THE LIFE OF CARROLL SHELBY HISTORY MUSEUM by sbusche1

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THE LIFE OF CARROLL SHELBY HISTORY MUSEUM

table of contents SENIOR CAPSTONE PROJECT Shelby Busche / sbusche1@live.maryville.edu YEAR 4 / SPRING 2021 LOCATION: ART DISTRICT / DALLAS, TEXAS PROFESSORS: MIKE KELLER + HELEN LEE

PROJECT OVERVIEW HISTORY DESIGN STANDARDS GOALS + INTERESTS + TRENDS PROBLEM + CONCEPT STATEMENT LOCATION PARTI + BUBBLE DIAGRAMS FLOOR PLAN REFLECTED CEILING PLAN FIXTURE KEY MAIN BUILDING: RENDERINGS, ELEVATIONS, SECTION PERSPECTIVE, DETAIL DRAWING, + CUSTOM APP

MUSEUM BUILDING: RENDERINGS, ELEVATIONS, SECTION PERSPECTIVE, + DETAIL DRAWING

MATERIALS SOURCES

1-2 3-4 5 6 7 8-9 10 11-13 14 15 16-19 20-25 26-27 28

PROJECT OVERVIEW CARROLL HALL SHELBY: ICONIC AMERICAN AUTOMOTIVE DESIGNER, RACER, + ENTREPRENEUR

NOVEMBER 1941, SHELBY BEGAN TRAINING AT THE AVIATION CADET CENTER IN SAN ANTONIO, TEXAS.

BORN IN LEESBURG, TEXAS ON JANUARY 11, 1923 + DIED ON MAY 10, 2012

NOVEMBER 1946, SHELBY STARTED A DUMP TRUCK BUSINESS IN DALLAS, TEXAS

MARRIED SEVEN TIMES: DECEMBER 18, 1943 - FEBRUARY 1960 TO JEANNE FIELDS HAD 3 CHILDREN: SHARON ANNE SHELBY, MICHAEL HALL SHELBY, + PATRICK BERT SHELBY

IN 1949, SHELBY STARTS HIS OWN FARM RAISING CHICKENS, WHICH BROUGHT IN $5000 PROFIT, BUT EVENTUALLY THE CHICKENS BECOME ILL + CAUSES SHELBY TO GO BANKRUPT

1962 TO ACTRESS JAN HARRISON BUT CANCELED THE WEDDING AT THE LAST MINUTE A NEW ZEALAND WOMAN FOR LESS THAN A WEEK

SANDRA BRANDSTETTER FOR THREE YEARS

1989 - 1994 TO CYNTHIA PSAROS

A SWEDISH WOMAN NAMED HELENA DAHL BUT DIED IN A CAR ACCIDENT IN 1997

FOUR MONTHS LATER MARRIED A BRITISH WOMAN NAMED CLEO + WAS STILL MARRIED WHEN SHELBY PASSED AWAY IN 2012

MAY 1952, SHELBY PARTICIPATES IN HIS FIRST RACE IN NORMAN, OKLAHOMA JANUARY 1954, SHELBY’S DRIVING SKILLS BRING ATTENTION TO THE ASTON MARTIN TEAM + OFFERS AN OPPORTUNITY TO DRIVE AN ASTON MARTIN DB3 AT SEBRING IN APRIL 1954 JUNE 12-12, 1954, SHELBY DRIVES AT LE MANS FOR ASTON MARTIN BUT THE TEAM DOES NOT FINISH IN 1956 + 1957, SPORTS ILLUSTRATED NAMES SHELBY SPORTS CAR DRIVER OF THE YEAR NOVEMBER 1957, SHELBY SPINS OUT + ENDS UP IN THE FIELD BUT ENDS UP PULLING OUT OF IT + WINNING THE 100 MILE LONG RACE (A BIG MOMENT IN HIS CAREER) JUNE 20-21, 1959, SHELBY + RAY SALVADORI CO-DRIVE AN ASTON MARTIN DBRI/300 WINNING THE 24HR LE MANS

