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3304-s

ORGAN

Trumpet & Organ $24.95 USA trumpet and organ

Robert J. Bradshaw

Ozymandias for trumpet and organ

Beauport Press music publications


INSPIRED BY Ozymandias by Percy Bysshe Shelley I met a traveller from an antique land, Who said--"Two vast and trunkless legs of stone Stand in the desart. Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read, Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed: And on the pedestal these words appear: 'My name is Ozymandias, King of Kings. Look on my works ye Mighty, and despair!' No thing beside remains. Round the decay Of that colossal Wreck, boundless and bare, The lone and level sands stretch far away."

NOTES “Ozymandias� is divided into two movements: I. The lone and level sands stretch far away and II. Half sunk a shattered visage lies. The composition begins quietly, as if the traveler is standing in a vast sea of sand listening for any sound of companionship. He is greeted only by the ceaseless shift of sand in the wind. He calls out but there is no response. Repeatedly he pauses to survey the desolation - no living, or even nonliving, thing pierces the vastness of his solitude. The volume and complexity of the work grow as he approaches his destination. Suddenly, and without warning, the ruins rise out of the sand before him. The traveler, faced with what he has been searching for, pauses. Is his vision real or a mirage? At the beginning of the second movement, and after he has surveyed the ruins, the traveller mocks the so-called "King of Kings". All that is left are the broken monoliths of an ancient civilization. His train of thought, however, is interrupted. He begins to alter his opinion of the ruins, realizing how great Ozymandias must have been for anything at all to remain. The work ends triumphantly as here the traveller bows, humbly honoring the effigy of the king!


I: 4:15 II: 4:35 | Written for Dr. Jean-Christophe Dobrzelewski

221/122

Ozymandias

rev. 2008

for trumpet and organ (or orchestra)

I. The lone and level sands stretch far away

Trumpet in C

Organ

Ped.

 

q = 100

 

 

q = 100

     

 

      

 

    

(16') Brighter than II.

mp

  

17

         

   

   

       

Beauport Press Music Publications www.beauportpress.com

  

    

       

    

     

 

    

          

 

   

  

  

 

 

   

   



pp

    

 

II. (8' only) Dark, covered tones

                     

9

Robert J. Bradshaw (BMI)

     

           

   

p

  

  



  

   

 

 

 

       

    



    

   

          



mp

 

© 2003, 2008 Robert J. Bradshaw ALL RIGHTS RESERVED

  

     

  

  

    

3304-s


2 24

mp

   

(Calling Out)

        

33

mf broad, full sound

 

Slowly, rubato

 

 

   



 

 

 

 

 

 

mp

 

      

3304-s

A

A tempo

 

  



    



   

     

    

  mp

     



 

              

      

                   

   

 

        



  



  

  

 

  



open

        

 





  

    

I. Brighter

      

            mf I.           

 

    

 



 

 

 

p

  

    



II. (+4')



 

A tempo



               

   

A

    

 

      

bucket mute (play with full sound, let mute control projection)

  

     

no dimin.

41

mp Slowly, rubato

    

p

 

  

I. (8' + 4') Similar in tone to Ped. Brighter than II.

   

48



      II.     

 

mf

 

   

 



mf

Beauport Press Music Publications www.beauportpress.com


55

  



        

 

  



          

69

   

A tempo

 

  

  

76

 

 

  

 

  

 

  

     

  

II. Unchanged

     

   

 

     

  

   

 



  

B

B

 

  

I. Brassy, full sound

  

  

  

f

   

Brassy, full sound

f

Beauport Press Music Publications www.beauportpress.com

   

    

open

 

   

  

  



  

3





f

     

 

 

   

 

          

    

 

 

 mf

  

mf

I. Slowly, rubato

Slowly, rubato

    

 

        

 

     

p sub.

mp

pp

  

mf

 

 

 



 



p

II. (-8', +2')

        



A tempo

      

     

 

   

     

     



   

    

  

     

      



    

  

f

    

62

  

3

   

 

 

 

 

 

       3

 

3

 

  

 

  

 

3304-s


4

   

83

  



      3

 



   

 

 

 

   

89

 



    3

  

3

    

   

96

3

 

  

  

 

 Slower (q = 88)

     ff

  

103

      

3304-s



ff

 



 



Deliberately (much slower)

   



Deliberately (much slower)

   

ff

  



 

 

II. (4', 2') As Before

p sub.

