PETER VAN ZANDT LANE
BEACONS
BEACONS COMMISSIONED BY DINOSAUR ANNEX MUSIC ENSEMBLE
PETER VAN ZANDT LANE I. DAYBEACON II. RELAYS III. LIGHTS APPROXIMATE DURATION: 10:30” !
!
!
2 FLUTES • 2 CLARINETS • PERCUSSION • PIANO (4 HANDS) • VIOLA • VIOLONCELLO
PERFORMANCE NOTES: • Accidentals carry through the measure. In highly chromatic passages, courtesy accidentals have been provided. • All grace notes occur before the beat, unless otherwise indicated. • All trills occur at the raised semitone, unless otherwise indicated. • Movement III should begin as a continuation of movement II. • Percussion List: Sand blocks, bongos (2), Tam-tam, 2 steel-string acoustic guitars (amplification up to discretion of performers) Prepared Guitar specifications: Tunings: ! Guitar 1: Db, Bb, C, F, Ab, Eb ! Guitar 2: Bb, Ab, Eb, Ab, Bb, F ! !
For movement 1, affix guitars with metal pins or straightened paper clips in between strings, on the fretboard. The resulting sound should be a sustained, pitchless buzz. !
Remove pins before movement III.
BEACONS
SCORE IN C
Commissioned by Dinosaur Annex Music Ensemble
Peter Van Zandt Lane
I. Daybeacon
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! % .
sul pont.
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grace notes on the beat through section D. play grace notes rapidly, and let chord ring.
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119 q = 92
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II. Relays
23
1 1 1 1 1 1 $1 1 $1 1 1 1 124 $ 1 1 $ (1 (1 /(1 (1 (1 (1 (1 (1 /(1 (1 (1 (1 (1 (1 ( ( 1( (1 ( ( 5 (1 (1 ( ( 1( (1 ( ( ! ! ( ( /(1 (1 ( ( ( ( $(1 (1 3 3 3 3 3 3 3 3 + 3 3 3 3 3 3 3 3 3 + Fl. 1 " !+ ! q = 100 Agile, with energy
f
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fff
simile
1 1 1 1 1 1 $(1 (1 $1 1 1 1 $1 1 $ ( ( $1 1 (1 (1 /(1 (1 (1 (1 (1 (1 /(1 (1 (1 (1 (1 (1 ( ( 1 (1 ( ( 5 (1 (1 ( ( 1 (1 ( ( ! ! ( ( 3 /(1 (1 3 ( ( ( ( 3 3 3 3 3 3 + 3 3 3 3 3 3 3 3 3 + Cl. 1 " !+ ! f
Cl. 2
Perc.
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simile
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* *
(
(
p
(
)(
)(
#
) (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 ((1 ((1 ) (1 (1 ((1 ((1 ((1 ((1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 ) (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 ( ( ( ( ( ( ( ( ( ( )( ( ( ( ( ( ( ( ( ( ( ( + "
#
pp
"
#
#
#
"
#
#
#
#
&
#
#
#
#
#
#
#
+
&
#
#
+
"
(
p
#
! Vla. ' Vc.
pp
) (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 ) (1 (1 (1 (1 (1 (1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 (((((((((( ((((((3 "
! "
#
(*
pizz.
pp
((
(
#
( (*
(*
((
(
( (*
(*
(
mp
)0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( )0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( mp
37
! Fl. 1 "
#
#
""
#
#
181
Fl. 2
Cl. 1
Cl. 2
Perc.
Pno. (p)
Pno. (s)
! " )( ""
mp
-
)(
mp
(
#
"
#
#
#
&
(
(
pp
(
( #
( (* pp
*
(
(
mp
3
(1 (1
(1 (1 (1 (1 (1 (1 (1 (1 )(1 (1 )(1 (1 3 (1 (1
3 (1 (1
(1 (1 (1 (1 )(1 (1 (1 (1 (1 (1 (1 (1 )(1 (1
3
#
#
#
#
#
#
#
#
p
#
(
)(1 (1
+
-*
"
( 2
3
(1 (1 (1 (1 (1 (1 (1 (1 )(1 (1 )(1 (1 3 (1 (1
p
#
" 3
mp
3
-*
#
#
"
)(
%
! Vla. '
Vc.
