke’s (made possible through the generosity of Linda and Stuart Nelson), and Los Angeles Chamber Orchestra. The World Premiere was given by the Orchestra of St. Luke’s and Kelley O’Connor in Stern Auditorium/Perelman Stage at Carnegie Hall in New York City on February 15, 2018. INSTRUMENTATION 2 Flutes (2nd doubling Piccolo) Oboe Cor Anglais 2 Clarinets in B (2nd doubling Bass Clarinet) 2 Bassoons 2 Horns in F 2 Trumpets in C Timpani Percussion: Crotales Glockenspiel Xylophone 2 Vibraphones Tubular Bells Triangle Woodblocks Snare drum Bass drum Tam-tam

Harp Piano Strings Duration: c. 21 minutes. Full score in C.


for Kelley O'Connor

Voy a Dormir Four Poems by Alfonsina Storni Bryce Dessner

1. Yo en el fondo del mar Flute 1.2 (2 doubling Piccolo)

1

Oboe

4 4

Cor Anglais

4 4

Clarinet 1.2 in Bb (2 doubling Bass Clarinet)

A

q = 100 4 4

q = 106

4 4

Bassoon 1.2

4 4

Horn 1.2 in F

4 4

Trumpet 1.2 in C

4 4

Timpani

4 4 irregular patterns based on these rhythms, like a snare roll but with more variation consider rods and/or towel on snare for muted effect snare should feel textural and electronic, not overhwelming orchestra or voice in volume

Percussion

4 4 pp

Piano (doubling Celesta)

3

pp

4 4 4 4

mp

4 4 Harp

Mezzo-soprano

Violin I

4 4

4 4

q = 100 4 4

Violin II

4 4

Viola

4 4

A

3

3

3

3

3

3

3

3

3

3

3

3

p

4 4 Violoncello

div.

mp

4 4 mp

Contrabass

4 4

div.

mp

Copyright Š 2017 Chester Music Limited

p

q = 106

3


2 6 Perc. 3

3

3

3

3

3

Pno.

Cb.

9 Picc. p

Perc. 3

3

3

3

3

3

Crot. mp

6

p

Pno.

6

6

unis.

Vc. p

Cb. p

12 Picc.

Fl. 1 mp

Ob. mp

Perc. 3

3

3

3

3

3

Crot.

6

6

6

Pno.

Vln. I

div.

p

Vln. II p

Vla. pp

Vc. pp

Cb. mp


3 15 Picc. mf

6

6

Fl. 1

Ob.

Cl. 1 mp

Hn. 1 mp

Perc. 3

3

3

3

3

3

3

3

6

Pno.

p

3

3

Vln. I

p

Vln. II

Vla.

Vc.

Cb.

B

18 Picc. 6

Fl. 1 6

Cl. 1 p

Hn. 1

Perc. 3

Pno.

3

3

3

3

6

3

6

3

6

3

pp

3

p

M-S. En

B Vc. p

Cb.

el

fon


4 21 Cl. 1

Perc. 3

Pno.

3

3

3

3

3

pp

M-S. do

del

mar

hay

u

na

Vc.

Cb.

24 Fl. 1 p

6

6

Cl. 1

Perc. 3

3

3

p

Pno.

3

3

3

6

6

pp

mf

M-S. ca

sa

de

cri

stal.

A

Vla. p

Vc.

div.

p

p

Cb.

p

u

na

a

ve


5 27 Fl. 1 6

6

Cl. 1 p

6

Bsn. 1 mp

Hn. 1 mp

Perc. 3

3

3

3

3

6

6

Pno.

3

6

M-S. ni

da

de

ma

dré

por

as

da.

unis.

Vln. I mp

Vln. II mp

Vla. mp

mp

Vc.

Cb.

30 Cl. 1 6

6

6

Bsn. 1

Hn. 1

Perc. 3

3

3

3

6

Pno.

3

3

6

6

mf

M-S. Un

Vln. I

Vln. II

Vla.

Vc.

Cb.

gran

pez

de

or

o,

a

las

cin

co,

me


6 33 Picc. mp

Fl. 1 p

6

6

6

Ob. mp

C. A. mp

Bsn. 1 mp

Perc. 3

3

3

3

6

pp

Pno.

3

3

6

6

3

M-S. vie

ne

a

sa

lu

dar.

Me

tra

e

unis.

Vc.

Cb.

36 Picc.

Fl. 1 6

6

6

Ob.

C. A.

Bsn. 1

Hn. 1 mp

Perc. 3

3

3

6

Pno.

3

3

3

6

6

M-S. un

ro

jo

ra

mo

de

Vc.

Cb. p

flor

es

de


7

C

39 Fl. 1 6

6

6

Ob. mf

Hn. 1 mp

Perc. 3

3

3

3

3

3 3

3

6

Pno.

mp

3

3

f

M-S. co

ral,

un

gran

pez

C

de

or

o. 6

6

Vln. I mp

sfz

sfz 6

6

Vln. II mp

sfz

sfz

Vla.

Vc. mp

Cb.

42 Fl. 1 6

6

Ob.

C. A. mf

Cl. 1 mf

Hn. 1

Perc. 3

3

3

3

Pno.

3

3

3

6

6

6

3

pp

3

Hp. p

M-S. Duer

mo

en

u

na

ca

ma

un 6

6

Vln. I sfz

sfz

mf 6

6

Vln. II sfz

Vla.

Vc.

