Let Me Guide You To My CONTENTS 目錄
DESIGN STORY BOOK Works! OF THE TALL FELLOW -2016-
The Following are my Works! CONTENTS 目錄
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個人簡歷
/ Abo ut Me
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產品設計
/ P ro duct D e si gn
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空間設計
/ Space D e si gn
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Hey there! I am Ray Liu, an industrial designer with rich imagination to innovate, adequate skills to work with and constant passion to face challenges in realizing my ideals. I keep aesthetics, functionality and connotation as my elements and always feel very enjoyable to build delicate and highly functional models. I am quite able to carry out my plans whether working alone or in team. I would like to define myself smart, efficient, fast learning and passionate with my work.
EXPERIENCES Designer, ECHOM Science & Technology CO., LTD, Guangzhou, China, 2012 [Recieved professional design trainings before college.] Class Monitor, Class B, Industrial Design Dep., TTU, Taipei, Taiwan, 2013 [Learnt to be an organizer and manager of the class.] Designer, ZENS CO., LTD, Guangzhou, China, 2014 [Got more serious trainings as a designer, and learnt how to lead a design team.] Centre, Basketball Team in Industrial Design Dep., TTU, 2014 [I’m 1.9m tall, s o... I have no excuse for not playing basketball] Participant, Maker faire Taipei, Taipei, Taiwan, 2015 [We built a 2m long dragon with strawbees, and had it interact with the crowd.] Interdisciplinary Participant, Smart Aging Design Courses, D-school, NTU, Taipei, Taiwan, 2015-2016
[A cross-disciplinary course, I teamed up with some of the best students in Taiwan, and created a field-tested smart robot for kids.]
Chief Designer, the Design Team of Graduation Exhibition, Industrial Design Dep., TTU, Taipei, Taiwan, 2016 [I led a design team with more than 7 persons and successfully completed a 225m² exhibition project.]
PROFICIENCIES
EXHIBITION DESIGN
Photoshop
Illustrator
Lightroom
AutoCAD
Rhino
Creo (ProE)
Sketching
Sketch Up
Alias
INTERIOR DESIGN
GRAPHIC DESIGN
AWARDS
HOBBIES
3rd Place of Class, Industrial Design Dep., TTU, Taipei, Taiwan, 1nd semester, 2013
SKATEBOARDING COOKING STUFF PLAYING PIANO TRAVEL AROUND ASSEMBLING SCALE MODELS
3rd Place, of Class, Industrial Design Dep., TTU, Taipei, Taiwan, 2nd semester, 2015 Finalist, Young Pin Design Award, Taiwan, 2016 Special Award, Lexus Design Awards, Taiwan, 2016 Gold Award, Thermaltake Gaming Mouse Design Competition, Taipei, Taiwan, 2016
LANGUAGE CANTONESE
1st Place of Class, Industrial Design Dep., TTU, Taipei, Taiwan, 1st semester, 2014
ENGLISH
2nd Place of Class, Industrial Design Dep., TTU, Taipei, Taiwan, 2nd semester, 2013
MANDARIN
Silver Award, Final Exhibition, Industrial Design Dep., TTU, Taipei, Taiwan, 2013
DEUSTCH
PRODUCT DESIGN
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SKILLS
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PRODUCT DESIGN These are some representative projects in my sophomore and up to my senior years, which will give you a general idea about the style I have and what I can create with my brain and do with my hands.
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OASIS Aero-naval Unmanned Rescue Machine’, a model drone jointly completed in 9 months with the effort of me and my teammate, was our graduation project. It was one of the biggest and most complicated projects that I had ever done. The reason for me to feel interested in the drones was the air disasters happened in recent years and the difficulty and cost in searching the planes and rescuing the passengers. I thought if I could design drones for this purpose to help, it would be more efficient and less cost
OASIS海空兩棲搜救無人機是我的
畢業設計，一項歷時9個月的項目，也 是我做過的體積最大，結構最複雜且 完成度也很高的作品，由我以及我的 一名合作夥伴共同完成。
最初之所以會選擇這個題目作為
畢業設計是因為，當時抱著一種“要
做就做瘋狂點，要做就做大型製作”
的心態，而且我也注意到“無人機”的 議題漸漸地在興起。所以我和我的夥 伴想到，為何不在無人機的領域尋找 些創新點呢? 於是，對無人機領域一
無所知的我們，積極地投入了探索與 研究。
Our teachers and classmates thought we were out of our minds. But we were determined to do something since we had the slogan ‘go big or go home’ in our mind.
