PROGRAMME FLOW Turkish March Percussion Ensemble Composed by Ludwig van Beethoven Arranged by J. Michael Roy
Samba Batu Percussion Ensemble Composed by Elisabeth Amandi
Capriol Suite (Mov. 1, 2, 5, 6) Harmonica Ensemble Composed by Peter Warlock
String Quartet No.2 2nd Mov. String Quartet Composed by Alexander Borodin
At the circus – 3rd movement Trapeze Artists Melodica Ensemble Composed by James Duncan Carey
Libertango Melodica Ensemble Composed by Astor Piazzolla 2
PROGRAMME FLOW Aeolian Quartet Percussion Ensemble Composed by Shin-ichi Kaneda
London Bridge Percussion Ensemble Composed by Alan Abel
A Taste of The Classics Percussion Ensemble Arranged by Chris Brooks
Canon Recorder Ensemble Composed by Johann Pachelbel
A Million Dreams Recorder Ensemble Composed by Benj Pasek and Justin Paul Arranged by Lau Yiu Man
Battle of Jericho Male Voice Choir Traditional Spiritual Arranged by Mark Hayes 3
PROGRAMME FLOW Irish Blessing Male Voice Choir & Treble Choir Composed by Bob Chilcott
Simple Gifts III. Here Take This Lovely Flower Wind Band Composed by Frank Ticheli
Vistas al Mar String Orchestra Composed by Eduard Toldra
String Serenade 1st mov String Orchestra Composed by Josef Suk
School Song
4
INTRODUCTION OF MUSIC TEACHERS
Mr. Lau Yiu Man Head of Music Department Conductor of Choir
劉耀文老師 音樂科主任 合唱團指揮
Mr. Lau Yiu Man graduated from the Music Department of the Chinese University of Hong Kong in 2009, majoring in recorder. He has just completed his PGDE (music) study in CUHK. Meanwhile, he also studied music recording in the Hong Kong Academy for Performing Arts and passed with a professional diploma in 2010. He is currently a full-time teacher in Queen’s College and studying Master of Arts (Music) in Hong Kong Baptist University.
劉耀文在2009年畢業於香港中文
He first started playing recorder when he was a student in Queen’s College. He joined the school Recorder Band and served as the captain twice in his school life. He studied recorder under the guidance of Henry Ho Wing-Kai from 2005 and has attended various masterclasses during his studies. In 2008, Lau attended a summer school in Czech where he studied privately under Alan Davis.
劉氏於中學期間首次接觸牧童笛，
Lau is also keen on choral music as well as a cappella music. He is a member in both the Set Tone Men (6-men a cappella team) and Die Konzertisten. He was also a member of the Hong Kong Melody Makers was awarded two gold awards in World Choir Games 2010. At the same time, Lau was involved in the production of a cappella theatre “Rock Hard” in New Vision Festival 2008 and its re-run in Shanghai World Expo 2010. He also works as an a cappella arranger and his works has since been used in the collaborations of various local pop stars with the Melody Makers, including Khalil Fong, Ivana Wong and Siufay.
劉氏熱衷於合唱及無伴奏合唱音
He is also a recording engineer who does classical music recordings.
大學音樂系，主修牧童笛。其後他 在2010年在香港演藝學院取得音 樂錄音的專業文憑，及剛在中文大 學完成其教育文憑（音樂）。他現時 正在其母校皇仁書院擔任全職老 師，並同時於香港浸會大學修讀文 學碩士（音樂）課程。
其後曾兩次擔任牧童笛隊隊長。他 在零五年起師承何永佳學習牧童 笛，並曾出席多個大師班。在2008 年，劉氏遠赴捷克參加暑期學校， 並接受Alan Davis的指導。
樂，他是實動男（六人無伴奏組合） 及 Die Konzertisten的成員，更於 2010年的第六屆世界合唱比賽上 與青協香港旋律勇奪兩個金獎。與 此同時，劉氏亦曾在2008新視野藝 術節參與製作無伴奏合唱劇場《石 堅》，並在上海世博完成重演。劉氏 也有參與無伴奏合唱編曲，他的作 品曾被方大同、王菀之和小肥與青 協香港旋律作聯合演出。
劉氏現時亦是一名古典音樂的錄 音師。
5
INTRODUCTION OF MUSIC TEACHERS
MR. CHAN HO FUNG
陳浩鋒老師
Instructor of Stage Management Team
舞台管理小組顧問
Mr Chan Ho Fung was graduated from the Music Department of the Chinese University of Hong Kong in 2011. He is now a full-time teacher in Queen’s College. After graduating at CUHK, he started his music career in the a cappella industry. He joined the Hong Kong Melody Makers in 2009. As a member, he worked with renowned artists including Chet Lam, Eman Lam, Jonathan Wong and the Hong Kong Chinese Orchestra. Meanwhile, he was involved in the production of a cappella theatre “Rock Hard” in Shanghai World Expo 2010 and 23rd Macao Arts Festival. He also worked as an a cappella arranger. His works were used in the International A Cappella Extravaganza for a few years. As a live sound engineer, he supported shows hosted by The Gay Singers, Zense and Senza. Chan believes that education is the key to vitalise the Hong Kong music industry. By doing so, he collaborated with many secondary schools, and helped their student to strengthen in major competitions.
陳浩鋒在2011年於香港中文大學音樂
系畢業，現時在母校皇仁書院擔任全 職音樂老師。
大學畢業後，陳氏全情投入無伴奏合
唱音樂。在2009年加入青協香港旋律， 曾與香港中樂團，林一峰，林二汶，王
梓軒等香港藝人和藝團合作演出。其 後，陳氏成為無伴奏合唱清唱劇場《石 堅》演員，在2010年及2012年分別獲
邀到上海世博及澳門藝術節演出。除
了在台前演出，陳氏亦常參與幕後工
作。陳氏經常為不同無伴奏合唱演出
度身編曲，當中包括國際無伴奏音樂 盛典。陳氏亦為一位音響工程師，曾合
作隊伍包括香港無伴奏合唱界元老級 組合姬聲雅士，當紅年青組合Zense和
Senza 。
經歷多年深耕細作，陳氏深信培育下 一代，是令香港音樂界成長的最佳辦 法。陳氏多年來協助不少中學生在各
大比賽中獲獎，培養他們的技術和自 信心。
6
INTRODUCTION OF MUSIC TEACHERS 陳敏聰先生 管弦樂團導師(弦樂) 弦樂團導師
Mr Chan Man Chung, Ringo Instructor of Symphony Orchestra (Strings) Instructor of String Orchestra Chan Man Chung is an old boy of Queen’s College. An active musician, he co- founded the Trio Cilliupe (Flute, Viola and Harp Trio), twice winner of the CCM Chamber Music Competition. Chan has worked closely with Awadagin Pratt and his “Wired” String Ensemble, and
陳敏聰為皇仁書院舊生。陳氏為2011年辛辛那
was frequently featured as a soloist. He has performed
提音樂學院室內樂比賽優勝組合 Trio
in the 38th International Viola Congress in 2010. Upon
之中提琴手，並與該組合於美國多個城市作巡
Cilliupe
returning to Hong Kong, Chan co- founded the Romer
迴演出。陳氏曾於2010年參加第38屆國際中提
String Quartet with his colleagues. Since their debut
琴大會。返回香港後，陳氏與同事共同創立了羅
in 2012, the ensemble has given recital at prestigious
曼四重奏。自2012年首次亮相以來，四重奏在
concert halls and renown conservatories including
卡內基音樂廳,上海音樂廳,伊士曼音樂學院，中
the Carnegie Hall, Shanghai Concert Hall, Eastman
央音樂學院等著名音樂廳和名人音樂廳演出。
School of Music, Central Conservatory of Music. They have made appearance at the 1st Kota Kinabalu String Music Festival, and the 42nd Hong Kong Arts Festival Exxon Mobile New Vision series. They were
他們在第一屆沙巴弦樂音樂節和第42屆香港藝 術節埃克森美孚移動新視覺系列中亮相。他們 是2015年香港中文大學的駐校四重奏。
the Quartet- in- Residence of the Chinese University of Hong Kong 2015.
