Doctors in Performance 2016 Second Festival Conference of Music Performance and Artistic Research 89 September 2016 Royal Irish Academy of Music, Dublin #DocsPerf16
Doctors in Performance 2016 Royal Irish Academy of Music Dublin Conference Schedule Thursday 8 September 2016 9:00 am to 10:00 am 9:40 am to 10:00 am
Registration Opening
10:05 am to 11:25 am 11:30 am to 12:30 pm
Parallel sessions 1-4 Keynote address
12:30 pm 2:00 pm 3:40 pm 4:15 pm 7:00 pm
Lunch Parallel sessions 5-8 Tea & coffee Parallel sessions 9-12 Reception
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2:00 pm 3:40 pm 4:15 pm 5:55 pm
Registration is available in the Foyer, RIAM Welcome and opening remarks by Deborah Kelleher, Director, RIAM Sessions 1, 2, 3, 4 in various rooms Prof John Butt, University of Glasgow 'Bach’s Well-Tempered Clavier - adding the temperament of time' Sessions 5, 6, 7, 8 in various rooms Refreshment provided Sessions 9, 10, 11, 12 in various rooms
Friday 9 September 2016 9:00 am to 11:10 am 11:15 am to 12:15 pm
Parallel sessions 13-16 Keynote address
12:15 pm 1:45 pm 3:55 pm 4:25 pm 7:30 pm
Lunch Parallel sessions 17-20 Tea & coffee Parallel sessions 21-24 Dinner
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1:45 pm 3:55 pm 4:25 pm 6:05 pm
Sessions 13, 14, 15, 16 in various rooms Dr John O'Conor 'Humour and Tragedy in the Beethoven Piano Sonatas' Sessions 17, 18, 19, 20 in various rooms Refreshment provided Sessions 21, 22, 23, 24 in various rooms
Room Schedule Overview Thursday 8 September 2016 Katherine Brennan Hall
Session 1-4
Early Music Room
10:05 am to 10:55 am Maciej Fortuna and Krzysztof Dys
‘Classical inspirations in jazz compositions based on selected works by Roman Maciejewski’
Assi Karttunen
10:55 am to 11:25 am An-Ting Chang
Title?
Minna Hovi
Session 5-8
Katherine Brennan Hall
Recital Room
‘Reciprocal approaches – the grotesque narratives and musical gesture: Practise-led research on the musical gestures embedded in François Couperin’s harpsichord music’ ‘Reciprocal approaches – the grotesque narratives and Guadalupe Lópezmusical gesture: Grimace, espionage, and grotesque in Íñiguez Louis Couperin's La Piemontoise’
Organ Room #N/A
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‘Autoethnography of a period cellist: Performance psychology and technical aesthetics in the variation works by Beethoven and Mendelssohn’
Early Music Room
Jing Ouyang
‘The characteristic writing of the London Pianoforte School in the early 19th century’
Anu Vehviläinen
’Creating Spaces in Practicing: An Autoethnographical Study on a Pianist’s Mental Space’
‘When is a Mezzo not a Mezzo? The vocal classification of female singers, exploring the effects of aging on voices as demonstrated by the title role of Bizet’s Carmen’ ‘Sacred Music Meets Prelude and Fugue In Gyӧrgy Orbán’s Aulos’
Recital Room
Organ Room
2:00 pm to 2:50 pm
Adilia Yip
‘Music Beyond Traditions—(re-)search into the Elina Mustonen performer’s experience on ethnic and Western music’
‘Her Infinite Variety – Women of Shakespeare in Word and Music’
0
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Imelda Drumm
2:50 pm to 3:40 pm
Clare McCague
‘Charles Oberthur (1819-1895): Meditation, a musical Laura Ellestad sketch for the harp, Opus 153’
‘Kappleiks and House Parties: Norwegian Traditional Fiddle in Upper Midwestern Contexts, 1900-1970’
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Marta Erdei
4:15 pm to 5:05 pm
Jyrki Myllärinen
‘An overview on modern Finnish solo guitar music’
Marjukka Päivärinne ‘Il maestro e lo scolare – Muzio Clementi and John
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Robert Crowe
‘“Indexing the Soul”: the ornamentational art of the last operatic castrato, Giovanni Battista Velluti’
5:05 pm to 5:55 pm
Archie Chen