OASIS DRONE Design
Graduation Project 2015 (Senior Year)
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WHY DO THIS?
Malaysia Airlines MH370 馬來西亞航空370號班機空難 Date: 2014.3.8 Death Toll: 239 (All Killed)
Air France Flight 447 法國航空447號班機空難 Date: 2009.6.1 Death Toll: 216 (All Killed)
It’s extremely difficult to operate a rescue mission on the sea without exact location of the scene, even with dozens of ships and aircrafts. Changeful ocean current and unpredictable weather could bring huge uncertainty to the mission.
Time Distribution Of Mission: On Rescuing less than 10% On Searching
在茫茫大海中，人一但落入水中，就只能
等待被救起。而一旦錯過最佳的黃金救援時
more than
間，要再想找到落水的遇難者，就變得異常
困難。大海佔地球面積的70%，上面人煙稀
少，只有相較而言十分微量的船隻和直升機 可用於進行搜尋。
90%
Goals: 1.Improve efficiency of SEARCHING. 提升搜索效率.
2.Higher the discovery rate. 提升發現目標的比率.
‘It’s too difficult to search for survivors on the sea!’
3.Enlarge the coverage. 增大搜索的覆蓋範圍.
4.Cope better with tough weather. 增強在惡劣天氣中的適應性.
5.Ensure safety of rescuers. 保證搜救人員的人身安全.
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SO, WHY NOT SPREAD MORE ‘EYES’ ON THE SEA? lost on the sea sea. 1. People Exact Location Unknown 有人落海，詳細地點不明
in a ‘Grid Formation’ 2. Fly Conduct ‘Blanket Search’ 陣列形式飛行，地毯式搜索
?
Scan the area
Approximate Incident Area
= 1 OASIS Drone
Gap between drones：40m~800m
Located 3. Survivor Call For Help Immediately 發現落水者，通知救援
Professional Rescue 4. Send Mission Complete At One Go 由專業人員迅速救回
Advantages: Incident Area Checked Thoroughly. 能徹底搜查事發海域
Computer Controlled Life Form Recognition System 在前期搜尋中把機載攝像機與生物識別系統結合
No humans needed in the field during search.
前期的大範圍搜索由無人機代勞，保障搜救人員生 命安全
IDEA SKETCH
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3D MODEL
1. Higher observation level creates better search efficiency 抬高水面觀察視野
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Float On Water:
2. Optical and thermal camera for day and night vision
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日夜兩用鏡頭，24h不間斷搜尋
3. Rescue kit containing water, food and medication 攜帶救援箱，提供水、食物、藥物
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4. Survivors can grasp the huge pontoons and help is on the way.
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巨大的浮筒用於給落水者提供更大 的浮力，直到救援趕到
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5. Mobility in the water makes it safer for approaching drowning person 水中動力，安全接近落水者
Fly In Air:
6.Rotors will stop operating when landed on water to ensure safety
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旋翼在水上模式時會停止運作並收折， 保障落水人員安全
7. Fly in Groups and conduct ‘inch-by-inch’ search
在事發海域集體飛行，地毯式搜索
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THE BUILDING 1-2 Clay model (1:5) 3 A more complete 3D model 4 3D printed model (1:5) 5-6 Full scale study model (corrugated board) 7-8 Working with professionals to complete wooden model and vacuum forming 9 The body of the drone was made hollow to place devices and batteries 10 Designing the opening and assembly of parts 11 Drone’s ‘military-grade’ camera in progress 12 Inner structure in progress 13 Model progress at 50% 14 The reinforcement of the pontoons 15 Explosive view of parts (undercoat) 16 Assembled model (undercoat) 17 Model parts (paint job done) 18 Photographying 1-2 製作1：5油土模型 3 較完整的電腦建模 4 1：5的3D打印模型 5-6 製 作1：1的瓦楞板草模 7-8 與專業工匠合作製作木模並完成真空成型 9 殼 狀機身，便於日後裝設電池與設備 10 設計機殼的開口與組裝 11 製作 中的無人機攝像機模型 12 製作中的內部構造 13 總體進度50% 14 浮 筒內部的增強強度構造 15 上好底漆的零件爆炸圖 16 模型白身 17 進 行最後噴漆 18 完成模型後進行商業攝影
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THE FINISHED MODEL
1 The complete model 2 Assembling model 3 side view 4 Propellor for water 5 Camera for day and night 6 The motor 7 The explosive view of all the parts 1 完整模型照片 2 組裝模型中 3 模型側視圖 4 水下螺旋槳 5 機 載日夜兩用攝影機 6 旋翼馬達 7 模型的零件拆解爆炸圖
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This was a mouse project I designed for the competition held by Thermaltake Technology, and won the 1st prize. It took me around 2 months to complete the whole project, starting from scratch to the complete model, and all done by myself.
