Page 1

O T E M O C L E W


!"#$%&"

!"#$


!"#$%&


& " 0 ) * / $ , . " ' (' ) ' * + , 2 & / * & 1 ' + '-*"&')*'-* !"#$%&' ! + $ )& # , $ ' - # + $ . & / + 0 ' 7+&'-#+$.&/+' !/*29+#&$+'

STUDENT !"#$%&

( ) *) " ) 1)2 % $ ' 3 # 4 0 / % 5 ' ! / 6 ' ! / & 6 # ) 0 $+#.'8$%%#0 4+#)%'%):;$"#0


STUDENT !"#$%&

! " #" $ " % & ' ( ) ' * + % , - . / ( 0 % 1 ( % . / " $ % " ( % 2" 3 / % + / 4 ( 5 . ' * 4 % 6 % 7 8 * ( - 9 / . % : "+" ; ' * / % 7 " 9 #" ' + *


, & $ + % ( * ( . , & ( " ) , ( + '()(* #$ $ * + ( ' . ( / , '" + $ ) !"#$%&' ! , $ )& # - $ ' . # , $ / & + , ' 3,&'.#,$/&+,' !+487,#&$,'

STUDENT !"#$%&

( ) &) * + % # ) 0&$-$'1)22$&& 0&$45$%'1),67$"" 1#""'!),"2+%


STUDENT !"#$%&

! "#" $ % & ' " ( # ) " * + ( , " $ " - ' & + ( ! ) ' & # ( . " , ! " ' $ & / ) ' & # ( 0 ( 1 ) " * + ( 2 "$" - ' & + 3 ( . " , !" ' $ &


0 0 3 , . # # , + '( ) *($ !"#$%&' ! + $ )& # - $ ' . # + $ / & 0 + ' 4+&'.#+$/&0+' .$8#3%$+8'

STUDENT !"#$%&

( $ )& * $ + , ) % 1+#23$&'!),2$% 5)%$&'67%3 5)%$&'67%39'4%2+$:'!0""#//*#0


STUDENT !"#$%&

!"#$"%&'())*'+,, - . " % / ' 0 ' 1 ) % # 2 3 4 . ' 5 6&6 7 " % 4 ' 8 " % & * 4


. , + ' & * ) & '( & !"#$%&' ./&'0#/$1&)/'

STUDENT !"#$%&

( ) & ' *+ , + " $ 2+ % ' 3 ) 4 " 5


STUDENT !"#$%&

!"##$%&%'()*+% , - ) . $ % / % 0 1 . ' 2 3 # - % 4 565 7 ) . # % 0 5 3 (5 ) 6 .


. & + $ , " + ' #$( & " ) * !"#$%&'

($)'*'+$,,#%-

! , $ )& # . $ ' / # , $ 0 & 1 , '

2)3 % $ ' 4 # 5 - 1 %

6,&'/#,$0&1,'

71--'8"$&09$,

!1:3;,#&$,'

71--'8"$&09$,

STUDENT !"#$%&


STUDENT !"#$%&

! " # $ % & ' ( ) & * # )+ % , - & * # + ' . ' / " # , 0 1 % & ' ( )$) 2 * # % ' / ) 1 3) * $ #


! " #$ % &


!"

0 " * / " . " # ' , + $ * ) " ( ' & # # $%

!"#$%&' ! * $ -& # . $ ' / # * $ 0 & ) * ' 6*&'/#*$0&)*' !)728*#&$*'

()*+$*, 1 $ " "2 ' 3 4 1 $ $ 5 $ 6 " "2 , ) % ' 3 & # , 9#0:-*+';-%<:)*%$

60 0 ) = % & ' > - % -< $ * '

?$%%#5$*'@A$"$B$

60 0 ) = % & ' C " - % % $ * '

1 $ " "2 ' > $ * & $ , + ) * 5

! * $ -& # . $ ' D $ 0 : % ) " ) < # , & ' '

STUDENT &*)1%#

> - * 0 ' 6 % + * $ 8 ' E & $ 7 : $ % ,'


STUDENT !"#$%&

! " # $ % # & ' ( " ) * $ +, ' - # " . " / * " 0 - # * 0 / ' 1 ' 2 " 0 & 3 . % # ' 4 +5+ 6 * 0 % ' 2 + . 7+ * 5 0


( " " ' # & , ( " " !" # $ % #: & # ' # ))# * +,-# !"#$%&' ! . $ ,& # 3 $ ' 4 # . $ / & 5 . '

( " $ ) * $ ' +, - . # / ' 01 $ $ 2 $ . 6.#)*$&'!,7)$%

8.&'4#.$/&5.9'

! : . & # 9 ' ; $ # 9 # % * $ . < ' = $ *, % ' 0 > , )?

!52?1.#&$.9'

! : . & # 9 ' ; $ # 9 # % * $ . < ' = $ *, % ' 0 > , )?

STUDENT .,"-#&


STUDENT !"#$%&

! " # $ % # & ' ( # ) " "*+ ' ( # ) " "* ' , - - # . / 0 1 # ! 2 0 3 / ' 4 ' 5 6 3 7 8 9 # 2 ' : )%) ; 0 3 # ' 5 ) 9 <) 0 % 3


2

* ) ( " ! ' & % $ !"#

!"#$%&' ! . $ -& # , $ ' / # . $ * & 0 . '

( ) $ * + ,1.#23$&'!-42$%

5.&'/#.$*&0.6'

! 0 " " # % ' 1 . - 2 78 ' 1 . # & % # ' 9 ) * * # 0

!0:7;.#&$.6'

1 . # & % # ' 9 ) * * # 08 ' ! 0 " " # % ' 1 . - 27

STUDENT !+,-".


STUDENT !"#$%&

! " # $ % & ' ( " # $ )* + , - . / ' ) " * " 0 & ' 1 + 2 $ . " 3 454 6 / ' $ " 0 4 2 ,4 / 5 '


% $ # ' & + * ) & " ( # ' % & # % $ ! "# !"#$%&' . / $ +& # 0 $ ' 1 # / $ . & ) / '

( ) & ' *+ , + " $ 2+3 % $ ' 4 # 5 - ) %

6/&'1#/$.&)/'

7)--'8"$&.9$/

!):32/#&$/'

7)--'8"$&.9$/

STUDENT ,(-.#"


STUDENT !"#$%&

! " # $% # & ' ( # ) " & * + , & - # $% . " ) , % & / & ! 0 , 1 2 3 # " & 4 $5$ 6 ) , # & ! $ 3 7$ ) 5 ,


+ ) $ * ) ( ' & % % 8 0!" # $ !"#$%&' - . $ )& # / $ ' 0 # . $ - & 1 . ' 6.&'7#.$-&1.' !1,32.#&$.' 7$*#4%$.'