陳氏於2007年獲選為亞洲青年管弦樂團的其 中一員，並於中國及日本作巡迴演出。於2009
Chan was appointed a member of the Asian Youth
年又獲選入荷蘭管絃樂及室內樂學院，並獲
Orchestra in 2007 and was named Assistant Principal
任命為十九世紀樂團之中提琴副首席。陳氏
of the 18th- Century Orchestra of the Dutch Orchestra and Ensemble Academy in summer 2009. Before returning to Hong Kong, Chan worked with the Lexington Philharmonic Orchestra and the Springfield
曾為 Lexington Philharmonic 及 Springfield Symphony Orchestra 的中提琴樂手，現為香港 小交響樂團中提琴手。
Symphony Orchestra. He is now a tutti Violist of the Hong Kong Sinfonietta.
陳氏畢業於美國辛辛那堤大學音樂學院，獲頒 授碩士學位，並獲得獎學金攻讀博士學位，師
Graduated from the University of Cincinnati, College-
隨 Masao Kawasaki 與 Dr. Catharine Carroll。
Conservatory of Music, Chan got his Master of
在學期間，陳氏曾多次與 Awadagin Pratt 及其
Music, and is going on his doctoral study with the University Graduate Scholarship under the tutelage of Masao Kawasaki and Dr. Catharine Carroll. Prior to Cincinnati, Chan was a graduate from the Hong Kong Baptist University and the Hong Kong Academy for Performing Arts with Jensen Lung and Wai Ming Wong respectively.
Wired String Ensemble之演出並多次獲邀擔 任獨奏者。在前往美國進修前，陳氏先後畢業於 香港浸會大學及香港演藝學院， 師隨龍向輝及 黃衛明。
7
INTRODUCTION OF MUSIC TEACHERS
李海寧小姐 管弦樂團導師（管樂） 管樂團導師 Ms Lee Hai Ning Crystal Instructor of Symphony Orchestra (Winds) Conductor of Wind Band
Lee finished the Master of Music Therapy degree at the
李海寧畢業於中文大學音樂系，其後於澳
University of Queensland and Bachelor of Arts at Chinese
洲昆士蘭大學完成音樂治療碩士課程。曾
University of Hong Kong. She received trombone training
參與不同的樂團，當中包括香港青年交響
from Mr. Jarod Vermette and Mr Sergei V. Korschmin in
樂團、香港青年管樂團、中文大學崇基管
Queensland. Apart from trombone training, Lee also studied euphonium with Dr. Paul Pollard. Lee has played in a number of bands and orchestras including the Hong Kong Youth Symphony Band as euphonium player, Pan Asia Symphony Orchestra, the New Philharmonic Orchestra, the Hong Kong Youth Symphony Orchestra, the Queensland Youth Symphony and the International Youth Wind Orchestra in 2007.
弦樂團、泛亞交響樂團、香港醫學會管弦 樂團、昆士蘭青年樂團、2007年國際青年 管樂團(愛爾蘭)等。 李氏曾獲 2006 - 07年度的尤德爵士紀念 基金海外研究生獎學金、友邦慈善獎學 金、成龍獎學金、容啟東博士紀念獎學金、 崇基學院獎學金、崇基學院學系獎。李氏
Lee is the recipient of many scholarships, including the AIA
於不同的機構及學校工作，包括協康會、
Foundation Scholarship, Jackie Chan Scholarship, K.T Yung
監護者早期教育中心、國際社區服務中
Memorial Scholarship, Chung Chi College Scholarship, the
心、香港培正中學、協恩中學、聖伯多祿中
Chung Chi College Departmental Prize and the Sir Edward
學、聖保祿中學、聖士提反女子中學、聖保
Youde Memorial Fellowship for Overseas Studies 2006-07.
羅男女中學等。
Lee is currently working as a music therapist and a brass
tutor at different organizations and schools such as the Heep Hong Society, Watchdog Early Education Centre, CCCICQM, Methodist School, Pui Ching Middle School, St Paul’s Co-educational College, Heep Yunn School, St Stephen’s Girls College, St Paul’s Secondary School, St. Peter’s Secondary School, etc.
8
INTRODUCTION OF MUSIC TEACHERS 李尚澄先生 口琴隊指揮
Mr. Lee Sheung Ching Conductor of Harmonica Band Mr. Lee Sheung Ching, an old boy from Queen’s College, the Honorary Adviser of Hong Kong
Harmonica Association, who won the first runner-up of the World Harmonica Duet, and a famous harmonica player in Hong Kong. Lee now sees nurturing talents and exploring the musical potential of children as his goal. He is committed to promoting harmonica in Asia . He is the conductor of Chinese YMCA harmonica Band. Lee is also the instructor and conductor of the Hong Kong Harmonica Association “St. James Junior Harmonica Band”. He led the team in winning several important international competitions.
李尚澄先生是皇仁書院舊生，香港口琴協會總 監，曾榮獲世界口琴二重奏亞軍，是香港著名口 琴家。李老師現以作育英才、培植後進、發掘具有 音樂潛質的小朋友為目標，致力推廣亞洲區口琴 演奏文化。他是香港中華基督教青年會口琴隊指 揮。李老師也是香港口琴協會聖雅各少年口琴樂 隊導師及指揮，帶領「聖雅各少年口琴樂團」在多 個重要的國際比賽奪獎。
Mr. To Yu Kin Conductor of Recorder Band
陶宇健先生 牧童笛隊指揮
To Yu Kin is an undergraduate student in Chinese University of Hong Kong, majoring in Music. With years of experience
陶宇健於2015年從皇仁書院畢業，現為香港中文大學本
科生，主修音樂。陶氏於皇仁書院就讀期間領導母校牧童 笛隊，並代表我校獲得不少獎項。
陶氏是一個充滿激情的牧童笛演奏家。他於2015年從聖
三一學院考獲ATCL獨奏演奏文憑。在此之前，他獲得了英 國皇家音樂學院8級考試的榮譽，並被邀請在2013年由英 國皇家音樂學院舉辦的音樂會上演出。
陶氏也是一名積極的演奏家，他自9歲以來一直參加香
港 學 校 音 樂 節，並 分 別 在 獨 奏、小 組 合 奏 和 牧 童 笛 隊
獲得了許多冠軍。他在過去幾年中先後參加了Stefan Temmingh，Dan Laurinde的大師班，並從中獲益良多。
in leading the Recorder Band of his alma mater, To is capable of teaching and inspiring music learners from beginner to advanced level. To is a passionate recorder player. He attained ATCL recital from the Trinity College in 2015. Prior to that, he achieved distinction in ABRSM grade 8 examination and was invited to perform at the High Scorer Concert held by ABRSM in 2013. To is an active player, he had participated in Hong Kong Schools Music Festival since the age of 9 and won many champions as a soloist, an ensemble player as well as in the recorder band. He also participated in Stefan Temmingh, Dan Laurin master classes and acquired several advanced techniques in the past few years.