Cb.

sfz

mf

po

co

mรกs


8 45

3

3

3

3

Picc. 3

3

p

3

3

Fl. 1 p

Cl. 1

Perc. 3

3

3

Pno.

3

3

3

3

3

3

3

3

3

pp

Hp.

M-S. a

zul

que

el

mar.

Un

pul

po

Vln. I

Vln. II

Vla. mf

sfz

6

sfz

6

sfz

6

sfz

6

Vc. mf

Cb. mf

48

3

3

3

3

3

3

3

3

Picc.

Fl. 1

Ob. mf

Cl. 1

Hn. 1 p

Hn. 2 p

Perc. 3

Pno.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Hp.

M-S. me

Vc.

Cb.

ha

ce

gui

ños

a

tra

vés


9 51 Fl. 1 mf

Hn. 1

Hn. 2

Perc. 3

Pno.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Hp.

M-S. del

cri

stal.

Vln. I mf

f

Vln. II mf

f

Vla. mf

f

Vc.

Cb.

D 54

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 1 p

Fl. 2 p

Ob. p

Cl. 2 p

Bsn. 1 mf

Hn. 1 mf

Timp. mf

p

Pno.

f

M-S. En

D

3

Vln. I mp

Vln. II mp

Vla. mp

Vc.

div. mp

mp

Cb. mf

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

el 3

bos 3

que 3

ver 3

de 3


10 57

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 1

Fl. 2 with voice

Ob. mp

Cl. 2

Bsn. 1

Hn. 1 p

Timp.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Pno.

as if fading away, clock like

M-S. que

me

3

cir

3

cun

3

da

3

din

3

3

3

3

3

3

3

3

3

3

3

don

din

dan

din

don

3

Vln. I

Vln. II

Vla.

mf

Vc.

Cb.

60

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 1

Fl. 2 3

Ob.

3

echo

C. A. mp

Bsn. 1 3

mp

Hn. 1 mp

Timp.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

6 3

Pno.

3

3

3

3

3

3

3

3

3

3

3

f

3

M-S. din

don

3

din

3

dan

3

don

se

3

3

3

3

ba

lan

3

mf

Cb.

3

mf

an

y

6

3

Vln. I

Vc.

ce

3


11 63 Bsn. 1 pp

mf

Hn. 1 pp

Hn. 2 pp 3

3

3

Pno.

3

M-S. can

tan

las

si

re

nas

short

Vln. I short

mf

6

6

3

3

Vln. II 3

mf

3

short 3

3

Vla. 3

mf

3

mf

Vc.

mf

Cb. mf

66

6

6

6

6

6

Fl. 1 3

3

mf

3

3

3

3

Ob. 3

mf

3

3

3

Cl. 1 3

mf

3

Bsn. 1

Hn. 1

Hn. 2

6

6

Pno.

3

mf

3

3

3 3

3

6

3 3

3

3

6

6

6

Vln. I 3

3

3

3

3 3

3

Vln. II 3

3 3

3

Vla. 3

Vc.

Cb.

3


12

E 69

take time here q = 100

plaintive

with voice

Ob. mp

B. Cl. p

Bsn. 1 p

Hn. 1 p

Hn. 2 p 3

Orch. Bells pp

Pno.

mp

plaintive

M-S. de

E

nĂĄ

car

ver

de

mar.

Y

so

bre

mi

ca

be

za

ar

take time here q = 100

Vln. I pp

Vln. II

div.

pp

pp

Vla.

altre

sola

mp

pp

Vc.

mp

pp

mp

pp

mp

pp

Cb.

77 Ob.

B. Cl. with voice

Bsn. 1 mp

Hn. 1

Hn. 2

M-S. cre

Vln. I

Vln. II

tutte

Vla.

Vc.

Cb.

pĂşs

cu

lo,

las

e

ri

za

das

pun

tas

del

mar.

den,

en

el


13

2. Dulce Tortura 85

F

Piccolo

4 4

Flute 1

4 4

Oboe

4 4

Cor Anglais

4 4

Clarinet 1 in Bb

4 4

Bass Clarinet in Bb

4 4

Bassoon 1

4 4

q = 90 pp

pp

pp

p

pp

pp

pp

pp

pp

pp

4 4 Piano

mp

4 4

F

q = 90

note in violins- except where solo, all violins should play

4 4

Violin I

Violin II

4 4

Viola

4 4

Violoncello

4 4

Contrabass

4 4

pp

ppp

pp

ppp

pp

pp

p

mp

pp

pp

p

mp

p

95 Picc. p

Fl. 1 p

5 4

4 4

5 4

4 4 ppp

5 4

Ob. p

C. A. pp

Cl. 1 p

B. Cl. p

Bsn. 1

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

p

Hn. 1 pp

Hn. 2

pp

Pno.

M-S.

5 4

4 4

5 4

4 4

5 4

4 4

mf

Pol

5 4

Vln. I

4 4

(ppp)

Vln. II

solo

pp

5 4

4 4

5 4

4 4

(ppp)

Vla. pizz.

Vc. pp soft

Cb.