STUDENT *&,'()

( )& & " $ * + # , 2)3 % $ ' 4 # 5 * 1 % 8#-+)$"'9.#::#&+ ;)<'71",+#% 8#-+)$"'9.#::#&+


STUDENT !"#$%&

!"#$%&''()*+,-+. / + ( ' # % 0 % 1 2 ' , 3 4 * + % 5 -6- 7 ( ' * % 1 & 5 /& 8 9 :


!"#$


# / / ! . # ) ' + * ' % # , + ! * ! ) ! " # $ %& ' ( 0-1 !"#$%&' (.&'/#.$0&1.2' !1;<5.#&$.2' /$2#:%$.' (0 0 1 C % & ' * " 4 % % $ . ' ! . $ 4& # F $ ' G $ 0 > % 1 " 1 : # 2 & '

STUDENT ,-/%

()!*'+,-3 4& $ ' 3 1 5 # % 1 5 2 6 # 7 ' 8 # 6 $ ' 9 4 : 1 2 =#0>4.?'@4%:>1.%$7'A4B'/1";>#% 3 4& $ ' 3 1 5 # % 1 5 2 6 # D $ " "< ' 8 $ . & $ 2 ? 1 . E H12>'A1C&$.


STUDENT !"#$

! " # $ % & $ ' () * + , - . - / 0 $ 1 2 * . / 3 , $ 4 - 5 5 $ 62 7 8+292,-2/:5$1*.-0/;$82.,*+.


!"#$%&'%#()*


!" # $ %

) " 0 / # . , ' * & ' ()% * +,% *

!"#$%&' ! - $ .& # / $ ' 0 # - $ * & ) - ' 4-&'0#-$*&)-' !)7,8-#&$-'

()*+$, !.1$""'2.--#3 5 ) " ", ' ( . 6 # 3 ) % 0 ./ # 9 ' : " ) . %

0$3#;%$-'

5 ) " ", ' ( . 6 # 3 ) %

<=)&);-.7=$-'

5 ) " ", ' ( . 6 # 3 ) %

STUDENT 1-*


STUDENT !"#

! " # $ % & ' ( ) % * + , % * * ' - , . / # 01 " ) - , 1 % 2 ) 01 % .


!"#$%&'(#)

SHOW


BRONZE


& . ' 1 0 # / . + # " ' ( , + * '( ) Studio center client

audi

ac c o u n t m a n ag e r

Becky Lakin

producer

Elise Cohen

sound designer

K at i e B oy l e

p r o d u c t i o n c o m pa n y

352'8&7,21 !"#$%&

Studio Center


352'8&7,21 !"#$%&

A u d i q u at t r o S h o w c a s e Sound Design-single


S I LV E R


* * + / & ) . ( % * ' , + * ) $ ( '   ! " #$ % & S R R S  I R  U H S R R F V    U H G Q L H Z    U H W L D Z mad fish films client c r e at i v e d i r e c t o r art directors

copywriter producer director editor

352'8&7,21 .&01('

Carton Donofrio d av i d s m i t h Scott Robertson K r i st e n Da n i e l s Way n e G i b s o n d av i d s m i t h Chris Williams Way n e G i b s o n way n e g i b s o n Craig Strydom


352'8&7,21 !"#$%&

G M AC – D i r e c t Yo u r D e s t i n y O v e r a l l P r o d u c t i o n Q u a l i t y- c a m p a i g n


352'8&7,21 !"#$%&

G M AC – D i r e c t Yo u r D e s t i n y O v e r a l l P r o d u c t i o n Q u a l i t y- c a m p a i g n


352'8&7,21 !"#$%&

G M AC – D i r e c t Yo u r D e s t i n y O v e r a l l P r o d u c t i o n Q u a l i t y- c a m p a i g n


+ ' * ! ) # ! ( ' & % ! " # $   t h e pa r k g r o u p client

Specialized Bikes

editor

Nicholas Kleczewski

352'8&7,21 %!),'-


352'8&7,21 !"#$%&

I am â&#x20AC;Ś Specialized editorial


GOLD




# * ) ( ' % ' # $ # " & % # $ # " ! R H G L Y  J Q L Q L D U W  O DZ  H Q I R U F H P H QW the branching client c r e at i v e d i r e c t o r ac c o u n t m a n ag e r producer director editor p r o d u c t i o n c o m pa n y music

352'8&7,21 +),-

A lt r i a Lucas Krost curt lutz Alexandra Krost lucas krost niku Wurz the branching ki theory


352'8&7,21 !"#$

Where Thereâ&#x20AC;&#x2122;s Smoke o v e r a l l p r o d u c t i o n q u a l i t y- s i n g l e


BEST IN SHOW


) ( $ # " ' & % $ !"#$ ! " #$ % & ' ( ' ) $"'*+,& 01)'$&

PRODUCTION *.+.!.

- . /. ,# 2 " #$ % & 3 ( ' ) & 4 1 ) ' $


352'8&7,21 !"#

s wa g g e r wa g o n original score-single


!"#$%

&'#!($

SHOW


BRONZE


# & ) 1 2 * & 2 1 . / ( " & . $ 1 * 0 / . '( " ) * + ,-( madison + Main client d i r ec to r /co py w r i t e r art director ac c o u n t m a n ag e r p r o d u c t i o n c o m pa n y

,17(5 $&7,9( !"#$%&

Ya r d W o r k s joshua barber J e f f S m ac k Kara Forbis madison + Main


,17(5 $&7,9( !"#$%&

Ya r d S q u a t c h I n t e r a c t i v e V i d e o Online Video <$50k


,17(5 $&7,9( !"#$%&

Ya r d S q u a t c h I n t e r a c t i v e V i d e o Online Video <$50k


+ 1 0 ( " / # . + , * & ! + * ( $ ( ) '(" H W L V R U F L P  r U R I  H Y L qO bcf client c r e at i v e d i r e c t o r art director copywriter designer ac c o u n t m a n ag e r producer director/editor developer

,17(5 $&7,9( !"#$%&

V i r g i n i a B e ac h To u r i s m Keith Ireland Joe Schnellman, Erika Gonzalez K e v i n M c C a r t h y, G i n n y P e t t y Todd Aftel Eric Lonning K e v i n M e C a r t h y, M a n d y L u i S i m m o n s Keith Ireland, Kevin McCarthy B i l ly K u r i l k o


,17(5 $&7,9( !"#$%&

V i r g i n i a B e ac h To u r i s m “ L i v e F o r ” M i c r o s i t e microsites–flash


& $ , + * # ! '() C a r t o n D o n o f r i o Pa r t n e r s client c r e at i v e d i r e c t o r copywriter producer director editor p r o d u c t i o n c o m pa n y

,17(5 $&7,9( !"#$%&

Sto pT h e A d n e s s .co m D av i d S m i t h Way n e G i b s o n , D av i d S m i t h Way n e G i b s o n Chris Allen Williams C h r i s A l l e n W i l l i a m s , M a d B ox P o s t Mad Fish Films


,17(5 $&7,9( !"#$%&

Limbo Adness Online Video <$50k


S I LV E R


* , + ) ( * ! % ) !"# $ % & ' ( wo r k l a b s client c r e at i v e d i r e c t o r

wo r k l a b s Cabell Harris

art director

C a b e l l H a r r i s , A n dy St i t e s

designer

A n dy St i t e s , C a b e l l H a r r i s P u c k By r n e

photographer studio artist developer

,17(5 $&7,9( )+&-*#

K i p D aw k i n s , D e a n H aw t h o r n e P u c k By r n e , A n dy St i t e s A n dy St i t e s , N e i l P u l l m a n


