2 minute read

REFERENCE

Next Article
08 CONCLUSION

08 CONCLUSION

[1] Diana Boer. 2009. Music Makes the People Come Together: Social Functions of Music Listening for Young People Across Cultures. (2009). Retrieved December 21, 2022 from http://researcharchive.vuw.ac.nz/ handle/10063/1155

[2] Diana Boer, Ronald Fischer, Micha Strack, Michael H. Bond, Eva Lo, and Jason Lam. 2011. How Shared Preferences in Music Create Bonds Between People: Values as the Missing Link. Pers Soc Psychol Bull 37, 9 (September 2011), 1159–1171. DOI:https://doi. org/10.1177/0146167211407521

Advertisement

[3] Jack Clopeck. 2017. Music Consumption: Millennials and Gen Z Disrupt the Industry. Fluent, Inc. Retrieved December 27, 2022 from https://www.fluentco.com/blog/ disrupting-music-consumption/

[4] Niels Chr. Hansen, John Melvin G. Treider, Dana Swarbrick, Joshua S. Bamford, Johanna Wilson, and Jonna Katariina Vuoskoski. 2021. A CrowdSourced Database of Coronamusic: Documenting Online Making and Sharing of Music During the COVID-19 Pandemic. Frontiers in Psychology 12, (2021). Retrieved December 21, 2022 from https:// www.frontiersin.org/articles/10.3389/ fpsyg.2021.684083

[5] Max Hilsdorf. 2020. How social features on music streaming services can finally succeed. Medium. Retrieved December 26, 2022 from https://uxdesign.cc/howcommunity-features-on-music-streamingservices-can-finally-succeed-66a4c2fcd0c2

[6] Morris B. Holbrook and Elizabeth C. Hirschman. 1982. The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun. Journal of Consumer Research 9, 2 (1982), 132–140. Retrieved December 27, 2022 from https://www.jstor. org/stable/2489122

[7] Paolo Magaudda. 2011. When Materiality

‘Bites Back’: Digital Music Consumption Practices in the Age of Dematerialization. Journal of Consumer Culture - J CONSUM CULT 11, (March 2011), 15–36. DOI:https:// doi.org/10.1177/1469540510390499

[8] Gustave Florentin Nkoulou Mvondo, Fengjie Jing, and Khalid Hussain. 2023. What’s in the box? Investigating the benefits and risks of the blind box selling strategy. Journal of Retailing and Consumer Services 71, (March 2023), 103189. DOI:https://doi. org/10.1016/j.jretconser.2022.103189

[9] Nora Nägele, Benjamin von Walter, Philipp Scharfenberger, and Daniel Wentzel. 2020. “Touching” services: tangible objects create an emotional connection to services even before their first use. Bus Res 13, 2 (July 2020), 741–766. DOI:https://doi. org/10.1007/s40685-020-00114-0

[10] Lauri Nummenmaa, Vesa Putkinen, and Mikko Sams. 2021. Social pleasures of music. Current Opinion in Behavioral Sciences 39, (June 2021), 196–202. DOI:https://doi.org/10.1016/ j.cobeha.2021.03.026

[11] piano. 2022. Music Streaming Statistics in 2023 (US & Global Data). Musical Pursuits. Retrieved January 2, 2023 from https://musicalpursuits.com/musicstreaming/ ch025. Retrieved December 27, 2022 from https://www.igi-global.com/gateway/chapter/ www.igi-global.com/gateway/chapter/50355

[12] Jörgen Skågeby and Jörgen Skågeby.

1AD. Online Ethnographic Methods: Towards a Qualitative Understanding of Virtual Community Practices. https:// services.igi-global.com/resolvedoi/resolve. aspx?doi=10.4018/978-1-60960-040-2.

[13] Rob Strati. 2018. Empathy in user research: setting aside your own point of view. Medium. Retrieved December 24, 2022 from https://uxdesign.cc/empathy-inuser-research-setting-aside-your-point-of- view-fea438051b0e

[14] Maria Ek Styvén. 2010. The need to touch: Exploring the link between music involvement and tangibility preference. Journal of Business Research 63, 9 (September 2010), 1088–1094. DOI:https:// doi.org/10.1016/j.jbusres.2008.11.010

[15] Naomi Ziv and Revital HollanderShabtai. 2022. Music and COVID-19: Changes in uses and emotional reaction to music under stay-at-home restrictions. Psychology of Music 50, 2 (March 2022), 475–491. DOI:https://doi. org/10.1177/03057356211003326

[16] Qin Yali. 2021. Research on Socialization of Mobile Music Platforms. Master. Chengdu University of Technology. DOI:https://doi.org/10.26986/d.cnki. gcdlc.2021.000736

[17] 2011. Personas: The Foundation of a Great User Experience. UX Magazine. Retrieved December 27, 2022 from https://uxmag.com/articles/personas-thefoundation-of-a-great-user-experience

[18] 2022. 7 Spotify Statistics that can help your business [2022]. Rock Content. Retrieved December 26, 2022 from https:// rockcontent.com/blog/spotify-statistics/

[19] 2022. Thematic analysis. Wikipedia. Retrieved December 28, 2022 from https://en.wikipedia. org/w/index.php?title=Thematic_ analysis&oldid=1127802005

[20] China: market size of online music social and entertainment 2025. Statista. Retrieved December 22, 2022 from https:// www.statista.com/statistics/1291057/chinamarket-size-of-online-music-social-andentertainment/

[21] The Evolution of Analogue and Digital Music. International Business. Retrieved January 11, 2023 from https://bbs.binus. ac.id/international-business/2020/06/theevolution-of-analogue-and-digital-music/

[22] Why is vinyl making a comeback?

- Reader’s Digest. Retrieved December 25, 2022 from https://www.readersdigest. co.uk/culture/music/why-is-vinyl-making-acomeback

[23] Evoking meaning: From tangible objects to digital experience - ProQuest. Retrieved December 25, 2022 from https:// www.proquest.com/openview/ee908c 5d499a8e3fecd40e7c6188c9f8/1?pqorigsite=gscholar&cbl=18750

[24] NetEase Cloud Music: The Undying Social Dream|Songlist_ NetEase Subscription Retrieved January 2, 2023 from https://www.163.com/dy/article/ HBUL1VLN0517CTDU.html

[25] ScholarWorks: MuScale: Designing for Tangible Interaction with Weight in Digital Music Experience. Retrieved January 5, 2023 from https://scholarworks.unist.ac.kr/ handle/201301/31790

[26] Physical Interaction in a Dematerialized World. International Journal of Dsign. Retrieved January 6, 2023 from http://www. ijdesign.org/index.php/IJDesign/article/ view/1124

[27] Gender Differences in Preference for Product Design - Term Paper. Retrieved December 28, 2022 from https://www. termpaperwarehouse.com/essay-on/ Gender-Differences-in-Preference-forProduct-Design/111733

This article is from: