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New Titles and Key Backlist

any w e i e V onlin t c u prod king on ic by cl e listing itl the t

Music

2009

www.routledge.com/music


www.routledge.com/music Welcome to the Routledge

Music Catalogue New Titles & Key Backlist 2009

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COMPLETE CATALOGUE This catalogue only includes a selection of our titles in Music. Our online catalogue gives you the power to search for any book currently in print by title, ISBN or full text. All the entries have a description of the book’s content. www.routledge.com/music

THE EASY WAY TO ORDER Ordering online is fast and efficient, simply follow the on-screen instructions and your order will be sent to our distributors for immediate dispatch.

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CONTENTS

CONTACTS

Ethnomusicology . . . . . . . . . . . . . . . . . . . . . . . .1 Rock and Popular Music . . . . . . . . . . . . . . . . . .6 Jazz and Blues . . . . . . . . . . . . . . . . . . . . . . . . . .9 Music History and Literature . . . . . . . . . . . . . .10 Music Technology and Business . . . . . . . . . . . .13 Music Theory . . . . . . . . . . . . . . . . . . . . . . . . . .15 Music Education and Training . . . . . . . . . . . . .16 Voice/Opera/Musical Theatre . . . . . . . . . . . . . .18 Interdisciplinary Topics . . . . . . . . . . . . . . . . . . .19 Routledge Music Bibliographies . . . . . . . . . . . .21 Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Journals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 Order Form . . . . . . . . . . . . . . .Back of Catalogue

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ETHNOMUSICOLOGY

NEW 2ND EDITION

CD

World Music A Global Journey Terry E. Miller and Andrew Shahriari, both at Kent State University, USA Praise for the first edition: ‘This concise publication is a true gift to launch inquisitive music students on their personal journeys to other lands and people, and to help answer the host of student questions that arise in connection with our world’s music.’ – American Music Teacher Designed for World Music courses, the second edition of World Music: A Global Journey introduces students to the diversity of musical expression around the world. It takes the reader across the globe to experience cultural traditions that challenge the ear, the mind, and the spirit. It presents a systematic study of varied traditions in a non-technical language accessible to any enthusiast of world music and culture. The second edition continues with its geographical orientation to each locale, and visits each of the seventy musical ‘sites’ with a three-fold listening review that begins with an experiential first impression of the music. This is followed by an aural analysis of the musical organization and a closer look at the instruments that create the exotic sounds heard. Finally, the authors consider the cultural connections that give the music its meaning. November 2008: 246x174: 584pp Pb: 978-0-415-98878-0: £35.00 eBook: 978-0-203-89216-9 • AVAILABLE AS AN INSPECTION COPY

The second edition of World Music enhances its pedagogical efforts with Listening Guides, an enhanced website, and improved interior design. With more than 300 colour photos of instruments and cultural settings, over two hours of music on the accompanying audio CDs, and online resources, World Music: A Global Journey provides a fundamental resource for teachers, students, researchers, musicians, and any enthusiast beginning their exploration of world music and culture.

Companion Website: www.routledge.com/textbooks/worldmusic Features: • interactive practice quizzes for students • PowerPoint slides for instructors • MP3 audio selections • video archive.

PowerPoint Slides

• Over 300 colour maps and photos • Two audio CDs including more than two hours of musical examples • Listening Guides for each musical example • ‘Questions to Consider’ with each chapter

E-mail: music@routledge.com

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ETHNOMUSICOLOGY

NEW 2-VOLUME SET

CD

The Concise Garland Encyclopedia of World Music The Concise Garland Encyclopedia of World Music is a two-volume adaptation of the Dartmouth Medal-winning Garland Encyclopedia of World Music. This richly illustrated, accessible edition will appeal to a more general audience, including public libraries or the personal collections of world music enthusiasts. The articles have been summarized and updated along with new photos, maps, and a glossary. The set adopts the geographical approach of the original ten-volume set. Each section begins with an introduction that covers the region’s broad culture and music. The unifying aspects of the region’s music are described, including its instruments, genre, and theories, followed by several essays devoted to a region’s individual musical cultures. Two audio CDs offer musical examples from regions around the world. Whether you are new to the study of world music, an avid concert-goer, a musician, or already versed in ethnomusicology, you will want to consult The Concise Garland Encyclopedia of World Music for quick, reliable, and enjoyable reference. November 2008: 276x219: 1472pp Hb: 978-0-415-97293-2: £195.00 $350.00

Photo by N. Scott Robinson

2ND EDITION

Photo by Don Niles

Photo by Wayne Vitale

2ND EDITION

The Garland Handbook of African Music

CD

Edited by Ruth M. Stone, Indiana University, USA

The Garland Handbook of Latin American Music

CD

Edited by Dale A. Olsen, Florida State University, USA and Daniel E. Sheehy, Smithsonian Folkways, USA

Series: Garland Handbooks of World Music The Garland Handbook of African Music comprises essays from The Garland Encyclopedia of World Music: Volume 1, Africa (1997). Revised and updated, the essays offer detailed regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to Africa. Part two focuses on issues and processes, such as notation and oral tradition, dance in communal life, and intellectual property. Part three focuses on the different regions, countries, and cultures of Africa, with selected regional case studies. The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on the issues, musical and cultural, that arise when one studies the music of Africa – issues that might not occur in the study of other musics of the world. An accompanying audio CD offers musical examples of some of the music of Africa. 2008: 246x174: 528pp Pb: 978-0-415-96102-8: £25.99 • AVAILABLE AS AN INSPECTION COPY

$49.95

Companion Website at www.routledge.com/textbooks/garlandhandbooks

Series: Garland Handbooks of World Music The Garland Handbook of Latin American Music comprises essays from The Garland Encyclopedia of World Music: Volume 2, South America, Mexico, Central America, and the Caribbean (1998). Revised and updated, the essays offer detailed regional studies of the different musical cultures of Latin America and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Latin America and describes the history, geography, demography, and cultural settings of the regions that comprise Latin America. Part two focuses on issues and processes, such as history, politics, geography, and immigration. Part three focuses on the different regions, countries, and cultures of Caribbean Latin America, Middle Latin America, and South America, with selected regional case studies. The second edition has been expanded to cover Haiti, Panama, several more Amerindian musical cultures, and Afro-Peru. Questions for Critical Thinking at the end of each major section guide and focus attention on the issues, musical and cultural, that arise when one studies the music of Latin America – issues that might not occur in the study of other musics of the world. Two audio CDs offer musical examples of some of the music of Latin America. 2007: 246x174: 592pp Pb: 978-0-415-96101-1: £27.99 • AVAILABLE AS AN INSPECTION COPY $49.95

See page 23 for individual volumes of The Garland Encyclopedia of World Music and the complete 10 volume set.

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ETHNOMUSICOLOGY

The Garland Handbook of Southeast Asian Music

Focus on World Music Series CD

Series Editor: Michael B. Bakan, Florida State University, USA

Edited by Terry E. Miller, Kent State University, USA and Sean Williams, Evergreen State College, USA Series: Garland Handbooks of World Music The Garland Handbook of Southeast Asian Music comprises essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theatre traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on the issues, musical and cultural, that arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying CD offers musical examples from Southeast Asia. 2008: 246x174: 520pp Pb: 978-0-415-96075-5: £29.99 • AVAILABLE AS AN INSPECTION COPY

$49.95

The Focus on World Music Series is aimed at courses in world music, ethnomusicology, and interdisciplinary programmes with a strong music component. They are written in a lively and engaging style by leading ethnomusicologists and educators, bringing wide interdisciplinary scope and relevance to contemporary issues.

2ND EDITION

2ND EDITION

Focus: Gamelan Music of Indonesia

Henry Spiller, University of California, Davis, USA Focus: Gamelan Music of Indonesia is an introduction to the familiar music from Southeast Asia’s largest country – both as a sound and cultural phenomenon. An archipelago of over 17,000 islands, Indonesia is a melting pot of Hindu, Buddhist, Islamic, Portuguese, Dutch, and British influences. Despite this diversity, it has forged a national culture, one in which music plays a significant role. Gamelan music, in particular, teaches us much about Indonesian values and modern-day life. Focus: Gamelan Music of Indonesia provides an introduction to present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan music through ethnic, social, cultural, and global perspectives. Part one, Music and Southeast Asian History, provides introductory materials for the study of Southeast Asian music. Part two, Gamelan Music in Java and Bali, moves to a more focused overview of gamelan music in Indonesia. Part three, Focusing In, takes an in-depth look at Sundanese gamelan traditions, as well modern developments in Sundanese music and dance. The accompanying CD offers vivid examples of traditional Indonesian gamelan music. 2008: 234x156: 320pp Hb: 978-0-415-96067-0: £70.00 Pb: 978-0-415-96068-7: £21.99 eBook: 978-0-203-93099-1 • AVAILABLE AS AN INSPECTION COPY $105.00

$49.9

Companion Website at

CD

Focus: Music of South Africa

Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part one, Creating Connections, provides introductory materials for the study of South African music. Part two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth century South Africa, particularly those known through world circuits. Part three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying CD offers vivid examples of traditional, popular, and classical South African musical styles. 2008: 234x156: 360pp Hb: 978-0-415-96069-4: £90.00 Pb: 978-0-415-96071-7: £21.99 eBook: 978-0-203-93063-2 • AVAILABLE AS AN INSPECTION COPY

$49.95

$49.95

Ethnomusicology A Contemporary Reader Edited by Jennifer C. Post Ethnomusicology: A Contemporary Reader is designed as a supplement for an introductory course in ethnomusicology, offering a cross-section of the best new writing in the field from the last twenty years.

$105.00

$44.95

$44.95

www.routledge.com/textbooks/garlandhandbooks

CD

Carol A. Muller, University of Pennsylvania, USA

Companion Websites for the Focus on World Music Series can be found at www.routledge.com/textbooks/focusonworldmusic

2005: 246x174: 464pp Hb: 978-0-415-97203-1: £65.00 Pb: 978-0-415-97204-8: £23.99 • AVAILABLE AS AN INSPECTION COPY

$49.95

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4

ETHNOMUSICOLOGY

African American Music

Focus on World Music Series (continued) NEW

An Introduction Edited by Mellonee V. Burnim and Portia K. Maultsby, both at Indiana University, USA

NEW

2ND EDITION

CD

Focus: Afro-Caribbean Music

CD

Focus: Music of Northeast Brazil

Katherine J. Hagedorn, Pomona College, USA

Larry Crook, University of Florida, USA

Focus: Afro-Caribbean Music spotlights the religious performance practices that influence many popular and folk music traditions throughout the Caribbean and the Americas, as well as globally. Myriad styles of music – including rumba, salsa, latin jazz, and hip-hop – have their roots in the religious performance traditions of the African diaspora. It is the first book of its kind to focus specifically on musico-religious performance in a comparative Caribbean context within an engaging and accessible work designed as a core text for courses on musical traditions of the Caribbean. Beyond the book’s specific musico-religious emphasis, it provides students and their professors with a useful and thought-provoking way to understand the roots of Caribbean popular and folk musics, as well as a context for discussions about religion, race, language, gender, embodied performance, and political dynamics.

Focus: Music of Northeast Brazil examines the historical and contemporary manifestations of the music of Brazil, a country with a musical landscape that is layered with complexity and diversity. Based on the author’s field research during the past twenty years, the book describes and analyzes the social/historical contexts and contemporary musical practices of Afro-Brazilian religion, selected Carnival traditions, Bahia’s black cultural renaissance, the traditions of rural migrants, and currents in new popular music. April 2009: 234x156: 320pp Hb: 978-0-415-96066-3: £60.00 Pb: 978-0-415-96065-6: £21.99 • AVAILABLE AS AN INSPECTION COPY $105.00

Widely used in courses on African American music, this collection of thirty essays by leading scholars surveys major African American musical genres, both sacred and secular, from slavery to the present day.

2005: 246x174: 736pp Hb: 978-0-415-94137-2: £75.00 Pb: 978-0-415-94138-9: £29.00 • AVAILABLE AS AN INSPECTION COPY

$49.95

World Music: The Basics Richard O. Nidel Series: The Basics

December 2009: 234x156: 256pp Hb: 978-0-415-99148-3: £70.00 Pb: 978-0-415-99149-0: £21.99 • AVAILABLE AS AN INSPECTION COPY

$44.95

$95.00

$49.95

$44.95

$49.95

NEW NEW

Focus: Irish Traditional Music Sean Williams, Evergreen State College, USA

CD

Focus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland’s size relative to Britain or to the mainland of Europe is relatively small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance.

2ND EDITION

CD

Focus: Music, Nationalism, and the Making of a New Europe Philip V. Bohlman, University of Chicago, USA Focus: Music, Nationalism, and the Making of a New Europe surveys the intersection of music and nationalism by tracing its historical development and documenting its persistence today. Contrasting different types of music reveals how music expresses core ideas of nationalism, for example, folk music in the nineteenth century and popular music in the twenty-first.

$95.00

$44.95

$49.95

ORDER NOW!

See Order Form at the back of the catalogue

$95.00

$44.95

$49.95

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$17.95

$49.95

Global Minstrels Voices of World Music Elijah Wald

October 2009: 234x156: 325pp Hb: 978-0-415-96063-2: £70.00 Pb: 978-0-415-96064-9: £21.99 • AVAILABLE AS AN INSPECTION COPY

Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad. October 2009: 234x156: 304pp Hb: 978-0-415-99146-9: £70.00 Pb: 978-0-415-99147-6: £21.99 • AVAILABLE AS AN INSPECTION COPY

2004: 198x129: 424pp Hb: 978-0-415-96800-3: £60.00 Pb: 978-0-415-96801-0: £11.99 eBook: 978-0-203-99771-0 • AVAILABLE AS AN INSPECTION COPY

+44 (0) 20 7017 6336

’World Music has made ethnomusicologists of us all, attempting to understand where music comes from and what it means. Elijah Wald, musician, author, and former world music critic from the Boston Globe, offers some answers of his own through the voices of over 75 musicians profiled in this new collection.’ – Dirty Linen 2006: 234x156: 336pp Hb: 978-0-415-97929-0: £60.00 Pb: 978-0-415-97930-6: £15.99

$28.95

www.routledge.com/music


ETHNOMUSICOLOGY

The Ethnomusicologists’ Cookbook

The Cultural Study of Music

NEW

Complete Meals from Around the World

A Critical Introduction

Sean Williams, Evergreen State College, USA

Edited by Martin Clayton, Trevor Herbert and Richard Middleton

The Horse-head Fiddle and the Cosmopolitan Reimagination of Tradition in Mongolia

’The most important thing to remember about The Ethnomusicologists’ Cookbook is that you must under no circumstances read it while hungry ... In its practical and idealogical approach, the book stays true to an idea that is arguably more vital and obvious in cultures other than our own: both meals and music are a social affair that binds families, friends and nations together.’ – The Vancouver Voice ‘To savour better its fascinating essays on culinary rituals across the globe, this cookbook is one to pore over in the living room instead of the kitchen. Recipes are attached, but are not the primary pleasure; instead, it is learning about the ceremonial drinking songs of Namibia, or the meals that celebrate the return of the swallows in Korea. However, the recipes serve as worthy accompaniments to the accomplished essays: Dates Stuffed with Almond Paste, from Judeo-Spanish Morocco, are sweetly irresistible, and Bolivia’s addictive Avocado with Uncooked Salsa begs to be downed with a bucketful of chips.’ – Publishers Weekly

The Cultural Study of Music is an anthology of writings that serves as a textbook on music and culture. Increasingly, music is being studied as it relates to specific cultures – not only by ethnomusicologists, but by traditional musicologists as well. Drawing on writers from music, anthropology, sociology, and related fields, the book defines the field – i.e., ‘What is the relation between music and culture?’ – and then presents case studies of particular issues in world musics. 2003: 234x156: 376pp Hb: 978-0-415-93844-0: £70.00 Pb: 978-0-415-93845-7: £19.99 • AVAILABLE AS AN INSPECTION COPY

NEW

Making Music in Japan’s Underground

Hereditary Sarangi Players Speak Regula Burckhardt Qureshi, University of Alberta, Canada Master Musicians of India reveals the rich world of Indian art music through profiles and interviews of key musicians from this tradition which is renowned internationally for its improvized raga performance.