這個是參加曜越科技股份有限公
司(Thermaltake)舉辦的“第五屆
曜
越電腦遊戲玩家的異想世界創意設
計競賽”所做的作品，獲得了第一名。 從創意發想到模型製作完成歷時兩
個月，全部由自己獨立完成。據曜越
公司的賽事舉辦人員說， “製作出的 模型為歷屆精緻度最高” 。
說來也挺有趣的，2016年4月曜越
Not only did it win the gold award, according to the staff of Thermaltake Technology, it was the most exquisite model ever presented ever since the 1st competition.
公司開始徵集比賽展板的時候，我正
In April, 2016 when the competition began, I happened to be very into a computer game called ‘Counter-Strike: Global Offensive’ and was greatly inspired by it. Not only did I learn the user experience very directly, but also I was very fascinated by how cool the weapons were in the game.
的靈感。從裡面的槍械元素、各國反
好 迷 上 一 款 槍 戰 遊 戲 ： Counter-Strike Global Offensive。當
時也正值畢業設計最緊張的時候，這 款遊戲在幫我放鬆了壓力的同時，該 遊戲的軍事主題也給了我很多創作
恐部隊的裝備，當然還有玩遊戲時作 為一個玩家的使用體驗，我得到了很 多想法。
所以總的來說，完成這個作品，給
我帶來了很多快樂。
I had tons of fun doing this project!
FIREARM GAMING MOUSE Design
Competition Project 2016 (Senior Year)
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As its name suggests, ‘Firearm’ gaming mouse’s target customers are those who are deeply passionate about gunfight games and those who are very interested in military equipment and machine aesthetics. Its role is to live and die together and seek glory with its user in the gaming world. What’s more， even in reality, the product should look like a bad-ass weapon!
顧名思義， “軍武”滑鼠的主要目
標客群就是追求純粹的火拼快感
的槍戰遊戲玩家以及對軍用裝備、 機械美學有著濃厚興趣的玩家。
它的角色定位就是一款能與玩
家在虛擬世界中同生共死，追求榮 譽的戰友，以及一款就算在現實世 界中看起來也不好惹的“兵器” 。
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IDEA SKETCH & INSPIRATIONS
DETAILS
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1.The inspiration of the DPI switcher came from the front sight of guns. 2.The DPI indicator lights can show 4 modes. 3. Three customizable buttons. Inspired by knobs often seen on rifles and grenades. 4.Users can adjust the height and angle of the palm rest accordingly by rolling the knob. 5.The inspiration of the slide-proof rubber on the palm rest came from the handle of a Glock 41 ACP Pistol. 6.The inspiration of the slide-proof rubber in the front came from the tracks on guns. 7.Weights.
1.DPI切換器的造型靈感來自槍支前端的準星 /2.DPI模式指示燈可顯示四個檔位/3.大拇指處 設置了三顆功能按鍵，造型取自步槍上常會出 現的旋鈕。配色靈感來自舊式之手榴彈/4.玩家 可以根據自己的需求調整滑鼠的高度以及角度 /5.滑鼠背部的防滑紋路靈感來自Glock 41 ACP 手槍之握把/6.右前側防滑塊的紋路設計發想 源自槍支的戰術滑軌/ 7.配重砝碼
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COLOUR SCHEME
S.W.A.T. Version 特種部隊
Police Version 警察部隊
Desert Troops Version 沙漠武裝
ARMY Version 陸軍部隊
SPECIAL FEATURE The weight system which is indispensable for gaming mice is inspired by how a gun is reloaded, making weighting a mouse feel like loading a gun!