,17(5 $&7,9( !"#$%&

wo r k l a b s w e b s i t e Complete Sites, HTML <$20k


) # ( ' & % " $ ! " ! " # !$ E a st wo o d M e d i a client producer director music A n i m at i o n V o i c e Ta l e n t

,17(5 $&7,9( '!#*(+

Outdoor Lighting Perspectives Kevin Harrison E l i a s Da n c ey Victor M. A. Nash E l i a s Da n c ey Tim Timberlake


,17(5 $&7,9( !"#$%&

I Lit It Myself Online Video >$50k


GOLD


# " , + $ * ) ( ! " # # $ %& $ ' t h e M a r t i n ag e n cy client c r e at i v e d i r e c t o r art director copywriter producer

,17(5 $&7,9( .%#'

wa l m a r t Joe Alexander A da m Sto c k to n T r e n t P at t e r s o n Christina Cair o, Bret t Alexander, Da n K a p l a n


,17(5 $&7,9( !"#$

Call of Duty Viral Online Video >$50k


BEST IN SHOW


, ) ' & , + % $ " * ! ) ( ' & % $ # !"# t h e m a r t i n ag e n cy client c r e at i v e d i r e c t o r art director copywriter ac c o u n t m a n ag e r

American Cancer Society John Norman, Joe Alexander Dâ&#x20AC;&#x2122;Arcy Oâ&#x20AC;&#x2122;Neill, John Norman Neel Williams, Joe Alexander Chris Mumford, Allison Kaplan E r i c P i v o t t, L e a h M u h l e n f e l d

C o l t o n P ay n e producer jennifer White, Debbie Andrews I n t e r ac t i v e P r o d u c e r s J e r e m y L i n d , T r av i s S m i t h Technical Director K e v i n P ow e r Senior Developer J e r e m y M i s ava g e Developer Chris Harrison QA E n g i n e e r Sean Jones art buyer A n ya M i l l s

,17(5 $&7,9( &'-


,17(5 $&7,9( !"#

H a p p y B i r t h d ay W e b s i t e I n t e g r at e d E l e c t r o n i c C a m p a i g n


GOT CREATIVE


1st Place KRISTINA BOURLOTOS BANNER COMPETITION

RESULTS


2nd Place RACHEL KIM BANNER COMPETITION

RESULTS


8 City’s Choice Nominees

KEITH RAMSEY

KEITH RAMSEY

CORY BOWLES

MATTHEW PIRRO


8 City’s Choice Nominees

PATTI JEFFRIES

JENNY PAYNE

ANGELA MELITO

DAVID ODDEN


City’s Choice MATTHEW PIRRO BANNER COMPETITION

RESULTS


!"#$%&

SHOW


BRONZE


! "#'

# . # / ( . $ * , $ ( ) * + , " * !Circle S Studio

client c r e at i v e d i r e c t o r / d e s i g n e r / i l l u s t r at o r ac c o u n t m a n ag e r

'(6,*1 !"#$%&

B r ow n D i st r i b u t i n g mark smith k at i e w r i g h t


'(6,*1 !"#$%&

b r ow n d i st r i b u t i n g Lo g o c o m m u n i c at i o n d e s i g n , L o g o s & t r a d e m a r k s


( * " , ' + & ' $ & ' #" " & ( )#$ * the flores shop Client c r e at i v e d i r e c t o r / c o p y w r i t e r designer

The Flores Shop kevin flores j o r da n s c h m i dt

i l l u s t r at o r

jared boggess

ac c o u n t m a n ag e r

sarah sheldon

'(6,*1 !"#$%&


'(6,*1 !"#$%&

correspondence cards p r o m o & A dv e r t i s i n g, s e l f p r o m ot i o n â&#x20AC;&#x201C;s i n g l e


& / . , # ' + * ' (&) wo r k l a b s client

Big Thinkerâ&#x20AC;&#x2122;s Brainstorming & Ide a Co.

c r e at i v e d i r e c t o r

cabell harris

designers

P a u l H o wa l t cabell harris

photographer i l l u s t r at o r studio artists

'(6,*1 !"#$%&

k i p d aw k i n s P a u l H o wa l t J e n n i f e r Ow e n A n dy St i t e s


'(6,*1 !"#$%&

cheap costume p r o m o d e s i g n , pac k ag i n g


" & $ , " + * ) '&( e l e vat i o n client

Belmont Butchery

c r e at i v e d i r e c t o r

a aron dotson frank gilliam

art director/designer

C J H aw n J e s s e R a n da l l

copywriter

a aron dotson

i l l u s t r at o r

j e s s e r a n da l l

'(6,*1 !"#$%&


'(6,*1 !"#$%&

m e at g r i n d e r p r o m o d e s i g n & A dv e r t i s i n g, ot h e r


/ ( . ) & , + ' * '(") wo r k l a b s client c r e at i v e d i r e c t o r copywriter designers

Big Thinkerâ&#x20AC;&#x2122;s Brainstorming & Ide a Co. cabell harris e r i c b oy d P a u l H o wa l t cabell harris

photographer

k i p d aw k i n s

studio artists

J e n n i f e r Ow e n A n dy St i t e s

'(6,*1 !"#$%&


'(6,*1 !"#$%&

air sample kit p r o m o d e s i g n , pac k ag i n g


* " + . , + * ) '#( ow e n d e s i g n co. client C r e at i v e D i r e c t o r Design

'(6,*1 !"#$%&

Ow e n D e s i g n Co. J e n n i f e r Ow e n J e n n i f e r Ow e n , C a r i s s a S c h m i dt


'(6,*1 !"#$%&

h o l i d ay c a r d p r o m o & A dv e r t i s i n g, s e l f p r o m ot i o n â&#x20AC;&#x201C;s i n g l e


S I LV E R


* )  ( & % ' & % $ !"#

3 & & % 2  % 1 + , + - ./ / % - 0 ,

t h e m a r t i n ag e n cy client c r e at i v e d i r e c t o r art director copywriter

American Cancer Society John Norman, Joe Alexander Dâ&#x20AC;&#x2122;Arcy Oâ&#x20AC;&#x2122;Neil, john Norman Neel Williams, Joe Alexander

ac c o u n t m a n ag e r

Chris Mumford, Allison Kaplan E r i c P i v o t t, L e a h M u h l e n f e l d C o l t o n P ay n e

producer

Jennifer White, Debbie Andrews

art buyer

A n ya M i l l s

'(6,*1 4,/1%&


'(6,*1 !"#$%&

Funderber g, Am I Collective , Perry p r o m o d e s i g n , pac k ag i n g


) ) ( ' % & ! % ! !"# $ wo r k l a b s client c r e at i v e d i r e c t o r designer studio artist ac c o u n t m a n ag e r

'(6,*1 *+),-"

Ortho On Call cabell harris p u c k by r n e , c a b e l l h a r r i s j e n n i f e r ow e n , p u c k by r n e marnie wilson


