——— 2003a. “’Bri gung, Sa skya and Mongol Patronage: A Reassessment of the Newar ‘Sa skya’ Style into Tibet.” In Dating Tibetan Art, edited by I. Kreide-Damani ed., pp. 59–69. ——— 2003b. “Fourteen Centuries of Tibetan Portraiture.” In Portraits of the Masters, edited by Dinwiddie, pp.16–61. ——— 2007. “A Preliminary Note on the ‘rin.chen Bzang.po Temples’ of Rkan.bzhi, Ladakh.” In The Pandita and the Siddha, edited by Prats, pp. 254–67. Tabasso, Marisa Laurenzi, Massimiliano A. Polichetti, and Claudio Seccaroni, eds. 2008. Dipinti Tibetani dalle spedizioni di Giuseppe Tucci: materiali e tecniche alla luce delle indagini non invase. Rome: De Luca Editori d’Arte. ——— 2011. Visibilia Invisibilium: Non-invasive Analyses on Tibetan Paintings from the Tucci Expeditions. Rome: Orientalis. Tanaka, Kimiaki 1997. Art of Thangka: A Catalogue of the Hahn Foundation for Museum. Seoul: The Hahn Foundation for Museum. ——— 2001. Art of Thangka: From the Hahn Kwang-ho Collection. Vol. 3. Seoul: The Hahn Cultural Foundation. ——— 2003. Art of Thangka: From the Hahn Kwang-ho Collection. Vol. 4. Seoul: The Hahn Cultural Foundation. ——— 2005. Art of Thangka: From the Hahn Kwang-ho Collection. Vol. 5. Seoul: The Hahn Cultural Foundation. ——— 2012. “The Mañjuśrīmūlakalpa and the Origins of Thangka.” The Arts of Tibetan Painting. Recent Research on Manuscripts, Murals and Thangkas of Tibet, the Himalayas and Mongolia (11th–19th century). PIATS 2010: Proceedings of the Twelfth Seminar of the International Association for Tibetan Studies, Vancouver, 2010, edited by Amy Heller. http://www.asianart.com/ articles/tanaka. Tenpa Rabten (bsTan pa rab brtan). 1996. Bod kyi ri mo’i slob deb lag leg zhun thigs. Beijing: Krung go’i bod kyi shes rig dpe skrun khang. Tenpa Rabten and Ngawang Jigme (bsTan pa rab brtan and Ngag dbang ‘jigs med). 2003. rGya bod bod rgya’i mdzes rtsal tshig mdzod. Lhasa: Bod ljongs mi dmangs dpe skrun khang. Tharchin, Sermey Khensur Lobsang. 1997. Sublime Path to Kechara Paradise: Vajrayogini’s Eleven Yogas of Generation Stage Practice as Revealed by the Glorious Naropa. Howell, New Jersey: Mahayana Sutra and Tantra Press. Thupstan Paldan. 1982. A Brief Guide to the Buddhist Monasteries and Royal Castles of Ladakh. Unpublished. Toussaint, Gustave-Charles. 1935. Le Dict de Padma: Padma thang yig. Paris: Librarie Ernest Leroux.
Tropper, Kurt. 2007. “The Historical Inscription in the gSum brtsegs Temple at Wanla, Ladakh.” In Text, Image and Song in Transdisciplinary Dialogue. Proceedings of the Tenth Seminar of the International Association for Tibetan Studies (PIATS), Oxford 2003, edited by Deborah KlimburgSalter, Kurt Tropper, and Christan Jahoda, vol. 7, pp. 105–50. Leiden: Brill. ——— Forthcoming. “The Inscription in the Lo tsa ba lha khaṅ of Kanji, Ladakh.” Wiener Zeitschrift für die Kunde Südasiens. Tse Bartholomew, Teresa, and John Johnson eds. 2008. The Dragon’s Gift: The Sacred Arts of Bhutan. Chicago: Serindia Publications. Tshe dbang rin chen, ed. 2005. Grub chen brgyad cu’i rnam thar dang zhal thang [The Lives and Paintings of the Eighty-four Adepts]. Lhasa: Bod ljongs mi dmangs dpe skrun khang. Tshewang Rinchen 2005. See Tshe dbang rin chen, ed. 2005. Tucci, Giuseppe. 1949. Tibetan Painted Scrolls. Rome: La Libreria dello Stato. 3 vols. Reprint, Kyoto: Rinsen Book Co., 2 vols., 1980. ——— 1999. Tibetan Painted Scrolls. Thailand: SDI Publications. First published 1949 by La Libreria Dello Stato. ——— 1967. Tibet: Land of Snows. New York: Paul Elek Productions Limited. ——— 1973. Transhimalaya: Ancient Civilizations. London: Barrie & Jenkins. ——— 2000. Religions of Tibet. New York: Kegan Paul International. Uebach, Helga. 