Rose Bothomley_Portfolio

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Professional & Academic Portfolio 2011 - 2016

ROSE M. BOTHOMLEY


MANHATTAN, NY Artists Housing Resiliency Project|2016 Professional

LPC Package + Drawings - AutoCAD Using AutoCAD I updated and detailed existing elevations and sections, then used illustrator and InDesign to create a package to submit to the LPC for approval on this historic and landmarked building complex.


MANHATTAN, NY Artists Housing Resiliency Project|2016 Professional

LPC Package + Drawings - AutoCAD Using AutoCAD I updated and detailed existing elevations and sections, then used illustrator and InDesign to create a package to submit to the LPC for approval on this historic and landmarked building complex.



SHEEPSHEAD BAY BROOKLYN Bungalow Reconstruction|2016 Professional

DRAWING SET - Revit I came aboard this project after the initial site survey was conducted and as-built Revit model was created. I then created the demolition plans and a new proposed Revit model, plans, sections and filing set. This home is part of the Build it Back program, and is being reconstructed at a higher elevation.


Leah Kreger RA 109 Grand St. Brooklyn, NY 11249 tel. 347-731-7159 www.Indamine.com

Leah Kreger RA 109 Grand St. Brooklyn, NY 11249 tel. 347-731-7159 www.Indamine.com

Leah Kreger RA 109 Grand St. Brooklyn, NY 11249 tel. 347-731-7159 www.Indamine.com

CONSULTANTS STRUCTURAL ENGINEER: Tom Ingram PE Tjingram12@gmail.com 20442 7th Ave Breezy Pt. NY 12697

CONSULTANTS STRUCTURAL ENGINEER: Tom Ingram PE Tjingram12@gmail.com 20442 7th Ave Breezy Pt. NY 12697

CONSULTANTS STRUCTURAL ENGINEER: Tom Ingram PE Tjingram12@gmail.com 20442 7th Ave Breezy Pt. NY 12697

PROJECT:

PROJECT:

PROJECT:

CARLTON CO-OP ADDITION 212 CARLTON AVE BROOKLYN, NY

DOB BSCAN STICKER

DOB BSCAN STICKER

DOB BSCAN STICKER

DOB STAMP AND SIGNATURE

EAST/FRONT WALL -PARAPET DETAIL - NOT TO SCALE

2

DOB STAMP AND SIGNATURE

N O -P T C RO O G N R ST E R SS U C TI O N

1

TYPICAL REPOINTING SECTION & PLAN DETAIL NOT TO SCALE

N

O

T

-P C RO O G N R ST E R SS U C TI O N

DOB STAMP AND SIGNATURE

2

DRAWINGS - AutoCAD

GROUND LEVEL PROPOSED PLAN

ISSUE / REVISION

DATE

ISSUE / REVISION

DATE

ISSUE FOR FILING

01/06/15

ISSUE FOR FILING

01/06/15

ISSUE / REVISION

DATE

ISSUE FOR FILING

01/06/15

UPPER LEVEL PROPOSED PLAN

DWG:

DWG:

DWG:

ISSUE: FILING

ISSUE: FILING

SEAL:

ISSUE: FILING

SEAL: DATE: 05/21/15

SCALE: 3/8" = 1'

DATE: 05/21/15

#

SCALE: 1-1/2"= 1'

SEAL: DATE: 05/21/15

SCALE: 4" = 1'

#

#

3

ROOF PROPOSED PLAN

A - 002.01

3

TYPICAL FACE BRICK REPLACEMENT DETAIL NOT TO SCALE

A - 004.04

Brownstone CO-OP Restoration|FA. 2014 Professional

CARLTON CO-OP ADDITION 212 CARLTON AVE BROOKLYN, NY

N O -P T C RO O G N R ST E R SS U C TI O N

1

CARLTON CO-OP ADDITION 212 CARLTON AVE BROOKLYN, NY

FORT GREENE BROOKLYN

2

NORTH WALL SECTION - HEAD, SILL & JAMB DETAILS OPTIMUM WINDOWS 7650 TDH SERIES 11 90 MIN. 34" FIRE RATED GLASS WITH 34" CERAMIC GLAZING & FIRE RATED GLAZING TAPE

A - 004.01

After conducting a site survey, I created as-built plans, sections and elevations for a facade and entry lobby restoration/design project. I then created the proposed plans, elevations and sections to file with the DOB and LPC. For this project I also went to the DOB to track down the original blueprints for the building in order to confirm some structural questions. The photos of the plans were a helpful guide, and really interesting to see.