'(6,*1 !"#$%&

ortho on call p r o m o d e s i g n & a dv e r t i s i n g, ot h e r


 + * ) ( '  & % ! " #$ * / * + + % &  + &, -. * - ' % t h e m a r t i n ag e n cy client c r e at i v e d i r e c t o r art director copywriter

american cancer society John Norman, Joe Alexander Dâ&#x20AC;&#x2122;Arcy Oâ&#x20AC;&#x2122;Neil, john Norman Neel Williams, Joe Alexander

ac c o u n t m a n ag e r

Chris Mumford, Allison Kaplan E r i c P i v o t t, L e a h M u h l e n f e l d C o l t o n P ay n e

producer

Jennifer White, Debbie Andrews

art buyer

A n ya M i l l s

'(6,*1 !012*-


'(6,*1 !"#$%&

S c h wa b , M o d e n , B u r g e r m a n , B a n n e k e r p r o m o d e s i g n , pac k ag i n g


, + " * ( ) ( ' & % ! " #$ vc u b r a n d c e n t e r client c r e at i v e d i r e c t o r

'(6,*1 !"-.,/

vc u b r a n d c e n t e r d i a n a O j i b way


Mark Fenske. We asked Fenske if we could take a picture of his desk with our digital camera, but he said no as soon as he heard the word “digital.”

SIXTY

Wayne Gibson. This is Wayne’s car collection. Wayne is really small.

Coz Cotzias. If you are a copywriter, this is the name you

cry out in joy and hate. Sometimes at the same time.

Don Just. Don Just once killed a man just to watch him die. Oh, wait, that was Johnny Cash. Don worked at The Martin Agency.

Caley Cantrell. Caley is famous for her candy bowl. Rumor

has it she also teaches here.

Charles Hall. If there is a purple version of anything, anywhere, he will find it.

DESKS THAT TALK

89

BY LANA SHAHMORADIAN - ART DIRECTOR

WRITTEN BY JAKE NAISH & CHRIS STEPHENS - COPYWRITERS

THEY SAY YOU CAN TELL A LOT ABOUT A PERSON FROM THEIR HOME. SINCE WE DIDN’T HAVE TIME TO VISIT OUR PROFESSORS’ HOUSES, WE SETTLED ON THEIR DESKS.

PHOTOS BY MARC ANDREW STEPHENS - CREATIVE TECHNOLOGIST

Creativity / Commerce / Culture / v.13

Mark Avnet. Mark is a digital guru, but lucky for us, he has an @ symbol as a paperweight so we can still make fun of him.

Cabell Harris. Cabell has been asked to wear this helmet

to protect the world from his thoughts.

Rick Boyko. These two things say it all.

Scott Witthaus. Neat, clean, and pretty. Just like Scott’s edits. And Scott.

Kelly O’Keefe. The only thing Kelly loves more than brands him wherever he goes. It’s a scary thing to see on the

is their mascots. Kelly has trained all of them to follow street.

Peter Coughter. Coughter’s defense against short and dumb people.

'(6,*1 !"#$%&

s i xt y m aga z i n e Promotional Design, Direct Mail & Print

90


!"#" ow e n d e s i g n co. client c r e at i v e d i r e c t o r / d e s i g n e r / i l l u s t r at o r ac c o u n t m a n ag e r

'(6,*1 $%!&'(

ow e n d e s i g n co. j e n n i f e r ow e n way n e h i c k s


'(6,*1 !"#$%&

logo C o m m u n i c at i o n D e s i g n , L o g o s & T r a d e m a r k s


# + * ) ( ' # # & % !" # $ s t u d i o s av v y client

s t u d i o s av v y

c r e at i v e d i r e c t o r

carrie fleck

planner

'(6,*1 #$,-&*

Hunter Knierim


'(6,*1 !"#$%&

business cards P r o m o D e s i g n & A dv e r t i s i n g, S e l f p r o m o, S i n g l e


 ' 0 % / # .  $ , ' + # # " *  ) ' 4 ! " #$% & ' ( . 2 ' 3  0 ' * ' & & " 3  ' 2 . $ 1 ' 1 %# # t h e m a r t i n ag e n cy client c r e at i v e d i r e c t o r art director copywriter

american cancer society John Norman, Joe Alexander Dâ&#x20AC;&#x2122;Arcy Oâ&#x20AC;&#x2122;Neil, john Norman Neel Williams, Joe Alexander

ac c o u n t m a n ag e r

Chris Mumford, Allison Kaplan E r i c P i v o t t, L e a h M u h l e n f e l d C o l t o n P ay n e

producer

Jennifer White, Debbie Andrews

art buyer

A n ya M i l l s

'(6,*1 4.#2'0


'(6,*1 !"#$%&

H a l t o n e d e f , K a l lw e j t, G i l m o r e , C o l l e c t i v e , Banneker, Bevis P r o m o D e s i g n & A d v e r t i s i n g , P o s t e r s , C a m pa i g n


 0 & , / & % . , +  ) * ( ' )  " !'( % . 4 3  ' 3 & % 0 & % /  2 & & , - &, ) 1% t h e m a r t i n ag e n cy client c r e at i v e d i r e c t o r art director copywriter

american cancer society John Norman, Joe Alexander Dâ&#x20AC;&#x2122;Arcy Oâ&#x20AC;&#x2122;Neil, john Norman Neel Williams, Joe Alexander

ac c o u n t m a n ag e r

Chris Mumford, Allison Kaplan E r i c P i v o t t, L e a h M u h l e n f e l d C o l t o n P ay n e

producer

Jennifer White, Debbie Andrews

art buyer

A n ya M i l l s

'(6,*1 !"#$%&


'(6,*1 !"#$%&

S at i , H at c h , F u n d e r b u r g , U n r u h , P e r r y, B u r g e r m a n , M o d e n P r o m o D e s i g n & A d v e r t i s i n g , P o s t e r s , C a m pa i g n


GOLD


, . % ) , + * ) ! " # $ %&' ( s t u d i o s av v y client

s t u d i o s av v y

c r e at i v e d i r e c t o r

carrie fleck

planner

'(6,*1 /&0(

Hunter Knierim


'(6,*1 !"#$

the richmond type map P r o m o D e s i g n & A dv e r t i s i n g, P ost e r s


' & + * $ % ) # ( ) ! " # $ % "& ' $ ( wo r k l a b s client art director copywriter designer photographer i l l u s t r at o r studio artist ac c o u n t m a n ag e r

'(6,*1 ,-!.

l a b r at s cabell harris e r i c b oy d Cabell Harris, Sharon Werner Sarah Nelson k i p d aw k i n s sarah nelson P u c k By r n , J e n n i f e r Ow e n marnie wilson


'(6,*1 !"#$

l a b r at s m e m b e r k i t s C o m m u n i c at i o n D e s i g n - B r a n d & I d e n t i t y S y s t e m


BEST IN SHOW


& ) ! + * * # $ % ) # ( ) ( $ ' & " !"# $ % wo r k l a b s client

l a b r at s

c r e a t i v e d i r e c t o r /a r t d i r e c t o r copywriter designer i l l u s t r at o r studio artist ac c o u n t m a n ag e r

'(6,*1 #,'

cabell harris e r i c b oy d

Cabell Harris, Sharon Werner Sarah Nelson sarah nelson P u c k By r n , J e n n i f e r Ow e n marnie wilson


DESIGN !.".#.