2007: 234x156: 360pp Hb: 978-0-415-97201-7: £60.00 Pb: 978-0-415-97202-4: £24.99 • AVAILABLE AS AN INSPECTION COPY $100.00

$34.95

$49.95

$28.95

Hindi Poetry in a Musical Genre Music Cultures in the United States

Thumri Lyrics

An Introduction

Lalita du Perron, School of Oriental and African Studies, University of London, UK

Edited by Ellen Koskoff, Eastman School of Music, USA 2004: 246x174: 448pp Hb: 978-0-415-96588-0: £60.00 Pb: 978-0-415-96589-7: £29.99 • AVAILABLE AS AN INSPECTION COPY

$49.95

Global Pop World Music, World Markets Timothy D. Taylor 1997: 304pp Hb: 978-0-415-91871-8: £70.00 Pb: 978-0-415-91872-5: £19.99

December 2008: 234x156: 144pp Hb: 978-0-415-97156-0: £60.00 eBook: 978-0-203-00551-4 $95.00

Master Musicians of India

Named one of New York Times’ Top-20 Cookbooks of 2006.

2006: 246x174: 320pp Hb: 978-0-415-97818-7: £60.00 Pb: 978-0-415-97819-4: £19.99

Series: Current Research in Ethnomusicology: Outstanding Dissertations This study seeks to understand the effects that Western-inspired modernity has had on the nature of cultural tradition in the country, focusing in particular on development of the morin khuur or ‘horse-head fiddle,’ a two-stringed bowed folk lute that features a horse’s head carved into its crown. As well as being one of the most popular instruments in the contemporary national musical culture, it has also become an icon of Mongolian national identity and a symbol of the nation’s ancient cultural heritage.

$37.95

‘This is a book that should make your kitchen sing.’ – Gastronomica: The Journal of Food and Culture

The Ethnomusicologists’ Cookbook combines scholarship with a unique and fun approach to the study of the world’s foods, musics, and cultures. More than just a cookbook, it is an excellent companion for anyone embarking on a cultural-culinary journey.

Peter K. Marsh, California State University, USA

The Tokyo Hardcore Scene Jennifer Milioto Matsue, Union College, USA Series: East Asia: History, Politics, Sociology and Culture This book explores the underground Tokyo hardcore scene, ultimately asking what play as resistance through performance of the scene tells us about Japanese society in general. Jennifer Milioto Matsue highlights the complicated positioning of young adult Japanese in contemporary Japan as they negotiate both increasing social demands and increasing problems in society at large. The book offers a highly interdisciplinary look at the importance of musical scenes for expressing resistance at the turn of the twenty-first century. Within the underground Tokyo hardcore scene this resistance is expressed through play with individual and collective identity, in intimate and potentially illicit spaces, with an arguably challenging sound and performance style. September 2008: 234x156: 188pp Hb: 978-0-415-96152-3: £60.00 eBook: 978-0-203-89242-8 $95.00

Series: Royal Asiatic Society Books

Popular Music of Vietnam

Indian classical music has long been fascinating to Western audiences, most prominently since the Beatles’ sessions with Ravi Shankar in the 1960s. This fascination with the musical genre still prevails in the twenty-first century.

The Politics of Remembering, the Economics of Forgetting

Hindi Poetry in a Musical Genre examines Thumri Lyrics, a major genre of Hindustani music, from a primarily linguistic perspective. On a cultural level, it discusses the interface between devotional and secular poetry. Furthermore, it explains the impact of social and political change on the musical life of North India.

Based on the author’s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth. It focuses on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting, driven by the capitalist interests of the music industry.

2007: 234x156: 256pp Hb: 978-0-415-39446-8: £85.00 eBook: 978-0-203-96806-2

$160.00

Dale A. Olsen, Florida State University, USA Series: Routledge Studies in Ethnomusicology

2008: 234x156: 306pp Hb: 978-0-415-98886-5: £60.00 eBook: 978-0-203-89279-4

E-mail: music@routledge.com

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$95.00

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ETHNOMUSICOLOGY

ROCK AND POPULAR MUSIC

Representing African Music

The Rock History Reader

Postcolonial Notes, Queries, Positions

Edited by Theo Cateforis, Syracuse University, USA

Kofi Agawu

The Rock History Reader is a collection of primary source material that brings to life the often contentious issues, arguments, conflicts and creative tensions that have defined rock’s momentous rise and spread. The readings range from vivid autobiographical accounts of such rock icons as Chuck Berry, Ronnie Spector, and David Lee Roth, and the writings of noted rock critics like Lester Bangs and Simon Reynolds, to a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures.

2003: 234x156: 288pp Hb: 978-0-415-94389-5: £60.00 Pb: 978-0-415-94390-1: £16.99 • AVAILABLE AS AN INSPECTION COPY $32.95

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Singing For Life HIV/AIDS and Music in Uganda Gregory Barz 2005: 234x156: 280pp Hb: 978-0-415-97289-5: £60.00 Pb: 978-0-415-97290-1: £24.99 • AVAILABLE AS AN INSPECTION COPY $38.95

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The African Diaspora A Musical Perspective Edited by Ingrid Monson Series: Critical and Cultural Musicology 2003: 234x156: 384pp Hb: 978-0-8153-2382-2: £65.00 Pb: 978-0-415-96769-3: £24.99 eBook: 978-0-203-49305-2 • AVAILABLE AS AN INSPECTION COPY $35.95

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With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures and the meaning of musical value, The Rock History Reader tells the history of rock as it has been received and explained as a social and musical practice through its five-decade history. 2006: 246x174: 384pp Hb: 978-0-415-97500-1: £60.00 Pb: 978-0-415-97501-8: £17.99 • AVAILABLE AS AN INSPECTION COPY $100.00

Brazilian Popular Music and Globalization Edited by Charles A. Perrone and Christopher Dunn 2001: 234x156: 272pp Pb: 978-0-415-93695-8: £17.99 • AVAILABLE AS AN INSPECTION COPY $32.95

$29.95

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2ND EDITION

Expression in Pop-Rock Music Critical and Analytical Essays Edited by Walter Everett, University of Michigan, USA

Latin American Popular Music Edited by Walter Aaron Clark 2002: 234x156: 320pp Hb: 978-0-8153-3639-6:£70.00 Pb: 978-0-8153-3640-2: £22.99 • AVAILABLE AS AN INSPECTION COPY $39.95

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Situating Salsa Global Markets and Local Meanings in Latin Popular Music Lise Waxer 2002: 234x156: 336pp Hb: 978-0-8153-4019-5: £70.00 Pb: 978-0-8153-4020-1: £24.99 • AVAILABLE AS AN INSPECTION COPY $35.95

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Alan Lomax Selected Writings, 1934–1997 Edited by Ronald Cohen 2005: 234x156: 376pp Pb: 978-0-415-93855-6: £16.99 eBook: 978-0-203-49255-0 • AVAILABLE AS AN INSPECTION COPY $21.95

Wayne Robins ‘Robins presents his [work] with enthusiasm and breezy good humour, yet manages unpretentiously to hammer home his historical points and musical opinions ... His tone is ideal for the topic and format, a welcome relief from the disproportionate number of self-important academic treatises on modern popular music.’ – Kirkus Reviews The birth of rock ‘n’ roll signalled the blossoming of a new teenage culture, dividing generations and introducing a new attitude of rebellion and independence. From Chuck Berry to the Beatles, from punk rock to hip hop, rock ‘n’ roll has continuously transformed alongside or in reaction to social, cultural, and political changes. A Brief History of Rock, Off the Record is a concise introduction to rock history and the impact it has had on American culture. It is an easy-to-read, vivid account written by one of rock’s leading critics. Pulling from personal interviews over the years, Wayne Robins interweaves the developments in rock music with his commentary on the political and social events and movements that defined their decades. 2007: 234x156: 328pp Hb: 978-0-415-97472-1: £60.00 Pb: 978-0-415-97473-8: £13.99 • AVAILABLE AS AN INSPECTION COPY $95.00

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From Tejano to Tango

A Brief History of Rock, Off the Record

Expression in Pop-Rock Music is a collection of critical and analytical essays written by today’s top scholars on pop and rock music. Applying a wide variety of analytical techniques and critical approaches in the study of songs by artists such as Tori Amos, David Bowie, James Brown, the Cure, Genesis, Radiohead, and Frank Zappa, these essays tackle the musical text itself in coming to terms with political, social, cultural, and stylistic issues expressed in the most popular music of the past half-century. It has been expanded in its second edition to include three new essays and other additions accounting for the changes to the popular music landscape since its first edition, with particular attention paid to the rise of hip-hop and country music.

The Popular Music Studies Reader Edited by Andy Bennett, Barry Shank and Jason Toynbee The Popular Music Studies Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes.

2005: 246x174: 432pp Hb: 978-0-415-30709-3: £75.00 Pb: 978-0-415-30710-9: £22.99 • AVAILABLE AS AN INSPECTION COPY $43.95

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2007: 234x156: 408pp Hb: 978-0-415-97958-0: £60.00 Pb: 978-0-415-97959-7: £17.99 • AVAILABLE AS AN INSPECTION COPY $95.00

$30.00

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$

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ROCK AND POPULAR MUSIC

3RD EDITION

Music in the Post-9/11 World

Queering the Popular Pitch

Understanding Popular Music Culture

Edited by Jonathan Ritter, University of California, Riverside, USA and J. Martin Daughtry, New York University, USA

Edited by Sheila Whiteley and Jennifer Rycenga

Roy Shuker, Victoria University of Wellington, New Zealand This introductory textbook explores the history and meaning of rock and popular music. Roy Shuker’s study provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music and examines the difficulties and debates which surround the analysis of popular culture and popular music. With chapter-related guides to further reading, listening and viewing, a glossary, and a timeline, this textbook is the ideal introduction for students. 2007: 234x156: 328pp Hb: 978-0-415-41905-5: £70.00 Pb: 978-0-415-41906-2: £19.99 • AVAILABLE AS AN INSPECTION COPY $125.00

$31.95

Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this volume examine the altered social, economic, and political environment of ‘post-9/11’ music production and consumption.

2007: 234x156: 360pp Hb: 978-0-415-97806-4: £60.00 Pb: 978-0-415-97807-1: £16.99 • AVAILABLE AS AN INSPECTION COPY

Jacqueline Warwick, Dalhousie University, Canada Jacqueline Warwick is the first writer to address 1960s girl group music from the perspective of its most significant audience – teenage girls. Drawing on current research in psychology and sociology to explore the important place of this repertoire, this book stands as a landmark study of this important pop music and cultural phenomenon.

Popular Music: The Key Concepts Roy Shuker Series: Routledge Key Guides 2005: 216x138: 344pp Hb: 978-0-415-34770-9: £60.00 Pb: 978-0-415-34769-3: £14.99 eBook: 978-0-203-08816-6 • AVAILABLE AS AN INSPECTION COPY $26.95

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2007: 234x156: 288pp Hb: 978-0-415-97112-6: £60.00 Pb: 978-0-415-97113-3: £19.99 • AVAILABLE AS AN INSPECTION COPY $99.00

Understanding Society through Popular Music Joe Kotarba, University of Houston, USA and Phillip Vannini Using a sociological framework, this book uses music as a tool to help students understand the structure and process of social life. Music is important because it simultaneously contains and reflects a people’s language, values, feelings, concerns, and goals. The material in this innovative, compact supplement is current and relevant to the musical experiences of today’s college and university students and includes a companion website that features an instructor’s guide, test bank, discussion questions, and links to relevant internet sites. September 2008: 234x156: 192pp Hb: 978-0-415-95408-2: £65.00 Pb: 978-0-415-95409-9: £17.00 eBook: 978-0-203-89460-6 • AVAILABLE AS AN INSPECTION COPY

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Oh Boy!

$28.95

Masculinities and Popular Music Edited by Freya Jarman-Ivens, University of Liverpool, UK Oh Boy! is the first serious study of how forms of masculinity are negotiated, constructed, represented and addressed in popular music texts and practices.

Companion Website at

Thomas M. Kitts, St. John’s University, USA ’Thomas Kitts has done a great job ... [his] book is highly recommended for Kinks and Ray Davies Fans, and everybody else!’ – New York Waste Ray Davies: Not Like Everybody Else is a critical biography of Ray Davies, with a focus on his music and his times. The book studies Davies’ work from the Kinks’ first singles through his 2006 solo album, from his rock musicals in the early 1970s to his one-man stage show in the 1990s, and from his films to his autobiography. Based on interviews with his closest associates, as well as studies of the recordings themselves, this book creates the most thorough picture of Davies’ work to date. Thomas M. Kitts situates Davies’ work in the context of the British Invasion and the growth of rock in the 1960s and 1970s, and in the larger context of English cultural history. For fans of rock music and the music of the Kinks, this book is a must have. 2007: 234x156: 320pp Hb: 978-0-415-97768-5: £60.00 Pb: 978-0-415-97769-2: £12.99 eBook: 978-0-203-93563-7 • AVAILABLE AS AN INSPECTION COPY $95.00

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Two Hearts, the Story Dave Marsh

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Not Like Everybody Else

Bruce Springsteen

$125.00

2007: 234x156: 288pp Hb: 978-0-415-97820-0: £60.00 Pb: 978-0-415-97821-7: £19.99

$99.00

$100.00

$31.95

Ray Davies

Popular Music and Identity in the 1960s

2ND EDITION

NEW

2006: 234x156: 328pp Hb: 978-0-415-97804-0: £60.00 Pb: 978-0-415-97805-7: £18.99

Girl Groups, Girl Culture

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Queering the Popular Pitch is a collection of nineteen essays that situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts – performance, cultural production and sexual meaning – situating music within the broader patterns of culture that it both mirrors and actively reproduces.

2003: 234x156: 688pp Pb: 978-0-415-96928-4: £17.99 eBook: 978-0-203-49470-7

$36.95

www.routledge.com/textbooks/9780415954099.

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8

ROCK AND POPULAR MUSIC

2ND EDITION

Voicing the Popular

Is Rock Dead?

The Day John Met Paul

On the Subjects of Popular Music

An Hour-by-Hour Account of How the Beatles Began

Richard Middleton, University of Newcastle, UK

Kevin J.H. Dettmar, Southern Illinois University, Carbondale, USA

’Voicing the Popular already marks one of the most paradigmatic moments in popular music studies in the twenty-first century.’ – Philip V. Bohlman, Author of The Study of Folk Music in the Modern World and World Music: A Very Short Introduction

Jim O’Donnell With many new photos and an updated introduction, The Day John Met Paul, a critically-acclaimed Beatles book, re-appears in a visually stunning second edition. The book is an hour-by-hour account of the fateful day the two founding Beatles met in July 1957. But it is much more than that: it’s a spellbinding story of how fate brought together two men who would radically change the face of popular music, from its look and feel to its sound. The Day John Met Paul chronicles the first ‘Day in the Life’ of the Beatles – a day that changed the musical world.

‘Richard Middleton’s Voicing the Popular cannot but inspire profound admiration ... From Mozart’s Magic Flute to the Spice Girls his magisterial voice leads us through the multi-faceted network of modernity’s popular underside.’ – Mladen Dolar, Author of A Voice and Nothing More

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That’s the Joint!

$24.95

The Hip-Hop Studies Reader

2006: 234x156: 352pp Hb: 978-0-415-97589-6: £60.00 Pb: 978-0-415-97590-2: £17.99 • AVAILABLE AS AN INSPECTION COPY

Edited by Murray Forman, Northeastern University, USA and Mark Anthony Neal, Duke University, USA

$100.00

$29.95

2006: 246x174: 192pp Pb: 978-0-415-97933-7: £11.99 • AVAILABLE AS AN INSPECTION COPY

2005: 234x156: 208pp Hb: 978-0-415-97033-4: £60.00 Pb: 978-0-415-97034-1: £16.99 • AVAILABLE AS AN INSPECTION COPY

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$1

’That’s The Joint!, edited by Murray Forman and Mark Anthony Neal, is a ready-made cornerstone for any multidisciplinary hip-hop course.’ – Houston Chronicle

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Folk Music: The Basics Damage Incorporated

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Metallica and the Production of Musical Identity Glenn Pillsbury 2006: 234x156: 272pp Hb: 978-0-415-97373-1: £60.00 Pb: 978-0-415-97374-8: £21.99

$29.95

Ray Charles Man and Music, Updated Commemorative Edition Michael Lydon 2004: 234x156: 472pp Pb: 978-0-415-97043-3: £16.99 eBook: 978-0-203-49832-3 • AVAILABLE AS AN INSPECTION COPY $ $22.

Exploring the Networked Worlds of Popular Music Milieux Cultures Edited by Peter Webb, University of Birmingham, UK Series: Routledge Advances in Sociology This book assesses sociological and cultural attempts to theorize the worlds of popular music production. It offers and develops a new theoretical matrix that can illuminate these trends in a more complex and instructive way.

