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Thomas Bender, “Metropolitan Life and the Making of Public Culture,” in Power, Culture, and Place: Essays on New York City, ed. John Mollenkopf, (New York: Russell Sage, 1988), pp. 262–264. Cited in Sarah Watts, “Built Language of Class,” in Moudry, ed., The American Skyscraper, p. 195. Jean Starobinski, Jean-Jacques Rousseau: Transparency and Obstruction (Chicago: University of Chicago Press, 1971). Le Corbusier, Towards a New Architecture (1923; Mineola, N.Y.: Dover, 1986), p. 8. Michel Foucault, Discipline and Punish: The Birth of the Prison, trans. Alan Sheridan (Paris: Gallimard, 1975). Robert Bruegmann, Sprawl: A Compact History (Chicago: University of Chicago Press, 2005). Schleier, “The Skyscraper …,” p. 235. Ibid., p. 240. Robert Venturi, Denise Scott Brown, Steven Izenour, Learning from Las Vegas: The Forgotten Symbolism of Architectural Form (Cambridge, Mass.: MIT Press, 1972/1977), p. 87. Ibid., p. 104. Ken Yeang, Reinventing the Skyscraper: A Vertical Theory of Urban Design (Chichester: Wiley Academy, 2002), pp. 1–2. Henri Bergson, Creative Evolution (1911; New York: Dover, 1998), p. 202. The best scholarship on the relationship between ambitious mathematics and modern art is produced by Linda Dalrymple Henderson, whose books include The Fourth Dimension and Non-Euclidean Geometry in Modern Art (Princeton, N.J.: Princeton University Press, 1983) and Duchamp in Context: Science and Technology in the Large Glass and Related Works (Princeton, N.J.: Princeton University Press, 1998). Clement Greenberg, “Abstract, Representational, and So Forth,” Ryerson Lecture, School of Fine Arts, Yale University, May 12, 1954. Reprinted in Art and Culture (Boston: Beacon Press, 1961), p. 136. Gotthold Ephraim Lessing, Laocoön: An Essay on the Limits of Poetry and Painting (1766; New York: Farrar, Straus and Giroux, 1969), p. 91. Special thanks to Tom Mitchell for working through this text with me in graduate school. It is a lesson I have never forgotten. Rosalind Krauss, “Grids,” in The Originality of the Avant-Garde and Other Modernist Myths (Cambridge, Mass.: MIT Press, 1999), p. 9.
NOTES TO PAGES 211–222