! " # $ % "& ' $ ( ) ( # ) % $ # * * + ! ) & , * ( ( - . / 0 " & / * . $ 1 ) ' / 2 . 3 $ 4 % * 0 5 - % ) ' 6 $ , " & " ! * 2 ' 6$ , * ( 7" . 8 $ 9 / & ) % "& - % )


!"#$% &'(')*

!"#$


!"#$%&


$ 1 ) + 0 / + . , + '#( ) * & “ I ’M SOR RY ”

” D E B D N O C E S “ ,” G “E N G A G E M E N T R I N

! " # ! $ # % & " # ' ( ) % "* $ ) +, +-./01% + 7 / 91 . : / % ; . 7 / < 1 3 7 % +3A>67.1/7%

"23-4%5/6/-/78 = / 0 2> % ? 9 & 9 8 @ . 0 B1 / : / % +3: / 7 1

"< < 3 C 0 1 % & 9 0 9D / 7 %

; 9: . 2 % E 6 / 0

F732C</7%

*7/D%B.G38

$2.137H$0D.0//7% F 7 3 2 C < 1 . 3 0 % + 3 G A9 0 > %

A DVERTISING !"#$%&

5 3 2> % ! 3> 2 #/2%"GA%"C2.3


" : 9 68

A DVERTISING !"#$%&

! " # $ % &' ( ) & * + & $ , - . ( / - , & , / * / - 0 ( 1 $ - , 2 1 "& % 3 & 4 0 ( 5 ( 6 & % $ " 7 ( ) & * +& $ , -


" ; : 79

A DVERTISING !"#$%&

! " # $ % &' ( ) & * + & $ , - . ( / 0 1 " - % ( 2 0 % 3 4 "& % 1 & / 5 ( 6 ( 7 & % $ " 8 ( ) & * +& $ , -


" : 9 68

A DVERTISING !"#$%&

! " # $ % &' ( ) & * + & $ , - . ( $ / * ( 0 " 1 1 ' 2 1 "& % 3 & 0 4 ( 5 ( 6 & % $ " 7 ( ) & * +& $ , -


25,000

, , + ! ( # # * – ) ' ( "#$

! " # " $ % & ' ( ) ) * & " & + ) , * & " & ! - , . / 0& 1 . 2 2 ) 3 & 4 5 6 7 - * . 0 /& & & & & & $2.-0*&

8 9 4 : ' & 4 9 ! " ' % ; & < ; " = : > ' " ? @ & 9? A B : ? " $ '

$ 6 - 5* . C - & ! . 6 - D * ) 6 & $)GH36.*-6& !.6-D*)6&)E&+()*)/65G(H& +6)IJD-6&

8 - E E & ! ) F 6 )3 8 ) - H & # 6 )5 ( 1.22&>-0*)0 8 ) - H & # 6 )5 (

!.6-D*)6&

8 - E E & ! ) F 6 )3

:I.*)6&

1.22&>-0*)0

+ 6 ) I J D * . ) 0 & $ ) K G5 0 H &

A DVERTISING !"#$%&

!"#"$%&'())*&"&+),*&"&!-,./0


A DVERTISING !"#$%&

! " # $ $ $ % & ' ( ) * + , - ) ) ' . / 0 0% % 1 ( )/ 2 3 / 4 '5 % 6 ) * 4 7 8 9 ( % : ;5 % & < * + 0 9 5 % = > ? $ $ @


. , " & + , + * ' " & & (/ $ &) ! " # $% % % % % % &'()*+% & , ) -+ ( . ) % " ( , ) / + 0 , % 3,+%"(,)/+0,% &0879,(+),% 3/ / 0 : * + % ; - * -< ) , %

A DVERTISING !"#$%&

!"#$ 1-2 0*%3*4),2 0* 5 6 ( + * ) 7 % $ , -+ + 1-2 0*%3*4),2 0* = 0 ( 2 % 37 ) , 2


LOREM IPSUM DOLOR SIT AMET, CONSECTETUR ADIPISICING ELIT! !"#$%& '()*%& +","#& )'-& .%$-/& 0"1)$0-$-*#& .+'(')'0'12& $,'-/& )$+& +"& $'*)%"+& -$%("#& '10'+'+*1-& *-& ,.3"#$& $-& +","#$& %.21.& .,'4*.5& 6-& $1'%&.+&%'1'%&7$1'.%/&4*')&1")-#*+& $8$#0'-.-'"1& *,,.%0"& ,.3"#')& 1')'& *-& .,'4*'(&$8&$.&0"%%"+"&0"1)$4*.-5 ‡'XLVDXWHLUXUHGRORULQ UHSUHKHQGHULWLQYROXSWDWH ‡9HOLWHVVHFLOOXPGRORUHHX IXJLDWQXOODSDULDWXU ‡([FHSWHXUVLQWRFFDHFDW FXSLGDWDWQRQSURLGHQW

!"#$ %"#&$ '()"#%*+'"($ *,"-+$ *$ )-../+'%&$ 0"123#'+'(4$ 1"5'+'"(6$ 7'5'+$(81/*4&(0290"%9

advertising  marketing  public relations  interactive

A DVERTISING !"#$%&

! " # # $ % & # ' ( ) * ) # " + , -+ + .#/012"34356371+.678/#


1 & / * " 0 & / $ . ( $ " ( , + * ) '&&( ! " # $ % & ' ! ( ) $ & * # ) + ,$ $ $ $ $ $ +-./01$

2 3 4 0 $ 56 $ 7 / 0 0 / 89 $ : . ; < = <9 $ = 0 8 $ % > ? / > @

+ < / =1 . A / $ B . < / C 1 3 < $

23/$&-/D=08/<

&<1$B.</C13<$

E<.=0$F.--.=@?

+3G9H<.1/<?$

2 3 / $ & - / D = 0 8 / < I $ F= 8 / $ & - J / <

K4313J<=G4/<$ M1>8.3$&<1.?1$ &C C 3 > 0 1 $ % = 0 =J / < $ K<38>C/<$ B . J . 1= - $ ( @ = J . 0 J $ &<1$E>9/<$

A DVERTISING !"#$%&

E><130$E/<.0?L9 K=1 < . C L $ & 0 1 L3 H . = L +=<<./$E.<8 2/009$MC43/04/<< & - . C / $ E - > /$ + . 0 89 $ " . C L?


A DVERTISING !"#$%&

! " " # $ % & ' # ( ) * # + * , " - . % , " /# # 0 ) 1 2 3 & # ! " . 4 3 & " # 5 # + * , " - . %, " /


'( ) )* ! " # $ % & ' ( ) * $ + , # * - .$ $ $ $ $ $ /0)#*($

123/4

/ ' # &( ) 5 # $ 6 ) ' # - ( 7 ' $

8(#5#$9&::#((

+'($6)'#-(7'$

;<:()*$=&''):

/7>.?')(#'$ +- - 7 < * ( $ % & * &, # ' : $

@& A # $ + 0 , # ' /"'):$%<BC7'AD$E)F$!7B:D$9#*$/'# &:#.