Ronald D. Cohen, Indiana University Northwest, USA Series: The Basics Folk Music: The Basics gives a brief introduction to British and American folk music. Drawing upon the most recent and relevant scholarship, it focuses on comparing and contrasting the historical nature of the three aspects of understanding folk music: traditional, local performers; professional collectors; and the advent of professional performers in the twentieth century during the so-called ‘folk revival.’ Folk Music: The Basics serves as an excellent introduction to the players, the music, and the styles that make folk music an enduring and well-loved musical style. Throughout, sidebars offer studies of key folk performers, record labels, and related issues to place the general discussion in context.

2004: 246x174: 648pp Hb: 978-0-415-96918-5: £65.00 Pb: 978-0-415-96919-2: £24.99 eBook: 978-0-203-64219-1 • AVAILABLE AS AN INSPECTION COPY $39.95

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Yodel-Ay-Ee-Oooo The Secret History of Yodeling Around the World Bart Plantenga 2003: 234x156: 320pp Hb: 978-0-415-93989-8: £60.00 Pb: 978-0-415-93990-4: £18.99 • AVAILABLE AS AN INSPECTION COPY $27.95

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2006: 148x129: 264pp Hb: 978-0-415-97159-1: £55.00 Pb: 978-0-415-97160-7: £9.99 • AVAILABLE AS AN INSPECTION COPY

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$100.00

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Bad Music The Music we Love to Hate Edited by Christopher J. Washburne and Maiken Derno 2004: 234x156: 288pp Hb: 978-0-415-94365-9: £60.00 Pb: 978-0-415-94366-6: £19.99 eBook: 978-0-203-30904-9 • AVAILABLE AS AN INSPECTION COPY $28.95

95

2007: 234x156: 288pp Hb: 978-0-415-95658-1: £60.00 eBook: 978-0-203-93238-4

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JAZZ AND BLUES

Miles, Ornette, Cecil

Luck’s In My Corner

Jazz Beyond Jazz

The Life and Music of Hot Lips Page

Interaction, Improvisation, and Interplay in Jazz

Howard Mandel

Todd Bryant Weeks

Robert Hodson, Hope College, USA

’I learned so much from Miles, Ornette, Cecil: Jazz Beyond Jazz. It’s really reporting, as well as listening. This is jazz from the inside – an essential book, not only for new listeners but for historians of jazz now, and in the future. We hear the musicians speak, informing the author – and us – thereby adding to how much more of the music we come to hear.’ – Nat Hentoff, Writer, Jazz Times, Village Voice, The Wall Street Journal

’On his soulful trumpet and as a riveting singer of the blues, Oran “Hot Lips” Page was and remains a permanent jazz master. At last, there is a book that brings the man and his music fully back to life. Luck’s In My Corner: The Life and Music of Hot Lips Page by Todd Bryant Weeks is essential for any jazz library.’ – Nat Hentoff, The Wall Street Journal

‘The most impressive aspect of the book is [Mandel’s] writing: honest and evocative, flavourful and generous, enthusiastic and thought-provoking.’ – Art Lange, Jazz Notes Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvization, instrumentation, and performance. Howard Mandel offers fresh insights into their careers from interviews with all three artists and many of their significant collaborators, as well as a thorough overview of earlier interpretations of their work. 2007: 234x156: 304pp Hb: 978-0-415-96714-3: £18.99

$30.00

Luck’s in My Corner examines the life and music of a forgotten figure of the Swing Era and returns him to his rightful place as a leading light in the world of jazz. Todd Bryant Weeks has combined genealogical, musicological, discographical and historical research, resulting in a revealing and entertaining examination of a life that spanned major changes in American popular music. This book includes a new and complete discography by the author and dozens of unpublished photos. 2008: 234x156: 352pp Hb: 978-0-415-96218-6: £60.00 Pb: 978-0-415-99077-6: £24.99 eBook: 978-0-203-93146-2

$95.00

$34.95

The John Coltrane Reference Chris DeVito, Yasuhiro Fujioka, Wolf Schmaler and David Wild Editied by Lewis Porter

For more information, or a full table of contents for any titles in this catalogue, please visit www.routledge.com/music

’The intensity and accuracy of the scholarship in this monumental effort cannot be praised enough ... To give Coltrane his due in book form is to be as painstaking in researching as Coltrane was in practicing. This book honours its subject through such exercise of care.’ – AllAboutJazz.com ‘This opus is clearly the culmination of decades of dedicated and diligent resesarch and is wholly worthy of its illustrious subject. No serious collector of jazz literature can afford to be without it.’ – Bob Weir, Names & Numbers The John Coltrane Reference features a complete chronology detailing Coltrane’s early years and every live performance given by Coltrane as either a sideman or leader. It also includes a discography offering full session information from the first year of recordings, 1946, to the last, 1967. Richly illustrated with over 250 photos, this reference work is an indispensable guide to the life and music of John Coltrane. 2007: 276x219: 848pp Hb: 978-0-415-97755-5: £95.00

Interaction, Improvisation, and Interplay in Jazz offers a new and exciting way to listen to and understand jazz. The book explores the process of player interaction in jazz, and the role this interaction plays in creating improvized music. Interaction, Improvisation, and Interplay in Jazz will appeal to students of jazz history, composition, and performance, as well as to the general jazz audience. 2007: 234x156: 208pp Hb: 978-0-415-97680-0: £60.00 Pb: 978-0-415-97681-7: £24.99 • AVAILABLE AS AN INSPECTION COPY $100.00

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Jazz: The Basics Christopher Meeder Series: The Basics Jazz: The Basics gives a brief introduction to a century of jazz, ideal for students and interested listeners who want to learn more about this important musical style. The heart of the book traces jazz’s growth from its folk origins through early recordings and New Orleans stars; the big-band and swing era; bebop; cool jazz and third stream; avant-garde; jazz-rock; and the neo-conservative movement of the 1980s and 1990s. Key figures from each era, including Louis Armstrong, Benny Goodman, Charlie Parker, Miles Davis, and Wynton Marsalis, are highlighted along with classic works. The book concludes with a list of the 100 essential recordings to own, along with a timeline and glossary. Jazz: The Basics serves as an excellent introduction to the players, the music, and the styles that make jazz ‘America’s classical music.’ 2007: 216x138; 294pp Hb: 978-0-415-96693-1: £60.00 Pb: 978-0-415-96694-8: £11.99 eBook: 978-0-203-93145-5 • AVAILABLE AS AN INSPECTION COPY $100.00

$18.95

955

$150.00

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10

JAZZ AND BLUES

MUSIC HISTORY AND LITERATURE

Blues: The Basics

Spreadin’ Rhythm Around

Dick Weissman

Black Popular Songwriters, 1880–1930

Series: The Basics

David A. Jasen and Gene Jones Hailed by Publishers Weekly as ‘thoroughly researched and entertainingly written,’ this work documents the careers of songwriters like James A. Bland, Bert Williams, W.C. Handy, Noble Sissle, Eubie Blake, and many more. Spreadin’ Rhythm Around offers a comprehensive picture of the contributions of black musicians to American popular song.

2004: 148x129: 224pp Hb: 978-0-415-97067-9: £60.00 Pb: 978-0-415-97068-6: £11.99 • AVAILABLE AS AN INSPECTION COPY 955

Broadcasting the Blues

The Blues Lyric Formula

Black Blues in the Segregation Era

Michael Taft, American Folklife Center, Washington, USA This book is the first rigourous and detailed exploration of exactly how blues singers use formulas to create songs, and gives a step-by-step description of the rules implicit in this formulaic structure which inspires new discussion of lyric structures.

2005: 234x156: 216pp Hb: 978-0-415-97176-8: £60.00 Pb: 978-0-415-97177-5: £16.99 • AVAILABLE AS AN INSPECTION COPY $23.

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Ella Fitzgerald A Biography of the First Lady of Jazz, Updated Edition Stuart Nicholson 2004: 234x156: 352pp Pb: 978-0-415-97119-5: £19.95

2006: 234x156: 256pp Hb: 978-0-415-97498-1: £55.00 Pb: 978-0-415-97499-8: £21.99

$21.95

Is Jazz Dead? Or Has It Moved to a New Address

$32.95

Talkin’ to Myself

Stuart Nicholson ’A serious and passionate discussion about jazz’s future ... An art form which ought to constantly investigate the new needs voices like Nicholson’s to remind us of its purpose.’ – The Independent

Blues Lyrics, 1921–1942 Michael Taft, American Folklife Center, Washington, USA 2005: 234x156: 744pp Hb: 978-0-415-97377-9: £70.00 Pb: 978-0-415-97378-6: £18.99

Routledge Studies in Musical Genres presents introductory guides to key musical genres in the Western classical canon. Designed for the avid listener or the student of music history, each volume features essays by eminent music scholars and focuses on the key composers in a key style, providing a brief history, analysis and musical examples.

2ND EDITION

$29.95

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Paul Oliver

Series Editor: R. Larry Todd, Duke University, USA

NEW

$100.00

2005: 234x156: 464pp Pb: 978-0-415-97704-3: £21.99

Routledge Studies in Musical Genres

German Lieder in the Nineteenth Century Edited by Rufus Hallmark German Lieder in the Nineteenth Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples. September 2009: 234x156: 400pp Hb: 978-0-415-99037-0: £75.00 Pb: 978-0-415-99038-7: £24.99 • AVAILABLE AS AN INSPECTION COPY $95.00

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The Voice of the Blues Classic Interviews from Living Blues Magazine Jim O’Neal and Amy van Singel Introduction by Peter Guralnick

2005: 234x156: 288pp Hb: 978-0-415-96708-2: £60.00 Pb: 978-0-415-97583-4: £12.99

2001: 234x156: 368pp Hb: 978-0-415-93653-8: £65.00 Pb: 978-0-415-93654-5: £21.99 • AVAILABLE AS AN INSPECTION COPY

$24.95

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Get Your Ass in the Water and Swim Like Me

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CD

African-American Narrative Poetry from the Oral Tradition Edited by Bruce Jackson 2004: 234x156: 264pp Hb: 978-0-415-96996-3: £60.00 Pb: 978-0-415-96997-0: £16.99 eBook: 978-0-203-32331-1 • AVAILABLE AS AN INSPECTION COPY 955

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$23.95

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11

MUSIC HISTORY AND LITERATURE

2ND EDITION

Mendelssohn Essays

Eighteenth-Century Keyboard Music

R. Larry Todd, Duke University, USA

Edited by Robert Marshall

When R. Larry Todd’s biography, Mendelssohn: A Life in Music, appeared in 2003, it won acclaim from several critics as a definitive biography. In researching Mendelssohn’s life over the last two and a half decades, Todd uncovered much new information about the composer and his music, his family and his peers, and his complex reception history. Now, for the 2009 bicentenary of Mendelssohn’s birth, the author has chosen and compiled fifteen essays written between 1980 and 2005, including five previously unpublished, that examine several aspects of the composer whom Goethe and Heine likened to a second Mozart.

2003: 234x156: 448pp Pb: 978-0-415-96642-9: £27.99 eBook: 978-0-203-42711-8 • AVAILABLE AS AN INSPECTION COPY $39.95

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Nineteenth-Century Piano Music R. Larry Todd 2004: 234x156: 460pp Pb: 978-0-415-96890-4: £27.99 • AVAILABLE AS AN INSPECTION COPY $

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2ND EDITION

Keyboard Music Before 1700 Edited by Alexander Silbiger 2003: 234x156: 400pp Pb: 978-0-415-96891-1: £27.99 eBook: 978-0-203-64212-2 • AVAILABLE AS AN INSPECTION COPY $39.9

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Nineteenth-Century Chamber Music Stephen Hefling 2003: 234x156: 392pp Pb: 978-0-415-96650-4: £27.99 eBook: 978-0-203-49308-3 • AVAILABLE AS AN INSPECTION COPY $39.95

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Mendelssohn Essays explores Mendelssohn’s precocity, his musical impressions of British culture, the role of the visual in his music, his compositional response to Bach’s St. Matthew Passion, and incomplete drafts from his musical estate of three instrumental works. In addition, a group of three essays focuses on the music of Mendelssohn’s sister Fanny Hensel, perhaps the most gifted woman composer of the century, and a significant, complex figure in the formation of the Mendelssohnian style. 2007: 234x156: 336pp Hb: 978-0-415-97814-9: £60.00 Pb: 978-0-415-97815-6: £24.99

Rob C. Wegman, Princeton University, USA Now in paperback, The Crisis of Music in Early Modern Europe, 1470–1530 tells the story of this cultural upheaval, drawing on a wide range of little-known texts and documents, and weaving them together in a narrative that takes the reader on an eventful musical journey through early-modern Europe. 2007: 234x156: 280pp Hb: 978-0-415-97512-4: £60.00 Pb: 978-0-415-96474-6: £24.99

$39.95

2ND EDITION

The Keyboard Music of J.S. Bach David Schulenberg, Wagner College, USA ’The indispensable vade mecum that has so long been lacking [in Bach scholarship] ... belongs in the library of every serious performer and students of Bach's keyboard music.’ – Howard Schott, The Musical Times

$95.00

$39.95

2006: 234x156: 544pp Hb: 978-0-415-97399-1: £60.00 Pb: 978-0-415-97400-4: £24.99

2ND EDITION

2ND EDITION

Twentieth-Century Chamber Music

Interpreting Mozart

James McCalla

The Performance of His Piano Pieces and Other Compositions

2003: 234x156: 320pp Pb: 978-0-415-96695-5: £22.99 • AVAILABLE AS AN INSPECTION COPY

The Crisis of Music in Early Modern Europe, 1470–1530

CD

$42.95

NEW IN PAPERBACK

John Cage

$39.95

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955

any View nline uct o prod king on ic by cl e listing itl the t

Eva Badura-Skoda and Paul Badura-Skoda

Music, Philosophy, and Intention, 1933–1950

’One of the most significant texts to treat the broad range of stylistic and practical performance issues that underlie idiomatic Mozart playing ... Everyone who seeks expert insight into the content, expression and execution of Mozart’s music will find this book inspirational and indispensable.’ – Robert Levin, Harvard University, USA

Edited by David W. Patterson

Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart’s works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half-century of scholarship on Mozart’s music, addressing the elements of performance and problems that may occur in performing Mozart’s works on modern instruments. 2008: 246x174: 496pp Hb: 978-0-415-97750-0: £65.00

$95.00

John Cage: Music, Philosophy, and Intention, 1933–1950 explores the early part of John Cage’s life and career, concentrating on the ‘pre-chance’ period. These essays consider influences on Cage’s work, his evolving aesthetic, and his movement toward an ideology that would later shape his own work. December 2008: 234x156: 288pp Hb: 978-0-8153-2995-4: £70.00 Pb: 978-0-415-99667-9: £19.99 $37.95

2ND EDITION

Conversing with Cage Richard Kostelanetz 2002: 234x156: 344pp Hb: 978-0-415-93791-7: £70.00 Pb: 978-0-415-93792-4: £21.99 eBook: 978-0-203-42703-3 • AVAILABLE AS AN INSPECTION COPY $34.95

955

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12

MUSIC HISTORY AND LITERATURE

The New York Schools of Music and the Visual Arts

Roger Sessions

Edited by Steven Johnson

Andrea Olmstead

Series: Studies in Contemporary Music and Culture

Recognized as the primary American symphonist of the twentieth century, Roger Sessions (1896–1985) is one of the leading representatives of high modernism. His stature among American composers rivals Charles Ives, Aaron Copland, and Elliott Carter. Sessions was awarded two Pulitzer prizes, election to the American Academy of Arts and Letters, winning the Brandeis Creative Arts Award, the Gold Medal of the American Academy, and a MacDowell Medal, in addition to fourteen honorary doctorates.

2001: 234x156: 224pp Hb: 978-0-8153-3364-7: £70.00 Pb: 978-0-415-93694-1: £17.99 • AVAILABLE AS AN INSPECTION COPY $32.95

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955

Sounding Out: Pauline Oliveros and Lesbian Musicality Martha Mockus, Hamilton College, USA Crafting a dynamic relationship between feminism and music-making, this book offers an original analysis of Oliveros’ work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory.

2007: 234x156: 224pp Hb: 978-0-415-97375-5: £60.00 Pb: 978-0-415-97376-2: £21.99 eBook: 978-0-203-93559-0

2007: 246x174: 464pp Hb: 978-0-415-97713-5: £75.00 Pb: 978-0-415-97714-2: £29.99

The New Gay and Lesbian Musicology Edited by Philip Brett, Elizabeth Wood and Gary C. Thomas, University of Minnesota, USA $100.00

$36.95

Early Writings Nicolas Slonimsky Edited by Electra Yourke 2003: 234x156: 208pp Hb: 978-0-415-96865-2: £70.00

Deems Taylor

VOLUME 2

Nicolas Slonimsky: Writings on Music

2003: 234x156: 248pp Hb: 978-0-415-96866-9: £70.00

Nicolas Slonimsky: Writings on Music

$95.00

Classical Music, Why Bother?