IN 1961, SHELBY’S RACING CAREER COMES TO AN END DUE TO MAJOR HEALTH PROBLEMS, SPECIFICALLY HIS HEART SHELBY ENDS UP OPENING A HIGH PERFORMANCE DRIVING SCHOOL IN CALIFORNIA FEBRUARY 1962, SHELBY’S 1ST VISION + DESIGN OF THE COBRA IS COMPLETE JANUARY 1963, SHELBY SIGNS DAVE MACDONALD + KEN MILES TO DRIVE THE COBRAS AT RIVERSIDE + PLACE 1ST + 2ND FEBRUARY 1963, THE RIVALRY WITH FERRARI BEGINS DUE TO LOSING AGAINST THEM AT DAYTONA SEPTEMBER 1963, DAN GURNEY, AN AMERICAN RACER WINS THE FIA RACE BEHIND THE WHEEL OF THE COBRA MARCH 1964, KEN MILES DRIVES THE COBRA AT SEBRING + FINALLY BEATS THE FERRARI GTO FOR THE 1ST TIME JUNE 1964, THE COBRA WINS THE 24 HR LE MANS BEATING FERRARI ONCE AGAIN AUGUST 1964, FORD ASKS SHELBY TO DEVELOP A HIGH-PERFORMANCE FASTBACK TO COMPETE AGAINST THE CORVETTE IN SCCA ROAD RACING SEPTEMBER 1964, THE FIRST 65 SHELBY MUSTANG GT350 RACE + STREET CARS ARE BUILT JANUARY 1965, THE 1965 FORD SHELBY GT350 IS RELEASED FROM FEBRUARY 1965 - AUGUST 1968, FORD RACES THE GT40, GT350, COBRA DAYTONA COUPES IN 3 MORE LE MANS + PLACES IN ALL BUT THE GT40 FINISHES 1ST, 2ND, + 3RD IN THE LAST LE MANS FOR FORD RACING

HISTORY MUSEUMS DEFINITION OF A MUSEUM:

AMERICAN ALLIANCE OF MUSEUMS:

A NON-PROFIT, PERMANENT INSTITUTION IN THE SERVICE OF SOCIETY AND ITS DEVELOPMENT, OPEN TO THE PUBLIC, WHICH ACQUIRES, CONSERVES, RESEARCHES, COMMUNICATES AND EXHIBITS THE TANGIBLE AND INTANGIBLE HERITAGE OF HUMANITY AND ITS ENVIRONMENT FOR THE PURPOSES OF EDUCATION, STUDY AND ENJOYMENT.

SINCE 1906 THE ALLIANCE HAS BEEN A LEADER IN DEVELOPING BEST PRACTICES AND ADVOCATING FOR MUSEUMS, AS WELL AS, PROVIDING A HOST OF OPPORTUNITIES TO MUSEUM STAFF AND VOLUNTEERS. MORE THAN 35,000 INDIVIDUAL MUSEUM PROFESSIONALS AND VOLUNTEERS, INSTITUTIONS, AND CORPORATE PARTNERS BENEFIT FROM THE OF THE ALLIANCE.

DEFINITION OF A MODERN MUSETO COLLECT, PRESERVE, INTERPRET, AND DISPLAY OBJECTS OF ARTIST, CULTURAL, SIGNIFICANCE FOR THE EDUCATION OF THE PUBLIC

MISSION + GOALS: ACCESS: DELIVER RELEVANT CONTENT AND SUPERIOR USER EXPERIENCE THOUGHT LEADERSHIP: INFLUENCE AND INSPIRE ACTION GLOBAL THINKING: CONNECT US MUSEUMS TO THE INTERNATIONAL COMMUNITY

ADVOCACY: CHAMPION MUSEUMS

EXCELLENCE: BUILD AND CELEBRATE A STRONGER MUSEUM FIELD DIVERSITY, EQUITY, ACCESSIBILITY AND INCLUSION IN ALL ASPECTS OF MUSEUM STRUCTURE AND PROGRAMMING. MUSEUMS’ EXPANDING ROLE IN AN EVOLVING ECOSYSTEM OF P-12 EDUCATION AND HIGHER EDUCATION. LASTLY, CHANGING BUSINESS MODELS FOR MUSEUMS’ FINANCIAL SUSTAINABILITY.