9
PROGRAMME NOTES (1770-1827) Ludwig van Beethoven 路德維希．范．貝多芬 Arranged by J. Michael Roy
Percussion Ensemble Turkish March 土耳其進行曲 Turkish March is a classical march theme by Ludwig van
土耳其進行曲由著名德國鋼琴家兼作曲家路德
Beethoven, a well-known German pianist and composer. It
維希•凡•貝多芬所創作，是歌唱劇《雅典的廢墟》
is the fourth movement of the operaThe Ruins of Athens. This percussion quartet is arranged by J. Michael Roy, a symphonic percussionist and composer. It starts with the tambourine, then the mallet joins in to play the melody. The march, with a wide dynamic range, starts at mezzo piano, proceeds to forte, then reaches fortissimo in the climax. It suddenly drops to piano in the bridge, where the focus is passed to the tambourine and the drums. The mallet joins back in after, playing the melody again, followed by a few repeats of some variations of the melody. The march
的第四樂章，而
首敲擊樂四重奏的版本則是
由敲擊樂家兼作曲家米高•羅伊所編。樂器由鈴 鼓和爵士鼓開始，然後木琴加入演奏樂曲的旋 律。 首樂曲的力度範圍極廣，由開首的中弱漸
大至強，隨著力度繼續漸強，樂曲到達高潮。然
後，力度忽然變小，樂曲的焦點又回到鈴鼓和爵 士鼓身上。隨後，木琴再次加入，演奏旋律。 一
段重複數次後，到了樂曲的結尾，所有樂器同時 演奏，給予
首進行曲一個刺激、強大的結尾。
ends with an exciting and powerful close, having all the instruments joining together.
Percussion Ensemble Samba Batu This piece is a samba music. Samba music is distinct for
Elisabeth Amandi 首樂曲是一首森巴音樂。森巴音樂的特色在
its characteristic rhythmic patterns, emphasis on melody,
於它獨特的節奏、重要的旋律、相對簡單的和弦
relatively simple harmonies, use of African percussion
和非洲式敲擊樂器。在
首樂曲，有大量重複
instruments. In this music, there are a lot of repetitive
的旋律。 還有，獨特的旋律令它與一般的森巴
rhythms. Also, its sharp melody makes it differ from other
音樂不同。編曲者伊利沙伯·阿曼迪是一位著名
samba music. The editor Elisabeth Amandi is a famous
的德國音樂家，同時於1976年完成他的敲擊學
German musician, who finished her percussion degree in 1976. In the beginning of the music, claps and drums
位。在樂章的開首，由鼓和掌聲開始，提供了森
provided a samba music vibe to the audiences. Later on, the bass drums come in and add more colors to the music by introducing a counter melody. Later on, there is a break and only the shaker and scraper remains. In the end, the
巴音樂的節奏。稍後，大鼓提供了複調旋律，提 供了更多的色彩。然後，在短暫的休息後，沙 和木魚延續旋律。最後，樂章在緊張的氣氛下結 束。
piece ends with an exciting rythme.
10
PROGRAMME NOTES Harmonica Ensemble
(1894-1930) Peter Warlock 彼得·沃洛克
Capriol Suite (Mov. 1, 2, 5, 6) 卡布利歐組曲（第一、二、五、六樂章） Capriol Suite is a set of dances composed in October 1926
卡布利歐組曲是彼得·沃洛克在1926 年 10 月
by Peter Warlock. His legacy includes around 150 songs,
創作的一組舞曲。彼得一生中創作了約 150 首
many of them consisting of orchestral accompaniments.
歌曲，當中帶有許多管弦樂伴奏。卡普里奧組
The Capriol Suite is one of his most well-known and loved
曲也是他最著名的作品之一，全曲由6個樂章
pieces. It includes 6 movements which are Basse-Danse,
分別是： 巴賽舞、孔雀舞、Tordion、鄉村舞曲、
Pavane, Tordion, Bransles, Pieds-en-l’air and Mattachins.
Pieds-en-l air 和 劍舞。音樂最初是為鋼琴二重
Originally written for piano duet, Warlock later scored it for string orchestra. 4 of the 6 movements will be performed during our performance. Numerous dissonance chords are used in the 6th movement (Mattachins) to stimulate the sound effect of swords.
奏而寫的，但彼得後來將作品改寫成弦樂團演 出的樂曲，而這次口琴樂隊將演出其中四個樂章。 值得留意的是第六樂章運用了大量不協和弦， 以營造出劍刃相擊的聲效。
String Quartet
(1833-1887) Borodin 鮑羅定
String Quartet No. 2 (II. Scherzo) 弦樂四重奏第二號（第二樂章: 詼諧曲） The String Quartet No. 2 in D major was composed by Romantic
D
composer Alexander Borodin in 1881. As a doctor, chemist, and
亞歷山大·鮑羅定於1881年所創作。他是一名醫
composer, Borodin was a multifaceted person. He composed many
生、化學家和作曲家。他創作了許多室內樂作
chamber works, his best-known being his two string quartets. He composed the String Quartet No. 2 using only a few months during a summer vacation, which was dedicated to his wife Ekaterina Protopovaon on their twenty-fifth anniversary. Borodin wrote a sparkling scherzo with a strong Russian style for
大調第二弦樂四重奏是由浪漫主義作曲家
品，最著名的是他的兩首弦樂四重奏。他在暑 假期間
用了幾個月創作第二弦樂四重奏，在
結婚二十五週年紀念日獻給他的妻子葉卡捷琳 娜·普羅托波娃。
the second movement in sonata form. The second movement starts
鮑羅定為奏鳴曲形式的第二樂章寫了一個帶
with a delicate Allegro, with the theme initially on the first violin,
有濃厚俄羅斯風格的詼諧曲。第二樂章以快板
accompanied by the second violin, the viola and the cello. It then
開始，主題最初是小提琴，伴隨著一把小提琴、
melts into an elegant Meno Mosso, starting the waltz between the first
一把中提琴和一把大提琴。音樂融入優雅的
and the second violinist. Gradually, the atmosphere becomes tense with the melody of the first and the second violins. The conversation between the second violin and the viola starts. Afterwards, the four parts go through a musical journey with completely new melodies. The piece goes back to the theme where the first violin retakes the lead. Then, the elegant waltz takes place again. Finally, the Vivace brings an end to the second movement. The piece is arranged in a skittish manner, while the waltzes are romantic and elegant which express the composer’s love for his wife, rendering its unique style and is a masterpiece of Russian classical music.
Meno Mosso (速度減慢)樂段後，第一和第二小 提琴手之間的華爾茲舞曲開始。漸漸地，隨著第 一小提琴和第二小提琴的旋律，氣氛變得緊張 起來，第二小提琴和中提琴之間的對話開始。然 後，四個聲部進入一段全新的旋律。旋律過後， 又回到了小提琴主導的主題。優雅的華爾茲舞 曲再次上演。最後，第二樂章随着 Vivace (活潑) 樂段結束。樂曲編曲輕快，華爾茲浪漫優雅，表 達了作曲家對妻子的愛，呈現出獨特的風格，完 美地
釋了俄羅斯古典音樂。
11
PROGRAMME NOTES Melodica Ensemble
(1927-2011) James Duncan Carey 詹姆斯·鄧肯·嘉莉
At the circus – 3rd movement Trapeze Artists 在馬戲團 - 第三樂章空中飛人 The piece was composed by an England composer, James Duncan Carey, who studied Music at Newcastle University
首樂曲是由英國作曲家 詹姆斯·鄧肯·嘉莉 創 作，他曾於英格蘭紐卡斯爾大學研習音樂。 在
in England. After being awarded a Bachelor of Music,
獲得音樂學士學位後，他加入了英國牧童笛演
he joined the Society of Recorder Players in the United
奏家協會。 他是最初是一名指揮，然後是音樂
Kingdom. He was a conductor at first, then the Musical
總監，最後是該協會之愛丁堡分會的榮譽主席。
Director, and finally the Honorary President of Edinburgh
他一生創作了許多關於牧童笛的樂曲。
branch of the Society. He had also composed numerous pieces for recorders in his life.