Music of the Modern Era

Hearing the World of Contemporary Culture Through a Composer’s Ears

Nicolas Slonimsky

Joshua Fineberg, Harvard University, USA 2006: 234x156: 184pp Hb: 978-0-415-97173-7: £60.00 Pb: 978-0-415-97174-4: £13.99 • AVAILABLE AS AN INSPECTION COPY

2004: 234x156: 368pp Hb: 978-0-415-96867-6: £60.00

$100.00

VOLUME 4

Nicolas Slonimsky: Writings on Music

$

$23.95

Liturgy and Contemplation in Byrd’s Gradualia

Masterworks of 20th-Century Music

Slonimskyana

The Modern Repertory of the Symphony Orchestra

Nicolas Slonimsky

Kerry McCarthy, Duke University, USA

Douglas Lee

2004: 234x156: 400pp Hb: 978-0-415-96868-3: £65.00

2007: 234x156: 208pp Hb: 978-0-415-97861-3: £60.00 eBook: 978-0-203-94297-0

$115.00

VOLUME 3

955

Combining both the cultural history of the dangers faced by Catholics who practiced their religion at this time with a very close reading of how Byrd created this work, Kerry McCarthy creates a book that will interest musicologists, religious historians, and students of Elizabethan English culture.

$115.00

Nicolas Slonimsky

2007: 234x156: 248pp Hb: 978-0-415-97957-3: £60.00

Queering the Pitch

Nicolas Slonimsky: Writings on Music

Russian and Soviet Music and Composers

$110.00

James Pegolotti

$95.00

$29.95

VOLUME 1

$44.95

Selected Writings

2ND EDITION

2006: 234x156: 424pp Hb: 978-0-415-97883-5: £60.00 Pb: 978-0-415-97884-2: £19.99

Nicolas Slonimsky: Writings on Music

A Biography

2002: 234x156: 528pp Hb; 978-0-415-93846-4: £70.00 Pb: 978-0-415-93847-1: £24.99 • AVAILABLE AS AN INSPECTION COPY

4-VOLUME SET

2ND EDITION

Nicolas Slonimsky: Writings on Music

Mind Models

Nicolas Slonimsky

Roger Reynolds

Edited by Electra Yourke

955

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6.95

2005: 234x156: 208pp Hb: 978-0-415-97428-8: £60.00 Pb: 978-0-415-97429-5: £22.99

2003: 234x156: 1408pp Hb: 978-0-415-94220-1: £280.00 eBook: 978-0-203-64399-0

$450.00

$105.00

$31.95

Postmodern Music/Postmodern Thought

Slonimsky’s Book of Musical Anecdotes

Musicology: The Key Concepts

Edited by Judy Lochhead and Joseph Auner

Nicolas Slonimsky

David Beard and Kenneth Gloag

Series: Studies in Contemporary Music and Culture

Series: Routledge Key Guides

2001: 234x156: 350pp Hb: 978-0-8153-3819-2: £65.00 Pb: 978-0-8153-3820-8: £18.99 • AVAILABLE AS AN INSPECTION COPY

2002: 234x156: 320pp Pb: 978-0-415-93938-6: £16.99 • AVAILABLE AS AN INSPECTION COPY

2005: 216x138: 256pp Hb: 978-0-415-31693-4: £60.00 Pb: 978-0-415-31692-7: £14.99 eBook: 978-0-203-58051-6 • AVAILABLE AS AN INSPECTION COPY $27.95

955

955

$27.95

955

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$

$34.95

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13

MUSIC TECHNOLOGY AND BUSINESS

NEW

3RD EDITION

The Digital Musician

2ND EDITION

Electronic and Experimental Music

Andrew Hugill, De Montfort University, UK

DVD

Handmade Electronic Music The Art of Hardware Hacking Nicolas Collins, The School of the Art Institute of Chicago, Illinois, USA

Technology, Music, and Culture Thom Holmes ’The book is a superlative intersection of history and practice. With its charts, pictures, historical antecedents, and wellexplained concepts, Electronic and Experimental Music is an essential resource for anyone interested in extraordinary sound.’ – Chris DeLaurenti, The Stranger

’Nicolas Collins wants to tear apart your CD player.’ – Wired Magazine ‘Here we have, at last, an electronics book that caters to people who have ideas first, and electronics second. A former technician to some of the last century’s most imaginative experimental composers, Collins offers a splendidly integrative look into the history of “sound art,” basic electronics, and junk revisioning.’ – Make Magazine ‘A brilliant, hands-on guide to electronic music making ... [Collins] never ceases to amaze me with his latest bit of music or techno-logical innovation.’ – TapeOp Magazine Handmade Electronic Music: The Art of Hardware Hacking provides a long-needed, practical, and engaging introduction for students of electronic music, installation and sound-art to the craft of making – as well as creatively cannibalizing – electronic circuits for artistic purposes. Designed for practioners and students of electronic art, it provides a guided tour through the world of electronics, encouraging artists to get to know the inner workings of basic electronic devices so they can creatively use them for their own ends. Handmade Electronic Music introduces the basics of practical circuitry while instructing the student in basic electronic principles, always from the practical point of view of an artist. It teaches a style of intuitive and sensual experimentation that has been lost in this day of prefabricated electronic musical instruments whose inner workings are not open to experimentation. It encourages artists to transcend their fear of electronic technology to launch themselves into the pleasure of working creatively with all kinds of analogue circuitry.

Electronic and Experimental Music: Technology, Music, and Culture is a revised and expanded edition of this classic work, providing a thorough treatment of the relevant history behind the marriage of technology and music that has led to the state of electronic music today. Beginning with an early history of electronic music before 1945, the book outlines key composers, inventions, and concepts, ranging from Edgard Varèse to Brian Eno; musique concrète to turntablism; and compositional techniques used in both analogue and digital synthesis. The third edition’s reader-friendly writing style, logical organization, and features provide easy access to key ideas, milestones, and concepts. Features include: • readers’ guides and summaries at the beginning and end of each chapter • innovations boxes providing a unique profile of an influential individual in the field of electronic music • playlists recommending key recordings in each musical genre mentioned in each chapter • milestone timelines summarizing the major technological and musical innovations discussed in each chapter. 2008: 246x174: 480pp Hb: 978-0-415-95781-6: £70.00 Pb: 978-0-415-95782-3: £23.99 eBook: 978-0-203-92959-9 • AVAILABLE AS AN INSPECTION COPY $115.00

$44.95

The second edition includes additional photos, breadboard diagrams, four new chapters, and a DVD with video demostrations. June 2009: 246x174: 336pp Hb: 978-0-415-99609-9: £60.00 Pb: 978-0-415-99873-4: £17.99 eBook: 978-0-203-87962-7

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Companion Website at www.routledge.com/textbooks/9780415957823

$115.00

$36.95

See Also: Computers in Music Education Amplifying Musicality

The Digital Musician examines cultural awareness, artistic identity and musical skill through the prism of recent technological innovations. New technologies, and especially the new digital technologies, mean that anyone can create music without any musical training. How do we know what is good? This involves developing a personal aesthetic, an awareness of the context for one’s work, specific musical and technical abilities and an individual identity. 2007: 234x156: 312pp Hb: 978-0-415-96215-5: £60.00 Pb: 978-0-415-96216-2: £19.99 eBook: 978-0-203-93565-1 • AVAILABLE AS AN INSPECTION COPY $95.00

$33.95

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Sound Media From Live Journalism to Music Recording

CD

Lars Nyre, University of Bergen, Norway Sound Media considers how music recording, radio broadcasting and muzak influence people’s daily lives and introduces the many and varied creative techniques that have developed in music and journalism throughout the twentieth century. Lars Nyre starts with the contemporary cultures of sound media, and works back to the archaic soundscapes of the 1870s. The first part of the book devotes five chapters to contemporary digital media, and presents the internet, the personal computer, digital radio (news and talk) and various types of loudspeaker media (muzak, DJ-ing, clubbing and PA systems). The second part examines the historical accumulation of techniques and sounds in sound media, and presents multitrack music in the 1960s, the golden age of radio in the 1950s and back to the 1930s, microphone recording of music in the 1930s, the experimental phase of wireless radio in the 1910s and 1900s, and the invention of the gramophone and phonograph in the late nineteenth century. Sound Media includes a soundtrack CD with thirty-six examples from broadcasting and music recording in Europe and the USA, from Edith Piaf to Sarah Cox, and is richly illustrated with figures, timelines and technical drawings. 2008: 234x156: 240pp Hb: 978-0-415-39113-9: £65.00 Pb: 978-0-415-39114-6: £18.99 • AVAILABLE AS AN INSPECTION COPY $130.00

$37.95

955

Andrew R. Brown See page 17

E-mail: music@routledge.com

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14

MUSIC TECHNOLOGY AND BUSINESS

Sound Moves

Music Publishing

2ND EDITION

iPod Culture and Urban Experience

The Roadmap to Royalties

The Recording Industry

Michael Bull, University of Sussex, UK

Ron Sobel and Dick Weissman

Geoffrey Hull

Series: International Library of Sociology

Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. Taking a practical approach, the authors – one a successful music publisher and attorney, the other a songwriter and music business professor – explain in simple terms the basic concept of copyright law as it pertains to compositions. They examine the sources of income, the typical music publishing agreements, and explore some ‘myths’ about music publishing. Throughout, they give practical examples from ‘real world’ situations that illuminate both potential pitfalls and possible upsides for the working composers.

2004: 234x156: 352pp Hb: 978-0-415-96802-7: £60.00 Pb: 978-0-415-96803-4: £22.99 eBook: 978-0-203-49833-0 • AVAILABLE AS AN INSPECTION COPY

This innovative study opens up a new area in sociological and urban studies: the aural experience of the social, mediated through mobile technologies of communication. This book, in using the example of the Apple iPod, investigates the way in which we use sound to construct key areas of our daily lives. The author argues that the Apple iPod acts as an urban Sherpa for many of its users and in doing so joins the mobile army of technologies that many of us habitually use to accompany our daily lives. Through our use of such mobile and largely sound based devices, the book demonstrates how and why the spaces of the city are being transformed right in front of our ears. 2007: 234x156: 192pp Hb: 978-0-415-25751-0: £75.00 Pb: 978-0-415-25752-7: £26.99 eBook: 978-0-203-49622-0

$110.00

$29.95

$

2ND EDITION

Music and Copyright Edited by Lee Marshall and Simon Frith 2004: 234x156: 256pp Hb: 978-0-415-97252-9: £60.00 Pb: 978-0-415-97253-6: £19.99

Promoting Your Music The Lovin’ of the Game Tom May and Dick Weissman, University of Denver, USA The authors draw on years of experience as songwriters and performers to highlight practical tips and real-life stories to help illuminate common issues faced by all performers/songwriters.

Music Publishing is a must-read for anyone who composes music and wants to reach a broader audience, as well as for students taking courses in the music business. 2008: 234x156: 200pp Hb: 978-0-415-97620-6: £60.00 Pb: 978-0-415-97621-3: £21.99 eBook: 978-0-203-89568-9 • AVAILABLE AS AN INSPECTION COPY

$51.95

$95.00

$29.9

Strange Sounds

5

Music, Technology and Culture Timothy D. Taylor 2001: 234x156: 224pp Hb: 978-0-415-93683-5: £65.00 Pb: 978-0-415-93684-2: £16.99 • AVAILABLE AS AN INSPECTION COPY $29.

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Three Perspectives Arthur Bernstein, Liverpool Institute for the Performing Arts, UK, Naoki Sekine and Dick Weissman, University of Denver, USA ’This readable book will be especially useful for those who are looking for a quick overview of the global music industry ... it provides a guide to the issues involved and suggestions for further reading.’ – CHOICE

How the Web Got Wired for Sound William Duckworth 2005: 234x156: 232pp Hb; 978-0-415-96674-0: £60.00 Pb: 978-0-415-96675-7: £15.99 • AVAILABLE AS AN INSPECTION COPY $28.95

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The Routledge Guide to Music Technology Thom Holmes 2006: 246x174: 384pp Hb: 978-0-415-97323-6: £60.00 Pb: 978-0-415-97324-3: £12.99 • AVAILABLE AS AN INSPECTION COPY $22.95

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955

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The Global Music Industry

Virtual Music

955

$27.95

2007: 234x156: 216pp Hb: 978-0-415-97756-2: £60.00 Pb: 978-0-415-97757-9: £23.99

$100.00

$37.95

Songwriting Success How to Write Songs for Fun and (Maybe) Profit Michael Lydon 2004: 246x174: 208pp Pb: 978-0-415-96929-1: £14.99 eBook: 978-0-203-49634-3 • AVAILABLE AS AN INSPECTION COPY $22.95

$

For everyone in the music industry – record labels, managers, music publishers and the performers themselves – it is important to understand the world music marketplace and how it functions. Three leading music experts analyze global issues by region, including: • bootlegging • copyright • censorship • government support. The Global Music Industry gives a concise overview of the issues facing everyone in the music industry; a resource for students, professionals and musicians. 2007: 234x156: 250pp Hb: 978-0-415-97579-7: £60.00 Pb: 978-0-415-97580-3: £20.99 • AVAILABLE AS AN INSPECTION COPY $37.95

955

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MUSIC THEORY

NEW

2-VOLUME SET

SchenkerGUIDE

Music Theory Through Improvisation

NEW

A Brief Handbook and Website for Schenkerian Analysis

CD

A New Approach to Musicianship Training

The Principles and Practice of Counterpoint

Ed Sarath, University of Michigan, USA

Volume 1

Music Theory Through Improvisation presents a new approach to basic theory and musicianship training that is geared towards the diverse interests and abilities of today’s student. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvization, composition, keyboard harmony, analysis, and rhythm. The result is a broader, integrative, and hands-on context.

Douglass Green and Evan Jones, Florida State University, USA

Conventional approaches to basic musicianship (beyond the realm of performance training) have largely been oriented toward the study of common practice harmony from the Euroclassical tradition, with a heavy emphasis on four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvization and composition in stylistically diverse formats. Jazz and popular music serve as important stylistic sources. Keyboard realization, geared toward students with little or no keyboard training prior to the course, is the primary mode of assimilation of harmonic materials, with subsequent written work largely based on keyboard application. This hands-on approach allows an entirely new level of assimilation to take place that can be applied across genres. Secondary dominant chords, modal mixture, modulation, altered and extended chords are essentially the same structures whether they appear in the music of Parker, Ellington, and the Beatles, or Mozart, Beethoven, and Schubert. By gaining command of these materials through the creative, active, and integrative approaches suggested in the book, students can then delve deeply into whatever styles they choose to pursue. Acknowledging the importance of rhythmic skills in today’s multi-ethnic musical mosaic, Music Theory Through Improvisation presents an approach to rhythmic training that derives from Indian, African, African-American, and other traditions. Supplemental materials include an audio CD and website. Companion Website at www.routledge.com/textbooks/9780415997256. October 2009: 276x219: 480pp Hb: 978-0-415-80453-0: £70.00 Pb: 978-0-415-99725-6: £35.00 $67.95

Tom Pankhurst, Liverpool Hope University College, UK SchenkerGUIDE is an accessible overview of Heinrich Schenker’s complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001.

