Ryoga Adityo Dipowikoro
Portfolio
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PRATASABA RESORT.
I Page 4-17
Dive Center & Resto Ext.
Cliffside Lodge
Reception
Unfinished Cottage
Page 8-9
Page 10-11
Page 12-13
Page 14-15
UNDERGRADUATE PROJECTS.
II Page 18-37
Enclosed Order
Berwick Arcade
Leith Wonderland
Page 20-29
Page 30-33
Page 34-35
III ADDITIONAL WORKS. Page 38-41 Collages & Paintings
TABLE OF CONTENT Page 40-41
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I
PRATASABA RESORT.
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Pratasaba Resort 2017-Now
PRATASABA RESORT.
Where is this Resort Located?
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A tropical wonderland.
Currently working in this resort located on the remote
This is Indonesia Highlighted is Kalimantan
island of Maratua (shown beside), Derawan Archipelago, Berau Regency, East Kalimantan, Indonesia as part of Architecture Design Department. This is overall, an interesting and challenging project, with difficulty in logistic of building materials, tight budget, various terrains (coral dry rock, sand and coastal), low supply of skilled builder and scarcity of water and electricity. The founder is a native from this island with a dream of
This is Kalimantan Highlighted is East Kalimantan
developing his home village, thus creating the company
This is East Kalimantan Highlighted is Berau Regency
in 2016. The founder wanted a flexible concept, which is possible to change according to the situation, time and budget. Therefore, creating an Architecture Design Department. The experience could be summarized as focused, explorative, intriguing and of course, exciting. I’ve contributed in more than 10 projects and I wanted to
This is Berau Regency Highlighted is Maratua Island
highlight my experience through 4 projects.
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Pratasaba Master Plan
The team decided to section the area (with a total area of 18 hectare) into 4 different zones.
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Dive Center & Saba Resto Extension
Cliffside
Built
Concept
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Receptionist
New Unfinished Cottage
Renovation Concept
Concept
Coast Zone. which is current visible marketing point, as Maratua is famous for the ocean’s life and beaches.
HIGHLIGHTED PROJECTS
Sections of the Master Plan
Ocean Zone. we are planning to built water villas which are located far away from the border between deep water and shallow water, as the team wanted to preserve the flourishing corals which lives in the border. Forest Zone. We are planning on making this into an outbound area, full of forest experience. Imagine waking up to the noise of the bird singing, fresh air and sounds of calm forest.
Service zone. In here we are planning to provide the employees with a little village of their own. We are planning to build a library and a high school for the local people as well, as it is absence for the local community at the moment. Recycle and Environmental Zone. This is the final zone with our dream to develop the resort as a tool to help the environment and the local community. The plan is to build Composing Center, Plastic Workshop and Recycle Center. In addition, we wanted to incorporated a farm to sustain the resort need and a Coral Regrown Center, to help regrown the dead corals of Maratuan Sea.
Development Zone. This zone is open for further discussion and development. 7
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Pratasaba Resort This is the first project from the company, which got approved and built, a Dive Center and an Extension of the existing restaurant (Saba Resto). The current restaurant is located precisely on
1 Dive Centre & Saba Resto Extension Built
top of the corals line, so the new design refuse to follow the same mistake. The new design is pushed back 10 meters behind the corals line, in order to keep the health of the sea corals. The design used 3 different types of woods. The first is Ulin, used as the main structure, as Ulin is strong and resistance to decay caused by the salt water. The second is Marsolo Wood used as the wall, as Marsolo is soft and tactile friendly. The Last type of wood used is Meranti Wood used for the ceiling, as it is cheaper compare to other. This 3 type of woods is the native timber of Borneo.