雖然由口風琴小組演奏，在馬戲團 是一首給牧
Despite being performed by a melodica ensemble, At
童笛隊的作品。 首曲子由四個樂章組成，空
the Circus was a piece for recorder ensembles or recorder bands. The piece consists of four movements, and Trapeze Artists is one of them. This movement consists of passages in both G and C major, with a simple beat and a fast tempo, describing the situation of a performance by the trapezes at a circus. Furthermore, the ending of the movement is suspenseful, which lets the audience look forward to the next performance at the circus.
中飛人 就是其中之一。 該樂章由G和C大調組 成，節拍簡單，節奏輕快，描述了在馬戲團中，空
中飛人表演的情景。此外， 樂章的尾段充滿懸 念，讓觀 我們不
期待馬戲團接下來的表演。
能感受到它的輕快，還能感受到馬戲
團中令人興奮的氣氛。
Not only can we feel its briskness, but we can also feel the exhilarating atmosphere in a circus.
Melodica Ensemble
(1921-1992) Astor Piazzolla 阿斯托爾·皮亞佐拉
Libertango 自由探戈 The piece was composed by Astor Pantaleón Piazzolla,
首樂曲是由 阿斯托爾·潘塔萊昂·皮亞佐拉 創
who was an Argentine tango composer and a bandoneon
作，他是阿根廷作曲家及班多鈕手風琴演奏家。
player. He added the elements of rigorous classical
他在探戈音樂裏，加入了古典音樂嚴謹和爵士
music and improvisation of jazz music to tango music.
音樂即興的元素。他也打破傳統探戈音樂一成
He also broke the tradition of the unchanging melody and repeating rhythm of tango music, so as to make the melody unique, the rhythm more complex, and the form much richer. Thus, his works revolutionized the traditional tango music into a new style called Nuevo Tango. Libertango was originally a piece for string quartet. It is in the key of A minor, with a very fast tempo. It is a dance music, which is used as accompaniment in dancing performances. Different dance moves and dance paces can be shown through the wide range of dynamics.
不變旋律和不斷重複節奏的規律，使旋律別開 生面，節奏更加複雜，形式更加豐富。因此，他的 作品徹底顛覆了傳統的探戈音樂，發展新式探 戈音樂風格。 自由探戈以A小調寫成，是一首弦樂四重奏的 樂曲。它是一種舞曲，速度非常快，並在舞蹈表 演中用作伴奏。皮亞佐拉透過樂句中的強弱來 表現出不同的舞步和舞速。
12
PROGRAMME NOTES Percussion Ensemble Aeolian Quartet 伊奧利安四重奏曲
Shin-ichi Kaneda 金田進一
Aeolian Quartet was written by Japanese actor Shin-ichi
伊奧利安四重奏曲是由日本演員金田進一創作
Kaneda. The title means “quartet in the Aeolian mode”
的。標題的意思是
(natural minor scale). It is in three-part form: fast-slowfast. Beginning with a cheerful march, the marimba provides a beautiful melody, the vibraphone is used for adding colors and energy, the drums and timpani give the rhythmic pattern of marching. Then, the second part of the song gives out a gloomy effect with consistent rolling of marimba, vibraphone gives out the color in the dark and provides a strong melody, and slowly builds up for the ending. At the end, the melody and drums slowly build up and begin the main part again with triplet melody and
伊奧利安調式中的四重奏
（自然小調）。它分成三部分：快-慢-快。進行曲 以歡快的氣氛開始，馬林巴(低音木琴)
散發一
個具色彩和能量的優美旋律，鼓和定音鼓提供 行進的節奏。然後，歌曲的第二部分以馬林巴的 roll呈現出一種陰鬱的效果，電顫琴在黑暗中發 出色彩並提供強烈的旋律，並慢慢建立結尾。最 後，旋律和鼓聲慢慢重起來，並以三連音的旋律 和連續擊鼓再次開始歌曲主體部分，營造出強 烈的氣氛以結束。
rolls, ending with a strong scent.
Percussion Ensemble London bridge 倫敦橋 London bridge is a percussion ensemble piece arranged
Alan Abel 艾倫·阿貝爾 倫敦橋是由英國傳統童謠《倫敦橋倒
》 （又稱
from “London Bridge Is Falling Down” (also known as “My
《窈窕淑女》或《倫敦橋》）改編而成的打擊樂合
Fair Lady” or “London Bridge”) which is a traditional English
奏曲。民間曲調在世界各地都有不同的版本。歌
nursery rhyme and singing game. The folk tune is found in different versions all over the world. It deals with the depredations of London Bridge and attempts to repair it. The arranger features some mistakes made by the xylophone solo at the beginning of the piece. The tune is then separated and repeated by different percussion instruments such as chimes and glockenspiel. Snare drum and timpani are entered to create a joyful atmosphere
曲講述倫敦橋的多次倒
後並試圖修復的故
事。 樂曲編曲的特點是在作品開頭木琴獨奏中犯的 一些錯誤。曲調在不同的打擊樂器例如編鐘和 鍾琴中若隱若現。小軍鼓和定音鼓的加入營造 了歡樂的氣氛。旋律最終以對位法走進尾聲。 件作品更帶有一個驚喜的結局。
later on. The melody is finally rescued by the rest of the ensemble in a contrapuntal treatment. This piece even comes complete with a surprise ending.
13
PROGRAMME NOTES Percussion Ensemble A Taste of The Classics
Composed by Chris Brooks
A Taste of The Classics is a music piece arranged by Chris
A Taste of The Classics 是由 Chris Brooks 所編
Brooks, who fuses classical ideas with comic relief that fits
曲的音樂作品，他將古典思想與符合 Row-Loff
the Row-Loff credo, "You Can't Go Too Far". The whole piece
信條 You Can t Go Too Far 的喜劇浮雕相融
was arranged for Percussion Ensemble, with a base of
合。 樂曲為敲擊樂團而改編，並使用了各種古
various classical music including Toccata In D Minor by J.S.
典音樂作為整首樂曲的旋律，其中包括巴赫的
Bach, Can-Can by Offenbach, Sabre Dance by Khachaturian
D小調觸技曲、奧芬巴赫的肯肯舞(Can-Can)、
and other classical snippets.
哈恰圖良的佩刀舞曲等經典名曲。
The musical piece combined some of the most familiar
樂曲結合了世界上一些最為人熟悉的古典音
classical music from the whole world, however in a stylish and unique way only for percussion instruments which mostly won’t be performed in an traditional orchestra. The piece first starts with a clip from Symphony No.5 by Beethoven and ends with Can-Can. The combination of classical music pieces with percussion instruments will not only bring a new type of performance, but also let people
樂，但以時尚和獨特的方式
而
適用於打擊樂器，
些樂器通常不會在傳統管弦樂團中被演
奏。 首樂曲以貝多芬第五交響曲作開始，最
後則以著名的肯肯舞蹈結束。 古典樂曲與打擊 樂器的結合，不
會帶來一種全新的演奏方式，
也能讓人們以另一個角度看待傳統音樂。
see traditional music in a different way.