G'7A<-#'$

% 7 0 0. $ 8 7 < ( # '

6)'#-(7'$

H ' & * I $ !7 A& ' 7

G ' 7 A < - ( ) 7 * $ / 7 B >& * . $

A DVERTISING !"#$%&

% 7J ) # $ G ) - ( < ' # :


A DVERTISING !"#$%&

! " # # $% % & ' ( ) * + ) , - % . % / ( 0 , 1 2 3 ' % 4 56 % 7 8 0 9 : 3 6 % ; < = > > ? %


' ( )* + ! ' ( )* ! " # $ % & ' ( ) * $ + , # * - .$ $ $ $ $ $ /0)#*($ / ' # &( ) 5 # $ 6 ) ' # - ( 7 ' $ +'($6)'#-(7'$ /7<.=')(#'$ +- - 7 ? * ( $ % & * &, # ' : $ C'7D?-#'$ 6)'#-(7'$ C ' 7 D ? - ( ) 7 * $ / 7 B <& * . $

A DVERTISING !"#$%&

123/4 8(#5#$9&::#(( 6 & * ) # 0 & $ % 7 * (& * # ; 9 7 > $ % # &, " # ' 9 # * $ / ' # & : # .@ $ A ) ; $ ! 7 B : + * .& $ % ) 0 0 : +*,?:$E*#&0# !"#$%)00


A DVERTISING !"#$%&

! " # $ % & ! " # $% % & ' ( ) * + ) , - % . % / ( 0 , 1 2 3 ' % " 45 % # 6 0 7 8 3 5 % 9 : ; < < = %


'#( ) ! " # $ % & ' ( ) * $ + , # * - .$ $ $ $ $ $ /0)#*($

1 ) 2 -34 # ' $ / & ' 5

/ ' # &( ) 4 # $ 1 ) ' # - ( 3 ' $

6 # 4 ) * $ 7 &, 0 & * 5

+'($1)'#-(3'$

% & ' -3 $ 8 39 # 0 0

/3:.9')(#'$

;3"*$%&"3*#.

+- - 3 < * ( $ % & * &, # ' 2 $ A'35<-#'2$ 1)'#-(3'$

A DVERTISING !"#$%&

= # ) 0 0 $ % - > 4 3 ' ? $ / & ' # . $ @ 0. ; 3 " * $ % - + 5 3 ' # .? $ = ) B $ ! ' & C 0 # ' D&B#'$EF)("


A DVERTISING !"#$%&

! " # $% % & ' ( ) * + ) , - % . % / ( 0 , 1 2 3 ' % 4 56 % 7 8 0 9 : 3 6 % ; < = > > ? %


& * $ , " + * $ ( '" ( ) ! " # $ % & ' ( ) * $ + , # * - .$ $ $ $ $ $ /0)#*($ / ' # &( ) 5 # $ 6 ) ' # - ( 7 ' $ +'($6)'#-(7'$

1234 87#$+0#9&*:#' % & ( ( $ 6 &5 ) ;

/7<.=')(#'$

3##0$>)00)&?;

+- - 7 @ * ( $ % & * &, # ' $

!#::$+@'#0)@;

1'7:@-#';$ 1 ' 7 : @ - ( ) 7 * $ / 7 ? <& * . $

A DVERTISING !"#$%&

A& 0 # ' ) # $ B &( ( # * C # 0 : D$17;)()5#


A DVERTISING !"#$%&

! " # $ # % & ' " ( % & )' ' * + , - . / - 0 1 ' 2 ' 3 , 4 0 5 6 7 + ' 8 $9 ' : ; 4 < = 7 9 ' > ? @ A A B '


& . ! , $ + & ! + '() * ! " # $ % & ' ( ) * $ + , # * - .$ $ $ $ $ $ /0)#*($ / ' # &( ) 5 # $ 6 ) ' # - ( 7 ' $ +'($6)'#-(7'$ /7<.=')(#'$ +- - 7 ? * ( $ % & * &, # ' : $ C'7D?-#'$ 6)'#-(7'$ C ' 7 D ? - ( ) 7 * $ / 7 B <& * . $

A DVERTISING !"#$%&

123/4 8(#5#$9&::#(( 6 & * ) # 0 & $ % 7 * (& * # ; 9 7 > $ % # &, " # ' 9 # * $ / ' # & : # .@ $ A ) ; $ ! 7 B : + * .& $ % ) 0 0 : +*,?:$E*#&0# !"#$%)00


A DVERTISING !"#$%&

! " # $ % & ' % ( ) * & + '% % & , - . / 0 . 1 2 % 3 % # - 4 1 5 6 7 , % 8 9: % ; < 4 = > 7 : % ? @ A B B $ %


'# # ( ) * +) , ! " # $ % & ' ( ) * $ + , # * - .$ $ $ $ $ $ /0)#*($

123/4

/ ' # &( ) 5 # $ 6 ) ' # - ( 7 ' $

8(#5#$9&::#((

+'($6)'#-(7'$

;<:()*$=&''):

/7>.?')(#'$ +- - 7 < * ( $ % & * &, # ' : $

@& A # $ + 0 , # ' /"'):$%<BC7'AD$E)F$!7B:D$9#*$/'# &:#.

G'7A<-#'$

% 7 0 0. $ 8 7 < ( # '

6)'#-(7'$

H ' & * I $ !7 A& ' 7

G ' 7 A < - ( ) 7 * $ / 7 B >& * . $

A DVERTISING !"#$%&

% 7J ) # $ G ) - ( < ' # :


A DVERTISING !"#$%&

! " " # $ % & $ '( ( ) * + , - . , / 0 ( 1 ( $ + 2 / 3 4 5 * ( 6 78 ( 9 : 2 ; < 5 8 ( = > ? @ @ ' (


'!& ! " # $ % & ' ( ) * $ + , # * - .$ $ $ $ $ $ /0)#*($

123/4

/ ' # &( ) 5 # $ 6 ) ' # - ( 7 ' $

8(#5#$9&::#((

+'($6)'#-(7'$

;<:()*$=&''):

/7>.?')(#'$ +- - 7 < * ( $ % & * &, # ' : $

@& A # $ + 0 , # ' /"'):$%<BC7'AD$E)F$!7B:D$9#*$/'# &:#.