AUTOMOBILE MUSEUMS

FACTS:

USER INFORMATION:

THERE ARE 294 AUTOMOBILE MUSEUMS IN THE WORLD. AUTOMOBILE MUSEUMS ARE FOR CAR FANS, COLLECTORS, ENTHUSIASTS, AND FOR FAMILIES. “THEY SPEAK TO IMAGINATION,” SAYS KEN GROSS, A FORMER MUSEUM DIRECTOR WHO NOW CURATES AUTO EXHIBITS AT THE FINE ARTS MUSEUM. AS TIME GOES BY, MORE AND MORE MUSEUMS DEDICATED TO CLASSIC CARS OF YESTERYEAR ARE OPENING. MANY OF THE OLD CLASSICS COME TO LIFE ONCE THE ORIGINAL OWNERS PASS AWAY. SOME ARE NOT-FOR-PROFIT WHILE OTHERS ARE RAN AS A PRIVATE BUSINESS.

ALMOST ALL MUSEUMS ARE INTENDED FOR PEOPLE OF ALL AGES. THE GOAL IS TO HAVE EXHIBITS FOR EVERYONE TO ENJOY NO MATTER HOW YOUNG OR OLD YOU ARE. DESIGNING A MUSEUM WITH THIS IDEA IN MIND ALLOWS FOR MORE VISITORS TO BE ABLE TO ENJOY THE SPACE, AS WELL AS, BRING IN MORE REVENUE FOR THE MUSEUM.

DESIGN STANDARDS RESEARCH FOR ART + HISTORY MUSEUMS MOST COMMON SPACES WITHIN A MUSEUM: PUBLIC SERVICES, EDUCATION FACILITIES, GALLERIES, TEMPORARY EXHIBITS, GENERAL STAFF SERVICES, COLLECTION MANAGEMENT, COLLECTION STORAGES, ADMINISTRATIVE OFFICES SHIPPING + SERVICE FACILITIES: VERY IMPORTANT TO SAFELY BRING IN + OUT ITEMS FOR THE MUSEUM PUBLIC NON-GALLERY SPACES SHOULD BE LOCATED NEAR THE MAIN PUBLIC ENTRANCE: VESTIBULE, LOBBY, INFORMATION DESK, COAT + PERSONAL ITEM CHECK-IN, MUSEUM SHOP, RESTROOMS LOBBY: 10-12 SQ FT PER PERSON PLUS ENTRY + CIRCULATION RECEPTION DESK/INFORMATION DESK: 8-10 SQ FT PER PERSON (INCLUDING STAFF) PLUS CIRCULATION MUSEUM SHOP: SHOULD BE VISIBLE FROM LOBBY/ENTRY AREA TO ATTRACT THE GUESTS ART GALLERIES: WELL-FINISHED SPACES WHERE OBJECTS ARE DISPLAYED TO AESTHETICS ADVANTAGE INTERPRETIVE GALLERIES: HISTORY, DOMINATED BY GRAPHICS, TEXT, RECONSTRUCTIONS, DRAMATIC CHANGING EXHIBITS: FLEXIBLE + EASY INSTALLATION FEATURES CEILINGS: 10’-14’ ON AVERAGE BUT AT TIMES CAN GO UP TO 18’ FINISHES: DEPENDS ON THE MUSEUM; IN GENERAL EASY TO CLEAN, DURABLE, NEUTRAL LIKE A BLANK WHITE CANVAS STORAGE: CLIMATE CONTROL, SPACIOUS, WELL DESIGNED LAYOUT FOR ALL SIZES + TYPES OF ITEMS FOR THE MUSEUM + WELL SECURED EDUCATION SPACES: GROUPS OF ALL AGES, STUDIO LIKE ATMOSPHERE, MULTI-FUNCTIONAL

GOALS + INTERESTS + TRENDS GOALS + INTERESTS - HISTORY OF CARROLL SHELBY + MUSTANGS - SPECIAL EDITION/ICONIC MODELS OF SHELBY MUSTANGS FOR VIEWING

GREATER EMPHASIS ON THE TWO R’S: RETAIL SPACE + RESTAURANT MAXIMIZE EXTRA REVENUE WITHIN THE MUSEUM IT IS IMPORTANT TO EXPAND THE MUSEUM’S ORIGINAL PROGRAM TO THE MODERN DAY CONVENIENCES

- INTERACTIVE FEATURES: EXAMPLE- SIMULATORS FOR CARS, BUILDING COMPONENTS UNDER THE HOOD, TEST TRACK, ETC. - MOTION SENSORED FOR INFORMATIONAL FACTS AS YOU WALK THROUGH THE MUSEUM

THE BUILDING IS JUST AS IMPORTANT AS THE SPACE INSIDE, “YOU WANT THE BUILDING TO BE AN ATTRACTION + TO BE AN IMPORTANT INVESTMENT IN THE MUSEUM AS A DISTINCTIVE PIECE. BUT IT DOES NOT NEED TO COMPETE WITH THE ART.”

