P R O J E C T
0 3 TOWARDS COMPUTATIONAL >> STUDIO ROLAND SNOOKS KAZAKHSTAN SYMBOL 2013 ASTANA, KAZAKHSTAN
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This project by Studio Roland Snooks communicates the idea of architecture not as something entirely requisite for habitation, but as a more sculptural, three-dimensional symbol of statement. In this case, an architectural and parametric proposal adapted as an emblem of national progression at the Kazakhstan expo of 2017. The undertaking is also crucial in the consideration of our upcoming design process in accordance with LAGI. The Kazakhstan Symbol employs a scheme of metallic piezoelectric rods to generate wind energy through their swaying movement [02]. It is therefore an important precedent for computational design processes, as well as for energy generation in looking to design futuring. Computing has had a clear effect on the design process for this project - signifying a movement in digital architectural culture of hybrid approaches that are more reliant on algorithmic creativity as opposed to wholly preconceived form. As described by the studio, the “horizontal turbulent cloud” materializes itself from a complex network of computationally engendered ‘hairs’ [03] , corroborating the very fact that the realization of this design - the entire architectural boasting of the eco-sculpture - is reliant on computing to go beyond human representational limits.
This piece is also pertinent as it expresses ongoing change within the industry. First - the ability to draw elaborate, yet aesthetic design from mathematically based algorithmic scripts as a new norm within design. Second - the incorporation of environmentally driven purposes, construction and materiality. The structure’s composition is innovative in its exploratory use of materials. Though not betraying a structural framework in the renderings available, it can also be deemed structurally pioneering in the fact that it moves - unveiling an age of self supporting, yet ‘airy’ architecture. Computation has impacted on the range of conceivable geometries here in two separate ways. First, computerised techniques allowing a foundational lofted form to come into being (as explored in the Georges Restaurant) and secondly computation as a means of consolidating the hair ‘tendrils’ of the design - a factor near impossible to procure without algorithmic devices.. Further the ability for comuptational techniques to unravel geometry in a way that is constructible also influences the forms created in this typology of design.
[01] [02] [03] Studio Roland Snooks, Kazakhstan Symbol, 2013, <http://www.rolandsnooks.com/#/kaz-symbol/ >
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