G'7A<-#'$

% 7 0 0. $ 8 7 < ( # '

6)'#-(7'$

H ' & * I $ !7 A& ' 7

G ' 7 A < - ( ) 7 * $ / 7 B >& * . $

A DVERTISING !"#$%&

% 7J ) # $ G ) - ( < ' # :


A DVERTISING !"#$%&

! " #$ $ % & ' ! ( ) ! * + $ , $ - ' . * / 0 # & $ 1 23 $ 4 5 . 6 7 # 3 $ 8 9 : ; ; < $


! " #$ % &


'

. 1 " , ! % + & 0 / . , * % & " + – ( )* ! " # $ % & ' ( $ % & ) * '$ $ $ $ $ $

+)&,-.$ + / , ". & 3 , $ 1 & / , 4 . 0 / $ 6/.$1&/,4.0/'$ $ +0><?/&.,/$ @/0#A4,/'$ 1&/,4.0/$

+"/.0-$10-02/&0 1 "3 & # $ 5 * & . ( 5 4 0 . . $ 7 0 8 , / . ' 0 - 9 $ : / & ' . , - $ 1 " - & , ) ' 9$$ ;"< - , $ = & 8 ' 0 1 "3 & # $ 5 * & . ( + ( / & ' $ ; & ) ) & " * ' 9 $ ;"< - , $ = & 8 ' 0 ;"< - , $ = & 8 ' 0 -

B#&.0/$

+/"&C$5./<#0*

@ / 0 # A 4 . & 0 - $ + 0 * >" - < $

!"#$%&'($%&)*'

A DVERTISING !"#$%&


A DVERTISING !"#$%&

! " #$ % & ' ( ) * + , & -. / ) & ' * 0 , ( 1 2 3 ) .4 5 + 4 0 ,% & $ . 1 0 / 6 * ) & 7 8 & $ 4 6 94 ( : 1 % & ; < = > > ?


A DVERTISING !"#$%&

! " #$ % & ' ( ) * + , & -. / ) & ' * 0 , ( 1 2 3 ) .4 5 + 4 0 ,% & $ . 1 0 / 6 * ) & 7 8 & $ 4 6 94 ( : 1 % & ; < = > > ?


A DVERTISING !"#$%&

! " #$ % & ' ( ) * + , & -. / ) & ' * 0 , ( 1 2 3 ) .4 5 + 4 0 ,% & $ . 1 0 / 6 * ) & 7 8 & $ 4 6 94 ( : 1 % & ; < = > > ?


' () )

! 2 1 % / + 0 " ' – ( " / . & + , + ! * ( ! " # $ % & ' ( $ ) ( # ' * +$ $ $ $ $ $

,-&#'.$ , 8 # 7. & 9 # $ : & 8 # * . 0 8 $

/0..012$34$5&667 : 79 # $ % & ' (

,04+;8&.#8$

< & ' = 2 7+ $ > . # 8 - & ' (

? 7 ' 7( # 8 $

>"7''0'$/800@2

5 8 0 = A * . & 0 ' $ , 0 1 47 ' + $

A DVERTISING !"#$%&

B ' $ C0 A 8 $ D 7 8


" = / )<

A DVERTISING !"#$%&

!"##"$%&'(&)*+,"-&!,.&/012% ! 3 "* + 1 * % #- & ) * + , " - & 4 , 5 . 6 0 - & 7 8 9 : ;


0 # / % $ . % ( – . / ( ' ) + # # ' () ' * + , ! " #$ $ $ $ $ $ "%&'()$

* + , , & - . $ / + ( ' ) ) & $ ! ' 0 ' 1 +2 '

" 1 ' +) & 0 ' $ 3 & 1 ' 4 ) . 1 $

5'&)6$71'%+(8

91)$3&1'4).1$

5'&)6$71'%+(8

".:;<1&)'1$ * + ( +2 ' 1 $ >1.8?4'1$

A DVERTISING !"#$%&

5'0&($*4"+1)6; =4.))$=46&(8'%' !1&+($!.@&(,A&


A DVERTISING !"#$%&

! " # $ % & ' ( ) ) & # * + ( , - . / 0 12 0 3 )4 5 6 7 3 , & . & 8 ( , 9 # # 6 : ; 6 1 3 - 7 ,< & = 7 3 > ) 0


' & ( ) *+% ! " # $ % & ' ! ( ) $ & * # ) + ,$ $ $ $ $ $ +-./01$

2 3 4 0 $ 56 $ 7 / 0 0 / 89 $ : . ; < = <9 $ = 0 8 $ % > ? / > @

+ < / =1 . A / $ B . < / C 1 3 < $

23/$&-/D=08/<

&<1$B.</C13<$

E<.=0$F.--.=@?

+3G9H<.1/<$ K1>8.3$&<1.?1$ &C C 3 > 0 1 $ % = 0 =J / < $ L<38>C/<$ B . J . 1= - $ ( @ = J . 0 J $

A DVERTISING !"#$%&

2 3 / $ & - / D = 0 8 / < I $ F= 8 / $ & - J / < L=1 < . C M $ & 0 1 M3 H . = M +=<<./$E.<8 2/009$KC43/04/<< &-.C/$E->/


A DVERTISING !"#$%&

!"#$%&' ( ) * + , - # . ' / 0 , - ' # 1 # ( / , 2 34 # $ 5 6 7 5 , 8 2


+ " , ( # + $ % * ' &() % ! " # $ % & ' ! ( ) $ & * # ) + ,$ $ $ $ $ $ +-./01$ + 4 / 51 . 6 / $ 7 . 4 / 8 1 9 4 $ &41$7.4/8194$ +9<@A4.1/4$ 349=C8/42$ &+ + J K ) ! $ % & ) &* # ' 2 $ $

A DVERTISING !"#$%&

#23) '9:$28;5<.49 & =5 > $ 219 8 ? 19 0 !9==$B4CD0.E;50 F 5 1 ; @ $ G . < < . 0 8 9 1 1H $ I 9 ; 0 $ % 8 & = 9 4 / @ 2 1 / < ; 5 0 . / $ 2 ; 5AH $ 2 1 / 6 / $ 2 5 0 = / 4 D H$ '5=$!9--/11


A DVERTISING !"#$%&

! " # $ % & ' () *# + , ) ! " ) . / $ . 0 + & 1 & 2 ) - 0 # 3 % " & 4 56 & 7 , - 8 * % 6 & 9 : ; < < =


% + . & 1 % + 0 " ) ! / . , + & " * ) '(& % ! " # $ % & ' ! ( ) $ & * # ) + ,$ $ $ $ $ $ +-./01$

&2/3.450$+504/3$674./18

+ 3 / 51 . 9 / $ : . 3 / 4 1 7 3 ; $

<7=0$)73250>$<7/$&-/?50@/3

&31$:.3/4173;$

:A&348$BA)/.-->$<7=0$)73250

+7C8D3.1/3;$

)//-$E.--.52;>$<7/$&-/?50@/3

&4 4 7 F 0 1 $ % 5 0 5G / 3 ; $ $ J37@F4/3;$

A DVERTISING !"#$%&

+ = 3 . ; $ % F 2 H 7 3 @ > $ & - - . ; 7 0 $ I 5 C - 5 0 >$$

# 3 . 4 $ J . 9 7 1 1> $ K / 5 = $ % F = - / 0 H / - @ > $ + 7 - 1 7 0 $ J 58 0 / </00.H/3$E=.1/>$:/LL./$&0@3/D;


'& ( ) ! *% & ! " # $ % & ' ! ( ) $ & * # ) + ,$ $ $ $ $ $ +-./01$

2 . 3 456 / 7 $ + 8 7 9

+ 7 / 81 . 6 / $ 2 . 7 / 4 1 5 7 $

: / 6 . 0 $ ' 8; - 8 0 9

&71$2.7/4157$

% 8 7 45 $ " 5< / - -

+5=><7.1/7$

?5@0$%8@50/>

&4 4 5 A 0 1 $ % 8 0 8; / 7 3 $ C759A4/73$ 2.7/4157$

A DVERTISING !"#$%&

) / . - - $ % 4 ( 6 5 7 B $ + 8 7 / > $ # -> ? 5 @ 0 $ % 4 & 9 5 7 / >B $ ) . D $ ! 7 8 E - / 7 F8D/7$GH.1@


A DVERTISING !"#$%&

!"#$%&'" ( " ) # * + # % , - . - / ) $ % 0 1 ' " - ! 23 - 4 5 $ 6 7 ' 3 - 8 9 : ; ; <