- MODERN, CLEAN, CRISP, CUTTING EDGE, ONE OF A KIND - THE CARS AND GRAPHICS ARE THE PIECE OF ART WITHIN THE SPACE - COVID SPECIFICATIONS, MATERIALS, AND FINISHES - SUSTAINABILITY FEATURES

TRENDS OUTDOOR ART + SPACES SCULPTURE GARDENS + ROOF TOP GARDENS (GREEN ROOFS)

RESTAURANTS SHOULD BE AN AVERAGE OF 2,500 SQ FT WHICH INCLUDES STORAGE + KITCHEN/BOH

CAFES HAVE NOT MADE ENOUGH REVENUE IN THE PAST TO SUPPORT THE MUSEUM + THEIR SELF, THEREFORE, IT IS TIME FOR A CHANGE RETAIL NEEDS MORE SPACE FOR A MORE INVITING ATMOSPHERE THAT VISITORS CAN ENJOY + NOT FEEL RUSHED

GREAT HALLS/VENUE SPACE MUSEUMS HAVE BECOME AN IDEAL SPACE FOR PEOPLE TO TECHNOLOGY HOLD EVENTS AT BECAUSE OF THE HIGH END + MODERN DESIGN IT IS THE FUTURE OF MUSEUMS QUALITIES, AS WELL AS, THE BEAUTIFUL VIEWS OF THE IT IS IDEAL TO MAKE ALL SPACES COMPATIBLE FOR ALL TYPES OF SURROUNDING AREA TECHNOLOGY TO AVOID DELAYS IN RENOVATIONS PARKING CONVENIENT LOCATION IS KEY PARKING GARAGE IS THE MOST IDEAL OPTION + IF POSSIBLE UNDERGROUND WOULD BE THE BEST OPTION

FLEXIBLE GALLERY SPACE CONVENIENT GRID LIKE PATTERNS FOR ELECTRICAL + COMMUNICATION DEVICES CLIMATE CONTROL ADJUSTABLE LIGHTING OPTIONS

statements PROBLEM STATEMENT: THE LEGACY OF CARROLL SHELBY LACKS REPRESENTATION IN THE HENRY FORD MUSEUM IN DEARBORN, MICHIGAN. CONSIDERING HOW IMPORTANT SHELBY IS TO FORD FOR BEING ONE OF THEIR MOST ICONIC RACERS, THE FACE OF INTERNATIONAL RACING AND A CAR DESIGNER. IT ONLY SEEMS FAIR TO GIVE CARROLL SHELBY THE RECOGNITION HE DESERVES SO PEOPLE CAN LEARN AND UNDERSTAND THE TRUE LEGACY THAT HE LEFT TO THE AUTOMOBILE INDUSTRY WITH HIS ICONIC SPORTS CAR THAT HAS THRIVED OVER ITS 50+ YEAR HISTORY.

CONCEPT STATEMENT: THE FEELING OF FREEDOM, POWER, AND SPEED BEHIND THE WHEEL OF ONE OF THE MOST ICONIC AMERICAN SPORTS CAR CREATES PURE SATISFACTION. ALL YOUR WORRIES SEEM TO DISAPPEAR THE SECOND YOU TURN THE KEY AND HEAR THE SEXY SOUND OF THE ENGINE TURNING AS YOU SPEED OUT ONTO THE NEVER-ENDING ROAD OF FREEDOM. THIS IS THE FEELING YOU WITNESS WHILE CRUISING AROUND A ONEOF-A-KIND TRIP THROUGH THE LIFE OF CARROLL SHELBY AND THE HISTORY OF FORD MUSTANGS.