1

FRONT ELEVATION PROPOSED


WILLIAMSBURG BROOKLYN Loft Space Renovation|SP—FA. 2014 Professional

DRAWINGS - AutoCAD A young client wanted to renovate a loft space to better reflect her taste. In addition to gutting the bathrooms, designing tile layouts, lighting, mirrors and custom cabinetry we also sought to heat and cool the apartment in as efficient a way as possible. A new heating and cooling unit with custom duct design, as well as radiant heating in the custom concrete floor.


NEW YORK CITY Taking Buildings Down|2016 Competition|Team: Rose Bothomley + Hillary Zhao

RENDERINGS - Photoshop, InDesign Mission Statement of competition entry: Since the arrival of the Dutch, Manhattan’s physical transformation has largely been shaped by man. We are proposing a more natural but radical method of transformation, by allowing time to be the facilitator of the natural weathering and gradual demolition process. As building density gradually decays, pre-existing and buried natural forms begin to re-emerge, revealing the past as it were, the present transformed, and visions of a more verdant and re-contextualized future.


NEW YORK CITY Taking Buildings Down|2016 Competition

RENDERINGS - Photoshop & Illustrator Dry Futures was a competition focused on pragmatic and speculative solutions to the water and climate crisis in California. My proposal turned freeways into urban farms and deployed the use of “condensation kits� for residents to install locally as a way of generating water.


LOWER MANHATTAN M.ARCH THESIS Critics: Astrid Lipka, Mark Rakatansky|SP. 2014 Academic

CIVIC PLAY|PUBLIC INFRASTRUCTURE Rhino, Photoshop, Illustrator, InDesign

THESIS: Play is a civic activity, infrastructure is a public necessity. When both forces combine to create a more Unified Shoreline, urban life is enhanced. The goal is to create highly functioning dynamic public space, within the context of essential municipal functions. “A full 47% of street basket wastes could be recycled under DSNY’s curbside recycling program.” - nyc.gov

PROPOSAL: Design a recycling & waste management facility on the Lower East Side waterfront that is seamlessly woven into the East River waterfront park system. Currently the contents of city sidewalk trash bins (including parks/public spaces) are not recycled. Some high density locations have separate recycling containers, but in general recycling in the public realm is limited. My proposed facility would handle public space trash, using high-tech machinery to efficiently separate recyclables and organics from landfill items. Garbage trucks would bring in waste which would then be sorted, baled, stored and transferred via truck or barge to it’s next destination. Instead of the typical marine transfer station, this facilities site would become a community magnet; a place where people gather and socialize and enjoy the waterfront. While the mechanics and functions of the building are visible in some places, overall the building will create moments; of light, architectural and material interaction and wonder. This thesis proposal would ideally be a part of a close-knit network of marine based stations in NYC, reducing truck traffic, and keeping processing and re-use as local as possible.


LOWER MANHATTAN DESIGN 5 Critics: Bjark Ingles, Daniel Kidd|FA.2013 Academic

REBUILD BY DESIGN:

MANHATTAN BIKE LINE

Rhino, Photoshop, Illustrator, InDesign, Hand drawing Led by Bjark Ingles and Daniel Kid of the firm Bjark Ingels Group (BIG) our studio tackled the Rebuild By Design project, a response to Hurricane Sandy in 2012. While BIG was actively working on the competition phase, we were working in tandem in our studio led by Bjark and Daniel. Each student or group chose a NYC shoreline site to design a protective intervention for. I chose the Lower East Side, with all of lower east Manhattan as the obvious extension of my idea.