5 4 5 4

arco p

4 4 4 4

pp

pp

vo

de

o

ro


14 103

5 4

4 4

5 4

4 4

5 4

4 4

Cl. 1

5 4

4 4

B. Cl.

5 4

4 4

5 4

4 4

Fl. 1 p

Ob. mp

C. A. p

mp

Bsn. 1 mp

mp

mp

5 4

Hn. 1 mp

4 4 mp

3

5 4

4 4

5 4

4 4

5 4

4 4

mp

Pno.

sf

M-S. en

tus

ma

nos

fue

mi

me

lan

co

lĂ­

a

so

tutti

bre

tus

Vln. I

5 4

4 4

Vln. II

5 4

4 4

5 4

4 4

5 4

4 4

ma

nos

lar

gas

pp

Vla. pp

Vc. mp

5 4

Cb.

mp

4 4

mp

pp

pp

110

G

5 4

Fl. 1 mp

4 4

5 4

4 4

5 4

4 4

Cl. 1

5 4

4 4

B. Cl.

5 4

4 4

5 4

4 4

Ob. mp

C. A. mp

mp

Bsn. 1 mp

p

mp

5 4

Hn. 1 mp

4 4 mp

3

3

5 4

4 4

5 4

4 4

5 4

4 4

mp

Pno.

pp poco espress.

sf

M-S. des par

ra

mĂŠ

mi

vi

da;

mis

dul

zur

as

que

da

ron

a

mp

Vln. II

ma

G 4 4

5 4

Vln. I

tus

5 4

4 4

5 4

4 4

5 4

4 4

mp

Vla. mp

Vc. mp

Cb. mp

5 4

mp

4 4

light, air like pp

nos

pren di

das;


15 116

5 4

4 4

Fl. 1

5 4

4 4

Ob.

5 4

4 4

C. A.

5 4

4 4

Cl. 1

5 4

4 4

B. Cl.

5 4

4 4

Bsn. 1

5 4

4 4

Hn. 1

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

Picc. p

p

pp

Pno.

M-S. a

hor

a

soy

un

án

fo

ra

de per fum

5 4

Vln. I

es

va cí a.

4 4 ppp

Vln. II

5 4

4 4

Vla.

5 4

Vc.

5 4

4 4

Cb.

5 4

4 4

ppp

123

pizz.

arco

4 4

ppp

H

Picc.

5 4

4 4

Fl. 1

5 4

4 4

Ob.

5 4

4 4

C. A.

5 4

4 4

Cl. 1

5 4

4 4

B. Cl.

5 4

4 4

Bsn. 1

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

3

pp

Hn. 1 p

Pno.

M-S.

3

pp poco espress.

Cuán

H Vln. I

5 4

4 4

solo

5 4

4 4

solo

(ppp)

Vln. II (ppp) pizz.

5 4

Vla.

arco

4 4

sola

pp pizz.

Vc.

arco

5 4

4 4

pp

Cb.

solo

pp

5 4

4 4

ta

dul

ce

tor

tu

ra

quie

ta

men

te

su


16 130

I

Fl. 1

6 4

Ob.

6 4

C. A.

6 4

4 4

6 4

4 4

mp

Cl. 1 3

4 4

mp

4 4

mp

6 4

Bsn. 1

4 4 mp

6 4

Hn. 1

4 4 p

6 4

4 4

6 4

4 4

6 4

4 4

3

mp

Pno.

3

sf mp

M-S. fri

da

cuan

do,

pi

ca

da

el

al

ma

de

tri

tutti

6 4

tutti

6 4

Vln. I

ste

za

som

brí

a,

sa

be

do

ra

de

en

ga

ños,

I

4 4

mp

Vln. II

4 4 mp

tutte

6 4

Vla.

4 4 mp

tutti

6 4

Vc. p

6 4

Cb.

4 4 mp

4 4

pp

pp

mp

136

6 4

Fl. 1 mp poco espress.

4 4 mp

Ob.

6 4

C. A.

6 4

4 4

6 4

4 4

mp

Cl. 1

4 4 pp

mp

mp poco espress.

B. Cl.

6 4

4 4

Bsn. 1

6 4

4 4

mp poco espress.

mp

Hn. 1

6 4

4 4

6 4

4 4

6 4

4 4

mp poco espress.

mp

Pno.

3

sf

6 4

M-S. pa

sa

da

los

as

!

me

be

san

do

las

dos

ma

nos

mp

que

6 4

Vln. I mp

Vln. II

4 4 me

a

ja

ban

la

4 4 mp

4 4

6 4 mp

6 4

Vla.

mp

mp

6 4

Vc. mp

Cb.

4 4

6 4

4 4 mp

4 4

pp

pp

vi


17 142 Fl. 1 ppp

Ob.

Cl. 1 p l.v.

pppp as if an after thought

Pno.

3

M-S. da!

la

vi

da!

solo

Vln. I ppp

Vc.

Cb.

3. Faro en la Noche J 148 Piccolo

4 4

Oboe

4 4

q = 86

non vib. p

Cor Anglais

mf

4 4

p

Clarinet 1 in Bb

p

mf

p

mf

p

non vib.

4 4

p

Bassoon 1

mf

non vib.

4 4 p

Horn 1 in F

4 4 p

Horn 2 in F

4 4 p

Trumpet 1 in C

4 4 p

J Violin I

4 4

q = 86

tutti bow on top of bridge no pitch, air sound

ppp

4 4 Violin II

div.

4 4

bow on top of bridge no pitch, air sound

ppp bow on top of bridge no pitch, air sound

ppp

Viola

4 4

bow on top of bridge no pitch, air sound

ppp

Violoncello A

bow on top of bridge no pitch, air sound

4 4 ppp

Contrabass

mf

non vib.