location DALLAS, TEXAS - ARTS DISTRICT ESTABLISHED: 1856 LOCATED: NORTH TEXAS IN DALLAS COUNTY (35 MILES EAST OF FORT WORTH) POPULATION:1.331 MILLION (9TH MOST-POPULOUS CITY IN THE U.S.) ELEVATION: 430 FT. AREA: 385 SQUARE MILES TEMPERATURE: AVERAGE HIGH 79 DEGREES AVERAGE LOW 57 DEGREES RAINFALL: 37 INCHES PER YEAR HUMIDITY: AVERAGE OF 65%

ARTS DISTRICT LOCATED ON 70 ACRES IN DALLAS’S DOWNTOWN CULTURAL HUB. THE OVERALL CONCEPT FOR THE DESIGN OF THE DISTRICT IS TO ENHANCE THE VALUE OF THE CITY’S CREATIVITY + ECONOMIC LIFESTYLE BY ENGAGING ARTISTIC, EDUCATIONAL, + COMMERCIAL NEIGHBORS THROUGH EXCELLENT DESIGN, PRACTICES, + PROGRAMS. THE MOST POPULAR AREA FOR MULTIPLE MUSEUMS, ATTRACTIONS + ENTERTAINMENT FOR ALL AGES.

FACTS: THE LARGEST METROPOLITAN AREA IN THE SOUTHERN UNITED STATES ARTS DISTRICT IS THE LARGEST URBAN ARTS DISTRICT IN THE UNITED STATES 24.9 MILLION ANNUAL VISITORS ONE OF THE BEST PLACES TO LIVE IN TEXAS COMMERCIAL + CULTURE HUB KNOWN FOR OPERA, BALLET, MUSEUMS,PARKS, SHOPS, RESTAURANTS

SUNRISE

SUNSET LEESBURG, TEXAS

HISTORY MUSEUM OF CARROLL SHELBY (ARTS PLAZA + ROSS AVENUE) RESIDENTIAL COMMERCIAL BUILDINGS KLYDE WARREN PARK ROADS MAJOR HIGHWAYS: 75, 366, 345 BUS STOPS ART DISTRICT

parti diagram

BUBBLE DIAGRAMS KEY:

PARTI: LE MANS TRACK + ZAHA HADID

C.D. - CAR DISPLAY E - ELEVATOR F.E. - FREIGHT ELEVATOR B.R. - BREAK ROOM M.R. - MEETING ROOM R.R. - RESTROOM R.C. - RESOURCE CENTER S.A. - SEATING AREA S - STAIRS

B.R./ LOUNGE R.R. HUDDLE SPACES F.E.

STAFF OFFICES

R.R.

M.R.

E MEDIUM EXHIBIT S

ELEVATION 3D EXHIBIT

S.A.

TEST TRACK

SMALL EXHIBIT

PLAN

R.R.

S.A.

S.A. RESTAURANT C.D.

R.R.

ENTRY/LOBBY S.A.

GIFT SHOP

CHILDREN AREA DESIGN STUDIO

S.A. S.A.

R.R.

R.C.

floor plans: NTS

MAIN BUILDING UP

27 23

ENTRY/LOBBY

2 3

GIFT SHOP CHILDREN’S AREA

DESIGN STUDIO

RESTAURANT

CAR DISPLAY

KIOSK

sp ou in t e n o

keslip rer

UP DN

spoke ner in out s erlip

Level 0 Copy 1 1/32" = 1'-0"

MUSEUM BUILDING DN

11 UP

EARLY YEARS OF CARROLL SHELBY

FIRST RACE CAR 3D EXHIBIT CAREER WITH ASTON MARTIN

STAFF BUILDING

LEVEL 2 MUSEUM BUILDING Copy 1 1/32" = 1'-0"

PRIVATE OFFICES

OPEN OFFICES HUDDLE SPACES MEETING ROOM

BREAK ROOM

LOUNGE

24 DN

KSP2

P1 KS

KS P1

LEVEL 3 MUSEUM BUILDING Copy 1 1/32" = 1'-0"

KS KPS2 P1

KSP1

COMMON AREAS 1

RESTROOMS STORAGE

FREIGHT ELEVATOR 2

Level 1 Copy 1 1/8" = 1'-0"

LEVEL 1 MAIN FLOOR

LEVEL 4 MUSEUM BUILDING Copy 1 1/32" = 1'-0"

Level 0 Copy 1 1/32" = 1'-0"