電競滑鼠不可或缺的配重 砝碼，借鑒了槍械的彈夾。 讓配重的過程，如同裝彈一 樣，增加趣味性與酷感！
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1.Spare parts printed using SLA 3D printing, waiting for polishing. 2.After several times of polishing, spare parts are ready to be sprayed. 3.Fixing LED, battery and switches, in order to make the model more realistic. 4.The spare parts of the mouse. 5.The completed model. 6.A close-up shot of the bottom of the mouse, showing the details and the brass weights.
1.使用光固化列印出來的零件組， 等待打磨/ 2.經過數次打磨後噴漆 中的零件，可看見內部結構/ 3.噴 完漆，正在裝設LED、電池、開關等 內部元件，最大程度提高模型的逼 真度/ 4.零件的拆解圖/ 5.模型完成 / 6.底部特寫，砝碼系統為黃銅製.
This was an assignment for us when I was at my sophomore year, from which I had tons of fun doing and learnt a lot. And what’s more, I knew how to make models that are ‘actually working’ from this. We were told at the beginning that, the igniter model has to be able to ignite successfully or we will fail. It was really quite some challenge at that time for us. I started picturing my design with what Jony Ive had once said: ’A good product could seamlessly improve one’s life.’ I hoped my ignitor could guide people to using it correctly seamlessly as soon as they pick it up and enable people to use it gracefully. And how to realize the function without compromising the form was the most often thought question when making the model. But at last I managed to pull out the whole thing.
這是大二時期的一個作業，讓我對
製作“高精緻度、高可操作性的中空 模型”有了更好的認識與意識，我學
到了許多，也體會到了很大的樂趣！ 當初老師出這個作業的時候要求
我們，做出來的點火槍必須要能夠點 燃，否則不及格。我們之前的作業都 是“外表看起來像，看起來夠逼真就 好了” 。所以這個對當時的我們是項 不小的挑戰。
強尼艾夫曾說過： “好的產品是會
在不經意之間改善你的生活的。”被
這句話啟發，我的點火槍的設計發想 來自“不經意” 。我希望人們在不經意 間拿起這個點火槍，就很自然而然地 知道該怎麼使用，而且也可以很優雅 地使用。
為了在不妥協自己造型設計的情
況下，實現穩定點火的功能，我在後
期的製作過程費了不少力氣，最終通 過努力以及大量的嘗試，我完成了整 個作品。
ZHUSUN IGNITER Design
Product Design Course 2013 (Sophomore Year)
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It’s display conveys a sense of a bamboo being served on table in a plate. Leaving people with space for imagination.
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It started of with many forms: the looks of traditional candles, the look of a magic wand, the look of a sward, etc. Then I started to seek for a kind of form which has the feature of being seemlessly comfortable and instinctive to use. I stopped at a form that’s extremely simple but will naturally guide the user to grab it and to push the button. With the help of sketching and CAD. I quickly went into making real size model. Making models were always fun!
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1-2. This what the wood model first look like , very square and rough. Getting the right length is very important at this phace. It was very easy with a help of a CAD printed paper. 3-4. When the wooden part is cut out, I started to shape it into a rounder form, and getting the little detail for users to rest their finger . It took a lot of sanding and polishing. When the wood model is done, I used the vacuum forming machine to create a plastice shell.
5-6. Here comes the most challenging part of the whole project: making it work! In order to make it work, I desembled parts from lighters sold on the market, and repositioned their order so as to fit into the shell i created. It really was a story filled with tons of tears and sweat. I tried a lot of ways trying to stablize the inner parts on my slippery structure. And finally, I made it! 7. This is when I first tried to ignited when it’s completely done! It took more adjustments to make the using comfortable, but it ended up almost perfect!
8. I was giving it a nice photoshoot to prepare it for the world!
The peeler was an assignment in my sophomore year as well. Even though we were required to be more and more practical about our design, I still wanted to try something ridiculous, something quite different. For due to the interest I had in ‘organic forms’ such as creatures in the deep sea or alien creatures, I made some tilt to it at the end of the design process. To be honest, for this work, I wasn’t really considering too much about ‘practicability’ or ‘marketability’, it was more like an ‘artistic work’ I created to express myself. The peeler exists like a black cyclone roared past our hands, and somehow, it corresponds with the ‘right hand rule’ in physics. I had the intension to make the peeler more instinctive, but at the same time, it had also limited the using of the user. But in general, I had fun and learnt a lot from this!
