30 Beautiful Years

Page 40

COMING & GOING (Continued from page 30)

played by Sarah Duchovny, a Mosher Studio artist. Douglas Kinney Frost conducts the orchestra.

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A National Search Kostis hasn’t worked in Santa Barbara before, but came here for the first time on a three-day visit as one of over 100 candidates who were interviewed during a six-month national search for a new artistic director of Opera Santa Barbara. Kostis credits Steven Sharpe, general director of Opera Santa Barbara, as having been key to his selection. When asked what he looks for when choosing a cast, Kostis responds by noting that, “The voice is the first requirement.” He goes on to note that in opera, unlike say American musical theatre, “voices are not miked and are never amplified. We craft the sound based upon the abilities of the human body,” he says. Opera singers are all trained to be able to sing in big houses, he adds, “so all the singers have big voices.” Singers sing differently in different venues, depending upon the acoustical properties of the theater. “The theater is our instrument,” Kostis says. “In a world where everything is always over-amplified, people listen through their ear buds, especially those under thirty,” he notes. “For someone who hasn’t been exposed to the sound of a live orchestra or an unamplified trained voice,” he continues, “the sonic experience of being in a theater at an opera or a symphonic concert is really unique.” He explains that without amplification, the spectrum of frequencies

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becomes much wider. “Not being amplified allows us to really play the very soft dynamics called upon by the composer,” he says. “It’s an ear-opening experience for people who are used to hearing rock concerts or musicals that are heavily amplified.” Only thunder and other special effects are amplified, never the singers or the orchestra. Film Noir Opera The Don Giovanni that will be performed at the Granada on Friday features another unusual element: although he wasn’t here for the cast selection, Kostis is responsible for the choice of the sets and the lighting. He knew of a Kentucky Opera production in 2013 that placed Don

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5 – 12 November 2015


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