4 4

p

Clarinet 2 in Bb

mf

non vib.

bow on top of bridge no pitch, air sound

4 4 ppp


18

K

156

q = 80

Ob. p

p

C. A. p

p

Cl. 1 p

p

Cl. 2 p

Bsn. 1 p

Hn. 1 p

pp

Hn. 2 p

pp

Tpt. 1 p

Glock. 3 pp extremely quiet- distant echo with vibraphone

soft mallets lightly defined

Vib. p

p

Pno.

slowly sound pitch with light sul. pont.

K

q = 80

Vln. I ppp

slowly sound pitch with light sul. pont.

ppp

Vln. II slowly sound pitch with light sul. pont.

ppp

slowly sound pitch with light sul. pont.

Vla. ppp

slowly sound pitch with light sul. pont.

Vc. ppp slowly sound pitch with light sul. pont.

Cb. ppp

pp

3


19 165 Hn. 1 mp

p

mf

mp

p

mf

Hn. 2

sim.

Glock. 3

3

3

3

3

3

sim.

Vib.

sim.

Pno.

mp

M-S. Es

fer

a

ne

gra

el

cie

lo

y

dis

co

ne

gro

Vln. I

Vln. II p

thin light sul pont.

Vla. ppp thin light sul pont.

Vc. ppp thin light sul pont.

Cb. ppp

171 Hn. 1 mp

Glock. 3

3

3

3

3

Vib.

Pno.

M-S. el

mar.

Ab

re

en

la

co

sta,

el

fa

ro,

su

adding slight accent with tremolo create surface texture

Vln. I sfp

adding slight accent with tremolo create surface texture

Vln. II sfp

sfp

Vla. sfp

sfp

Vc. mp

Cb. mp

a


20 176 Ob. p 5

5

5

5

5

5

5

Cl. 1 mp staccato

Hn. 1 mp

Glock.

Vib.

5

p

Pno.

5

5

5

5

5

5

5

5

5

5

mf

M-S. ba

ni

co

so

lar.

A quién

bus

ca

en la no

che

que

gi

ra

sin

ce

sar?

Vln. I

Vln. II

Vla. p

5

5

5

5

5

5

5

5

5

5

5

5

Vc.

Cb.

L

182 Picc.

mp 5

Ob. 5

5

p

5

Cl. 1

5

5

Hn. 1 p 5

5

5

5

Pno.

5

5

5

5

5

5

5

5

5

5

5

mf

5 5

5

5

5

5

5

5

Hp. p mf

M-S. Si

en

el

pe

cho

me

bus

L

ca

el

cor

a

zón

mor

Mi

5

5

5

tal.

5

re

5

Vln. I mp

5

5

5

5

Vln. II mp

5

Vla. 5

5

p

5

5

5

5

5

5

5

div.

Vc. mp

5

mf

5

5

Cb. mp

5

mf

5

5

5


21 187 Picc.

5

Ob. 5

Cl. 1 mp articulate

5

5

Hn. 1

Tpt. 1 mp

articulate, points

Xyl. p

articulate, points

Vib. p

5

5

5

5

5

5

5

Pno.

5

5

5

5

5

5

5

5

5

Hp.

M-S. la

ro

ca

ne

gra

don

5

5

de

cla

va

do

5

5

es

tรก.

5

Un

cuer

5

vo

pi

5

Vln. I mp

5

5

5

5

5

5

Vln. II mp

5

5

5

Vla. 5

5

5

5

5

5

5

Vc. 5

5

Cb. 5

5

5

ca


22 191 Picc.

Ob. mp

Cl. 1

Bsn. 1 mf

3

3

3

3

Hn. 1 mf

Tpt. 1

Xyl. p

Vib. p

5

5

5

5

5

5

5

5

Hp.

this rhythm can float across

f

M-S. si

em

5

pre,

pe

ro

no

san

gra

5

5

ya.

5

Vln. I 5

mp

5

5

5

Vln. II 5

mp

5

Vla. 5

5

5

5

5

5

unis.

Vc. f

3

3

3

3

3

3

3

3

3

3

3

3

Cb. f

5

5


23 195 Picc. mp

Ob.

Bsn. 1 3

3

3

3

Hn. 1 mp

Hn. 2 mp

Xyl.

Vib.

5

5

5

5

5

5

5

p

Pno.

5

mf

5

5

5

5

5

Hp. p

M-S.

p

mp

p

div. a 3

Vln. I p

mp

p

p

mp

Vln. II

p

mp div.

p

p

mp

Vla.

p

div.

5

5

5

5

5

5

p

5

Vc. 3

mf

5

Cb. 3

3

p

p

5

div.

3

p

mf

5

p


24 199 Bsn. 1 mf

5

Hn. 1 mp

mf

5

Hn. 2 mf

5

Tpt. 1 mf

5

5

5

5

5

5

Pno.

5

5

5

5

5

5

5

mf

5

5

5

5

5

5

Hp. mp

p

mp

mf

Vln. I p

mp

p

mf

mp

p

mf

mp

mf

Vln. II

p

mp

p

mf

mp

mf

Vla.

p

mp

mf

Vc. mf

5

f

5

Cb. mf

5

f

5


25 203

5

5

5

5

5

5

Ob.

Hn. 1

Hn. 2

5

5

5

5

5

5

5

5

Pno.

5

5

5

5

5

5

5

5

5

Hp. 5

mp

Vln. I mp

mp

mp

Vln. II

mp

mp

Vla.

mp

Vc. 5

5

5

5

Cb.