FIT PEALER Design
Product Design Course 2013 (Sophomore Year)
這個削皮刀也是一個大二時期的
作業。當時還處於一種想要天馬行空 一點的狀態，於是便想要嘗試些不一 樣的造型，生活中不常見到的削皮刀 的造型。又因為自己其實對“有機生
命體”的造型，比如外星生物，或者是 深海生物的造型比較著迷，所以發想 到最後也在造型上有所傾斜。跟點火 槍作業用木模塑形最大不同的地方 之一就是這個是用了矽膠翻模的手 法。在前期的泡棉模型的製作上，也
必須更小心，但是也獲得了更自由的 發揮的空間。
說實在的，設計的過程到最後確實
已經不太考慮“實用性”或是“市場性
” ，有點像是個用來表達自己的“藝術 作品” 。如同一股黑色旋風一樣的線 條螺旋上升，手握著它，有點像是物
理中的右手定律一樣，想要讓使用者 使用得“自然而然” ，但卻也限制了他 們使用的方式。但總得來說，這個組 品還是讓我有機會嘗試到很多不同 的東西！
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It looks like some sort of sea creature or some kind of alien form. But I guarantee you it will fit exactly on your grib.
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I started of with some usual forms of peelers. But they almost have the same starting point-- to fit perfectly in ones grip. People should be able to grab it firmly when using my peeler so as to protect people from accidents.
The first prototype is made of gypsum, I simply squeezed a pile of gypsum, and soon I got the shape I wanted! And then I shaped it with EVA foam, molded with silicon and polyethylene at last.
35/36 It also took me a lot of time and effort to make the shape elegant and comfortable. The first prototype was very rough and I had to spend more time to shape and polish it with EVA foam. It was my first time to make something with silicon mold. Anyway, I was quite satisfied that the final poly model felt firm and comfortable. I loved it.
SPACE DESIGN
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I am also interested in the interaction between people and the space surrounding them. I would feel fascinated wherever space is neatly designed to form a natural bond with the people. I believe that there is similarity between the space design and product design.
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This was the exhibition designed by me and my team under my leadership, another major project that I felt very proud of. I was assigned the leader of the Exhibition Design Team of our graduation exhibition of YODEX 2016. There were several unique points for this project. First, none of us had experience of exhibition design. Second, it was never a project that could be completed by 3 or 4 persons, but a big team almost 10 persons at least. The challenge we were facing included: 1.The location was in a very remote area which could hardly be spotted from the outside. 2. We had too many items to be displayed in very limited space. As the group leader and chief designer, I assigned my teammates to begin the study of exhibition design themselves. And then I tried to inspire them with the knowledge we learnt. I myself did the the floor arrangement, built the 3D models and attended the meetings held in the construction company.
TCSK EXHIBITION Design
Graduation Exhibition (Worked as chief designer) 2016 (Senior Year)
這是我帶領我的團隊設計的展場，
是個令我感到很自豪的作品。大三期
末的時候我被安排作學校工設系參 加“2016年新一代設計展”的展場設
計組組長，負責帶領團隊規劃場地。 這個項目與以往很不同的地方，除了
我之前對展場設計的經驗甚少以外， 它也不再是靠一個人或兩三個人完 成，是一個需要是十多個人一起共同 配合完成的大項目，具有挑戰性。
該展場的設計，最大的挑戰在於：
一、我們的展區位置比較偏僻；二、同 學們的展件很多，想要在那麼小的環
境中依舊保持一種優雅的質感有一 定難度。由於一開始團隊裡幾乎沒有 人有過完整的設計展場的經驗，於是 我們一起讀書，一起看資料，一起分
享學習心得。一遍又一遍地進行頭腦 風暴，畫草圖。
在這個設計團隊裡，我負責引導大
家不斷產生新的創意，一起討論可行
性，以及展場平面規劃，3D模型的製 作，並且與發包團隊一起跟展場公司 進行施工討論。
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The theme of our exhibition was “tear open”, so for the key visual wall, we made it look as if it was torn open from outside like a piece paper. And for the inside, I wanted to keep it clean and simple, so black and white was used mainly. Due to our poorly located spot, we wanted to be able to attract people’s attention while not creating too much constricted feelings, I designed a huge frame with a big opening, and left the rest of the exhibition as open as possible. 這個展覽的主題是“此處撕開” ，所以為了配合主題，展場的主視覺牆採用了一種紙撕裂開的意象
。內部想要營造一種簡約、乾淨、優雅的質感，採用最基本的黑白色調，。由於展場處在展區比較“偏 遠”的深處，但同時面積又比較小。為了使它容易引人注意又不會產生太強的封閉感，展場的門面 我選擇採用一種挑高的大型中空結構，其他區域則保持開放。
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Process Proposal A
Proposal B
Proposal C
Final Outcome Site Plan (Auto CAD)
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B
A We worked out the final version after several months of continuous modification. It was carefully arranged both on site planning and space designing.
