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gleeful at this buyers’-market deal. I hate them.) I carry one load for every four that Nick grunts down. I move slowly, shuffling, like my bones hurt, a feverish delicacy descending on me. Everything does hurt. Nick buzzes past me, going up or down, and throws his frown at me, snaps, ‘You okay?’ and keeps moving before I answer, leaving me gaping, a cartoon with a black mouth-hole. I am not okay. I will be okay, but right now I am not okay. I want my husband to put his arms around me, to console me, to baby me a little bit. Just for a second. Inside the back of the truck, he fusses with the boxes. Nick prides himself on his packing skills: He is (was) the loader of the dishwasher, the packer of the holiday bags. But by hour three, it is clear that we’ve sold or gifted too many of our belongings. The U-Haul’s massive cavern is only half full. It gives me my single satisfaction of the day, that hot, mean satisfaction right in the belly, like a nib of mercury. Good, I think. Good. ‘We can take the bed if you really want to,’ Nick says, looking past me down the street. ‘We have enough room.’ ‘No, you promised it to Wally, Wally should have it,’ I say primly. I was wrong. Just say: I was wrong, I’m sorry, let’s take the bed. You should have your old, comforting bed in this new place. Smile at me and be nice to me. Today, be nice to me. Nick blows out a sigh. ‘Okay, if that’s what you want. Amy? Is it?’ He stands, slightly breathless, leaning on a stack of boxes, the top one with Magic Marker scrawl: Amy Clothes Winter. ‘This is the last I’ll hear about the bed, Amy? Because I’m offering right now. I’m happy to pack the bed for you.’ ‘How gracious of you,’ I say, just a whiff of breath, the way I say most retorts: a puff of perfume from a rank atomizer. I am a coward. I don’t like confrontation. I pick up a box and start toward the truck. ‘What did you say?’ I shake my head at him. I don’t want him to see me cry, because it will make him more angry. Ten minutes later, the stairs are pounding – bang! bang! bang! Nick is dragging our sofa down by himself. I can’t even look behind me as we leave New York, because the truck has no back window. In the side mirror, I track the skyline (the receding skyline – isn’t that what they write in Victorian novels where the doomed heroine is forced to leave her ancestral home?), but none of the good buildings – not the Chrysler or the Empire State or the Flatiron, they never appear in that little shining rectangle. My parents dropped by the night before, presented us with the family cuckoo clock that I’d loved as a child, and the three of us cried and hugged as Nick shuffled his hands in his pockets and promised to take care of me. He promised to take care of me, and yet I feel afraid. I feel like something is going wrong, very wrong, and that it will get even worse. I don’t feel like Nick’s wife. I don’t feel like a person at all: I am something to be loaded and unloaded, like a sofa or a cuckoo clock. I am something to be tossed into a junkyard, thrown into the river, if necessary. I don’t feel real anymore. I feel like I could disappear.


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