INTRODUCTION Hi, all - I am the credited co-producer of JOHN CARPENTERS THE THING and was centrally involved in all aspects of its development, production, post-production, and release. I got the ball rolling by taking the idea of making WHO GOES THERE, which I first read at age 12 and have loved ever since, to producer David Foster in 1976. Schoolmates at U.S.C. Cinema, it was always my goal to have John make this movie. In 1980, with events reaching critical mass, I finally got my wish - and judging from the result, you were granted yours... What follows are detailed essays on the re-structuring of the film as well as the ending(s) controversy and hostile reaction when THE THING, much like the creature it portrays, crash - landed in the frigid environment of 1982. I went down the rabbit hole with John during this time, and the experience was painful and long lasting... I am stunned by the depth and extent of the turnaround in critical and popular opinion this film has achieved, and in the amount of thoughtful scholarship available online (Outpost 31’s deleted scenes section, for instance). It’s been a long time since John and I discussed making a “thinking man’s” monster movie and THE THING’s rise from the ashes and the quality of the debate it has inspired is extremely gratifying. I’ve mostly held my own counsel over these past years, not writing or talking much about my involvement in the film but I think the time has come to share what I know - there are stories to be told, particularly in terms of the central drama always present during the films’ production, and after - the conflict between ambiguity and clarity. How John came to terms with this dynamic, which played out again and again on multiple levels both on and off camera is the Rosetta Stone of THE THINGS enduring power and integrity, and will be the overall focus of this book...
Right to left: JOHN CARPENTER, STUART COHEN, Production Manager ROBERT BROWN, Associate Producer LARRY FRANCO. The Juneau Ice Field. Location Scout April, 1981
A PRODUCERS GUIDE TO THE EVOLUTION AND PRODUCTION OF THE THING
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