John Hawke, M.S., History of Art/ M.F.A., ’03, exhibited an urban intervention project in a group show in Milan and participated in The Steam Shop Project, a public residency in the ruins of a gunpowder factory in Oeiras, Portugal. Hawke also was invited to work with Pace Editions in New York, where he produced monotypes for display in their January monoprints show. He was a participant in the studio program of the Whitney Museum Independent Study Program and his work was featured in the “ISP” exhibition at Artist’s Space in May.
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Leon A. Reid, IV, Painting, ’03, served as a reBlogger for Eyebeam last spring and was a participant in Eyebeam’s exhibition and event series, “Open City.” In 2004 Reid received his M.F.A. from Central Saint Martins School of Art and Design in London. His street art is seen in the U.S. and England, and his work has been exhibited in New York, Ohio, Massachusetts, Germany, and England.
Kiersten Essenpreis, Illustration/ Communications Design, ’04, works as a freelance illustrator in Brooklyn. Her work has been published in The New York Times, Nylon, GQ, and Wired. Essenpreis’s dreamlike paintings were exhibited in a twoperson show at Cinders Gallery in Brooklyn in May and June. Miranda Hellman, Painting, ’04, and Jawaher Al-Bader, M.F.A., ’06, exhibited their work in a oneday, out-of-doors art show, called
Courtesy of the artist
Daniel B. Ryan, Illustration, ’02, and Matthew C. Bland, Construction Management, ’05, shaved their heads this March in support of a special fund-raising event for the Chicago-based St. Baldrick’s Foundation, whose mission is to raise awareness of children’s cancer and to procure funds for research and fellowships that may lead to a cure. The foundation has raised over $20 million since the inception of the event.
Bill Beirne, B.F.A., Art Education, ’68, is best known for his video installations that sought to turn the immediacy of street performances into art through video surveillance and sculptural means. “One of the most important concepts I learned as a student at Pratt,” says Beirne, “was a respect for materials. The body—its interactions, capabilities, and limitations—is the material in which I work.” Over the years Beirne has used himself—standing, walking, breathing, gesturing, and just “being”—as a kind of human cipher, cursor, placeholder, measuring device, reenactor, and public sculpture in a variety of pieces. “What most interests me,” he adds, “is the placement of the body or the body as an object in social spaces.” Since 2005 Beirne has been a visiting assistant professor in Pratt’s department of video and film. Beirne’s pioneering work in the era of experimental performance, which began in the ’70s and ’80s, continues in his recent outdoor public performance “The Parachutist: A Non-Combatant Aesthete,” in which Beirne, carrying a parachute, maps, and a compass while dressed in an orange jumpsuit, walks for 60 kilometers through the French countryside to reach high ground in order to observe attempts to find him. Inspired by the Human Rights Watch project “Ghost Prisoners,” the work was performed with the Russian artist and poet Yuri Leidermen in the Rhone Alps for Art Trois in Valence, France, in 2005. In spring 2007 Beirne participated in “Emergency Room,” an exhibition at the P.S.1 Contemporary Art Center, where his contributions since the ’70s, both as a studio artist and as an educator, have helped to disseminate the ideas of conceptual performance across generations. Beirne has had solo exhibitions at such venues as The Whitney Museum of American Art, The International Center of Photography, The Sculpture Center, and The New Museum in New York. His work also has been shown at the List Visual Arts Center at MIT and the TV Gallery in Moscow. “Miranda Hellman and guests,” in Brooklyn last May.
Athenaeum, and it has been mentioned in a number of magazines.
James E. Huffman, M.S., Information and Library Science, ’04, was appointed correctional services librarian for The New York Public Library. In this capacity, he will perform library services for inmates in the New York State and city prison systems, including Rikers Island. Huffman has worked for the New York Public Library for more than 20 years.
Siobhan L. Ryan, M.S., Library and Information Science/Media Specialist, ’05, was selected for the 2007 Emerging Leaders Program by the American Library Association. While completing her degree, she interned at the Bayard Rustin Educational Complex and the Bank Street College of Education. Ryan is currently completing her Island Institute Library Fellowship at the Frenchboro Libraries on Swan’s Island in Maine.
Emilian Dan Cartis, M.I.D., ’05, was interviewed for the Romanian TV show Jobbing, which presents driven and successful professionals in a variety of fields. The interview was aired on the channel TVR2 in February. Cartis’s Cinto Stacking Chair, designed with Humanscale Design Studio, received the Good Design Award 2006 at the Chicago
Laurence Seidenberg, M.S., Library and Information Science, ’05, a reference librarian at Syracuse University School of Law’s H. Douglas Barclay Law Library, recently published two book reviews: one of Josef Drexl and Annette Kur’s Intellectual
Property and Private International Law: Heading for the Future, in the International Review of Industrial Property and Copyright (IIC) v. 24 (Hart Publishing, 2005) and one of Marc Galanter’s Lowering the Bar: Lawyer Jokes and Legal Culture, in “Keeping Up with New Legal Titles,” Law Library Journal 99, no.1, Spring 2007. Lani Bouwer, Photography, ’06, and Norah Mays, Photography, ’06, curated and participated in “Observations and Illuminations,” a photography, sculpture, and painting exhibition at Pochron Studios in Brooklyn in May. Also participating were April Renae Henry, Photography, ’06, Gillian Wilson, Film, ’06, Jaclyn Broadbent, Art and Design, ‘07, Jessie Lied, Painting, ‘05, Monica Wu, Photography, ‘07, M. C. Nicholas Roudane, Sculpture, ’06, Orrie A. 53