Recorder Ensemble
(1653-1706) Johann Pachelbel 約 ·帕赫貝爾
Canon 卡農 Composed by German Baroque composer Johann
卡農，是德國作曲家約
·帕赫貝爾最著名的作
Pachelbel, the piece was originally scored for three violins
品。卡農並不是曲名，而是一種曲式。原本帕赫
and basso continuo. Canon is not the name but the genre
貝爾D大調的卡農中主要以三部小提琴演奏，
of the piece. The original piece was in D major, with three parts of the violin and basso continuo. Canon is a polyphonic technique, which in this piece, three parts of the violin imitate each other after eight beats. There is an independent part of the bass acting as the fourth voice, which shows the characteristics of Baroque music. The piece is modified to be in F major for the recorder
並以數字低音伴奏。卡農是一種複調織體的技 巧，在此曲中，三部小提琴拉奏完全相同的旋律 互相模仿，不過相隔八拍前後加入，但是旋律沒 有互相衝突，反而相輔相成，再加上與主旋律獨 立的數字低音，盡顯巴洛克時期編曲特色。 在
次演出中，牧笛演奏改為F大調，並刪去吉
in the performance. There are three parts for the alto
格的部分。主旋律則以三部中音笛演奏，伴奏則
recorder and one part for the bass recorder. Though the
以一部低音笛演奏，以還原其因流行曲目廣泛
piece is widely performed nowadays, people may forget
採用，而逐漸失去的巴洛克特色。
about its Baroque characteristics while performing with modern instruments. Presenting the piece by the recorder can reveal its original Baroque characteristics.
14
PROGRAMME NOTES Recorder Ensemble A Million Dreams 百萬個夢想
Pasek and Paul 賽科和保羅
Composed by Pasek and Paul, A Million Dreams is a song performed by Ziv Zaifman, Hugh Jackman and Michelle Williams for the second soundtrack recorded in the movie The Greatest Showman in 2017. The Greatest Showman is an American musical drama film, which tells the story of P.T.Barnum, who was the founder of Barnum and Bailey Circus. The lyrics expressed the great ambition of Barnum, and the story that Barnum chased his dream even though that was nearly impossible. The score is rearranged by our music teacher Mr Lau Yiu Man from the flute version of the original song. It consists of 5 parts: one for the soprano recorder, two for alto recorders, one for the tenor recorder, and one for the bass
百萬個夢想（A Million Dreams）是2017年電影 科和保羅（Pasek and Paul）。在電影中，主角巴 《大娛樂家》的第二首收錄歌曲，編曲者為帕賽 納姆（曉治積曼飾演）是玲玲馬戲團的創始人。 少時在家裡過著拮据的生活，但是巴納姆並不 滿足，他希望可以圓滿自己的夢想，以此供養妻 兒。雖然以當時的境況，追逐夢想近乎不可能， 但是巴納姆並未言棄。 原曲以單人演唱的方式表達，並以鋼琴、小提琴 和大鼓作伴奏，為典型抒情流行音樂的表達方 式。本次牧笛演奏則改編自長笛版本的樂譜，分 為五部分：一部分高音笛、兩部分中音笛、一部
recorder. Since it is a modern pop song, it has a significant
分次中音笛，和一部分低音笛。曲目有明顯的主
verse-chorus structure. Besides, it has strong emotional
歌-副歌結構，而牧笛能有效發揮樂曲抒情的部
expressions, which can be presented by the recorder
分，使觀
effectively.
想全力以赴的堅定。
更能感受原曲壯志凌雲的決心，向夢
Male Voice Choir Battle of Jericho 耶利哥城之役
Traditional spiritual (Arranged by Mark Hayes) 傳統靈歌(馬克·海斯編曲)
Battle of Jericho is a traditional African-American spiritual
《耶利哥城之役》是一首傳統黑人靈歌，由知名
arranged by Mark Hayes, a well-known American
美國作曲家馬克·海斯編曲。 首歌的故事背景
composer. The story is taken from Chapter 6 of The Book
取自於聖經《約書亞記》第六章，敍述約書亞在
of Joshua, The Bible. The song tells the story of how the
耶和華的指示下，率領以色列人攻取耶利哥城
Israelites captured the city of Jericho under the leadership of Joshua, the leader of the Israelites. In the song, the main melody is first sung in unison, illustrating how Joshua and the Israelites are preparing for the battle. The main melody is then sung repeatedly by the four voice parts of the choir, adding tension to the music. The song reaches its climax in its gradual progression of dynamics and expression, and describes how the wall of the city of Jericho fell in the Israelites’ great shout. In the end, the main melody of the song is sung again more
的故事。 在歌曲中，主旋律先由男聲四部以同音唱出，講 述約書亞與以色列人準備攻打耶利哥城。其後 主旋律以四部唱和的形式不斷重復，使歌曲逐 漸變得緊湊。歌曲在逐漸增強的音量及氣勢下， 氣氛推至高潮，並描述了耶利哥城城牆在以色 列人的大聲呼喊下應聲倒下。最後，歌曲主旋律 重現，但氣氛比歌曲開首激昂，象徵以色列人獲 得勝利，耶利哥城陷落。
excitedly, which symbolises the victory of the Israelites and the fall of Jericho.
15
PROGRAMME NOTES
Battle of Jericho 耶利哥城之役
Joshua fit the battle of Jerichoipsum Jericho Jericho Joshua fit the battle of Jericho And the walls come tumblin’ down Joshua fit the battle of Jericho Jericho Jericho Joshua fit the battle of Jericho And the walls come tumblin’ down You may talk about your man of Gideon You may talk about your man of Saul There’s none like good ole Joshua At the battle of Jericho Joshua fit the battle of Jericho Jericho Jericho Joshua fit the battle of Jericho And the walls come tumblin’ down
LYRICS Up to the walls of Jericho He marched with a spear in hand “Go blow them rams’ horns”, Joshua cried “Cause the battle is in my hand” Then the lamb, ram, sheep horns begin to blow The trumpets begin to sound Joshua commanded the children to shout And the walls come tumblin’ down Oh, Joshua fit the battle of Jericho Jericho Jericho Joshua fit the battle of Jericho And the walls come a tumblin’ down Oh, Joshua fit the battle of Jericho Jericho Jericho Joshua fit the battle of Jericho And the walls come tumblin’ down And the walls come tumblin’ down And the walls come tumblin’ down Walls come tumblin’ down Yeah!
16
PROGRAMME NOTES Male Voice Choir X Treble Choir
(1955~) Bob Chilcott 鮑伯·契爾科
Irish Blessing 愛爾蘭祝福 Irish Blessing is a traditional hymn arranged by British composer Bob Chilcott. It is written for SATB choir and piano, featuring a genuine blessing in its lyrics. The song is renowned for its great simplicity and beauty, and the memorable
《愛爾蘭祝福》是一首傳統聖詩，由英國作曲家 鮑伯·契爾科特編曲。作者在
首歌表達了一段
真誠的祝福，並透過四部合唱團和鋼琴伴奏演 奏。 首歌最大的特色是它簡單美麗的音樂，以
及令人難忘的旋律。
melody. 在歌曲的開首，主旋律先由童聲合唱團帶出。在 In the beginning of the song, the main melody
童聲合唱團的獨奏之後，加入男聲合唱團，組成
is introduced by the Treble Choir with the piano
一個個極致和諧的和弦。整首歌曲洋
accompaniment. After the solo of the Treble
和諧的感覺，使觀
Choir, the Male Voice Choir joined in, forming one sweet-toned chord after another. This shows a
着安祥
能真切地感受到作曲家表
達的祝福。
peaceful and harmonious feeling of the song and brings out a sincere blessing.