Plan (Roof)
Plan (Master)
Dive Centre
Dive Centre Front Elevation Saba Resto Extended
Saba Resto Extended Front Elevation 9
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Pratasaba Resort Cliffside Lodge is a design located in the edge of Maratuan cliffs, facing the white beaches and open sea. The private verandas privately owned by each room have an amazing sunset view. This
2 Cliffside Lodge Concept
design focused on the repetition of the singular room, resulting in a flexible dimensions. The brief of our resort is to keep the design flexible and open for future adjustment, due to budgeting and building priority. Cliffside Lodge will be built timber foundation - similar with a stilt house -, combinations of timber ornamentations and Light Steel roof structure accompanied with Zinc Tile. The design uses Zinc Tile because, water travel faster on a Zinc Tile, hence, more rainwater collected at a faster rate. (As we collect rainwater and filter it in tanks to used as water supplies)
Sea view
Cliffside Plan
Cliffside Elevation Road Side
Cliffside Elevation Sea Side
Clifside: Section AA
Cliffside Collage & Rendering 11
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Pratasaba Resort This is an Existing building located in a prime spots facing the sea, besides the main Inn. This rundown house built for accommodate workers and contractors, therefore the building overlook
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the beauty and aesthetic that resort needed. In this renovation concept, the main issue was tight budget, resulting in preserving the main structure of the building. This cramped room house will be turn into an open spacious reception with little bar to create coffee and welcome drink.
Reception
The reception will have a dedicated office spaces and a private owner bedroom. The bedroom is
Renovation Concept
attached with the reception for the purpose of connecting the owner of the resort with the guests and easy control over the general things in the resort.
Picture of the Existing Building
Perspective A
Perspective B
Perspective C
Perspective D
Contextual Site Plan
Existing
C
Renovation Concept
D
X B
Sea view
A
X
Section XX
Rendering 01: Front Perspective
Rendering 02: Existing Building Contextual 13
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Pratasaba Resort As shown below (Site Picture) one cottage left unfinished by the contractor due to their internal
4 Unfinished Cottage Concept
problems. The previous design of the cottage lacks space efficiency and concept, such as an empty huge bathroom; hence, I introduced a new layout with more efficient use of the space. The toilet is located in the middle of the building, creating a more efficient plumbing. The toilet also works as a privacy barrier for each private verandas and noise barrier between each rooms. The cottage will be built on a stilt construction, using GRC board as the main material for the wall. We used the roof to collect rainwater and store it in tanks under the cottage. Individual rooms will hold 3 tanks with total capacity of 6.5 tons of water as supply.
H
New Cottage Plan Concept
Section HH
H
Site Picture
Rendering 03: Site Context
Rendering 04: Entrance 15
16 Sunset Resort Photograph (Aug ‘ 18)
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UNDERGRADUATE PROJECTS.
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II 2017 (Final Year)
ENCLOSED ORDER.
Undergraduate Years
Precdent Study: Qibla Diagram of Bait Ur Rouf Mosque
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A muslim monastery.
Monastery, an architecture designed by rituals and symbolism. This project is located in Newcastle uponTyne, United Kingdom. Muslim monastery is an attempt to discuss the current global crisis of Islamophobia, particurally in the UK. The complex is divided into 3 zones based on human activity, which includes: living, praying and working. The monastery consists of residential, madrasah (school), mosque, gallery, brick factory and ceramic workshop. Brick and ceramic are the main material used and based on a poetic approach. The design focuses on the Qibla direction (a direction muslim need to face when praying, which is facing Ka’abah, Mecca), following a precedent study of Bait Ur Rouf Mosque in Bangladesh by Marina Tabassum.
Qibla disruption
The master plan focuses on the qibla direction, studied from the precedent study of Bait Ur Rouf Mosque. The qibla direction disrupts the continuity of the parallel lines shown by the yellow lines. This direction only applied to the most important parts of the Monastery, which is the mosque and the courtyard. It is a necessity to face the mosque in a qibla direction, however the courtyard aims to reinforced this idea of qibla disruption.
Diagram of Qibla Disruption
Materiality Metaphor
The materials used in this Muslim Monastery are brick and ceramic, which is symbolize two different sides, Muslim community and local people in the UK.
Brick is a historic material used in the local housing in
Ceramic is widely used in the Muslim architecture for
the UK.
patterning an abstract image of “Allah”.
The metaphor of these different materials is “even though brick and ceramic are different materials, they come from the same source, clay; the local people and Muslim community are different, nevertheless, they are both human”.
Materials Methapor: Local people and Muslim in the UK
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Undergraduate Years
Qibla and some hope.
Muslims need to pray in the direction to Mecca. This direction is called qibla. The Mosque and the central courtyard are aligned to qibla, disrupting the order of the site. The multi entrances to the courtyard are designed to attract the community to walk inside, creating a
Gallery 1st Floor
conversation between the Muslim apprentices and the community with hope that Islamophobia decreases.