The Principles and Practice of Counterpoint is a comprehensive counterpoint textbook in two volumes, Modal and Tonal. It combines practical, ‘how-to’ practice in species, sixteenth and eighteenth century counterpoint with extensive historical examination of contrapuntal works. The author, the late Douglass Green was committed to the ‘species approach’ rather than the ‘direct approach. ’The study of counterpoint was compellingly codified (as a dialogue between teacher and pupil) in Fux’s eighteenth century treatise Gradus ad Parnassum, which established the ‘species’ approach as the dominant instructional paradigm for over two hundred years. Most of the textbooks gaining prominence over the last several decades however, have modified or abandoned the progressive organization of the species approach, aiming instead to extract and introduce stylistic rules with reference directly to the music of the time. The Principles and Practice of Counterpoint provides the combination of qualities of the books presently offered for teaching Counterpoint. The volumes are accompanied by a companion website. Companion Website at www.routledge.com/textbooks/9780415988650. October 2009: 276x219: 272pp Pb: 978-0-415-98865-0: £31.00

Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis. • Part one is an introduction to Schenkerian analysis, outlining the concepts involved. • Part two outlines a unique and detailed working method to help students get started on the process of analysis. • Part three puts some of these ideas into practice by exploring the basics of a Schenkerian approach to form, register, motives and dramatic structure. • Part four provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion. 2008: 234x156: 272pp Hb: 978-0-415-97397-7: £60.00 Pb: 978-0-415-97398-4: £19.99 eBook: 978-0-203-92888-2 • AVAILABLE AS AN INSPECTION COPY $95.00

$54.95

$34.95

FORTHCOMING

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Volume 2: 2010: 276x219: 224pp Pb: 978-0-415-98866-7: £28.00 $49.95

Companion Website at www.routledge.com/textbooks/9780415988667 . 2ND EDITION

The Craft of Modal Counterpoint Thomas Benjamin 2004: 276x219: 208pp Hb: 978-0-415-97171-3: £60.00 Pb: 978-0-415-97172-0: £19.99 • AVAILABLE AS AN INSPECTION COPY $39.95

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955

The Craft of Tonal Counterpoint Thomas Benjamin 2003: 276x219: 432pp Pb: 978-0-415-94391-8: £38.99 eBook: 978-0-203-49411-0 • AVAILABLE AS AN INSPECTION COPY $61.95

$

Counterpoint, Composition and Musica Ficta Margaret Bent Series: Criticism and Analysis of Early Music 2002: 234x156: 348pp Hb: 978-0-8153-3497-2: £70.00

$115.00

E-mail: music@routledge.com

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15


16

MUSIC THEORY

MUSIC EDUCATION AND TRAINING

Revisiting Music Theory

Orchestration

NEW

A Guide to the Practice

An Anthology of Writings

Alfred Blatter, Curtis Institute, USA

Edited by Paul Mathews, Johns Hopkins University, USA

Teaching Music in American Society

Revisiting Music Theory: A Guide to the Practice contains the basics of music theory with the vocabulary used in harmonic and formal analysis. The book assumes few music reading skills, and progresses to include the basic materials of music from J.S. Bach to the twentieth century. Based on Alfred Blatter’s own three decades of teaching music theory, this book is aimed at a one or two year introductory course in music theory, and can serve for individual study, or as a review for graduate students returning to school. Drawing examples from well-known classical works, as well as folk and popular music, the book shows how theory is applied to practice. The book is divided into five parts. The first part introduces music notation, reviewing the basics of pitch, time, and dynamics as represented in written music. Part two introduces the concept of melody, covering modes, scales, scale degrees, and melodic form. Part three introduces harmony, dealing with harmonic progression, rhythm, and chord types. Part four addresses part writing and harmonic analysis. Finally, part five addresses musical form, and how form is used to structure a composition. Revisiting Music Theory will be a valuable textbook for students, professors, and professionals. 2007: 246x174: 352pp Hb: 978-0-415-97439-4: £80.00 Pb: 978-0-415-97440-0: £21.99 • AVAILABLE AS AN INSPECTION COPY $135.00

$40.95

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Creative Music Composition The Young Composer’s Voice Margaret Lucy Wilkins, University of Huddersfield, UK 2006: 234x156: 240pp Hb: 978-0-415-97466-0: £60.00 Pb: 978-0-415-97467-7: £16.99 • AVAILABLE AS AN INSPECTION COPY 955

’Orchestration: An Anthology of Writings is a refreshing joy to read as it’s filled with many treats working professionals will appreciate.’ – Film Music Orchestration: An Anthology of Writings is designed to be a primary or ancillary text for college-level music majors. Although there are several ‘how to’ textbooks aimed at this market, there is little available that traces the history of orchestration through the writings of composers themselves. By collecting writings from the ninenteenth century to today, Paul Mathews illuminates how orchestration has grown and developed, as well as presenting a wide variety of theories that have been embraced by the leading practitioners in the field. The collection then traces the history of orchestration, beginning with Beethoven’s Orchestra (with writings by Berlioz, Wagner, Gounod, Mahler, and others), the nineteenth century (Mahler, Gevaert, Strauss) the fin de siècle (on the edge of musical modernism; writings by Berlioz, Jadassohn, Delius, and Rimsky Korsakov), early modern (Busoni, Schoenberg, Stravinsky, Grainger, and others), and high modern (Carter, Feldman, Reich, Brant). Many of these pieces have never been translated into English before; some only appeared in small journals or the popular press and have never appeared in a book; and none have ever been collected in one place. The study of orchestration is key for all students of music theory and composition. Orchestration provides a much needed resource for these students, filling a gap in the literature.

$3

The Rothschild Essays

Colin Durrant

Roger Reynolds

$

955

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Companion Website at www.routledge.com/textbooks/9780415992091. 2ND EDITION

Learning to Teach Music in the Secondary School A Companion to School Experience Edited by Christopher Philpott, University of Greenwich, UK and Gary Spruce, The Open University, UK Series: Learning to Teach in the Secondary School Series

Music with the Under-Fours

Philosophy and Practice

$100.00

955

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Choral Conducting

$37.95

$95.00

$38.95

6.95

Form and Method: Composing Music

2003: 234x156: 208pp Hb: 978-0-415-94356-7: £60.00 Pb: 978-0-415-94357-4: £19.99 • AVAILABLE AS AN INSPECTION COPY

January 2009: 246x174: 208pp Hb: 978-0-415-99208-4: £60.00 Pb: 978-0-415-99209-1: £20.99 eBook: 978-0-203-88660-1 • AVAILABLE AS AN INSPECTION COPY

$42.95

$100.00

$

$28.

Steven N. Kelly, Florida State University, USA Teaching Music in American Society is a comprehensive textbook designed for students who seek to be certified in music education to teach K-12 music in American public and private schools. It covers the issues facing music education, including the functional role of music within school environments and community settings, the role and function of a music teacher within the music profession and the general education profession, the role of music within the overall school curriculum and the school music programme, and local, state, and national issues/policies.

2006: 246x174: 304pp Pb: 978-0-415-35105-8: £22.99 eBook: 978-0-203-97743-9 • AVAILABLE AS AN INSPECTION COPY

2006: 234x156: 248pp Hb: 978-0-415-97682-4: £60.00 Pb: 978-0-415-97683-1: £21.99 • AVAILABLE AS AN INSPECTION COPY

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A Social and Cultural Understanding of Music Education

Edited by Stephen McAdams Series: Contemporary Music Studies

Susan Young This lively book provides practitioners, students and other professionals with practical guidance on how to include musical activity in the care and education of children from birth up to five years of age. 2003: 216x138: 152pp Pb: 978-0-415-28706-7: £21.99 eBook: 978-0-203-42572-5

$37.95

2007: 234x156: 236pp Hb: 978-90-5755-136-9: £85.00 Pb: 978-90-5755-158-1: £44.95 $44.95

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17

MUSIC EDUCATION AND TRAINING

Creative Music Making William L. Cahn

Computers in Music Education

Guitar Instruction

Amplifying Musicality

CD

2005: 246x174: 128pp Hb: 978-0-415-97281-9: £60.00 Pb: 978-0-415-97282-6: £16.99 • AVAILABLE AS AN INSPECTION COPY

Andrew R. Brown, Queensland University of Technology, Australia

$100.00

$22.95

’Computers in Music Education is a welcome addition to the literature on music and technology. The book is admirable in its clarity and extensive coverage of a domain that extends beyond the experience and expertise of many music educators.’ – Music Forum

$

955

3RD EDITION

Music Education Source Readings from Ancient Greece to Today Edited by Michael L. Mark, Towson State University, USA ’An indispensable source of insights for professional music educators.’ – Bennet Reimer, Northwestern University, USA ‘Music educators will welcome the book as a valuable contribution to the greater understanding of music education as a world-wide phenomenon.’ – Gordon Cox, University of Reading, UK Music Education: Source Readings from Ancient Greece to Today is an anthology of thematically organized essays that illustrate why music education has been valued by cultures and societies from ancient times to the present. Writings by societal leaders – civic, political, royal, religious, education, intellectual – present views from many historical and current points of view. The third edition has been expanded to include such topics as feminism, diversity, cognitive psychology and the No Child Left Behind Act. The new edition also includes writings about music education in countries on every continent. The global view of music education makes this book timely in a world of cultural fusion. 2007: 234x156: 512pp Hb: 978-0-415-95778-6: £60.00 Pb: 978-0-415-95779-3: £24.95 • AVAILABLE AS AN INSPECTION COPY

Computers in Music Education addresses the question of how computer technologies might best assist music education. For current and preservice music teachers and designed as a development tool, reference resource, and basic teaching text, it addresses pedagogical issues and the use of computers to aid production and presentation of students’ musical works. Written by a music educator and digital media specialist, it cuts through the jargon to present a concise, easy-to-digest overview of the field, covering: • notation software • MIDI sound creation • downloading music • posting personal MP3s for mass distribution. While there are many more technical books, few offer a comprehensive, understandable overview of the field. Computers in Music Education is an important text for the growing number of courses in this area. 2007: 246x174: 360pp Hb: 978-0-415-97850-7: £60.00 Pb: 978-0-415-97851-4: £21.99 • AVAILABLE AS AN INSPECTION COPY

How to Play Classic Jazz Guitar Six Swinging Strings Michael Lydon

How to Play Classic Jazz Guitar is an instruction book designed for the guitarist who already knows the fundamentals but wishes to explore the ‘classic’ style of swing-era guitar. It offers a clear, concise introduction to the basics of jazz guitar, built on the student’s basic knowledge of forming chords and basic picking patterns. 2007: 276x219: 192pp Pb: 978-0-415-97908-5: £16.99

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Larry Sandberg, University of Colorado, USA

2006: 276x219: 128pp Pb: 978-0-415-97175-1: £18.99 • AVAILABLE AS AN INSPECTION COPY $29.95

Guitar Tunings A Comprehensive Guide

Guitar Tunings: A Comprehensive Guide is the first book to offer practical advice on how to use the most common special tunings for the greatest creative and musical effect. Illustrated throughout with examples in standard notation and guitar tablature, the author introduces different musical styles through the use of appropriate tunings.

$

$100.00

$26.95

2006: 234x156: 144pp Pb: 978-0-415-97441-7: £18.99

The Answer Guide for Drummers in Pain

CD

Dick Weissman, University of Denver, USA

Mark Rush, University of Arizona, USA

The Percussionists’ Guide to Injury Treatment and Prevention

$

955

Playing the Violin 2006: 234x156: 176pp Hb: 978-0-415-97885-9: £60.00 Pb: 978-0-415-97886-6: £18.99

$26.95

Darin ‘Dutch’ Workman

Acoustic Guitar Styles

For all percussion students and professionals, The Percussionists’ Guide to Injury Treatment and Prevention will be an indispensable companion. 2006: 246x174: 328pp Hb: 978-0-415-97684-8: £60.00 Pb: 978-0-415-97685-5: £27.99

CD

This book introduces readers to the basics of fingerstyle acoustic blues guitar and will go a long way to developing students’ abilities to take the basics and apply them to their own personal musical growth.

$

955

$24.95

Acoustic Blues Guitar Styles

$36.95

$95.00

$39.95

CD

Larry Sandberg, University of Colorado, USA 2002: 276x219: 128pp Pb: 978-0-415-93727-6: £18.99 • AVAILABLE AS AN INSPECTION COPY $28.95

955

$39.95

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18

VOICE/OPERA/MUSICAL THEATRE

Acting in Musical Theatre

The Making of the Sound of Music

Classic American Popular Song

A Comprehensive Course

Max Wilk

The Second Half-Century, 1950–2000

Joe Deer, Wright State University, USA and Rocco Dal Vera, University of Cincinnati, USA

The Sound of Music was the last – and most successful – collaboration of two giants of the musical theatre, Richard Rodgers and Oscar Hammerstein. This book tells the full story of the making of the show, from the first rough ideas through the tryouts, fine tuning, and eventual triumph – all from an eyewitness to the events themselves. Max Wilk brings a musical theatre historian’s eye to the work, along with his passionate involvement as a witness to this history. For anyone and everyone who has ever been thrilled by The Sound of Music, this book will be a must.

David Jenness and Donald Velsey

’Though I attended a highly respected drama department for six years (two degrees), there was never a single course offered having anything to do with musical theatre. Therefore, I am all the more impressed by Acting in Musical Theatre, which gives a comprehensive and thought-provoking guideline to the study of performing on the musical stage. I found it fascinating and functional, and I am sure you will, as well.’ – Tom Jones, Tony Award-Winning Author/Lyricist of The Fantasticks, 110 In the Shade and I Do, I Do! ‘At last a book that assists us in guiding our students to inhabit characters in musicals organically! A major milestone in musical theatre pedagogy.’ – Robert Barton, Author of Acting: Onstage and Off Acting in Musical Theatre is the only complete course in approaching a role in a musical. It is the first to combine acting, singing and dancing into a comprehensive guide, combining what have previously been treated as three separate disciplines. This book contains fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft. Drawing on decades of experience in both acting and teaching, the authors provide crucial advice on all elements of the profession, including: • fundamentals of acting applied to musical theatre • script, score and character analysis • personalizing your performance • turning rehearsal into performance • acting styles in the musical theatre • practical steps to a career. Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing related group and solo exercises, making it the definitive textbook for students and practitioners alike. 2008: 246x174: 480pp Hb: 978-0-415-77318-8: £60.00 Pb: 978-0-415-77319-5: £18.99 eBook: 978-0-203-93107-3 • AVAILABLE AS AN INSPECTION COPY $105.00

$30.95

955

$

Companion Website at www.routledge.com/textbooks/9780415773195

2007: 234x156: 115pp Hb: 978-0-415-97934-4: £60.00 Pb: 978-0-415-97935-1: £11.99

$100.00

$17.95

NEW IN PAPERBACK

America’s Songs The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley

2005: 234x156: 408pp Hb: 978-0-415-97056-3: £24.99 • AVAILABLE AS AN INSPECTION COPY 955

The Routledge Guide to Broadway Ken Bloom Broadway is the centre of American theatre, where all the great plays and musicals make their mark. Students across the country in theatre history, performance, and direction/production look to Broadway for their inspiration. Yet there are few books that offer a comprehensive look at the key figures and productions of the last two centuries. The Routledge Guide to Broadway brings together this information in an inexpensive, A–Z format that will appeal to students, professors, and theatrical professionals. 2006: 246x174: 304pp Hb: 978-0-415-97379-3: £60.00 Pb: 978-0-415-97380-9: £18.99 • AVAILABLE AS AN INSPECTION COPY $100.00

$22.95

Philip Furia and Michael Lasser

Along with telling the stories behind these songs, America’s Songs suggests, simply and succinctly, what makes a song great. The book illuminates the way each great song melds words and music – sentiment and melody – into a seamless whole. America’s Songs also traces the fascinating but mysterious process of collaboration, the give-andtake between two craftsmen, a composer and a lyricist, as they combined their talents to create a song.

2008: 234x156: 360pp Hb: 978-0-415-97246-8: £60.00 Pb: 978-0-415-99052-3: £11.99

2ND EDITION

Broadway An Encyclopedia Ken Bloom 2003: 276x219: 656pp Hb: 978-0-415-93704-7: £100.00 eBook: 978-0-203-64435-5

+44 (0) 1235 400 524

$160.00`

Opera: The Basics Denise Gallo, The Library of Congress, USA Series: The Basics This introduction explores opera’s origins, terminology and genres over the past four centuries.

2005: 234x156: 224pp Hb: 978-0-415-97071-6: £60.00 Pb: 978-0-415-97072-3: £11.99 • AVAILABLE AS AN INSPECTION COPY $18.95

$

955

Operetta A Theatrical History Richard Traubner 2003: 234x156: 496pp Pb: 978-0-415-96641-2: £24.99 eBook: 978-0-203-50902-9 • AVAILABLE AS AN INSPECTION COPY

$19.95

$38.95

955

See Order Form at the back of the catalogue

$

955

America’s Songs tells the ‘stories behind’ the most beloved popular songs of the last century. We all have songs that have a special meaning in our lives; hearing them evokes a special time or place. Little wonder that these special songs have become enduring classics. Nothing brings the roaring 1920s to life like ‘Tea for Two’ or ‘I’m Just Wild About Harry’; the Great Depression is evoked in all of its pain and misery in songs like ‘Brother Can You Spare a Dime?; ‘God Bless America’ revives the powerful hope that American democracy promised to the world during the dark days of World War II; ‘Young at Heart’ evokes the postwar optimism of the 1950s. And then there are the countless songs of love, new romance, and heartbreak: ‘As Time Goes By,’ ‘Always,’ ‘Am I Blue’... the list is endless.

For anyone interested in the history of the songs that America loves, America’s Songs will make for fascinating reading.