May the road rise to meet you May the wind be ever at you back May the sunshine warm upon your face
And the rain fall soft upon your fields And until we meet again May god hold you, may god hold you
LYRICS
Ever in the palm of his hand May the road rise to meet you May the wind be ever at your back May the sunshine upon your face And the rain fall soft upon your fields And until we meet again May god hold you, may god hold you Ever in the palm of his hand Ever in the palm of his hand The palm of his hand
17
PROGRAMME NOTES Wind Band Composed by Frank Ticheli
Simple Gifts III. Here Take This Lovely Flower Simple Gifts: Four Shaker Songs is a musical piece
Simple Gifts: Four Shaker Songs 是由美國作曲
consisting of four movements composed by Frank
家、南加州大學教授 Frank Ticheli 創作的四樂
Ticheli, an American composer and a professor at
章音樂作品。 弗蘭克在音樂上做出了各種改變
the University of Southern California. Frank has
和投入，特別是創作了樂隊類的著名音樂作品，
made various changes and devotes in music,
包括 Simple Gifts、Abracadabra、Vesuvius 等。
especially composing notable music pieces in concert band category, including Simple Gifts, Abracadabra, Vesuvius and other works. The third movement is named as ‘Here Take This Lovely Flower’, which is based on a Lullaby of the Shakers, a popular sect in the community around the mid-1700s. The slow-like lullaby melody shows and embodies the Shakers’ desire
第三樂章被命名為 Here Take This Lovely Flower ，它基於 1700 年代中期社區的一個流 行教派 Shakers 搖籃曲。慢節奏的搖籃曲旋律 表現和體現了Shakers對童趣單純的渴望。 歌 曲以溫暖而豐富的旋律開始，然後長笛和雙簧 管等木管樂器的加入使 平衡。
首曲子與單簧管保持
for childlike simplicity. The song begins in a warm and rich melody, then woodwinds like the flute and the oboe join to make the piece in an equal balance with the clarinets.
(1895-1962) Eduard Toldrà 愛德華·托德拉
String Orchestra Vistas al mar I. Allegro con brio 第一樂章: 充滿活力的快板
愛德華·托德拉是西班
加泰羅尼亞的指揮家、
Eduard Toldrà was a Spanish Catalan conductor, composer
作曲家和小提琴家。他是 20 世紀中葉加泰羅尼
and violinist who founded the Barcelona Symphony
亞音樂的前沿人物，並創立了巴塞羅那交響樂
Orchestra and was a forefront figure in Catalan music of the mid-20th century. He is considered to be one of the greatest
團。他被譽為是 1920 年代加泰羅尼亞音樂復興 最偉大的開拓者之一。
architects of the Catalan musical renaissance of the 1920s. As a famous Spanish composition for string quartet, Vistas
Vistas al mar 原是西班
al mar was later adapted for string orchestra. Inspired
品，後來被改編予弦樂團演奏。受瓊·馬拉加爾
by poems by Joan Maragall, the piece represents the
(Joan Maragall) 的詩歌啟發， 首樂曲代表了
culmination of the Noucentisme movement. It consists of three movements, with the first movement being titled “La ginesta” (meaning “broom flower”). It portrays the view of the Mediterranean Sea from the coast of Spain with melodies from traditional Catalan music. The poem inspiring the movement describes the poet climbing a hill to meet his unusual lover, the broom tree with its yellow flowers, which is considered a nationalistic symbol by Catalan nationalists.
著名的弦樂四重奏作
新百年主義運動的高潮。它由三個樂章組成，當 中第一樂章被名為La ginesta altre vegada（意 為 掃帚花 ）。第一樂章以傳統加泰羅尼亞音樂 的旋律描繪了西班
海岸地中海的景色。 發
此樂章的詩歌描述詩人攀上小山丘去見他獨特
的情人--長出黃色花
的掃帚樹。掃帚樹亦象
徵著加泰羅尼亞的民族主義。
18
PROGRAMME NOTES String Orchestra Serenade for Strings Op. 6 弦樂小夜曲 I. Andante con moto 第一樂章: 有動感的行板
(1874-1935) Josef SUK 約瑟夫·蘇克
Josef Suk was a Czech composer and violinist
約瑟夫·蘇克是一位著名的捷克作曲家和小提
studied under Antonio Dvorak, who was also later
琴演奏家，師從其岳父安東尼·德沃布克，而兩
the father-in-law of Suk. Both of their works were
人的作品亦受約
尼斯．勃拉姆斯支持。蘇克在
supported by Johannes Brahms. Suk composed
1892年創作了弦樂小夜曲，而當中的第一樂章
the Serenade for Strings, Op. 6 in 1892, where the
就是弦樂團將會為大家表演的樂曲。
first movement will be performed. Suk started the serenade by a slow movement, not an Allegro as one might expect. In the beginning of the movement, staccato quavers in third apart are employed along with the melody. To diversify the tone colour, Suk experiments the descending motif in various chord qualities. Followed by it is a second theme where violins and cello imitate each other along with triplets
與人們所預期的快板不同，樂曲以較慢的樂章 開始。跳音伴隨着優美的主旋律，打開了夜曲的 序幕。蘇克在開首下降的動機運用了不同的和 弦結構，令音色變得多樣化，小提琴和大提琴接 着互相模仿，並以三連音作伴奏，帶出之後小提 琴和中提琴獨奏。和聲經過數輪的連續變化後 令音色變得緊張並產生更多的張力，而後又放 鬆下來，最後平靜地以主和弦結束
首小夜曲。
as the accompaniment, bringing it to the solo passage between the violin and viola, which takes
作為浪漫主義戰爭中保守派的領軍人物之一，
material from the beginning descending motif.
勃拉姆斯相信
Finally, through successive changes of harmony to produce more tension and release, the movement ends peacefully in its tonic. As one of the leading figures of the conservatives in the War of Romantics, Brahms believed in absolute music where Dvorak and Suk were also influenced by the idea of purely expressing the
蘇克認同
對音樂，亦影響到德伏扎克和
對音樂純粹表達音樂的美感。在
種主張下，蘇克專注於音樂中的元素，尤其是和 聲和樂句，而不是音樂背後的故事。除了經常使 用半音和聲及調式互換外，整個樂章只有一個 音樂間斷，之後樂句便一直持續至結束。樂曲展 現了捷克音樂的特色，同時亦成為為一首經典 的弦樂曲目。
beauty of music. Under this ideology, Suk focused on the elements of music, especially harmony and phrasings instead of meanings behind the music. Apart from the frequent usage of chromatic harmony and modal interchange, there is only one music break throughout the whole movement, and the phrase continues till the end. The serenade gives a picture of Czech music, as well as a prominent work in the strings repertoire.