Madrasah 1st Floor
Residential 1st and 2nd Floor
Ground Floor Master Plan
Section AA
Section BB
Section Gallery
Section CC
Section Mosque
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Undergraduate Years
An Apprentice Poem
When the world fail me,
I run to the divine,
Asking for direction,
Asking for meanings,
Asking for guidance.
When the world fail them,
They run to me,
Asking for direction,
Asking for meanings,
Asking for guidance.
They might think,
I’m godly, I’m holy, We are similar, We are human,
Trying to grasp,
The world’s absurdity,
Painting: Courtyard Market
Painting: Brick Workshop
Painting: Wudhu Space 25
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Living as an Apprentice.
The residential is three stories high, with a communal area in the ground floor and private units above. The living area is the most private area in the monastery, minimizing ground floor external openings.
Praying as an Apprentice. This is the place for apprentices to learn and pray. The praying zones include: madrasah (school), mosque and a space for Wudhu - a ritual of washing before prayers. The internal of the Wudhu space tower is cladded with ceramic, bouncing colorful light down the space. The tallest tower located in madrasah is the observatory tower, to observe the night sky, as Muslims have different calendar, which revolves around the moon cycles.
Working as an apprentice.
The apprentices need to work to maintain their economy. This monastery has brick and ceramic workshop. The furnace is the second tallest tower, firing brick and ceramic. This activity of working is part of the rituals, of the mundane everyday life.
Undergraduate Years
Section Residential I
Section Residential II
Section Wudhu Space
Section Madrasah
Section Workshop
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Painting: External Atmosphere
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Undergraduate Years
2016 (Second Year)
BERWICK ARCADE. A project based of a game.
This is an arcade located in Berwick-upon-Tweed, United Kingdom. This building is based on a strategy computer game called Endless Legend. This project explores the use of openings and the impact to humans. The concept of the project is “the cave”. This is a place for hobbyist to retreat from their life, to a place for them to enjoy. Entangled stairs and leveled places will give them experience of the games. The large singular south facing openings act as the main source of daylight. This create a possibility to create complete darkness inside, a more complete experience of an Internet café.
Rendering: Berick Arcade.
Diagram: Axonometric
Floor Plan 31
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Rendering: Section AA
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Undergraduate Years
2015 (Second Year)
LEITH WONDERLAND. Inspired by castle and wonderland.
This residential project is located Leith, United Kingdom. The inspiration was taken from castles and wonderlands. The new residential complex around Leith is designed to be closed and bordered, like a castle - their wonderland whereas the main residential building is designed like a castle wall, excavated based on needs, creating irregular walls. The units explore the use of walls, exchanging it with series of shelves, which acts as storage area. The central courtyard is designed to
Typical Residential Floor Plan
gather people of Leith for Sunday markets or festivals.
Section BB
Section AA
Ground Floor Plan
Rendering: Living Inside The Castle Wall
Diagram: Daylighting Design
Diagram: Axonometric
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“Tidur Siang” Nap 100x200 Oil on Canvas
III ADDITIONAL WORKS.
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III
COLLAGES & PAINTINGS.
Additional Works
III
A medium of refuge.
Outside doing architecture works, I enjoy art as a whole, including painting, photography, poetry and digital drawing. I found these activities enjoyable and have helped me to keep my creativity intact. This hobby have sharpen my skills in using Photoshop and Illustrator, which beneficial when doing architecture rendering. Painting and drawing allowed me to explore feeling, colours and media experimentation on representing ideas through mix media. I applied this kind of rendering in my final year project, using painting as the main medium of architectural rendering. In addition, it is accompanied by several poems representing the
“Suprapto Everywhere”
Islamic scholar’s golden age (Rumi / Gibran).
2018
“Digital Collages” Digital Works. (2016-2019)
“Series of Drawing” Digital Works. (2016-2019) Painting
“Rahasia Kamu Tidak Aman Denganku”
“Makan Malam Perpisahaan Para Perempuan Millennials”
your secret arn’t safe with me
millennials woman’s last dinner
90x90
120x120
Acrylic on Cavas (2018)
Acrylic on Cavas (2019)
“Hoax Tambah Hate Sama Dengan Hurt”
“Tulisan Ini Untuk Kamu”
Hoax Plus Hate Equal Hurt
this writting is for you
90x90
100x100
Acrylic on Cavas (2018)
Acrylic on Cavas (2018)
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r.dipowikoro@gmail.com