ORDER NOW!

$

+44 (0) 20 7017 6336

$

www.routledge.com/music


VOICE/OPERA/MUSICAL THEATRE

INTERDISCIPLINARY TOPICS

NEW

Vocal Training

Film Music: A History James Wierzbicki, University of Michigan, USA

The Singing and Acting Handbook

2ND EDITION

Games and Exercises for the Performer

Singing and the Actor

Thomas De Mallet Burgess and Nicholas Skilbeck

Gillyanne Kayes This practical handbook takes the reader through a step-by-step training program relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic.

This book is an unique resource which directly addresses all performers who sing and act, whether in opera or musical. It provides a innovative resource for performers, directors, workshop leaders and teachers.

Film Music: A History studies music by discussing large-scale aesthetic trends and structural developments. It covers the history and development of film music from the Silent period to the Post-Classical.

January 2009: 246x174: 288pp Hb: 978-0-415-99198-8: £60.00 Pb: 978-0-415-99199-5: £18.99 eBook: 978-0-203-88447-8 • AVAILABLE AS AN INSPECTION COPY $110.00

$38.95

1999: 246x174: 224pp Hb: 978-0-415-16657-7: £60.00 Pb: 978-0-415-16658-4: £20.99 • AVAILABLE AS AN INSPECTION COPY

2004: 234x156; 208pp Pb: 978-0-87830-198-0: £24.95 • AVAILABLE AS AN INSPECTION COPY 955

$

Movie Music, The Film Reader

$

$

$

955

Edited by Kay Dickinson

Composing for Voice

The Singer’s Companion

A Guide for Composers, Singers, and Teachers

Sharon Stohrer

Paul Barker ’Stohrer addresses all serious voice students with practical, plainly written counsel ... on a bevy of topics in an eminently accessible style.’ – Debra Greschner, Journal of Singing

2006: 234x156: 136pp Hb: 978-0-415-97697-8: £60.00 Pb: 978-0-415-97698-5: £18.99

Between Opera and Cinema

$

955

Edited by Jeongwon Joe and Rose Theresa

Opera Coaching Professional Techniques and Considerations Alan Montgomery, Oberlin College, USA

$19.95

$

2006: 234x156: 224pp Hb: 978-0-415-97600-8: £60.00 Pb: 978-0-415-97601-5: £19.99

Series: Critical and Cultural Musicology 2002: 216x138: 260pp Hb: 978-0-8153-3450-7: £70.00

$115.00

2ND EDITION

On the Track A Guide to Contemporary Film Scoring Fred Karlin and Rayburn Wright Foreword by John Williams 2004: 276x219: 560pp Hb: 978-0-415-94135-8: £70.00 Pb: 978-0-415-94136-5: £39.99 eBook: 978-0-203-64390-7 • AVAILABLE AS AN INSPECTION COPY

Orlanda Cook

955

$

955

$29.95

Singing With Your Own Voice 2004: 234x156: 288pp Pb: 978-0-87830-182-9: £19.95 • AVAILABLE AS AN INSPECTION COPY

2002: 234x156: 224pp Hb: 978-0-415-28159-1: £70.00 Pb: 978-0-415-28160-7: £20.99 • AVAILABLE AS AN INSPECTION COPY $39.95

2003: 234x156: 208pp Hb: 978-0-415-94186-0: £60.00 Pb: 978-0-415-94187-7: £21.99 • AVAILABLE AS AN INSPECTION COPY

Opera Coaching is the first practical guide for pianists, singers, and opera producers to this important – and often neglected – career. It is an ideal resource for anyone interested in this fascinating career.

$26.95

Series: In Focus: Routledge Film Readers

$

$70.00

$26.95

any View nline uct o on d o r p g ickin ing l c y b le list t i t e th

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19


20

INTERDISCIPLINARY TOPICS

Music and Urban Geography

Theodor Adorno

NEW

Adam Krims, University of Nottingham, UK

Ross Wilson, Emmanuel College, University of Cambridge, UK

Club Cultures

This is the first serious, wide-ranging study of how changes in urban life over the last thirty years have affected the way music is performed, sold, and experienced. Adam Krims addresses a wide range of music in defining this new ‘urban ethos.’

Series: Routledge Critical Thinkers As one of the main philosophers of the Frankfurt School of Critical Theory, Adorno’s influence on literary theory, cultural studies, and philosophical aesthetics has been immense. His wide-ranging authorship is significant also to continental philosophy, political theory, art criticism, and musicology. 2007: 198x129: 160pp Hb: 978-0-415-41818-8: £50.00 Pb: 978-0-415-41819-5: £12.99 eBook: 978-0-203-93332-9 • AVAILABLE AS AN INSPECTION COPY $100.00

2007: 234x156: 248pp Hb: 978-0-415-97011-2: £60.00 Pb: 978-0-415-97012-9: £16.99 • AVAILABLE AS AN INSPECTION COPY $29.95

$19.95

955

$

$

955

Sounding Off: Theorizing Disability in Music Edited by Neil Lerner, City University of New York, USA and Joseph N. Straus, Davidson College, USA Sounding Off: Theorizing Disability in Music is the first book-length work to focus on the historical and theoretical issues of music as it relates to disability. It shows that music, like literature and the other arts, simultaneously reflects and constructs cultural attitudes toward disability.

2006: 234x156: 304pp Hb: 978-0-415-97906-1: £60.00 Pb: 978-0-415-97907-8: £23.99

$100.00

$33.95

2ND EDITION

Liveness Performance in a Mediatized Culture Philip Auslander, Georgia Institute of Technology, USA Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the status of live performance in a culture dominated by mass media? Since its first appearance, Philip Auslander’s ground-breaking book has helped to reconfigure a new area of study. Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live at all. In this second edition, the author thoroughly updates his provocative argument to take into account new digital and media technologies, and cultural, social and legal developments. 2008: 216x138: 224pp Hb: 978-0-415-77352-2: £60.00 Pb: 978-0-415-77353-9: £19.99 eBook: 978-0-203-93813-3 • AVAILABLE AS AN INSPECTION COPY $120.00

$35.95

955

Deleuze on Music, Painting and the Arts Ronald Bogue Series: Deleuze and the Arts

Silvia Rief, University of Innsbruck, Austria Series: Routledge Advances in Sociology This book explores contemporary club and dance cultures as a manifestation of aesthetic and prosthetic forms of life. Silvia Rief addresses the questions of how practices of clubbing help cultivate particular forms of reflexivity and modes of experience, and how these shape new devices for reconfiguring the boundaries around youth cultural and other social identities. She contributes empirical analyses of how such forms of experience are mediated by the particular structures of night-clubbing economies, the organizational regulation and the local organization of experience in club spaces, the media discourses and imageries, the technologies intervening into the sense system of the body (eg. music, visuals, drugs) and the academic discourses on dance culture. May 2009: 234x156: 224pp Hb: 978-0-415-95853-0: £60.00

2003: 234x156: 240pp Hb: 978-0-415-96607-8: £60.00 Pb: 978-0-415-96608-5: £18.99 • AVAILABLE AS AN INSPECTION COPY 955

Boundaries, Identities and Otherness

Rhythm, Music, and the Brain

$

Scientific Foundations and Clinical Applications

Jesus Dub Theology, Music and Social Change Robert Beckford, University of Birmingham, UK Robert Beckford explores the dialogue between two central institutions in African Caribbean life: the church and the dancehall. He highlights how Dub – one of the central features of dancehall culture – can be mobilized as a framework for re-evaluating theology, taking apart doctrine and reconstructing it under the influence of a guiding theme. 2006: 216x138: 192pp Hb: 978-0-415-31018-5: £70.00 Pb: 978-0-415-31019-2: £19.99 eBook: 978-0-203-41339-5 • AVAILABLE AS AN INSPECTION COPY $35.95

$

NEW

Sporting Sounds Relationships Between Sport and Music Edited by Anthony Bateman, Keele University, UK and John Bale, Aarhus University, Denmark Music and sport are both highly significant cultural forms, yet the substantial and longstanding connections between the two have largely been overlooked. Sporting Sounds addresses this oversight in an intriguing and innovative collection of essays.

Michael H. Thaut, Colorado State University, USA Series: Studies on New Music Research With the advent of modern cognitive neuroscience and new tools of studying the human brain ‘live,’ music as a highly complex, temporally ordered and rule-based sensory language quickly became a fascinating topic of study. The question of ‘how’ music moves us, stimulates our thoughts, feelings, and kinesthetic sense, and how it can reach the human experience in profound ways is now measured with the advent of modern cognitive neuroscience. The goal of Rhythm, Music, and the Brain is an attempt to bring the knowledge of the arts and the sciences and review our current state of study about the brain and music, specifically rhythm. The author provides a thorough examination of the current state of research, including the biomedical applications of neurological music therapy in sensorimotor speech and cognitive rehabilitation. This book will be of interest for the lay and professional reader in the sciences and arts as well as the professionals in the fields of neuroscientific research, medicine, and rehabilitation. 2007: 234x156: 272pp Hb: 978-0-415-97370-0: £75.00 Pb: 978-0-415-96475-3: £21.99

$39.95

With contributions from leading international psychologists, sociologists, historians, musicologists and specialists in sports and cultural studies, the book illuminates our understanding of the vital part music has played in the performance, reception and commodification of sport. October 2008: 234x156: 288pp Hb: 978-0-415-44367-8: £85.00 eBook: 978-0-203-88797-4

$149.00

$

ORDER NOW!

See Order Form at the back of the catalogue

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ROUTLEDGE MUSIC BIBLIOGRAPHIES

Routledge Music Bibliographies combine two series that were previously published under the Garland imprint, one focusing on individual composers (The Composer Resource Manuals) and one focusing on musical genres (The Reference and Information Guides). Each of the volumes is a selective, annotated bibliography of citations of writings about a composer, genre, topic or geographic region.

NEW

Bringing the series to an online environment answers the need for updated information to be reflected as new research is introduced. This online database of information will be a ‘live’ resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing. Complete print volumes will also be available at a discount for libraries requiring both print and online versions.

Timothy Flynn

Routledge Music Bibliographies constitutes a well-revered series, comprised of nearly fifty volumes devoted to individual composers (eg. Handel, Bernstein, Puccini) and twenty on the subject of a specific genre or instrument (eg. the Concerto, Sacred Music, the Violin). Each volume has a comprehensive listing of sources. Top scholars were contracted to collect the research in their fields. The individual volumes are available for sales to libraries via subscription, sold in clusters of five or more, and discounted accordingly.

Charles François Gounod A Research and Information Guide February 2009: 234x156: 272pp Hb: 978-0-415-97351-9: £90.00

$140.00

NEW

Piano Pedagogy A Research and Information Guide Gilles Comeau, University of Ottawa, Canada June 2009: 234x156: 352pp Hb: 978-0-415-95575-1: £90.00

$140.00

AVAILABLE IN MAY 2009 NEW 3RD EDITION

Franz Liszt A Research and Information Guide Michael Saffle July 2009: 234x156: 592pp Hb: 978-0-415-99839-0: £90.00

$140.00

NEW 2ND EDITION

Paul Hindemith A Guide to Research Stephen Luttmann July 2009: 234x156: 528pp Hb: 978-0-415-99416-3: £90.00

$140.00

NEW 2ND EDITION

Alban Berg Bryan Simms, University of Southern California, USA July 2009: 234x156: 352pp Hb: 978-0-415-99462-0: £90.00

$140.00

Please inquire for Online Editions:

music@routledge.com ALSO NEW IN 2009

Alberto Ginastera

Frederick Delius, Second Edition

Wolfgang Amadeus Mozart

Gaetano Donizetti, Second Edition

Giovanni Pierluigi da Palestrina, Second Edition Gioachino Rossini, Second Edition

Vincenzo Bellini, Second Edition

E-mail: music@routledge.com

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22

ROUTLEDGE MUSIC BIBLIOGRAPHIES

REFERENCE

2ND EDITION

NEW

NEW

Gustav and Alma Mahler

25TH EDITION

International Who’s Who in Classical/Popular Music Set 2009

A Research and Information Guide Susan M. Filler Series: Routledge Music Bibliographies This revised edition of Garland’s 1989 publication updates the core bibliography on Gustav Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustav Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late nineteenth and early twentieth centuries. His symphonies continue to be widely performed and studied through the twenty-first century. Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Susan M. Filler’s research has produced sources for musicologists and students in nineteen languages, offering a resource that expands traditional English-language music scholarship. 2007: 234x156: 408pp Hb: 978-0-415-94388-8: £60.00

International Who’s Who in Classical Music 2009 ‘An essential working tool for all those whose living and life are in the wonderful world of music.’ – Musical Opinion ‘So good as to be indispensable.’ – Opera This unparalleled source of biographical information on singers, instrumentalists, composers, conductors and managers: • contains over 8,000 detailed biographical entries • covers the classical and light classical fields • includes up-and-coming musicians as well as well-established names. Each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. The directory gives contact details for orchestras, opera companies, festivals, music libraries, major competitions and awards, and other music organizations in classical music. Entries include individuals involved in all aspects of the world of classical music: composers, instrumentalists, singers, arrangers, writers, musicologists, conductors, directors and managers. May 2009: 279x211: 968pp Hb: 978-1-85743-513-9: £250.00

May 2009: 279x211: 1,960pp Hb: 978-1-85743-515-3: £400.00

$750.00

Chronology of American Popular Music, 1900–2000 Frank Hoffmann, Sam Houston State University, USA 2007: 276x219: 552pp Hb: 978-0-415-97715-9: £100.00

$175.00

A Century of American Popular Music David A. Jasen 2002: 276x219: 464pp Hb: 978-0-415-93700-9: £95.00

$160.00

2-VOLUME SET

Chronology of Western Classical Music, 1751–2000 Charles John Hall 2002: 234x156: 800pp Hb: 978-0-415-93878-5: £175.00

$290.00

$460.00

2ND EDITION $95.00

NEW

A Blues Bibliography

Olivier Messiaen

11TH EDITION

Robert Ford, University of Exeter, UK

A Research and Information Guide

International Who’s Who in Popular Music 2009

Vincent P. Benitez, Pennsylvania State University, USA Series: Routledge Music Bibliographies Olivier Messiaen: A Research and Information Guide is a unique bibliographical resource that presents the reader with the most significant and helpful resources on Olivier Messiaen, one of the twentieth century’s greatest composers. An introductory chapter offers a short biography of Messiaen, a consideration of his musical style and works, and a discussion of Messiaen studies. Chapters two and three concentrate on the primary literature, organized around manuscript collections, articles and reviews, pedagogical works, lectures and librettos, prefaces, interviews, correspondence, and documentaries and filmed performances. Chapters four through nine focus on the secondary literature, namely, biographical and stylistic studies, topical examinations, discussions of particular works, accounts of Messiaen in works devoted to other topics, reviews of books and significant performances of Messiaen’s music, and examinations of source materials on the internet. A list of works and a selected discography conclude the book. 2007: 234x156: 352pp Hb: 978-0-415-97372-4: £60.00

ORDER NOW!

‘Covering pop, rock, folk, jazz, dance, world and country artists, it’s about as comprehensive as you can get.’ – Making Music The International Who’s Who in Popular Music 2009 provides biographical details on some of the most talented and influential artists and individuals from the world of popular music. Now in its eleventh edition, it includes over 7,000 biographies charting the careers and achievements of pop, rock, folk, jazz, dance, world and country artists throughout the world.