經過幾個月的不斷修改，我們得到了最終
的設計。不論在平面配置，還是在空間設計 上，我們都有很仔細的規劃。
Rendering (Sketchup + V-ray)
C
3D Model (Sketchup)
43/44
A
B C
A. The east entrance of exhibition. B. The long passages in the exhibition; C. A better view of the huge opening structure from this angle; D. The west entrance of the exhibition and also where the key visual wall lies.
A. 展場的東側入口；B.展場內部的長廊；C.從這個角
度可以看到高聳的門洞結構； D.展場西側入口，也是 最重要的形象門面.
D
I took some interior design courses and studied some skills myself these years just for my interest I have in the interior and space design. There are two projects in this section; one was the homework I had done for the course I participated. I found a site plan of a house, and rearranged its compartments with the help of AutoCAD and finally, with Sketch Up, the 3D model. The other was a project done in New Zealand to help a builder friend for the effect pictures in the advertisement. All of the experience accumulated in these practices was proved useful in the graduation exhibition design.
因為對室內設計也頗有興趣，所以
這兩年靠上課或自學學習了些室內 設計的基本原理還有軟件的操作。
這個部分的作品主要有兩個，一個
是之前上室內設計課時完成的項目， 找了一個房子的平面圖，對它的隔間
進行重新的規劃，然後再用AutoCAD 做室內的配置，最後再進Sketch Up
進行3D模型的建立。這個作業是我 第一個完成的室內設計作品，期間我 學到很多，也玩得很開心。
另一個作品是有個在紐西蘭做房屋
建設的朋友，拿著他準備要建的房子 的平面圖給我，希望我幫他做室內的 效果模擬圖，用來做廣告宣傳。於是
我幫他做了幾間房間的室內環境的 設計。在這些練習中積累的經驗，之
後都在畢業展的設計中發揮惡劣作 用。
Interiors interior Design Cases
Practices 2014-2015 (Junior Year)
45/46
D
Project 1
Location: Auckland, NZ
C
B
A
D
E
Site Plan (Auto CAD)
This is the project conducted in New Zealand, a house of one storey. I design the family room, the living room, the kitchen, the toilet and the dining room (showed on the previous page). The style wasn’t very obvious mainly country style with a touch of modernism, hoping to create a warm and fashionable space. 這個案子是在紐西蘭接的，是一棟一層的房屋。我做
了其中的家庭房、客廳、廚房、廁所以及廚房（如前一頁 所示） 。整體風格並沒有太強烈，主要是鄉村風融入一 點現代主義的元素，希望可以營造一個整體是溫馨但 是卻有點時尚的感覺的空間。
A
47/48
C B
E
Project 2
Location: Taipei
A
C
B
C
D
E
Site Plan (Auto CAD) This was the project I did when I was taking the course of interior design. We were asked to find a site plan and re-design it. The main idea of this project was to design an industrial style apartment for a single person. I was in charge of the living room, the dining room, kitchen, toilet and a bedroom. Every room was in industrial style except for the bedroom and the toilet, which one was in a slight Japanese style and the other was enhancing the texture of the stone.
E
這是在學室內設計課程的時候做的一個作業。我們在
網上尋找平面配置圖，然後再在AutoCAD上進行重新
分區。設計理念主要設定是一個工業風的單身公寓。我 負責該設計的客廳、餐廳、廚房、廁所以及一間臥室。其
中除了臥室與廁所，都運用了大量工業風元素。而臥室 則是日式禪風，而廁所則是比較強調石材本身的肌理。
D
49/50
A B
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rayliu1119@gmail.com
Please contact: rayliu1119@gmail.com