‘Towards a Historically Informed Performance of Chopin Op. 10 Études’
Michael Nielsen
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R. Larry Todd and Katharina Uhde
‘Poplars, Bells, and Marches: Joseph Joachim’s Drei Stücke Op. 5, or, the Limits of Musical Ciphers’
#N/A
Kiana Shafiei
‘Investigating contemporary Persian piano repertoire and its performance’
Session 9-12
Katherine Brennan Hall
Early Music Room
Recital Room
Organ Room
Field’ ‘Improvising a Microtonal System: the creative implications of a hybrid scale based on the structure of the standard guitar fretboard and the resulting xenharmonic microtonal system’
Friday 9 September 2016 Session 13-16 9:00 am to 9:50 am
Katherine Brennan Hall Annette Cleary
9:50 am to 10:40 am Cecilia Oinas and Maija Parko 10:40 am to 11:10 am Nataliya Kompaniyets-Jouri Session 17-20
Early Music Room
Recital Room
Organ Room
‘Recital of Sonata 3 and 4 from Geminiani’s Opus 5 Christian Fernqvist Sonatas for Violoncello and Basso Continuo, with an introduction to the composer and his works for Cello’
‘The Resistance of the Flute: A Report on a Performer’s Artistic Habitus and Creativity in Indeterminate Compositions’
‘The artistic and music analytical process of preparing Erin Vander Wyst Heinrich Schenker’s (1868–1935) Syrische Tänze (for piano, 4 hands,1899) for performance’
‘Kimmo Hakola’s Diamond Street and loco: A Performance Guide’
Alfia Nakipbekova
‘The Development of the Cello in the second half of the 20th century’
Tham Horng Kent
‘Franz Schubert’s Piano Sonata in B-flat Major, D960: An Exploration of the Performance and Interpretation’
‘Use of elements of sonata form in Medtner's vocal works, in particular sonata-vocalise, Op. 41’
Maria Borghesi
‘J. S. Bach Italian Concert: an unicum in Arturo Benedetti Michelangeli's repertoire’
Laura Toxværd
‘Composition of graphic and sonic works through the improvisers’ co-creation’
Pei Ann Yeoh
‘Searching for a Jazz Other: Asian perspectives’
Katherine Brennan Hall
0
Early Music Room
Recital Room
Organ Room
1:45 pm to 2:35 pm
Chiara Bertoglio
‘Spicing up Bach: Busoni on Bach’s Goldberg Variations’
Eleri Ann Evans and Henri Bok
‘The process of developing the microtonal capabilities Anne Elisabeth of single reed instruments’ Piirainen
‘Facets of expression in Russian Clarinet Music’
Soo-Jung Ann
‘Thoughts about the orchestral sound and pianistic skill for interpretations of ‘The Variations and Fugue for Piano in E flat major’, Op.35 by Beethoven’
2:35 pm to 3:25 pm 3:25 pm to 3:55 pm
Sarah Grunstein Sarah Grunstein
‘Bach’s Goldberg Variations BWV 988’ ‘Bach’s Goldberg Variations BWV 988’
Constance Luzzati Age Veeroos
Title? ‘Bowing near the bridge with soft dynamics and its impact on harmonic spectrum of sound’
Petra Matějová Elisa Järvi
‘Václav Jan Tomášek: Seven Piano Sonatas’ ‘Working on the new quarter-tone piano’
Sylvia O’Brien Wing Lau
Title? ‘“Feeling in Time”: Schnabel’s Integrated Approach to Interpretative Performance’
4:25 pm to 5:15 pm
Linley Hamilton
‘The use of horizontal and vertical tension devices and Markus Sarantola related methods of tension release in jazz improvisation’
Jeroen Billiet
‘”Brave Belges” of the Belle Epoque: a critical study of artistic incentives in the late-romantic Ghent horn playing tradition and its worldwide legacy’
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5:15 pm to 6:05 pm
Evangelia Mitsopoulou
‘Franz Liszt. The old and the new: Dante Symphony for Naiara De La Puente ‘The accordion: instrument of the 20th Century. solo piano and A Liszt Fantasie for piano’ Accordion meets composers’
Kristi Kapten
‘Approaches to the Technical Issues Involved in the Performance of Ligeti`s Etudes for Piano’
0
#N/A
Session 21-24
Katherine Brennan Hall
Early Music Room ‘Hugo Riemann and Phrasing’
Recital Room
Organ Room