This revised and updated definitive blues bibliography now includes 6,000–7,000 entries to cover the last decade’s writings and new figures to have emerged on the Country and modern blues to the R&B scene. 2007: 276x219: 1400pp Hb: 978-0-415-97887-3: £105.00 eBook: 978-0-203-94212-3

Key features include: • each entry includes full biographical information: principal career details, recordings and compositions, honours and contact information • information on established names as well as up-and-coming artists • a directory section provides details of music festivals, awards, organizations within the industry, and digital music sources • for ease of reference, the book includes an index of music group members. In one accessible volume the International Who’s Who in Popular Music 2009 provides the most comprehensive collection of information on the most famous and influential people in the popular music industry. May 2009: 279x211: 640pp Hb: 978-1-85743-514-6: £225.00

$420.00

$95.00

See Order Form at the back of the catalogue

+44 (0) 1235 400 524

+44 (0) 20 7017 6336

www.routledge.com/music

$200.0


REFERENCE

Encyclopedia of American Gospel Music

Garland Encyclopedia of World Music

Edited by W.K. McNeil VOLUME 1

VOLUME 7

The Garland Encyclopedia of World Music

The Garland Encyclopedia of World Music

Africa

East Asia: China, Japan, and Korea

Edited by Ruth M. Stone

Edited by Robert C. Provine, Yosihiko Tokumaru and J. Lawrence Witzleben

1997: 276x219: 872pp Hb: 978-0-8240-6035-0: £245.00

$440.00

2001: 276x219: 1192pp Hb: 978-0-8240-6041-1: £245.00

2005: 276x219: 512pp Hb: 978-0-415-94179-2: £95.00

$150.00

Ragtime An Encyclopedia, Discography, and Sheetography David A. Jasen

$450.00

VOLUME 2

The Garland Encyclopedia of World Music South America, Mexico, Central America, and the Caribbean Edited by Dale A. Olsen and Daniel E. Sheehy 1998: 276x219: 1104pp Hb: 978-0-8240-4947-8: £240.00

$450.00

VOLUME 8

The Garland Encyclopedia of World Music Europe Edited by Timothy Rice, James Porter and Chris Goertzen 1999: 276x219: 1176pp Hb: 978-0-8240-6034-3: £245.00

$450.00

2007: 276x219: 576pp Hb: 978-0-415-97862-0: £75.00

VOLUME 3

The Garland Encyclopedia of World Music

VOLUME 9

$135.00

The United States and Canada

The Garland Encyclopedia of World Music

Edited by Ellen Koskoff

Australia and the Pacific Islands

An Encyclopedia of the Golden Age of American Song

Edited by J.W. Love and Adrienne Kaeppler

David A. Jasen

1998: 276x219: 1116pp Hb: 978-0-8240-6038-1: £245.00

2003: 276x219: 384pp Hb: 978-0-415-93877-8: £80.00 eBook: 978-0-203-50246-4

2000: 276x219: 1410pp Hb: 978-0-8240-4944-7: £240.00

$450.00

Tin Pan Alley

$450.00

VOLUME 4

The Garland Encyclopedia of World Music Southeast Asia Edited by Terry E. Miller and Sean Williams 1998: 276x219: 1050pp Hb: 978-0-8240-6040-4: £245.00

$450.00

VOLUME 10

The Garland Encyclopedia of World Music

See Also: The John Coltrane Reference

The World’s Music: General Perspectives and Reference Tools

Chris DeVito, Yasuhiro Fujioka, Wolf Schmaler and David Wild

Edited by Ruth M. Stone

Editied by Lewis Porter

2002: 276x219: 800pp Hb: 978-0-8153-1084-6: £240.00

VOLUME 5

The Garland Encyclopedia of World Music

See page 9 $450.00

2ND EDITION 10-VOLUME SET

Broadway An Encyclopedia

Edited by Alison Arnold

The Garland Encyclopedia of World Music Set

1999: 276x219: 1104pp Hb: 978-0-8240-4946-1: £240.00

Edited by Bruno Nettl, Ruth M. Stone, James Porter and Timothy Rice

See page 18

South Asia: The Indian Subcontinent

$450.00

1999 276x219: 11024pp Hb: 978-0-8153-1865-1: £2260.00

VOLUME 6

Ken Bloom

$4300.00

The Garland Encyclopedia of World Music The Middle East Edited by Virginia Danielson, Dwight Reynolds and Scott Marcus 2001: 276x219: 1200pp Hb: 978-0-8240-6042-8: £245.00

$130.00

See pages 2–3 for the new The Concise Garland Encyclopedia of World Music and Garland Handbooks of World Music Series

$450.00

E-mail: music@routledge.com

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24

REFERENCE

JOURNALS

2-VOLUME SET

2ND EDITION

Vaudeville, Old and New

Rock Song Index

An Encyclopedia of Variety Performers

The 7500 Most Important Songs for the Rock and Roll Era: 1944–2000

Frank Cullen

www.informaworld.com/music

Bruce Pollock 2005: 276x219: 704pp Hb: 978-0-415-97073-0: £85.00

$135.00

2ND EDITION

Vocal Chamber Music A Performer’s Guide Barbara Winchester, New England Conservatory of Music, USA and Kay Dunlap This invaluable resource is a revised edition of an essential index to vocal works composed for chamber choirs.

2006: 276x219: 1368pp Hb: 978-0-415-93853-2: £295.00

2ND EDITION

Encyclopedia of Percussion

Contemporary Music Review Editors: Peter Nelson, University of Edinburgh, UK and Joshua Fineberg, Harvard University, USA Contemporary Music Review provides a forum where new tendencies in composition can be discussed in both breadth and depth. Each issue focuses on a specific topic. The main concern of the journal is composition today in all its aspects—its techniques, aesthetics and technology and its relationship with other disciplines and currents of thought. 6 issues per year Print ISSN: 0749-4467 Online ISSN: 1477-2256 www.informaworld.com/gcmr

Edited by John H. Beck

Ethnomusicology Forum Journal of the British Forum for Ethnomusicology 2007: 234x156: 256pp Hb: 978-0-415-97858-3: £60.00 eBook: 978-0-203-94192-8

Editors: Andrew Killick, University of Sheffield, UK and Laudan Nooshin, City University, UK $95.00

Performance Practice A Dictionary-Guide for Musicians Roland Jackson 2005: 276x219: 544pp Hb: 978-0-415-94139-6: £109.00

2007: 276x219: 472pp Hb: 978-0-415-97123-2: £114.00

2-VOLUME SET

Encyclopedia of Recorded Sound

$155.00

Encyclopedia of Keyboard Instruments

Edited by Frank Hoffmann 2004: 276x219: 1320pp Hb: 978-0-415-93835-8: £195.00

$325.00

2ND EDITION

Encyclopedia of the Blues Edited by Edward Komara This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. 2005: 276x219: 1440pp Hb: 978-0-415-92699-7: £205.00

$325.00

Edited by Robert Palmieri

See Order Form at the back of the catalogue

$195.00

The Organ An Encyclopedia Edited by Douglas Bush and Richard Kassel 2006: 276x219: 696pp Hb: 978-0-415-94174-7: £125.00

$205.00

The Harpsichord and Clavichord An Encyclopedia Edited by Igor Kipnis, Claremont Graduate University, USA 2006: 276x219: 576pp Hb: 978-0-415-93765-8: £134.00

ORDER NOW!

Editor: John Howland, Rutgers University, Newark, USA

An Encyclopedia 2003: 276x219: 576pp Hb: 978-0-415-93796-2: £125.00 eBook: 978-0-203-42702-6

+44 (0) 1235 400 524

2 issues per year Print ISSN: 1741-1912 Online ISSN: 1741-1920 www.informaworld.com/remf

Jazz Perspectives

The Piano

2-VOLUME SET

Ethnomusicology Forum seeks to provide a dynamic forum for the presentation of new thinking in the field of ethnomusicology, defined broadly as the study of ‘people making music’, and encompasses the study of all music, including Western art music and popular music.

Jazz Perspectives bridges the jazz-as-music and jazz-as-culture divide of contemporary jazz studies, and promotes broader international perspectives on the jazz tradition and its legacy. As an interdisciplinary platform for jazz studies, the journal considers all articles reporting on original research and analysis (musical, historical, cultural, or otherwise). 2 issues per year Print ISSN: 1749-4060 Online ISSN: 1749-4079 www.informaworld.com/rjaz

$185.00

+44 (0) 20 7017 6336

www.routledge.com/music


JOURNALS

Journal of Mathematics and Music: Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance Journal of the Society for Mathematics and Computation in Music Editors-in-Chief: Thomas Noll, Escola Superior de Música de Catalunya, Spain and Robert Peck, Louisiana State University, USA The Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. 3 issues per year Print ISSN: 1745-9737 Online ISSN: 1745-9745 www.informaworld.com/tmam

Journal of Musicological Research Editor: Deborah Kauffman, University of Northern Colorado, USA The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. 4 issues per year Print ISSN: 0141-1896 Online ISSN: 1547-7304 www.informaworld.com/gmur

Journal of New Music Research Editor: Alan Marsden, Lancaster University, UK The Journal of New Music Research (JNMR) seeks to establish an interdisciplinary foundation for the creation and study of music by means of the most advanced technologies. JNMR draws on disciplines ranging from musicology (music theory, aesthetics, sociology), psychology (from psychoacoustics to cognitive psychology – with emphasis on modelling), acoustics (including sound engineering), computer science (from signal processing to artificial intelligence), philosophy (epistemology and methodology) to brain sciences. 4 issues per year Print ISSN: 0929-8215 Online ISSN: 1744-5027 www.informaworld.com/nnmr

INDEX

A/B/C

NEW TO ROUTLEDGE IN 2009

Journal of the Royal Musical Association Editor: Rachel Cowgill, University of Leeds, UK The Journal of the Royal Musical Association is one of the major international refereed journals in its field. Its editorial policy is to publish outstanding articles in fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal works to disseminate knowledge across the discipline and communicate specialist perspectives to a broad readership, while maintaining the highest scholarly standards. 2 issues per year Print ISSN: 1471-6933 Online ISSN: 0269-0403 www.informaworld.com/jrma

Music Education Research Editor-in-Chief: Sarah Hennessy, University of Exeter, UK Music Education Research focuses firmly on research, and the journal provides an international forum for cross-cultural investigations and discussions relating to all areas of music education. 3 issues per year Print ISSN: 1461-3808 Online ISSN: 1469-9893 www.informaworld.com/cmue

Muziki Journal of Music Research in Africa Co-Published with UNISA Press Editors: George T. King, University of South Africa, RSA and Chris Walton, University of Pretoria, RSA Research into the music of Africa has for many years been concentrated in the American and European diaspora. It has further been characterized by the same divisions as music research elsewhere, be they between ethnomusicologists and musicologists, or theorists and historians. The journal wishes to establish a unified African voice for African music research. Through its juxtaposition of the historical and the theoretical, the indigenous, the popular and the ‘Western,’ it intends to reflect the diversity of African musics and the research that they inspire. 2 issues per year Print ISSN: 1812-5980 Online ISSN: 1753-593X

Popular Music and Society Editor: Gary Burns, Northern Illinois University, UK Popular Music and Society publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. The journal is open to all scholarly orientations toward popular music. 5 issues per year Print ISSN: 0300-7766 Online ISSN: 1740-1712 www.informaworld.com/rpms

Acoustic Blues Guitar Styles . . . . . . . . . . . . . . . . . . .17 Acoustic Guitar Styles . . . . . . . . . . . . . . . . . . . . . . .17 Acting in Musical Theatre . . . . . . . . . . . . . . . . . . . .18 African American Music . . . . . . . . . . . . . . . . . . . . . . .4 African Diaspora . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Agawu, Kofi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Alan Lomax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Alban Berg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Alberto Ginastera . . . . . . . . . . . . . . . . . . . . . . . . . .21 America’s Songs . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Arnold, Alison . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Art Song, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Auner, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Auslander, Philip . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Bad Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Badura-Skoda, Eva . . . . . . . . . . . . . . . . . . . . . . . . . .11 Badura-Skoda, Paul . . . . . . . . . . . . . . . . . . . . . . . . .11 Bale, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Barker, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Barz, Gregory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Basics, The (series) . . . . . . . . . . . . . . . . .4, 8, 9, 10, 18 Bateman, Anthony . . . . . . . . . . . . . . . . . . . . . . . . . .20 Beard, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Beck, John H. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Beckford, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Benitez, Vincent . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Benjamin, Thomas . . . . . . . . . . . . . . . . . . . . . . . . . .15 Bennett, Andy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Bent, Margaret . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Bernstein, Arthur . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Between Opera and Cinema . . . . . . . . . . . . . . . . . .19 Blatter, Alfred . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Bloom, Ken . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Blues Bibliography, A . . . . . . . . . . . . . . . . . . . . . . . .23 Blues Lyric Formula, The . . . . . . . . . . . . . . . . . . . . . .10 Blues: The Basics . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Bogue, Ronald . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Bohlman, Philip V. . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Brazilian Popular Music and Globalization . . . . . . . . .6 Brett, Philip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Brief History of Rock, Off the Record, A . . . . . . . . . . .6 Broadcasting the Blues . . . . . . . . . . . . . . . . . . . . . . .10 Broadway . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Brown, Andrew R. . . . . . . . . . . . . . . . . . . . . . . . . . .17 Bruce Springsteen . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Bull, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Burgess, Thomas De Mallet . . . . . . . . . . . . . . . . . . .19 Burnim, Mellonee V. . . . . . . . . . . . . . . . . . . . . . . . . .4 Bush, Douglas . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Cahn, William L . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Cateforis, Theo . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Century of American Popular Music, A . . . . . . . . . .23 Charles François Gounod . . . . . . . . . . . . . . . . . . . . .21 Choral Conducting . . . . . . . . . . . . . . . . . . . . . . . . . .16 Chronology of American Popular Music, 1900-2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Chronology of Western Classical Music, 1751-2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Clark, Walter Aaron . . . . . . . . . . . . . . . . . . . . . . . . . .6 Classic American Popular Song . . . . . . . . . . . . . . . .18 Classical Music, Why Bother? . . . . . . . . . . . . . . . . . .12 Clayton, Martin . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Club Cultures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

E-mail: music@routledge.com

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26

INDEX

Cohen, Ronald . . . . . . . . . . . . . . . . . . . . . . . . . . . .6, 8 Collins, Nicolas . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Comeau, Gilles . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Composing for Voice . . . . . . . . . . . . . . . . . . . . . . . .19 Computers in Music Education . . . . . . . . . . . . . . . .17 Concise Garland Encyclopedia of World Music, The . .2 Contemporary Music Studies (series) . . . . . . . . . . . .16 Conversing with Cage . . . . . . . . . . . . . . . . . . . . . . .11 Cook, Orlanda . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Counterpoint, Composition and Musica Ficta . . . . . .15 Craft of Modal Counterpoint, The . . . . . . . . . . . . . .15 Craft of Tonal Counterpoint, The . . . . . . . . . . . . . . .15 Creative Music Composition . . . . . . . . . . . . . . . . . . .16 Creative Music Making . . . . . . . . . . . . . . . . . . . . . .17 Crisis of Music in Early Modern Europe, 1470-1530, The . . . . . . . . . . . . . . . . . . . . . . . . . .11 Critical and Cultural Musicology (series) . . . . . . . .6, 19 Criticism and Analysis of Early Music (series) . . . . . .15 Crook, Larry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Cullen, Frank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Cultural Study of Music, The . . . . . . . . . . . . . . . . . . .5 Current Research in Ethnomusicology: Outstanding Dissertations (series) . . . . . . . . . . . . . . . . . . . . . . . .5

D/E/F Dal Vera, Rocco . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Damage Incorporated . . . . . . . . . . . . . . . . . . . . . . . .8 Danielson, Virginia . . . . . . . . . . . . . . . . . . . . . . . . . .23 Daughtry, J. Martin . . . . . . . . . . . . . . . . . . . . . . . . . .7 Day John Met Paul, The . . . . . . . . . . . . . . . . . . . . . . .8 Deems Taylor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Deer, Joe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Deleuze and the Arts (series) . . . . . . . . . . . . . . . . . .20 Deleuze on Music, Painting and the Arts . . . . . . . . .20 Derno, Maiken . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Dettmar, Kevin J.H. . . . . . . . . . . . . . . . . . . . . . . . . . .8 DeVito, Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Dickinson, Kay . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Digital Musician, The . . . . . . . . . . . . . . . . . . . . . . . .13 du Perron, Lalita . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Duckworth, William . . . . . . . . . . . . . . . . . . . . . . . . .14 Dunlap, Kay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Dunn, Christopher . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Durrant, Colin . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 East Asia: History, Politics, Sociology and Culture (series) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Eighteenth-Century Keyboard Music . . . . . . . . . . . .11 Electronic and Experimental Music . . . . . . . . . . . . . .13 Ella Fitzgerald . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Encyclopedia of American Gospel Music . . . . . . . . .23 Encyclopedia of Keyboard Instruments (series) . . . . .24 Encyclopedia of Percussion . . . . . . . . . . . . . . . . . . .24 Encyclopedia of Recorded Sound . . . . . . . . . . . . . . .24 Encyclopedia of the Blues . . . . . . . . . . . . . . . . . . . .24 Ethnomusicologists’ Cookbook, The . . . . . . . . . . . . . .5 Ethnomusicology . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Everett, Walter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Exploring the Networked Worlds of Popular Music . .8 Expression in Pop-Rock Music . . . . . . . . . . . . . . . . . .6 Filler, Susan M. . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Film Music: A History . . . . . . . . . . . . . . . . . . . . . . . .19 Fineberg, Joshua . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Fisher, Jeremy . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Flynn, Timothy . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