 

  

  C

     

C

    

           

  

    

 

  

 

     



 

  

   

 

  

 

 

        

   



A tempo (q = 100)





   

     

          

 A tempo

  

 

   

  

                                     

                     

I. Bigger mixed sound

3

Slower (q = 88)

 

  

A tempo

 

         

      

   

    3

no dimin.

Deliberately (much slower)

 



  



             



Deliberately (much slower)

 

no dimin.

A tempo (q = 100)

 

 

II. (8', -4', -2') As in Beginning



pp



  

  

 

(16') As in Beginning

p

  

  

      

Beauport Press Music Publications www.beauportpress.com


5 111

   

  

   

 

118

       

 

 

    

  

p



 

  

 

  

    

 

 

 

open

          

  

Very slowly

    

Beauport Press Music Publications www.beauportpress.com

     

  

     



      

    

                         

   

  

bucket mute

 

          

 

  

  



   

 

Very slowly

II. (-8', +4', +2')

   

 

p

 

3304-s


6

II. Half sunk a shattered visage lies Mockingly q = 112

1

Trumpet in C

 

IN 4 (2+2 + 3 + 2)

Ped.

5

Mockingly q = 112

  

(8' only)





  

3304-s



 



  



  

  





 

   





 

      

 





 

     

 

 

        

  

     

f



 

   



   



     

     

   

        

                 

 

  

      

         

      





      

        

     

    

   

      

     

p

      

 

10

p IN 4 (2+2 + 3 + 2)

     

   

     

      

mf

 

     

     

     

I. (4' only) sounding like flutes , high whispers or mumbling

  

Organ

    

 

Beauport Press Music Publications www.beauportpress.com


7 15

 

   

21



 





  

 







  



 



       

  

    

   

 

 



 

    





  



Beauport Press Music Publications www.beauportpress.com

Rit.



      



    



  



  



 

    





 

 

  

          



 

    

Rit.

31

     

    

    



         

    

    

   





   

        



mf

mf



    

(+16')

       

 

        

 

(+8')

  

  



 

26

  

  

        

    

    

 

    

(2+2 + 3 + 2)

 

                    3304-s


8 37

D

Slower, Thoughtfully (q = 100)

 

D

 

Slower, Thoughtfully (q = 100)





47

  

 

 

 

  

  



3304-s









mf

   

  

mp

  

       



 

   

 

 

  

    



   

 

   

  

  

Rit.

        

     

    



  



    

Rit.

 

 

I. (+8) As before, flute-like

 

   

   

      

mf

 

    





 

  

  

  







p



mf

couple w/II.





     

  





 

   



 

   

 

 

 

   



  

 

mp molto legato

   

 

 

62

 



 

 

p

 

II. (-8', +4, +2') Brittle and Thin

 

55

   

 

 

  

 

    

   

Beauport Press Music Publications www.beauportpress.com


69

9

E

Triumphantly q = 112

 

       

  

f

E



Triumphantly q = 112

 

I. Mixed, full sound

 

   

 

  



f

(16', 8')

f

74

    

                    

  



79

 

 

          



   







 

  

 

      

  

       



 

       

 

             

          



     

       

Beauport Press Music Publications www.beauportpress.com

 





    

 

                                  

 



             

84

  

       

    



  

 

 



 

  

 

 

  



                              



  

          

  

   

       

 

  

    

  

 f    



 

 

 



3304-s


10 89

  

  

    

94

  

99

       

 

  

  

 

 



104

3304-s

    

   

       







 

ff

Molto rit.

  

    

  

f

 





       

     

    

     

F

 



   

  

 





  

  

   

 





  

       

F

  

 

 



Slower, Majestically (q = 88)

 



 

          

  

  

 

  

     









     

    

 

  



 

    

Molto rit.

  



   

       







                 



           

 

    

 



  



                        









                          

     

       

  

  

      

Slower, Majestically (q = 88)

I. All        

ff

      

 

 



      

No change

f





    

 

Beauport Press Music Publications www.beauportpress.com


109

 

 

                 

                    

  

  

  

115

    

 

  

  

121







 

 

   

 

   

(ff to end)

Beauport Press Music Publications www.beauportpress.com

    

  



(32')

 

 



   

    

ff

  



   



  



  

 

  mf



    

 

11

   

ff

 

                             

   

  

  

II. (brittle -8', +4, +2')

 

mf

 

3304-s


Beauport



Press Music



Publications

treble



clef



turning



into



a



pen



is



a



registered trademark



of



Robert



J.



Bradshaw



LLC ®

a



div.



of



RJB



LLC www.beauportpress.com PO



Box



551 Gloucester,



MA



01931


Ozymandias by Robert J. Bradshaw