From Urban Omnibus: “Rose presents us with a bold vision — one that BIG also proposes to some extent in our final project for RBD: to bury the FDR Highway on Manhattan’s Lower East Side. A relic of Robert Moses’ obsession with weaving highways into the tapestry of New York City, the FDR is now nearing the end of its life and will soon need repair or dismantling. This presents an opportunity when paired with the need for resiliency. If you could partially submerge the highway so that it remained above ground at just the appropriate height that it also held back storm water, you could simultaneously provide two infrastructural improvements with the added benefit of insulating the public space from the noise and fumes of the highway. Launching from this premise, Rose continues “Subverting Robert Moses” with the insertion of a Manhattan bike lane atop the new berm, connecting the new green-space as an amenity for nearby low-income housing.” - Daniel Kidd


PHILADELPHIA, PA. DESIGN 4 Critics: Laura Briggs, Gal Gabriel|SP. 2013 Team: Jacinda Ross, Vera Leung Sam Weston, Rose Bothomley

PASSIVE HOUSE ROW HOMES

Rhino, Revit, Photoshop, Illustrator, InDesign, PHPP Working directly with the Philadelphia branch of Habitat for Humanity, teams of 4 designed Passive House standard row homes. The site was located on an empty lot in West Philadelphia that HFH owns and is slated to develop.

GROUND FLOOR

SECOND FLOOR

ROOF

GROUND FLOOR FULL ADA SCHEME ALTERNATE PLAN

N

NORTH

Each group chose a different building material and method which served as a learning exercise about building performance. Our team chose to use CLT (cross laminated timber) a relatively new and unexplored wood option in the US. We were excited by its strength and thermal properties. Though it was expensive for a project for HFH, it was not totally out of the question. Its main selling point for us was that it allowed significant reduction in wall assembly thickness needed to achieve Passive standards and a potentially huge decrease in construction time.

SOUTH -STILES ST.

WEST ELEVATION

Our team ultimately designed a 3 bedroom. two story home + basement within a 16’ x 41’ footprint. Initially in teams of two, my partner and I designed an ADA flexible home, those designs are seen at left here. In the next phase the 4 of use combined our ideas into one design.

EAST SECTION ELEVATION

HOUSE

B

ADA FLEXIBLE SCHEME 5 UNIT 19’ WIDE LOT Total Treated Floor Area: 1000sf Gross Enclosed Volume: 19590 cf

La

nc

as

s Street West Stile

West Philadelphia

irard

G West

Net Enclosed Volume: 14334 cf Specific Space Heat Demand: 6.71 kBTU sf/yr

Ave

Old Cathedral Cemetary

Philadelphia, PA.

te r

Av e


PHILADELPHIA, PA. DESIGN 4 Critics: Laura Briggs, Gal Gabriel|SP. 2013 Far Left: construction details showing skylight and parti-wall envelope. Near Left: PHPP energy use analysis. Below: exploded cost diagram.


DESIGN 3

Critics: Kim Ackert, David White|FA. 2012

DAYLIGHTING STUDIO: East Village DRY DOCK STREET LIBRARY Rhino, Ecotect, Illustrator, InDesign,Watercolor Exploring natural day-lighting techniques using traditional methods and computer programs like Ecotect to better understand, interpret and control daylight, were the focus of this studio. Understanding more acutely what serious and special importance day-lighting can have for the built environment was paramount. The future of libraries and how to design and program them for future use was the basis of the studio. My design called for an auditorium for events such as films, concerts and speakers that the neighborhood could freely engage with. A large cafe and sitting area, plus numerous study areas and carrels contributed to a more social library environment. We worked in tandem with our Environmental Technology professor: David White, to find ways of reducing the environmental impact of our building. My design channeled rain water off the roof, through the atrium, down a slope into the park area and to a collection pool for filtration and gray water re-use.