26

4. Voy a Dormir M

207 Piccolo

4 4

q = 86 mp

Oboe

4 4 p

Clarinet 1 in Bb

4 4 pp

Horn 1 in F

4 4 p

Timpani

4 4 p

medium hard mallets for bell like clarity

Vibraphone 1

4 4 pp

Vibraphone 2

4 4

medium hard mallets for bell like clarity

pp

Celesta

5

4 4

5

5

5

5

5

5

mf

soft

Harp

4 4

7

7

7

7

7

7

7

mp

M

q = 86

div.

4 4 pp

Violin 1

div. a 2

4 4 pp

4 4 Violin II

p

p

p

p

p

p

div.

4 4

4 4 Viola

p

pp

p

pp

div.

4 4

Violoncello

4 4 p

Contrabass

4 4


27 214 Picc. p

Ob. mp

C. A. mp

Cl. 1 mp

B. Cl. p

f

p

f

mf

Bsn. 1 mp

Bsn. 2 mp

Hn. 1 p

f

p

f

p

f

p

f

p

f

p

f

p

f

p

f

Hn. 2

Tpt. 1

Tpt. 2

5

5

5

5

Glock. mp

Orch. Bells p

Vib. 1 p

Vib. 2 p 5

Cel. mf

p

Pno.

7

7

7

Hp.

mf

M-S. Dien

short

Vln. I

p

p short

p (div.) short

unis.

Vln. II p

p div.

Vla.

Vc. mp

Cb. p

tes

de

flo


28 221 Ob. p

C. A. p

Cl. 2 p

5

5

Vib. 1 mp

Vib. 2

mp

Pno.

7

7

7

7

Hp. p

mp

M-S. res,

co

fi

a

de

ro

o,

ma

nos

de

Vln. I

hier bas,

tutti

sul pont.

mp

mf

mp

mf

mp

mf

mp

mf

pp

p

sul. pont

Vln. II mp unis.

pizz.

p

sf

mf

Vla. sf

sf

sf

sf

pizz.

Vc. p

sf

Cb. p

N

229 Ob.

p

Cl. 1 p

3

3

p

Bsn. 1 p

Hn. 1 p

pp

p

pp

pp

pp

Hn. 2

Tpt. 1

B. D.

p

mp

Pno.

sf

mp 7

7

7

7

7

Hp. 3

3

3

M-S. tú,

no dri za fi

N p

Vln. I

p

Vln. II pp div.

mp

arco

Vla. p arco

p

p

mp

Vc.

Cb.

na,


29 236 Picc. p

Ob. mp

p

5

Cl. 1 mp

p

B. Cl. p

Bsn. 1 p

p

Bsn. 2 p

Hn. 1 p

mp

Hn. 2 p

B. D. p

mf

Pno.

5

3

M-S. ten

me

pre

stas

las

sรก

ba

nas

ter

ro

sas

solo

mp

p

espress.

Vln. I mp

Vln. II

mp

p

div.

p

mp

Vla. mp

Vc. mp

3

3

Cb. mp

3

3

3

3

3


30 244 Picc. mp

Ob. mp

C. A. mp

Cl. 1 p

B. Cl. mp

sf

mp

sf

mp

sf

mp

sf

mp

sf

Bsn. 1 mp

Bsn. 2 mp

Hn. 1

Hn. 2

Pno.

M-S. y

el

e

dre

dรณn

de

mus

gos

es

car

da

dos.

tutti div. a 2

Vln. I

pp altri

pp

p

Vln. II

mp

pp

p

Vla.

sul pont.

stop on extreme pont. molto sul pont.

Vc. pp

p

Cb. pp

sfz

mp

f


31 252 Cl. 1

distant fog horn

Hn. 1 p

mf

Tpt. 1 mp

sfz

Timp. mf

p

T.-t. p

distant

3

Orch. Bells mp

Vib. 1 mp

3

mf

3

3

3

M-S. Voy

a

dor

voy

mir,

a

dor

solo

mir,

voy

a

dor

mir,

tutti

pp

sf

mp

sf

Vln. I half

p

sf

unis.

Vln. II p

sf

mp

sf

molto sul pont.

Vla. mp

f

3

p

molto sul pont.

(molto sul pont.)

mp

sf

3

Vc. f

molto sul pont.

mp

sf

molto sul pont.

Cb. mp

f

sf

sf

mf

f

3

3


32 261 Picc. mp

Ob. mp

C. A. mp

Cl. 1 mp

B. Cl. mf

Bsn. 1 mp

mf

Bsn. 2 mp

3

Hn. 1 mp

mf

Hn. 2 mp

shimmering arp. as desired sim.

Vib. 1 mp

mp

Pno.

underneath the voice, distant can place 'voy a dormir improvised over these pitches 3

3

3

3

3

3

3

3

M-S. voy

a

dor

mir,

short`

div.

pp short

Vln. I pp short

pp

short

Vln. II pp

Vla. pp

ord.

Vc. mf

Cb. mf


33 cresc. until cut off

266 Picc.

7 8

Ob.

7 8 3

C. A.

7 8

Cl. 1

7 8

Bsn. 1

7 8 p

7 8

Hn. 1 mp

7 8

Hn. 2 3

p

3

7 8

Tpt. 1 p

3

3

7 8

Timp. p

B. D.

7 8

p l.v.

7 8

Vib. 1

7 8 Pno.

7 8 3

3

3

3

3

3

7 8

M-S.

7 8 7 8

Vln. I

7 8 (div.)

7 8

Vln. II short

7 8

Vla. short

Vc.