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STRING ORCHESTRA Serenade for Strings Op.6 First Violin
Second Violin 司徒康橋 # 劉偉堃 * 鄧皓朗 江健熙 楊懷堃 陸雋文 梁軒誠 蘇珉樅
5D DSE21 3A 3B 2A 2D 1D 1D
Viola
Cello
5B 5D 3C 1A
姚國韜 * 陸彥寯 何禹曦 鄭樂銘
5B 4A 3B 1A 1D
5C 5B 4C 4C 3A 2A 1C 1D
SZETO HONG KIU LIU WAI KWAN LEUNG HIN SHING SO MAN CHUNG LOK CHUN MAN YEUNG WAI KWAN TANG HO LONG KONG KIN HEI
YIU KWOK TO LOK YIN CHUN HO YU HEI CHANG LOK MING
TANG TSZ WING CHAN HIN YIN WONG CHIT MAN HO HO CHING NG TSZ HIN WONG YIN CHEUK HUI CHUN SHING SUZUKI RIN ALLAN
鄧子穎 * 陳衍然 黃㨗珉 何灝正 吳梓騫 黃彥焯 許晉成 鈴木麟
CHAN HOO HANG MICHAEL TSUI WANG SAN SUEN MING HANG DAVID WU LING TSZ KIT
陳灝亨 * 徐泓燊 孫銘恆 吳文俊 凌梓杰
Double Bass 5D 2B
LAW JING SEE TSE KAN LUNG
羅靖施 * 謝謹隆
Vistas al mar First Violin DSE21 5B 1C 1D 2A 3A 4C 4C
CHAN HIN YIN LIU WAI KWAN TANG HO LONG KONG KIN HEI YEUNG WAI KWAN LOK CHUN MAN LEUNG HIN SHING SO MAN CHUNG
Second Violin 陳衍然 # 劉偉堃 ^ 鄧皓朗 江健熙 楊懷堃 陸雋文 梁軒誠 蘇珉樅
Viola 5D 5B 3C 1A
SZETO HONG KIU TANG TSZ WING HUI CHUN SHING SUZUKI RIN ALLAN NG TSZ HIN WONG YIN CHEUK WONG CHIT MAN HO HO CHING
司徒康橋 * 鄧子穎 許晉成 鈴木麟 吳梓騫 黃彥焯 黃㨗珉 何灝正
CHAN HOO HANG MICHAEL KWAN LOK HIM TSUI WANG SAN SUEN MING HANG DAVID WU LING TSZ KIT
陳灝亨 * 關諾謙 徐泓燊 孫銘恆 吳文俊 凌梓杰
Cello LOK YIN CHUN YIU KWOK TO HO YU HEI CHANG LOK MING
陸彥寯 * 姚國韜 何禹曦 鄭樂銘
Double Bass 5D 2B
5C 5D 1D 1D 2A 2D 3A 3B
LAW JING SEE TSE KAN LUNG
羅靖施 * 謝謹隆
5B DSE21 4A 3B 1A 1D
# Concertmaster ^ Assistant Concermaster * Principal
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STRING QUARTET First Violin 4D
OR KING NANG
Viola 柯景能
Second Violin 3D
TSUI MAN CHING
4C
LAW CHAK KA
羅澤嘉
Cello 崔文政
4A
CHAN SZE LONG ETHAN 陳思朗
PERCUSSION ENSEMBLE Turkish March 3A 3B 2B 1A 1A
LAW Tin Yau HO Kye Him CHO Chi Kong Carlton CHAN Kin Lai LAM Pui Fung
Samba Batu 羅天佑 何佳謙 曹志剛 陳健禮 林沛鋒
Aeolian Quartet 5B 5D 4B 4D 3B 3D 3D 2A 2A 2B 1A 1B 1B 1D
LEUNG Chin Wang Ronan LAM Chak Pui SZE Ka Ming Marco ZHENG Andy LEUNG Man Yui CHEUNG Chun Him CHANG Kwan Yau YIP Lok Yin Issac YOUNG Shun Hei HUI Wai Keung Wiki CHENG Yu Ming LEE Pak Yu Colman WU Pak Lok LEE Chi Wang Matthias
4A 2B 2B 2D 2D 1C
YUNG Ho Long Marcus CHAN Sze Ho Ryan LAM Chak San Chiu Ting Ngai Jasper Chun Yuk Hei LOU Tze Him Arthur
容皓朗 陳思皓 林澤燊 趙庭毅 秦旭希 羅祉謙
London Bridge 梁展弘 林澤培 史家名 鄭以誠 梁文銳 張晉謙 張君佑 葉朗賢 楊錞熹 許偉強 鄭宇明 李柏譽 吳柏樂 李孜弘
6A 6A 6A 6A 6A 6A 6B 6B
LAU Siu Long NG Ping Hei SZETO Siu Chun TJONG Sung Fai TO Kwun Yu YEUNG Chi Hang SIU Kwan Yiu WONG Kin Hang
劉兆朗 吳秉晞 司徒兆晉 張崇徽 杜冠儒 楊智行 蕭鈞堯 王健行
A Taste of The Classics 3A 3A 3D 1A 1D
MAK Tai Sheuk TSOI Chun Yu Oscar NG Ching Fung LI Hin Lam HO Kyenor
麥題鑠 蔡振宇 伍正楓 李衍霖 何佳諾
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WIND BAND Bassoon 5B LEUNG CHIN WANG RONAN
Euphonioum 梁展弘 *
Clarinet 5D 2A 2B 2D 1A 1B
LAM CHAK PUI YOUNG SHUN HEI HUI WAI KEUNG WIKI CHUN YUK HEI CHENG YU MING LEE PAK YU COLMAN
Flute 林澤培 # 楊錞熹 許偉強 秦旭希 鄭宇明
4D 2B 2B 1B
李柏譽
3B HO KYEHIM
Horn 2A 2B
ZHENG ANDY LAM CHAK SAN CHO CHI KONG CARLTON WU PAK LOK
Oboe
鄭以誠 林澤燊 曹志剛 吳柏樂 何佳謙
Saxophone
YIP LONG YIN ISAAC CHAN SZE HO RYAN
葉朗賢 陳思皓
3A LAW TIN YAU 3A LEUNG MAN YUI 1D LEE CHI WANG MATTHIAS
Trombone
Trumpet
3D 2D 1A
5D 4A 4B 1A 1C
CHEUNG CHUN HIM 張晉謙 CHIU TING NGAI JASPER 趙庭毅 LAM PUI FUNG 林沛鋒
Percussion 3A 3A 3D 3D 1A 1C 1D
張君佑
3D CHEUNG KWAN YAU
MAK TAI SHEUK TSOI CHUN YU OSCAR CHANG KWAN YAU NG CHING FUNG LI HIN LAM HUNG JONATHAN HO KYENOR
LEUNG MAN CHUNG YUNG HO LONG NARCUS SZE KA MING MARCO CHAN KIN LAI LOU TZE HIM ARTHUR
麥題鑠 蔡振宇 張君佑 伍正楓 * 李衍霖 洪國通 何佳諾
羅天佑 * 梁文銳 * 李孜弘
梁文仲 容皓朗 史家名^ 陳健禮 羅祉謙
# Captain ^ Vice Captain * Section Leader
MELODICA ENSEMBLE 5B 5B 3D 2D 1C 1C 1D
YU HOI LEUNG RYAN ZHAO RYAN MINGHAO NGAN YU HANG LEE PAK HEI LOU ARTHUR TZE HIM TONG SHEE SHING HO KYENOR
余凱喨 # 趙明昊 ^ 顏宇恆 李栢熹 羅祉謙 唐書丞 何佳諾
# Captain ^ Vice Captain
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RECORDER ENSEMBLE A Million Dreams 5D 4C 4C 3B 3A
CHONG TSZ HIN GILBERT TONG KA HEI LO TSZ KING HO KYEHIM CUI YUNTAI
Canon
5D 5B 5B 4A 1C 1D