8 UP

LEVEL 2

LEVEL 0

MAIN BUILDING 1

Level 0 Copy 1 1/32" = 1'-0"

MUSEUM BUILDING

LEVEL 2 MUSEUM BUILDING Copy 1 1/32" = 1'-0"

TEST TRACK

CAREER WITH FERRARI

PARKING GARAGE

CAR SIMULATORS

BEGINNING DEVELOPMENT OF MUSTANGS

COMMON AREAS RESTROOMS TEST TRACK MAINTENANCE + STORAGE FREIGHT ELEVATOR

LEVEL 2 MUSEUM BUILDING Copy 1

LEVEL 3 MUSEUM BUILDING Copy 1 1/32" = 1'-0"

1/32" = 1'-0"

17 DN

LEVEL 4

LEVEL 3 4

LEVEL 3 MUSEUM BUILDING Copy 1 5

1/32" = 1'-0"

MUSEUM BUILDING

HISTORY + CAREER WITH FORD

RELATIONSHIP WITH KEN MILES

WHAT’S UNDER THE HOOD 3D EXHIBIT

ENDING OF CARROLL SHELBY’S CAREER WITH FORD

LEVEL 4 MUSEUM BUILDING Copy 1 1/32" = 1'-0"

COMMON AREAS RESTROOMS FREIGHT ELEVATOR

REFLECTED CEILING PLAN: NTS

LEVEL 0

LEVEL 2

LEVEL 3

n 14

LEVEL 1

LEVEL 4

FIXTURE KEY RECESSED LYTESPOT

MOONRING MONDO MULTI CIRCLES

4” DOWN LIGHT

8’ DIAMETER, 2” WIDTH

CEILING HEIGHT: 25’-45’

CEILING HEIGHT: 45’ SUSPENDED 25’+

FINISH: ANTIMICROBIAL SATIN BLACK + WHITE

FINISH: ANTIMICROBIAL SATIN WHITE

LED DIRECT LIGHTING

LED INDIRECT + DIRECT LIGHTING

MODO CAPPELLO, SMALL PENDANT

LIGHTPLANE 1R RECESSED WALL WASHER

12” DIAMETER

8’ LINEAR LENGTH, 2” WIDTH

CEILING HEIGHT: 45’ SUSPENDED 30’

CEILING HEIGHT: 25’

FINISH: ANTIMICROBIAL SATIN BLACK

FINISH: ANTIMICROBIAL SILVER GRAY

LED DIRECT LIGHTING

MODO CAPPELLO, LARGE PENDANT

LIGHTPLANE 2 UP + UNDER

20” DIAMETER

8’ LINEAR LENGTH, 2” WIDTH

CEILING HEIGHT: 45’ SUSPENDED 30’

CEILING HEIGHT: 45’ SUSPENDED 25’+

FINISH: ANTIMICROBIAL SILVER GRAY

LED DIRECT LIGHTING

LED INDIRECT + DIRECT LIGHTING

MOONRING MONDO MULTI CIRCLES

CRESCENT MOONRING

4’ DIAMETER, 2” WIDTH

24”-96” DIAMETER CONTINUOUS/ROTATABLE SHAPE, 2” WIDTH

CEILING HEIGHT: 45’ SUSPENDED 25’+

FINISH: ANTIMICROBIAL SATIN WHITE

FINISH: ANTIMICROBIAL SILVER GRAY

LED INDIRECT + DIRECT LIGHTING

MOONRING MONDO MULTI CIRCLES

BOCCI RECTANGLE 14.26 PENDANT

6’ DIAMETER, 2” WIDTH

39.4” X 13.2”

CEILING HEIGHT: 45’ SUSPENDED 25’+

CEILING HEIGHT: 45’ SUSPENDED: 25’+

FINISH: ANTIMICROBIAL SATIN WHITE

FINISH: CAST GLASS + BLOWN BOROSILICATE GLASS

LED INDIRECT + DIRECT LIGHTING

4: 26 GLASS PENDANTS CONFIGURED INTO A CUSTOM SHAPE OF AN X LED DIRECT LIGHTING

main building

LOBBY

CUSTOM APP FOR KIOSK + PERSONAL DEVICES - MUSEUM VIRTUAL TOUR - MUSEUM AUDIO GUIDE FOR EXHIBITS - MUSEUM MAP

- PURCHASE TICKETS FOR TEST TRACK

- MAKE RESERVATIONS - CHECK THE WAIT TIME - BROWSE MENU - DAILY SPECIALS

- SCHEDULE YOUR VISIT - PURCHASE LEGO TECHNIC SERIES

- ONLINE BROWSING - PLACE ORDERS ONLINE + PICKUP IN-STORE

ELEVATION: CUSTOM BAR

2' - 0"