7 8

Cb.

7 8

271

O

delicate like mist rising *each section together but larger polyrhythm can be blurred/approx.

Hn. 1

7 8

5 8

7 8

Hn. 2

7 8

5 8

7 8

O Vln. I

7 8

unis.

delicate like mist rising *each section together but larger polyrhythm can be blurred/approx. norm.

mp espress.

5 8

7 8 pp

pp

Vln. II

7 8

unis.

norm.

5 8

7 8 pp

pp

Vla.

7 8

norm.

5 8

7 8

5 8

7 8

pp

Vc.

7 8

norm.

pp

mp espress.


34 277 Bsn. 1 mp espress.

Bsn. 2 mp espress.

Hn. 1

Hn. 2

Vln. I

Vln. II

Vla.

Vc.

282 Bsn. 1

4 4

Bsn. 2

4 4

Hn. 1

4 4 p

Vln. I

4 4

Vln. II

4 4

Vla.

4 4

Vc.

4 4

Cb.

4 4 mp

287 B. Cl.

4 4

Bsn. 1

4 4

Glock.

sf

sf

sf

sf

sf

4 4 p

Vib. 1

sf

3

3

3

3

3

4 4 p

4 4 Pno.

Hp.

sub. p

mp

4 4 4 4 mp

Vln. I

4 4

Vln. II

4 4

Vla.

4 4

Vc.

4 4

sfz

sub. p

p

p

mp

mp

sub. p

sfz

sub. p


35

P

292

q = 80

Picc. p

Ob. p

B. Cl. sf

Bsn. 1 sf

Glock. 3

3

Vib. 1

Pno.

Hp. sfz mp espress.

M-S. Voy

P

a

dor

mir,

no

dri

za

mi

a

q = 80

Vln. I sub. p

Vln. II sub. p

pp sola

Vla. p espress.

Vc. sfz

pp

298 Picc. mp

C. A. p

Cl. 1 p

Bsn. 1 mp

M-S. a

cué

sta

me.

Pon solo

me

u

3

3

Vln. I p

Vln. II p tutte

Vla.

Vc.

na

lám

pa

ra 3

a

la

ca 3

be

ce

ra;

u

na


36 305 Picc. mp

Cl. 1 mp

3

3

3

3

3

3

Cel. p

M-S. con

ste

la

ciรณn;

la

que

te

gu

ste;

to

das

son

bue

(solo)

nas;

(solo)

Vln. I mp

Vln. II

Vla.

Vc. 3

3

3

3

Cb. mp

Q

311

q = 100

7 8

Picc.

7 8

Ob. mf

7 8

C. A. mp

3

3

3

3

7 8

Cl. 1 p soft 3

5

7 8

6

Tpt. 1 sfp

7 8

Vib. 1 sf 3

3

3

3

3

7 8

3

Cel.

short marcato

7 8

Hp. mf

7 8

M-S. bรก

ja

la

un

po

qui

to.

Q

q = 100

tutti

6

6

sim.

6

7 8

6

6

sim.

6

7 8

Vln. I sfp

Vln. II sfp

7 8

Vla. sfp 3

5

6

Vc. sfp

Cb.

7

3

7 8 7 8


37 316 Picc.

7 8

4 4 mp

Ob.

7 8

4 4

Cl. 1

7 8

4 4 mf

7 8

Bsn. 1

4 4 mf

7 8

Tpt. 1

7

4 4

3

5

3

3

7 8

4 4

Hp.

7 8

4 4

Vln. I

7 8

5

3

3

4 4

6

3

6

3

sfp

Vib. 1

5

3

3

7

5

6

6

5

6

6

3

6

sfp

7 8

Vln. II

5

4 4

6

3

3

3

7

3

6

sfp

7 8

Vla.

7

3

7 8

Vc.

6

3

3

sfp

4 4

3

3

sfp

7 8

Cb.

3

4 4 5

3

3

3

7

3

3

5

6

4 4 sfp

7

p

3

3

3

319 Picc.

7 8

Cl. 1

7 8

Bsn. 1

7 8 6

3

5

3

sfp

7 8

3

Tpt. 1

7

3

sfp 3

3

7 8

3

3

3

7 8

3

Vib. 1

Hp.

mf

7 8

M-S. ah

3

Vln. I sfp

3

3

3

Vln. II sfp

3

3 7

7

3 6

3

5

sfp

3

3

7

3

3

7

7 8

3

sfp 3

Cb. 3

6

sfp

3

Vc. 3

7 8 7 8

Vla. sfp

7

5

3

3

3

5

3

3

7 8

7 8

3

3

6

3

3


38 322

7

3

6

3

Cl. 1 6

sfp 3

6

6

3

Hn. 1 5

sfp

3

7

3

6

3

Tpt. 1 sfp 3

5

6

Tpt. 2

3

Vib. 1 sfp

6

3 3

Hp. sfp

3

f

M-S. ah

6

7

3

3

6

3

6

Vln. I sfp 6

7

3

6

6

6

6

Vln. II sfp 5

5

3

7

3

Vla. 6

sfp

3

3

5

6

Vc. 5

3

5

3

6

sfp

3

5

3

7

3

Cb. 3

325

4 4

Cl. 1 5

sfp

6

5

6

sfp

Hn. 1

4 4

Tpt. 1

4 4 sfp

7

3

3

7

mf

3

mf

3

5

f

sfp

5

3

3

3

3

3

4 4

Hp.

