CONNECTING FLIGHTS, COMMON SOUNDS
experience of artists and academics in sonic arts and built environment” and also activate “citizen expertise in local communities” (McCafferty, 2015), both of which are important for enriching approaches to sound space. Residencies can also enable this kind of co-productive sonic investigation and invention. Rather than being just opportunities for listening, or novel aural experience, they are chances to encourage collaborative sound-making and sound-thinking – where unexpected voices join in the dialogue – and to employ sonic tactics such as amplification, filtration, improvisation, and even distortion as social and acoustic means. Overall, they can contribute to a multifaceted and polyphonic understanding of rural and urban built environments, as a foundation for shaping the resonant future of our sonic commons. Bibliography Born, G. 2010 “Listening, Mediation, Event: Anthropological and Sociological Perspectives”, Journal of the Royal Musical Association, 135:S1, pp. 79-89. Claus, C. 2015, Urban Sound Design Process, Centre for Contemporary Art Ujazdowski Castle; Warsaw. Dell, C. 2016, Die Stadt als Offene Partitur, Lars Müller Publishers; Berlin. Flügge, E. 2014, “Sonic Thinking: How Sound Art Practices Teach us Critical Listening to Space.” Proceedings: Invisible Places, Sounding Cities, July 18-20, 2015; Viseu. LaBelle, B. 2015, “Lecture on Shared Space” Room Tone, Errant Bodies Press; Berlin, pp. 93-105. McCafferty, C. 2015 “Sound Art and Public Engagement in the Built Environment: Reflections from an Architecture Center”, Journal of Sonic Studies, 11 [last accessed
211
Oct. 30, 2016]. [O+A] Odland, B. & Auinger, S. 2009, “Reflections on the Sonic Commons”, Leonardo Music Journal, vol. 19, pp. 63-68. Ouzounian, G. 2013 “Recomposing the City: A Survey of Recent Sound Art in Belfast.” Leonardo Music Journal vol. 23 pp. 47–54. Ouzounian, G. and Lappin, S.A., 2014. Soundspace: A Manifesto. Architecture and Culture, 2(3), pp.305-316. Ouzounian, G, & Lappin, S.A., 2015 “Editorial: Recomposing the City: New Directions in Urban Sound Art”, Journal of Sonic Studies, volume 1, no. 11 [last accessed Oct. 30, 2016]. Thibaud, JP. 2011 “A sonic paradigm of urban ambiances.” Journal of Sonic Studies. Volume 1, no. 1 [last accessed Oct. 30, 2016].