!"#$


, ' ! # % ( + # " * !" #$ % & ' ( % ) ! " # $ % & ' ! ( ) $ & * # ) + ,$ $ $ $ $ $ +-./01$ + 5 / 61 . 7 / $ 8 . 5 / 9 1 : 5 $ &51$8.5/91:5$ +:=AB5.1/5$ &9 9 : D 0 1 $ % 6 0 6F / 5 E $ 3-600/5$ 35:>D9/52$

A DVERTISING $,*+

#23)4 ':;$29<6=.5: & >6 ? $ 21: 9 @ 1: 0 !:>>$C5DE0.F<60 2 1 / = < 6 0 . / $ 2 < 6BG $ 2 1 / 7 / $ 2 6 0 > / 5 E '6>$!:--/11 H 6 1 < A $ I . = = . 0 9 : 1 1G $ J : < 0 $ % 9 & > : 5 / A


A DVERTISING !"#$

!" # $ % & ' ( ) * + " # , ( ) # - ' .( / ' . " , 0 " * - ( 1 ( 2 . # * 3 4 & ' ( ! 56 ( 7 % # $ + & 6 ( 8 9 : ; ; < (


# + * ' ) ( ' & !" # $ % ! " # $ % & ' ! ( ) $ & * # ) + ,$ $ $ $ $ $ +-./01$

&2/3.450$+504/3$674./18

+ 3 / 51 . 9 / $ : . 3 / 4 1 7 3 ; $

<7=0$)73250>$<7/$&-/?50@/3

&31$:.3/4173;$

:A&348$BA)/.-->$<7=0$)73250

+7C8D3.1/3;$

A DVERTISING (",-

)//-$E.--.52;>$<7/$&-/?50@/3


A DVERTISING !"#$

! " # $ % & ' ( ) ' * + #$ , & - . / 0 $ 1 ) ' 2 / 0 ) $ 3 $ , ' / # 45 $ 1 / # ( . ) $


*,  & / ( " ! " # $ % & ' ! ( ) $ & * # ) + ,$ $ $ $ $ $ +-./01$

2& 3 % & ' !

+ 4 / 51 . 6 / $ 7 . 4 / 8 1 9 4 $ &41$7.4/8194$

& <5 = $ >19 8 ? 19 0

+9@AB4.1/4$

! 4 / 0 1 $ C 51 1 / 4 D 9 0

&8 8 9 E 0 1 $ % 5 0 5F / 4 D $ C49<E8/4D$

& - - . D 9 0 $ G; / 0 4 / . 1 / 4 H $ + 9 4 / A $ 3 5 0 /

I 4 / 1 1 $ & - / ; 5 0 < / 4 H $ 75 0 $ J 5 @ - 5 0 H $ + K 4 . D1 . 0 5 $ +5 . 4 9

A DVERTISING !"#$

:9/$&-/;50</4


A DVERTISING !"#$

! " # $ % & ' ( ) *+ , - . / 0 1 / 2 3 + $ + ) . 4 2 5 6 7 - + 8 9: + ; < 4 = > 7 : + ? @ A B B C +


! "#$ !% # ! " # $ % & ' ! ( ) $ & * # ) + ,$ $ $ $ $ $ +-./01$

2 . 3 456 / 7 $ + 8 7 9

+ 7 / 81 . 6 / $ 2 . 7 / 4 1 5 7 $

: / 6 . 0 $ ' 8; - 8 0 9

&71$2.7/4157$

% 8 7 45 $ " 5< / - -

+5=><7.1/7$

?5@0$%8@50/>

&4 4 5 A 0 1 $ % 8 0 8; / 7 3 $ C759A4/73$ 2.7/4157$

A DVERTISING &"!'

) / . - - $ % 4 ( 6 5 7 B $ + 8 7 / > $ # -> ? 5 @ 0 $ % 4 & 9 5 7 / >B $ ) . D $ ! 7 8 E - / 7 F8D/7$GH.1@


A DVERTISING !"#$

! " #$ ! % # & ' " $ ( ) $ * % + , + - " . * / 0 1 ' + 2 34 + 5 6 . 7 ! 1 4 + 8 9 : ; ; <


& * " ) ! ( % ' ! & % ! " #$ ! ! " # $ % & ' ( )% % % % % % *+,-./%

& ' ( % # '0 )

* 1 - 2/ , 3 - % 4 , 1 - 5 / 6 1 %

*27-++%8211,9

'1/%4,1-5/61%

*27-++%8211,9

*6:;<1,/-19%

= 1 , 5 % ( 6; > ? % * 2 7 - + + % 8 2 1 1 , 9

4-9,@.-19%

*27-++%8211,9?%)A216.%!-1.-1?%)212A%B-+96.

CA6/6@12:A-1% E + + F 9 / 1 2/ 6 1 % )/F>,6%'1/,9/9% '5 5 6 F . / % I 2 . 2@ - 1 %

A DVERTISING +,"-

$ , : % 4 2< D , . 9 )212A%B-+96. C F 5 D % (; 1 . - ? % G - . . , H - 1 % "< - . I21,.-%!,+96.


A DVERTISING !"#$

! " # $ % & ' %( & ) % * " + , - . / 0 1 , % 2 * ( * . / % " 0 & 3 * / 4 " +&


!"#$%&'%#()*


!"# $ % & ! " # ! $ # % & " # ' ( ) % " * $ ) + ,% % % % % % +-./01%

2 . 3 4 . 0 . 5 % 6 7 8 0 9 51 . 7 0 % : 7 3 % ; / 5 -1 < = % ,7 8 1 <

+ 3 / 51 . > / % ? . 3 / @ 1 7 3 % "31%?.3/@173% +7C=D3.1/3% "@ @ 7 8 0 1 % & 5 0 54 / 3 H % K3798@/3% ?.3/@173% $9.173% K 3 7 9 8 @ 1 . 7 0 % + 7 G C5 0 = %

A DVERTISING '(%

&.@<5/-%&8--/0 A535%?8B/ E770%F.G % I / . 4 < % ) 5 0 @ / J % + < 3 . H1 . / % ; 5@ < *3/4%A.G7H " 95 G % +5 G / 3 7 0 6350B%$::370 I.G/=


A DVERTISING !"#

! " # $ % &' ( ) *+ , - + . /0 ' 1 * 2 . 3 4 5 ) ' & 60 ' % 7 2 8 9 5 0 ' : ; < = = > '


!"#$%& FOR ONE

G R E AT

YEAR

The 2010 Richmond Show Winners  

What would the Greatest Richmond Show on Earth be without people to take home some cannonballs? These are the winners from the 2010 show.

Read more
Read more
Similar to
Popular now
Just for you