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Logwood Dye
As my research took me to discovering the significance of logwood dyeing I decided to try the historical dyestuff myself. I bought logwood chips online and soaked them in a pan of water for 2 days. I made a 40% and a 20% WOF dye so I could find out what colours can be created based on strength of dye. After two days the logwood chips turned from their natural orange-brown colour to a deep, dark purple and the water was vivid purple so I could tell this was going to be a potent dye. I used cotton and bamboo fibres mordanted with either alum, iron, titanium oxalate or soya milk and nettle as a binder. Logwood is PH sensitive so I experimented with adding lemon juice and soda ash to the 40% WOF exhaust dye bath. Unfortunately the dye bath was too exhausted and when the swatches dried they didn’t keep the golden yellow tones that I saw in the dyepot but faded to a light brown shade. The 20% swatches left in the dye bath overnight also lost richness of colour. I concluded that for best results the dyestuff needs to be at least 40% WOF and for lighter tones, fabrics should be left in the dye bath for a short period of time.
Natural Dyeing Process and Methodology
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During this project I improved the recording of my dye tests and also made a habit of taking observational notes, calculating weights and recording my methods. For each experiment I recorded the following;
• PH of the dye bath water
• The percentage of dyestuff to fabric used based on the weight of fibre (WOF).
• Volume of water used to make dyebath
• Mordants used
• Length of time in the dye bath
• Modifiers used
• Any extra methodology notes e.g. how long I ‘cooked’ the dyestuff before adding fabrics
Mordant
Strain out dyestuff
Rinse
Scour fibres
Heat dyestuff
Add fibres
Use soda ash or PH neutral soap
Slowly simmer Do not boil

Pre-soak fibres and frequently stir dye bath

Examples:
Alum
Iron
Tannin
Soya milk (as binder)
Copper Tin
Titanium Oxalate
Rhubarb leaves
Use a sieve or muslin cloth



Thoroughly in warm PH neutral water