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Focus on World Music Series (series) . . . . . . . . . . .3, 4 Focus: Caribbean Music . . . . . . . . . . . . . . . . . . . . . . .4 Focus: Gamelan Music of Indonesia . . . . . . . . . . . . . .3 Focus: Irish Traditional Music . . . . . . . . . . . . . . . . . . .4 Focus: Music, Nationalism, and the Making of a New Europe . . . . . . . . . . . . . . . . . . . . . . . . . .4 Focus: Music of Northeast Brazil . . . . . . . . . . . . . . . .4 Focus: Music of South Africa . . . . . . . . . . . . . . . . . . .3 Folk Music: The Basics . . . . . . . . . . . . . . . . . . . . . . . .8 Ford, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Form and Method: Composing Music . . . . . . . . . . .16 Forman, Murray . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Franz Liszt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Frederick Delius . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Frith, Simon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 From Tejano to Tango . . . . . . . . . . . . . . . . . . . . . . . .6 Fujioka, Yasuhiro . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Furia, Philip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

G/H/I Gaetano Donizetti . . . . . . . . . . . . . . . . . . . . . . . . . .21 Gallo, Denise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Garland Encyclopedia of World Music (series) . . . . .23 Garland Encyclopedia of World Music Set, The . . . .23 Garland Encyclopedia of World Music, The . . . . . . .23 Garland Handbook of African Music, The . . . . . . . . .2 Garland Handbook of Latin American Music, The . . .2 Garland Handbook of Southeast Asian Music, The . .3 Garland Handbooks of World Music (series) . . . . .2, 3 Get Your Ass in the Water and Swim Like Me . . . . .10 Gioachino Rossini . . . . . . . . . . . . . . . . . . . . . . . . . .21 Giovanni Pierluigi da Palestrina . . . . . . . . . . . . . . . .21 Girl Groups, Girl Culture . . . . . . . . . . . . . . . . . . . . . .7 Gloag, Kenneth . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Global Minstrels . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Global Music Industry, The . . . . . . . . . . . . . . . . . . . .14 Global Pop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Goertzen, Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Green, Douglass . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Guitar Tunings . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Guralnick, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Gustav and Alma Mahler . . . . . . . . . . . . . . . . . . . .22 Hagedorn, Katherine J. . . . . . . . . . . . . . . . . . . . . . . .4 Hall, Charles John . . . . . . . . . . . . . . . . . . . . . . . . . .23 Hallmark, Rufus . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Handmade Electronic Music . . . . . . . . . . . . . . . . . . .13 Harpsichord and Clavichord, The . . . . . . . . . . . . . . .24 Hefling, Stephen . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Herbert, Trevor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Hindi Poetry in a Musical Genre . . . . . . . . . . . . . . . . .5 Hodson, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Hoffmann, Frank . . . . . . . . . . . . . . . . . . . . . . . .23, 24 Holmes, Thom . . . . . . . . . . . . . . . . . . . . . . . . . .13, 14 Horse-head Fiddle and the Cosmopolitan Reimagination of Tradition in Mongolia, The . . . . . .5 Houseman, Barbara . . . . . . . . . . . . . . . . . . . . . . . . .19 How To Play Classic Jazz Guitar . . . . . . . . . . . . . . . .17 Hugill, Andrew . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Hull, Geoffrey . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 In Focus: Routledge Film Readers (series) . . . . . . . . .19 Interaction, Improvisation, and Interplay in Jazz . . . . .9 International Who’s Who in Classical Music 2009 . .22 International Who’s Who in Popular Music 2009 . . .22 Interpreting Mozart . . . . . . . . . . . . . . . . . . . . . . . . .11

+44 (0) 1235 400 524

+44 (0) 20 7017 6336

Is Jazz Dead? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Is Rock Dead? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

J/K/L Jackson, Bruce . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Jackson, Roland . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Jarman-Ivens, Freya . . . . . . . . . . . . . . . . . . . . . . . . . .7 Jasen, David A. . . . . . . . . . . . . . . . . . . . . . .10, 23, 24 Jazz: the Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Jenness, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Jesus Dub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Joe, Jeongwon . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 John Cage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11 John Coltrane Reference, The . . . . . . . . . . . . . . . . . .9 Johnson, Steven . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Jones, Evan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Jones, Gene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Kaeppler, Adrienne . . . . . . . . . . . . . . . . . . . . . . . . .23 Karlin, Fred . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Kassel, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Kayes, Gillyanne . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Kelly, Stephen N. . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Keyboard Music Before 1700 . . . . . . . . . . . . . . . . . .11 Keyboard Music of J.S. Bach, The . . . . . . . . . . . . . .11 Kipnis, Igor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Kitts, Thomas M. . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Komara, Edward . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Koskoff, Ellen . . . . . . . . . . . . . . . . . . . . . . . . . . .5, 23 Kostelanetz, Richard . . . . . . . . . . . . . . . . . . . . . . . .11 Kotarba, Joe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Krims, Adam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Lasser, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Learning to Teach in the Secondary School Series (series) . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Learning to Teach Music in the Secondary School . .16 Lee, Douglas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Lerner, Neil . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Liturgy and Contemplation in Byrd’s Gradualia . . . .12 Liveness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Lochhead, Judy . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Love, J.W. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Luck’s In My Corner . . . . . . . . . . . . . . . . . . . . . . . . . .9 Luttmann, Stephen . . . . . . . . . . . . . . . . . . . . . . . . .21 Lydon, Michael . . . . . . . . . . . . . . . . . . . . . . .8, 14, 17

M/N/O Making Music in Japan’s Underground . . . . . . . . . . .5 Making of the Sound of Music, The . . . . . . . . . . . . .18 Mandel, Howard . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Marcus, Scott . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Mark, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Marsh, Dave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Marsh, Peter K. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Marshall, Lee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Marshall, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Master Musicians of India . . . . . . . . . . . . . . . . . . . . .5 Masterworks of 20th-Century Music . . . . . . . . . . . .12 Mathews, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Matsue, Jennifer Milioto . . . . . . . . . . . . . . . . . . . . . .5 Maultsby, Portia K. . . . . . . . . . . . . . . . . . . . . . . . . . . .4 May, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 McAdams, Stephen . . . . . . . . . . . . . . . . . . . . . . . . .16 McCalla, James . . . . . . . . . . . . . . . . . . . . . . . . . . . .11 McCarthy, Kerry . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

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INDEX

McNeil, W. K. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Meeder, Christopher . . . . . . . . . . . . . . . . . . . . . . . . .9 Mendelssohn Essays . . . . . . . . . . . . . . . . . . . . . . . . .11 Middleton, Richard . . . . . . . . . . . . . . . . . . . . . . . .5, 8 Miles, Ornette, Cecil . . . . . . . . . . . . . . . . . . . . . . . . .9 Miller, Terry E. . . . . . . . . . . . . . . . . . . . . . . . . .1, 3, 23 Mind Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Mockus, Martha . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Monson, Ingrid . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Montgomery, Alan . . . . . . . . . . . . . . . . . . . . . . . . . .19 Movie Music, The Film Reader . . . . . . . . . . . . . . . . .19 Muller, Carol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Music and Copyright . . . . . . . . . . . . . . . . . . . . . . . .14 Music and Urban Geography . . . . . . . . . . . . . . . . . .20 Music Cultures in the United States . . . . . . . . . . . . . .5 Music Education . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Music in the Post-9/11 World . . . . . . . . . . . . . . . . . .7 Music Publishing . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Music Theory Through Improvisation . . . . . . . . . . . .15 Music with the Under-Fours . . . . . . . . . . . . . . . . . . .16 Musicology: The Key Concepts . . . . . . . . . . . . . . . .12 Neal, Mark Anthony . . . . . . . . . . . . . . . . . . . . . . . . .8 Nettl, Bruno . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 New York Schools of Music and the Visual Arts, The 12 Nicholson, Stuart . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Nicolas Slonimsky: Writings on Music . . . . . . . . . . .12 Nidel, Richard O . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Nineteenth-Century Chamber Music . . . . . . . . . . . .11 Nineteenth-Century Piano Music . . . . . . . . . . . . . . .11 Nyre, Lars . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 O’Donnell, Jim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Oh Boy! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Oliver, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Olivier Messiaen . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Olmstead, Andrea . . . . . . . . . . . . . . . . . . . . . . . . . .12 Olsen, Dale A. . . . . . . . . . . . . . . . . . . . . . . . . .2, 5, 23 On the Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 O’Neal, Jim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Opera Coaching . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Opera: The Basics . . . . . . . . . . . . . . . . . . . . . . . . . .18 Operetta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Orchestration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Organ, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

P/Q/R Palmieri, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Pankhurst, Thomas . . . . . . . . . . . . . . . . . . . . . . . . .15 Patterson, David . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Paul Hindemith . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Pegolotti, James . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Percussionists’ Guide to Injury Treatment and Prevention, The . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Performance Practice . . . . . . . . . . . . . . . . . . . . . . . .24 Perrone, Charles A. . . . . . . . . . . . . . . . . . . . . . . . . . .6 Philpott, Christopher . . . . . . . . . . . . . . . . . . . . . . . .16 Piano Pedagogy . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Piano, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Pillsbury, Glenn . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Plantenga, Bart . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Playing the Violin . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Pollock, Bruce . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Popular Music of Vietnam . . . . . . . . . . . . . . . . . . . . .5 Popular Music Studies Reader, The . . . . . . . . . . . . . . .7 Popular Music: The Key Concepts . . . . . . . . . . . . . . .7

Porter, James . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Porter, Lewis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Post, Jennifer C. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Postmodern Music/Postmodern Thought . . . . . . . . .12 Principles and Practice of Counterpoint, Vol. 1, The .15 Principles and Practice of Counterpoint, Vol. 2, The .15 Promoting Your Music . . . . . . . . . . . . . . . . . . . . . . .14 Provine, Robert C. . . . . . . . . . . . . . . . . . . . . . . . . . .23 Queering the Pitch . . . . . . . . . . . . . . . . . . . . . . . . . .12 Queering the Popular Pitch . . . . . . . . . . . . . . . . . . . .7 Qureshi, Regula Burckhardt . . . . . . . . . . . . . . . . . . . .5 Ragtime . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Ray Charles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Ray Davies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Recording Industry, The . . . . . . . . . . . . . . . . . . . . . .14 Representing African Music . . . . . . . . . . . . . . . . . . . .6 Revisiting Music Theory . . . . . . . . . . . . . . . . . . . . . .16 Reynolds, Dwight . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Reynolds, Roger . . . . . . . . . . . . . . . . . . . . . . . . .12, 16 Rhythm, Music, and the Brain . . . . . . . . . . . . . . . . .20 Rice, Timothy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Rief, Silvia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Ritter, Jonathan . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Robins, Wayne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Rock History Reader, The . . . . . . . . . . . . . . . . . . . . . .6 Rock Song Index . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Roger Sessions . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Routledge Advances in Sociology (series) . . . . . . . . . .8 Routledge Critical Thinkers (series) . . . . . . . . . . . . . .20 Routledge Guide to Broadway . . . . . . . . . . . . . . . . .18 Routledge Guide to Music Technology, The . . . . . . .14 Routledge Key Guides (series) . . . . . . . . . . . . . . .8, 12 Routledge Music Bibliographies (series) . . . . . . . . . .21 Routledge Studies in Ethnomusicology (series) . . . . . .5 Routledge Studies in Musical Genres (series) . . .10, 11 Royal Asiatic Society Books (series) . . . . . . . . . . . . . . .5 Rush, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Rycenga, Jennifer . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

S/T/U Saffle, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Sandberg, Larry . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Sarath, Ed W. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 SchenkerGUIDE . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Schmaler, Wolf . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Schulenberg, David . . . . . . . . . . . . . . . . . . . . . . . . .11 Sekine, Naoki . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Shahriari, Andrew . . . . . . . . . . . . . . . . . . . . . . . . . . .1 Shank, Barry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Sheehy, Daniel . . . . . . . . . . . . . . . . . . . . . . . . . . .2, 23 Shuker, Roy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Silbiger, Alexander . . . . . . . . . . . . . . . . . . . . . . . . . .11 Simms, Bryan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Singer’s Companion, The . . . . . . . . . . . . . . . . . . . . .19 Singing and Acting Handbook, The . . . . . . . . . . . . .19 Singing and the Actor . . . . . . . . . . . . . . . . . . . . . . .19 Singing For Life . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Singing With Your Own Voice . . . . . . . . . . . . . . . . .19 Situating Salsa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Skilbeck, Nicholas . . . . . . . . . . . . . . . . . . . . . . . . . .19 Slonimsky, Nicolas . . . . . . . . . . . . . . . . . . . . . . . . . .12 Slonimsky’s Book of Musical Anecdotes . . . . . . . . . .12 Sobel, Ron . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Songwriting Success . . . . . . . . . . . . . . . . . . . . . . . .14 Sound Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Sound Moves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Sounding Off: Theorizing Disability in Music . . . . . .20 Sounding Out: Pauline Oliveros and Lesbian Musicality . . . . . . . . . . . . . . . . . . . . . . . . .12 Spiller, Henry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Sporting Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Spreadin’ Rhythm Around . . . . . . . . . . . . . . . . . . . .10 Spruce, Gary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Stohrer, Sharon L. . . . . . . . . . . . . . . . . . . . . . . . . . .19 Stone, Ruth M. . . . . . . . . . . . . . . . . . . . . . . . . . .2, 23 Strange Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Straus, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Studies in Contemporary Music and Culture (series) .12 Studies on New Music Research (series) . . . . . . . . . .20 Taft, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Talkin’ to Myself . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Taylor, Timothy D . . . . . . . . . . . . . . . . . . . . . . . . .5, 14 Teaching Music in American Society . . . . . . . . . . . . .16 That’s the Joint! . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Thaut, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Theodor Adorno . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Theresa, Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Thomas, Gary C . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Tin Pan Alley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Todd, R. Larry . . . . . . . . . . . . . . . . . . . . . . . . . .10, 11 Tokumaru, Yosihiko . . . . . . . . . . . . . . . . . . . . . . . . .23 Toynbee, Jason . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Traubner, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Twentieth-Century Chamber Music . . . . . . . . . . . . .11 Understanding Popular Music Culture . . . . . . . . . . . .7 Understanding Society through Popular Music . . . . . .7

V/W/Y van Singel, Amy . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Vannini, Phillip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Vaudeville, Old and New . . . . . . . . . . . . . . . . . . . . .24 Velsey, Donald . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Vincenzo Bellini . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Virtual Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Vocal Chamber Music . . . . . . . . . . . . . . . . . . . . . . .24 Voice of the Blues, The . . . . . . . . . . . . . . . . . . . . . .10 Voicing the Popular . . . . . . . . . . . . . . . . . . . . . . . . . .8 Wald, Elijah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Warwick, Jacqueline . . . . . . . . . . . . . . . . . . . . . . . . .7 Washburne, Christopher J. . . . . . . . . . . . . . . . . . . . . .8 Waxer, Lise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Webb, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Weeks, Todd Bryant . . . . . . . . . . . . . . . . . . . . . . . . . .9 Wegman, Rob C. . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Weissman, Dick . . . . . . . . . . . . . . . . . . . . . .10, 14, 17 Whiteley, Sheila . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Wierzbicki, James . . . . . . . . . . . . . . . . . . . . . . . . . .19 Wild, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Wilk, Max . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Wilkins, Margaret Lucy . . . . . . . . . . . . . . . . . . . . . .16 Williams, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Williams, Sean . . . . . . . . . . . . . . . . . . . . . . . . . .3, 4, 5 Wilson, Ross . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Winchester, Barbara . . . . . . . . . . . . . . . . . . . . . . . . .24 Witzleben, J. Lawrence . . . . . . . . . . . . . . . . . . . . . .23 Wolfgang Amadeus Mozart . . . . . . . . . . . . . . . . . . .21 Wood, Elizabeth . . . . . . . . . . . . . . . . . . . . . . . . . . .12

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Workman, Dr. Darin “Dutch” . . . . . . . . . . . . . . . . .17 World Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1 World Music: The Basics . . . . . . . . . . . . . . . . . . . . . .4 Wright, Rayburn . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Yodel-Ay-Ee-Oooo . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Young, Susan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Yourke, Electra . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

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Up to 3 paperback titles are available for 60 days inspection for lecturers considering adopting the books. If you adopt a book and expect 12 or more students to buy a copy, you may keep the book free of charge if you complete and return a comments form. We will then expect your bookshop to order at least 10 copies of the title. Otherwise you must pay the full price of the book/s or return them in mint condition. Please note that inspection copies are not sent out before the month of publication and are sent out at our discretion.

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MUSI0901 A B C D E ISBN: 978-0-418-23225-5


Music 2009 (UK)