2005. “Ladies of the Tibetan Empire (7th–9th Centuries CE).” In Women in Tibet, edited by Gyatso and Havnevik, pp. 29–48. Vaidya, Parashuram Lakshman, ed. 1964. Mahāyāna-sūtra-saṁgraha, Part 2: Mañjuśrīmūlakalpa. Vol. 18 of Buddhist Sanskrit Texts. Darbhanga, India: Mithila Inst. of Post-graduate Studies and Research in Sanskrit Learning. Vanquaille, Amandus, and Hilde Vets. 2004. “Lamayuru, the Symbolic Architecture of Light.” In Sacred Landscape of the Himalaya. Proceedings of an International Conference at Heidelberg, 22–27 May, 1998, edited by Niels Gutschow et al. Vienna: Austrian Academy of Sciences Press. Vitali, Roberto. 1996a. The Kingdoms of Gu.ge Pu.hrang According to mNga’.ris rgyal.rabs by Gu.ge mkhan.chen Ngag.dbang grags. pa. Dharamshala: Tho ling gtsug lag khang lo gcig stong ’khor ba’i rjes dran mdzad sgo’i go sgrig tshog chung [Organizational Committee for Commemorating the One Thousandth Anniversary Since the Founding of Tholing Monastery].
Waddell, L. Austine. 1988. Lhasa and Its Mysteries: With a Record of the British Tibetan Expedition of 1903–1904. New York: Dover Publications. First published 1905. Walters, Jonathan S. 1994. “A Voice from the Silence: The Buddha’s Mother’s Story.” History of Religions, vol. 33, no. 4 (May), pp. 358–79. ——— 1995. “Gotamī’s Story.” In Religions of India in Practice, edited by Donald S. Lopez, Jr., pp. 113–38. Princeton: Princeton University Press. Wangdu, Pasang and Hildegard Diemberger. 2000. Dba’ bzhed: The Royal Narrative Concerning the Bringing of the Buddha’s Doctrine to Tibet. Vienna: Osterreichische Akademie der Wissenschaften. Weldon, David, and J. Casey Singer. 1999. The Sculptural Heritage of Tibet: Buddhist Art in the Nyingjei Lam Collection. London: Laurence King. White, David Gordon. 2000. Tantra in Practice. Princeton: Princeton University Press. ——— 2003. Kiss of the Yoginī: Tantric Sex in its South Asian Contexts. Chicago: University of Chicago Press. Willis, Janice D., ed. 1989. Feminine Ground: Essays on Women and Tibet. Ithaca, New York: Snow Lion Publications. Willson, Martin, and Martin Brauen, eds. 2000. Deities of Tibetan Buddhism: The Zürich Paintings of the Icons Worthwhile to See (Bris sku mthoṅ ba don ldan). Boston: Wisdom Publications. Wylie, Turrel V. 1977. “The First Mongol Conquest of Tibet Reinterpreted.” Harvard Journal of Asiatic Studies, vol. 37, no. 1 (June), pp. 103–33. Yang Jiaming. 2007. Xizang huihua yishu xinshang: Babangsi zhencang “Gaju jinman” tangka shangxin [Appreciating the Art of Tibetan Painting: Analysis of Palpung Monastery’s Treasury of “bKa’ brgyud gser phreng” (Golden Garland) Thangka]. Taipei: Shan yue wenhua. Yon tan tshe ring. 2000. bZo mchog ltad mo kun mthong [Thangka Painting Manual]. Chengdu: Si khron dpse skrun khang. Yönten Tshering. 2000. See Yon tan tshe ring 2000. Young, Serinity. 2004. Courtesans and Tantric Consorts: Sexualities in Buddhist Narrative, Iconography, and Ritual. New York: Routledge. Zin, Monika. 2006. Mitleid und Wunderkraft: Schwierige Bekehrungen und ihre Ikonographie im indischen Buddhismus. Wiesbaden: Harrassowitz.
——— 1996b. “Ladakhi Temples of the 13th–14th Centuries: Kan-ji Lha-khang in sPu-rig and its Analogies with Gu-ru Lha-khang.” Kailash, vol. 18, no. 6, pp. 93–106.
pa i n t i n g t r a d i t i o n s o f t h e d r i g u n g k a g y u s c h o o l
313