7

5

4 4

M-S. ah

sfp

4 4

6

3 5

3

3

7

6

5

sfp

6

3

6

3

div. a 3 3

6

3

6

4 4

Vln. I sfp

sfp

5

mf

4 4

5

mf

4 4

6

3

Vln. II sfp

5

sfp

3

sfp

sfp

Cb.

7

4 4

Vla.

div.

3

6

5

sfp

3

Vc.

3

6

3

3

3

3

3

3

5

4 4 3

6

3

3

sfp

7

3

3

3

3

sfp

3

5

3

3

3

3

4 4 mf

4 4

sfp

7

3


39

R

328 Picc.

f

Cl. 1 sfp

3

3

6

6

B. Cl. ff

Bsn. 1 ff

Hn. 1 ff

Hn. 2 ff 7

3

Tpt. 1

3

6

3

Tpt. 2

Timp. f dark toms with felt mallets

Toms f

dark, resonant

T.-t.

l.v.

f

Pno.

f

ff

Hp. 3

3

ff defiant

M-S. Dé

R 3

3

3

3

3

f

3

Vln. I f

f

3

Vln. II

3

3

3

3

3

div.

mp

f

7

3

Vla. 6

3

3

3

3

3

Vc.

f

f

f

Cb. 3

3

3

ff

ja

me

so

la:

3

3


40 333 B. Cl. ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

Bsn. 1

Hn. 1

Hn. 2

Tpt. 1

solo

Timp. f

ff

f

Toms f

3

3

B. D.

l.v.

T.-t. f

Vib. 1 3

mf

Pno.

ff

ff

M-S. o

yes

rom

per

los

bro

tes . . .

te

f

Vln. I f

unis.

Vln. II f

Vla. f unis.

Vc. f

Cb. ff

f

a

cu

na


41 339

5 4

Picc. f

f

5 4

Ob. mf

5 4

B. Cl. ff

ff

5 4

Bsn. 1 ff

ff

5 4

Bsn. 2 ff

ff

5 4

Hn. 1 ff

ff

5 4

Hn. 2 ff

ff

5 4

Tpt. 1 f

5 4

Timp. ff

5 4

B. D. sfz

l.v.

T.-t.

5 4

l.v. mf

mf

5

5

5 4

Vib. 1 3

3 3

3

5 4 Pno.

f

f

5 4

3

f

5 4

M-S. un

pie

cel

este

des

de

ar

ri

ba

y

un

pรก

ja

ro

5 4 div. a 2

Vln. I

f

mf

5 4 f

mf

5 4

Vln. II f

mf

5 4

Vla. f sul pont.

ord.

sul pont.

Vc. 3

5 4 5 4

Cb. f

ff


42 346 Picc.

5 4 f

5 4

Ob.

6

4 4 4 4 mf

5 4

Hn. 1

3

4 4

3

mf espress.

Pno.

M-S.

5 4

4 4

5 4

4 4

5 4

4 4

mp

mf

te

5 4

4 4

5 4

4 4

Vln. II

5 4

4 4

Vla.

5 4

4 4

Vln. I

3

f

tra

za

3

u

nos

com pa

ses

sub. mp

sub. mp

sub. mp

sub. mp

5 4

Vc.

4 4 sub. mp

5 4

Cb.

3

3

3

3

3

3

pizz.

4 4 sub. mp

mp

Tempo primo

S

353 Picc.

4 4

C. A.

4 4

q = 86 p

mf

4 4

Cl. 2

pp

Hn. 1

4 4

Hn. 2

4 4

p

mf p

4 4

Tpt. 1 p

4 4

Vib. 1

p

Pno.

4 4

7

7

4 4 mp soft

p 5

4 4

Hp.

5

mp

4 4

M-S. ah

Tempo primo

S

q = 86

4 4 div. a 3

Vln. I

4 4

pp

pp

espress.

4 4 4 4 Vln. II

div. mf

mf

Vla. mf

Vc. f arco

Cb. f

4 4 4 4 4 4 4 4

pp

pp

pp

pp


43 360 Picc. p

Ob. p

C. A. p

Cl. 1 p

Cl. 2

Hn. 1 mp

p

mp

mp

p

mp

Hn. 2

Tpt. 1 p

Timp. p

Orch. Bells p

Vib. 1

7

7

7

7

7

Pno.

5

5

5

5

5

Hp.

always small accent at front of harmonic mp

Vln. I mp

mp

Vln. II

Vla. mp div.

Vc. p

mp short

Cb. p

mp


44 365 Picc.

Cl. 1 mp

Cl. 2 mp

Bsn. 1 mp

sfp

Bsn. 2 mp

sfp

Hn. 1 p

f

p

f

p

f

p

f

p

f

p

f

p

f

p

f

Hn. 2

Tpt. 1

Tpt. 2

low rumble throughout

Timp. p

f

B. D. p

Orch. Bells

Vib. 1 p

Vib. 2 p

7

7

7

7

p

Pno.

5

5

5

5

Hp.

mf

M-S. pa

unis.

Vln. I mp

always small accent at front of harmonic unis.

Vln. II mp

Vla. mp

Vc. mp

Cb. mp

p

ra

que

ol

vi


45 371 Ob. p

Cl. 1 p

p

Vib. 1 sfz

Vib. 2 sfz

M-S. des . . .

Vln. I

Gra ci

as.

Ah,

un

en

car

go:

si

div.

mp

Vln. II

sul. pont

norm.