0' - 2 7/32"

1' - 9 7/8"

0' - 2"

QUARTZ COUNTERTOP

0' - 10 7/8"

0' - 1"

QUARTZ COUNTERTOP

2X4 WOOD BLOCKING

0' - 8 7/8"

1/8" LAMINATE VENEER 1" PLYWOOD

0' - 8 7/8"

1X4 WOOD BLOCKING

1" PLYWOOD 2X4 WOOD BLOCKING 1' - 4 17/32"

0' - 5 1/8"

CUSTOM BAR DETAIL: NTS

RESTAURANT: PIT STOP “FAMOUS FOR SHELBY’S CHILI AND BBQ”

CUSTOM BAR 1 1/2" = 1'-0"

1' - 9 3/8"

3' - 7"

12" = 1'-0"

0' - 7 1/4"

3D Copy 2 2021-05-06-13-28-56 (Enscape)

2' - 11 3/4"

MAIN BUILDING SECTION PERSPECTIVE

THE CHILDREN’S AREA IS SPONSORED BY LEGO TECHNIC SERIES TO INSPIRE ENDLESS IMAGINATION AND DESIGN FOR CHILDREN OF ALL AGES.

THE TEST TRACK IS INSPIRED BY “DISNEY TEST TRACK” IN EPCOT. THE SAFETY FEATURES AND CONCEPTS ARE IDENTICAL TO THOSE ON THE RIDE. THE DIFFERENCE IS THAT ALL THE CARS HERE ARE MUSTANGS FROM THROUGHOUT THE DECADES THAT GUESTS WILL RACE AGAINST EACH OTHER.

3D SECTION PERSP. MAIN BUILDING. FINAL.1.2021-05-06-05-39-29 (Enscape) 1

12" = 1'-0"

ELEVATION: CHILDREN’S AREA

museum building

EXHIBIT

3D MODEL EXHIBIT

STAIRS

0' - 2" 0' - 8" 0' - 2" 0' - 4" 0' - 2" 0' - 4" 0' - 2" 0' - 4" 0' - 2" 0' - 4" 0' - 2" 0' - 4" 0' - 2" 0' - 4" 0' - 2" 0' - 4" 0' - 2" 0' - 4" 0' - 2"

STEEL BALUSTER

1' - 0"

0' - 8" 0' - 2"

TERRAZZO

0' - 0 1/4"

5' - 0"

STEEL BALUSTER

MY MONUMENTAL STAIRCASE IS INSPIRED BY THE FEELING AND FLOW OF SHIFTING GEARS AND PICKING UP SPEED AS YOU GO FROM AN ON RAMP TO THE OPEN HIGHWAY. THIS IS THE FEELING I WOULD LIKE MY GUESTS TO HAVE AS THEY JOURNEY FROM LEVEL TO LEVEL, FROM EXHIBIT TO EXHIBIT.

2X4 WOOD BLOCKING

RAILING WELD TO STRINGER

STEEL STEEL METAL METAL PAN WELD TO BALUSTER BALUSTER COVERING STEEL L-BRACKET

CUSTOM RAILING DETAIL: NTS

MUSEUM SECTION PERSPECTIVE

2013 SHELBY COBRA MUSTANG

1967 SHELBY COBRA MUSTANG

3D Copy 1 Copy 1 Copy 1 2021-05-06-10-27-53 (Enscape) 1

12" = 1'-0"

1962 SHELBY COBRA

pe)

1959 ASTON MARTIN

3D Copy 1 Copy 1 2021-05-10-15-09-23 (Enscape) 12" = 1'-0"

25 3D Copy 1 Copy 1 Copy 1 Copy 1 2021-05-06-10-41-07 (Enscape)

MATERIALS

LOBBY+MUSEUM+CHILDREN’S AREA

DESIGN STUDIO

RESTAURANT

STAFF BUILDING

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