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HRH PRINCESS GALYANI VADHANA FUND'S RECIPIENT PERFORMANCE BEETHOVEN PIANO TRIO CYCLE

Part 2

PRESENTED BY THAI AIRWAYS

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Saturday 3 June 2023, 16:00 hr

Length: Two hours with intermission

Programme

Ludwig van Beethoven: Piano Trio in C minor, op. 1, no. 3

I. Allegro con brio

II. Andante cantabile, con variazioni

III. Menuetto: Quasi allegro

IV. Prestissimo

Ludwig van Beethoven: Piano Trio in G major, op. 1, no. 2

I. Allegro

II. Largo

III. Presto

Intermission

Ludwig van Beethoven: Piano Trio in B flat major, op. 97 "Archduke"

I. Poco sostenuto - Allegro, ma non troppo

II. Allegretto

III. Allegretto ma non troppo

IV. Finale. Allegro

Artists

Linos Piano Trio

Konrad Elias-Trostmann, Violin

Vladimir Waltham, Cello

Prach Boondiskulchok1, Piano

1 = Scholarship Recipients of Her Royal Highness

Princess Galyani Vadhana

Beethoven Piano Trio Cycle Part 2

In the final part of the Beethoven Piano Trio Cycle, we are treated to a triumphant culmination of Beethoven's mastery and innovation in the genre. The program begins with the powerful Piano Trio in C Minor, Op. 1, No. 3, composed in 1795, followed by the enchanting Piano Trio in G Major, Op. 1, No. 2, composed between 1792 and 1794. The majestic Piano Trio in B-flat Major, Op. 97, known as the "Archduke" Trio will conclude the cycle.

Ludwig van Beethoven's Piano Trio in C minor, Op. 1, No. 3, introduced the composer to the musical public and showcased his craftsmanship in 1795. While adhering to the Classical mold inherited from Haydn and Mozart, Beethoven added his distinct touch by expanding the emotional range, introducing a scherzo or minuet, and emancipating the cello. The third trio stands out as the most advanced, featuring a dramatic opening, a theme and variations movement, an unconventional minuet, and a passionate finale. Through these trios, Beethoven strategically established his presence, attracting patrons and demonstrating his unique artistic voice that would revolutionize classical music.

The Piano Trio in G Major, Op. 1, No. 2, composed between 1792 and 1794, exhibits Beethoven's exploration of the piano trio form during his early Viennese years. Often referred to as the "Gassenhauer" Trio, it is characterized by its catchy melodies and lively character. The opening movement introduces a cheerful and memorable theme that is skillfully passed between the instruments, showcasing Beethoven's adeptness at interplay and virtuosity. The second movement, a heartfelt Largo, allows for introspection and showcases the composer's ability to convey profound emotion. The unexpected Rondo finale, filled with variations on a popular theme from Joseph Weigl's opera "L'amor marinaro," brings the trio to a joyous and spirited conclusion. The Piano Trio in G Major exemplifies Beethoven's gift for blending brilliance and beauty in his compositions.

At the pinnacle of Beethoven's piano trio output stands the magnificent Piano Trio in B-flat Major, Op. 97, known as the "Archduke" Trio. Composed in 1811, this monumental work represents Beethoven's mature and expansive style. Dedicated to his patron and friend, Archduke Rudolph of Austria, the trio unfolds with a sense of grandeur and profundity. The first movement presents a majestic and noble theme, leading to a richly developed musical landscape. The second movement showcases a tender and intimate dialogue between the instruments, demonstrating Beethoven's ability to convey deep emotional depth. A spirited and exuberant Scherzo follows, filled with rhythmic vitality and lively interplay. The trio culminates in a radiant and triumphant Finale, brimming with energy and joy. With its sublime melodies and intricate counterpoint, the "Archduke" Trio stands as one of the pinnacles of the piano trio repertoire, solidifying Beethoven's legacy as a trailblazer in classical music.

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