Cb. pp

mp

light accents on each note

378 Picc.

p

light accents on each note

Ob. p light accents on each note

C. A. p

light accents on each note

Cl. 1 p

Bsn. 1 mf

Bsn. 2 mf

Hn. 1 mf

Hn. 2 mf

Timp. p

Pno.

ff

mp

3

5

3

3

M-S. lla

ma

nu

e

va

men

te

por

el

te

fo

no

le

mf

Vln. I

mf

Vln. II mf

Vla.

div.

mf

mf

mf

mf

mf

Vc.

Cb. mf

ff

di

ces

él


46 385 Picc.

Ob.

C. A.

Cl. 1

Bsn. 1 p

mp

Hn. 1 mf

Orch. Bells mp

p

Vib. 1

Pno.

mp

mf

mp

mf

5

3

M-S. que

no

in

si

sta,

que

he

sa

li

do . . .

quiet trem.

p

sf

Vln. I

sf

p

Vln. II p

slight accents

unis.

Vla. mp

mp

Vc. p

3

3

3

3

3

Cb. mp


47 392 Picc. p

Ob. p

B. Cl. p

p

f

p

p

f

p

p

f

p

f

p

f

Bsn. 1

Bsn. 2

Hn. 1 p

Hn. 2 p

Timp. sfz

B. D. f

p

bowed crotale

Crot. mp

Orch. Bells

Vib. 1

Pno.

l.v.

div.

sf

Vln. I

sf

mp

mp

sf

Vln. II

div.

sf

sf

sf

sf

mp

mp

Vla. p

Vc. 3

3

mp

Cb. mf

mp

f


48 399 Picc. p

mp

Ob. p

mp

C. A. p

p 3

3

3

Cl. 1 p

B. Cl. p

Bsn. 1 p

mp

Hn. 1 p

Vln. I

p

mp

unis.

mp

p

Vln. II p

mp

mp div.

unis. plain non vib.

Vla. mp

Vc. p

mp

Cb. p

T

405 Picc.

improvise these pitches breathe as needed

Ob. mp 3

3

3

3

3

C. A.

3

3

Cl. 1

B. Cl. 3

3

3

3

Bsn. 1

l.v.

Vib. 1 sf figure can be improvised with these pitches and rhythm trill-like

pp

Pno.

3

M-S. voy

T Vln. I

a

dor

mir,

pp

Vln. II

Vla. molto pont.

Vc. p

Cb.

f

p

3

6


49 410 Ob.

improvise these pitches breathe as needed 3

C. A. mp

improvise these pitches breathe as needed

3

5

5

5

5

Cl. 1 mp

5

improvise these pitches breathe as needed

Cl. 2 mp

5

improvise these pitches breathe as needed

Bsn. 1 mp improvise these pitches breathe as needed

Bsn. 2 mp

Hn. 1 mp

Hn. 2 mp

Timp. p

p

p

p

B. D.

l.v.

T. Bells mp

sim.

Pno.

3

3

M-S. voy

a

dor

mir,

voy

a

Vln. I

Vln. II

Vla. mp

Vc. 3

Cb.

3

3

dor


50

U

413 Ob.

C. A.

Cl. 1

Cl. 2

Bsn. 1 mf

Bsn. 2 mf

3

6

Hn. 1 ff 3

Hn. 2 ff 3

Tpt. 1 f

Tpt. 2 mf

Timp.

B. D.

lv.

T.-t. f

mp

T. Bells f

Vib. 1 f

f

Pno.

M-S. mir . . .

U Vln. I

Vln. II

Vla.

Vc. 3

3

Cb. f


51 416 Picc. pp

Ob. pp

C. A. pp

3

5

3

5

Cl. 1 f

Bsn. 1

Bsn. 2

7

3

3

3

3

5

3

5

3

6

Hn. 1

7

3

5

6

3

6

3

Hn. 2 3

5

7

Tpt. 1 3

5

3

5

Tpt. 2

T. Bells

Vib. 1

sim.

Pno.

pp

Vln. I

pp

Vln. II

div.

pp

pp

Vla.

div.

pp

pp

Vc. pp

Cb. pp


52 420 Picc.

Ob.

C. A.

Bsn. 1

Bsn. 2

7

3

3

3

5

3

5

Hn. 1

7

3

5

3

5

3

5

Hn. 2

7

3

3

3

5

3

5

Tpt. 1

7

3

5

Tpt. 2

T. Bells

l.v.

Vib. 1

l.v.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.


53

V

423 Picc.

p

Hn. 1 pp

players can add 2 beats of light tremolo sul pont. uncoordinated gradually across this section, begin at the back moving forwards should feel random, responsive

V ppp div. a 3

Vln. I ppp

ppp

ppp

Vln. II riccochet

riccochet

sf

sf

unis.

Vla. p poco espress.

mp

Vc. p poco espress.

mp

430 Picc.

Pno.

ppp

Vln. I

Vln. II ricochet

sf

div.

Vla.

p

pp

p

pp

Vc. p

Cb. p


54 432 Picc.

Hn. 1 pp

T.-t. ppp very soft

Pno.

Vln. I riccochet

sf

p

Vln. II

ricochet

ricochet

unis.

sf

Vla. sf

Vc. mf

Cb. mf

434

l.v.

T.-t. l.v.

Pno.

Vln. I ricochet

sf

p

Vln. II

Vla.

Vc.

Cb.

436

l.v.

T.-t. continue pattern ad lib.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

l.v.