Rock And Blues International - October 2020

Page 39

New Music From Canada

Le Couleur Share Concorde LP Via Lisbon Lux Records Montreal-based alternative pop trio Le Couleur have released their album, Concorde, out now via Lisbon Lux Records. On the album, Le Couleur create a rich, dreamy, and intoxicating soundscape, infused with elements of nudisco and synth pop. Radiant and otherworldy melodies are uplifted by Laurence Giroux-Do’s ethereal vocals and warm synth tones. Concorde takes its name from the

legendary Franco-British airplane from 1965, nicknamed the “beautiful white bird” for its sleek and modern design. This avant-garde project that ended in tragedy has always held a certain fascination for Laurence Giroux-do (vocals); a deadly “crash” that inspired in her a sense of macabre sensuality. Le Couleur called upon several Montreal musicians for the creation of Concorde, such as singer Valence, Radiant Baby, Éliane Préfontaine (Paupière), Louis-Joseph Cliche (Beat Market), Jean-Nicolas Doss (Wizaard) Philippe Beaudin (The Brooks) as well as the American Paul Hammer (Savoir Adore). Concorde is out now. The Montreal trio, created by Laurence Giroux-Do (vocals), Patrick Gosselin (bass), and Steeven Chouinard (drums), and bolstered live by Philippe Beaudin (percussions) and Francis Do Monte (guitar, keyboards), delivers rich and irresistibly danceable performances.

Le Couleur polished their sound until it shined as bright as the late Studio 54’s spotlights with EPs Voyage Love (2013) and Dolce Désir (2015), and then P.O.P. (2016), their critically acclaimed debut album. Thanks to precious advice from Giorgio Moroder, with whom the band had the opportunity of sharing the stage, Le Couleur recorded their new album adopting a completely different approach. Concorde takes its name from the legendary Franco-British airplane from 1965, nicknamed the “beautiful white bird” for its sleek and modern design. This avant-garde project that ended in tragedy has always held a certain fascination for Laurence Giroux-do; a deadly “crash” that inspired in her a sense of macabre sensuality. ? In the album’s music we find vintage influences, recalling the faded charm of 70s erotica, warm tones also rooted in psychedelia, disco, yéyé, and French chanson.

October 2020 • Rock and Blues International

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