N 345

15

330

30 10

31 5

45 20 30

300 1 st Ju l

60 40 9

5

1 st Au g

50

285

1 st M a y 75

60

18

70 17

80

1 st Ap r

16

270

8

90

15

1 st O c t

14

13

12

11

10

255 1 st N o v

1 05 1 st Fe b 1 st Ja n

240

1 20

225

1 35

21 0

T ime : 1 2 :0 0 L o c a tio n : 4 0 .7 , -7 3 .9

1 50 1 95

1 65 1 80


DESIGN 3

ROOF

Critic: Kimberly Ackert, David White|FA. 2012

SLOPED ROOF

DAYLIGHTING STUDIO: East Village DRY DOCK STREET LIBRARY 5 REMOVE 45’ X 17’ VOLUME TO CREATE ATRIUM & WATER PATHWAY

Far Left: exploded diagram showing structural elements of library, how the library form and atrium were generated and water feature/ drainage.

LOUVER FACADE

4TH FLOOR

COLUMN GRID

Near Left: Floor plans. Basement, ground level, 2nd, 3rd and 4th floors.

4 REMOVE 10’ WIDE SECTION TO CREATE WALKWAY & DISTANCE FROM ADJACENT PROPERTY

TRE

ET

3RD FLOOR

2ND FLOOR

CHAMFER NORTH & SOUTH FACADES AT 73 SUN ANGLE

30

3

AV E

NU

ED

12

0’

CORES: FIRE STAIR BATHROOMS ELEVATOR STORAGE/MECHANICAL

DR YD

OC

KS

P.S. 34

10

0’

2ND, 3RD & 4TH LEVELS

EA 2 REMOVE 30’ SETBACK

GROUND FLOOR

GROUND FLOOR ENTRY & WATER RAMP

1 ORIGINAL MASSING BLOCK L 120’ x W 100’ x H 75’

BASEMENT LEVEL

BASEMENT LEVEL :

SLOPED ROOF/RAMP/POND DIAGRAM WATER IS FUNNELED FROM ROOF SURFACE INTO ATRIUM, DOWN TO RAMP AND INTO PONDS

ST

10

TH

ST

RE

ET

N SCALE: 1/16” = 1’


DESIGN 3

Critic: Kimberly Ackert, David White|FA. 2012

DAYLIGHTING STUDIO: East Village DRY DOCK STREET LIBRARY

Section showing summer, fall and winter daylight conditions through atrium and south facing facade.


DESIGN 1

Critic: Nicole Robertson|FA. 2011

HARLEM EDGE: New York City MANHATTANVILLE FARM

Rhino, Photoshop, Illustrator, InDesign Scheduled for redevelopment; a former marine waste transfer station located on the Hudson River at West 135th Street in Manhattan was a design competition: The Harlem Edge. The program was related to healthy foods and community outreach. My design incorporated a community center, public garden space and ferry terminals.


DESIGN 1

Critic: Nicole Robertson|FA. 2011

HARLEM EDGE: New York City MANHATTANVILLE FARM Perspective of main building entrance Below: Model


REPRESENTATION 1

Critics: Luben Dimcheff, Erica Goetz|FA. 2011

E1027: Eileen Gray BUILDING ANALYSIS

Rhino, Photoshop, Illustrator, InDesign, Hand drawing, Collage By focusing on an important staircase, then drawing, collaging and determining its relationship to the house as a whole, a greater understanding of the building was reached. Of my analysis I wrote: The more E.1027 reveals itself, the more ship-like it becomes. Gray chose the site for its beauty and remote location (at the time). She had to climb over train tracks and through greenery to find it initially; her purported desire for privacy seems paramount. Within the structure, the spiral stair that goes from the ground level to the roof top, serves as the ship’s mast. (Perhaps the helm is the small private balcony that emerges from the master bedroom.) Traveling up the stair, the top becomes a glass light cylinder from which an individual can emerge and take in the view beyond while the vessel floats beneath. Through my analyses I hope to represent the sense of privacy and nature that Gray sought to surround herself with, as well as perhaps her desire to metaphorically captain her own ship.


REPRESENTATION 1

Critics: Luben Dimcheff, Erica Goetz|FA.2011

E1027: Eileen Gray BUILDING ANALYSIS Multi layered hand, AutoCAD and Rhino isometric drawings of stairs and structural elements.


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