CHONG TSZ HIN GILBERT POON SHING CHAK CHAN CHING HEI HUI PAK WAI ALAN LAW MAN KIT LI SZE CHASI ISSAC
莊祉軒 # 唐家熙 盧子敬 何佳謙 崔允泰
莊祉軒 # 潘盛澤 陳正禧 許栢瑋 羅文杰 李思齊
# Captain
STAGE MANAGEMENT TEAM Head Stage Manager 5B
CHONG PING HONG ALEX
莊秉康
Deputy Head Stage Manager 5C
LEUNG HO CHUN
梁灝駿
Other Team Members 5A 5A 5A 5C 5C 5D 5D 4B
CHENG KA HEI LAM FUNG SO LOK HANG CHAN TSZ HO CHAN KA HEI CHIU SHEUNG WANG LEUNG CHIN CHEUNG LAI DIK HANG ANAKIN
鄭家希 林丰 蘇樂恒 陳祉昊 陳家熙 趙尚泓 梁展彰 黎廸衡
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MALE VOICE CHOIR 5A 5A 5B 5B 5C 5D 4B 4B 4C 4C 4C 4C 4C 4D 4D 4D 3A 3A 3B 3B 3B 3C 3D 3D 2B 2C 2D 2D 2D 1A 1B 1B 1B 1B 1C 1D 1D
CHENG KING SHING SETO CHUN NOK LIU WAI KWAN TSE WING IP MA TSZ KIN MAK HO PONG CHUNG KAI CHUNG LEE CHUNG HONG CHAN PAK TO HUGO CHAN PAK YU BJORN KWONG TSZ YU HAYSON POON MAN TO WONG YUK CHUN LAW PAK CHUN MA YEE CHUN ANDY SIU CHUN TING MAK TAI SHEUK LEE LOK MING CHAN CHUN HEI CHU CHING HO TSANG YAN LOK CHOW YIN SHING CHENG WAI HO TING AKONS WONG JIA JUN FUNG CHUN KIT LI MING FAI TANG HIN KUEN WONG KA HEI TONG MING TAK AU HIU FUNG LEE PAK YU WU PAK LOK YUEN YUET CHAI LAW MAN KIT CHAN RAY JADON MA CHEUK NGAI METTHEW
鄭經誠 司徒浚諾 劉偉堃# 謝永燁 馬梓健 麥顥邦^ 鍾啟聰* 李宗航 陳伯韜 陳柏瑜 鄺祉宇 潘文韜* 黃煜竣 羅栢浚* 馬依駿 蕭駿霆 麥題鑠 李洛銘 陳雋熙 朱政昊 曾恩樂* 周彥成 程煒皓 丁源杉 黃家俊 馮雋傑 李明輝 鄧顯權 王家熙 唐明德 區曉楓 李柏譽 吳柏樂 袁悅齊 羅文杰 陳睿 馬卓毅
# Captain ^ Vice Captain * Section Leader
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TREBLE CHOIR 1A 1A 1B 1B 1B 1C 1C 1C 1C 1C 1C 1C 1D 1D 1D 1D 3A 3C 3C 3D
CHAN SZE IN ZHANG HING WONG AU HIU FUNG CHIU NATHANIEL YU HIM WONG RERGUS CHEUNG YIU KAN WANG LAI ALVIN KWONG YU CHUNG LAM ETHAN FUNG-HEI LOU ARTHUR TZE HIM SIM CHING HEI TSE WING HONG KONG KIN HEI LAU LEWIS LI SZE CHAI ISAAC RAI NAMLAHANG KHIMBULE TSOI CHUN YU HO CHEUK FUNG ADRIAN YIN TSZ HO MATTHEW NGAN YU HANG
陳思弦 張慶煌 區曉楓 趙汝謙 黃正言 張堯 簡弘禮 鄺裕翀 林奉禧 羅祉謙 單禎晞 謝永康 江健熙 劉滶軒 李思齊 蔡振宇 何卓峰 嚴子浩 顏宇恆
HARMONICA ENSEMBLE 5B 5D 4A 4C 1B 1D 2C 3B 3D
ZHAO RYAN MINGHAO CHEUNG MAN YIN LAM HUNG KEI YIP CHEUK LAM YIP CHI CHEUK TONG SHEE SHING WONG PENG KIN LUO YUAN TAO CHAN YIN NOK
趙明昊 # 張汶彥 # 林鴻基 ^ 葉卓林 ^ 葉子卓 唐書丞 黃炳乾 羅元濤 陳彥諾
# Co-captain ^ Vice Captain
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ACKNOWLEDGEMENTS Ms. LEUNG Yvetta Ruth Ms. LING Yuen-ting Mr. WONG Kwok-keung Mr. YU Wai-keung Mr. LAU Yiu-man Mr. CHAN Ho-fung Mr. CHAN Man-chung, Ringo Miss. LEE Hai-ning Crystal Mr. LEE Sheung-ching Mr. TO Yu-kin Queen’s College Parents-Teachers’ Association Queen’s College Parents-Teachers’ Association Music Fund Committee Queen’s College Old Boys’ Association Queen’s College School Office Queen’s College Photography & Multimedia Production Club Queen’s College Stage Management Team
STUDENT ORGANIZING COMMITTEE 57th Music Society
Brochure Editorial Board
Stage Management
Student Advisor DSE20 YUEN Gei Lap Patrick DSE21 NG Ping Hei
Editor in Chief 5C SZETO Hong Kiu
Head Stage Manager 5B CHONG Ping Hong Alex
Chairman 5C SZETO Hong Kiu Vice-Chairman 5D LAM Chak Pui 5D LAW Jing See 5D TANG Tsz Wing . Senior Committee 5B CHAN Hoo Hang 5B LIU Wai Kwan 5B YIU Kwok To 5D MAK Ho Pong . Committee 4A TSUI Wang San 4B SZE Ka Ming Marco 4C CHAN Pak To Hugo 4C LEUNG Hin Shing 4C SO Man Chung 3B LEUNG Man Yui 3C HO Cheuk Fung Adrian
Typesetter 5D LAW Jing See Designer 5B YIU Kwok To Editor 3A LAW Tin Yau 3B LEUNG Man Yui 3D NG Ching Fung 3D TSUI Man Ching 4A CHAN Sze Long Ethan 4B SZE Ka Ming Marco 4C CHAN Pak To Hugo 4C LAW Chak Ka 4C LEUNG Hin Shing 4D OR King Nang 5B CHAN Hoo Hang Michael 5B LIU Wai Kwan 5B YU Hoi Leung Ryan 5B ZHAO Ryan Ming Hao 5D CHEUNG Man Yin 5D CHONG Tsz Hin Gilbert 5D LAM Chak Pui 5D MAK Ho Pong DSE21 LAU Siu Long
Deputy Head Stage Manager 5C LEUNG Ho Chun Master of Ceremony 4B SZE Ka Ming Marco 3B LEUNG Man Yui 3C HO Cheuk Fung Adrian
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SCHOOL SONG QUEEN’S COLLEGE SCHOOL SONG
LYRICS BY: WILLIAM KAY (1920) ARRANGED BY: ANTHONY LAU (1996)
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