-
)(
)(1 (1
(
(
(
( mp
(
(
%' )( )( ( ( ( ( ( ( ( ( ( ( ( ( ( ( )( )( ( ( ( ( ( ( ( ( ( ( ( ( ( ( p
(
(
(
(
(
(
( pp
#
#
*
*
#
(
ppp
(
ppp
(
(
(
# ( ( ( )( - * arco.
#
mp
& )0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( )0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( )0( 0( 0( 0( 0( 0( 3 pp
+
,( ( ( ) ( - * mp
+
(
(
(
38 185 )(1 (1 ! (1 (1 3 3 Fl. 1 "
Fl. 2
"
)(1 (1 (1 (1 3 "
(1 (1 (1 (1 (1 (1 (1 (1 )(1 (1 (1 (1 3
(1 (1
(1 (1 3
(1 (1 (1 (1 (1 (1 (1 (1 )(1 (1 (1 (1 3
3
(1 (1 3
(1 (1 3
1 1 (1 (1 ) ( (
1 1 (1 (1 (1 (1 )(1 (1 (1 (1 (1 (1 (1 (1 (1 (1 )( ( 3
(1 (1 3
(1 (1
3
1 1 (1 (1 ) ( ( 3
1 1 )(1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 )( ( 3
(1 (1
! "
#
#
#
#
Cl. 2
""
#
#
#
#
Perc.
%
#
#
#
#
"
#
"
#
Cl. 1
Pno. (p)
Pno. (s)
# #
"
(
(
(
(
(
&
! Vla. ' +
Vc.
(
"
& 3
(
(
( p
%' )( )( ( ( ( ( ( ( ( ( ( ( ( ( ( ( )( )( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ppp
(
(
(
(
(
(
(
(
#
5
(* ( () ( mf
-
(
(
(
(
(
(
( #
6 ( ( ( ( )(
3
(
mf
p
# (3
ppp
+
*
+ #
3 )( ( )( ( )( ( ( (*
-*
mp
-
+
)( ()( ( )( ()( ( ( mp
$( (-
mf
(
(
(
(
(1 (1 )(1 (1
3
#
ppp
#
(1 (1 )(1 (1 , (1 (1
3
# (
(
(
(
(
ppp
(
(
(
(
(
(
(
( p
# $ )( ( )( $(1 4 ( /( f
( 2
3
3
+
3
(1 /$( 2 f
(
(
(
H
39
1 1 1 1 $1 1 $1 1 1 1 189 1 1 1 1 1 1 1 1 1 1 1 1 $1 1 $ (1 (1 /(1 (1 (1 (1 (1 (1 /(1 (1 (1 (1 1( (1 ( ( 1( (1 ( ( ! ( ( ( ( ( ( ( ( ( ( ( ( ( ( /(1 (1 ( ( ( ( $(1 (1 (1 (1 ( ( 3 3 3 3 3 3 3 3 3 3 + 3 3 3 3 3 3 3 + 3 3 + Fl. 1 " Fl. 2
""
, (1 (1 (1 (1
3
(1 (1
ff
simile
ff
simile
1 1 1 1 $1 1 $ 1 1 (1 (1 (1 (1 (1 (1 $(1 (1 /$(1 (1 ( ( (1 (1 (1 (1 /(1 (1 (1 (1 (1 (1 /(1 (1 (1 (1 $(1 (1 1 (1 ( ( 1 (1 ( ( (1 (1 ( ( ( ( 3 3 3 3 3 3 3 3 3 + 3 3 3 3 3 3 3 + 3 3 + 1 1 1 1 1 1 $(1 (1 $1 1 $(1 (1 $(1 (1 (1 (1 /(1 (1 (1 (1 (1 (1 /(1 (1 (1 (1 $(1 (1 1 (1 ( ( 1 (1 ( ( /( ( (1 (1 ( ( ( ( 3 3 3 3 3 3 3 3 + 3 3 3 3 3 3 3 + 3 3 +
! Cl. 1 "
#
Cl. 2
""
#
$ $ 1 1 1 1 3 3 (1 (1 3 /( ( 3 (1 (1 + (1 (1 3 /( ( 3 (1 (1 3 ( ( 3 (1 (1 3 3 ( ( 3 ( ( + ( ( 3 ( ( 3 + (1 (1 3 /( ( 3 (1 (1 3 (1 (1 3 (( 1 1 1 1 1 1 1 1 1 1 $ $1 1 $1 1 simile ff
Perc.
%
#
$(1 (1 $(1 (1 $(1 (1 $(1 (1 $1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 ( ( 3 ( ( 3 ( ( 3 ( ( 3 (( (( 3 3 (( (( 3 (( (( 3 (( (( + (( (( 3 (( (( 3 (( (( 3 (( (( 3 (( (( 3 3 (( (( 3 (( (( + (( (( 3 (( (( 3 +
"
#
"
#
Pno. (p)
#
#
pp
&
simile
1 1 1 1 $(1 (1 $1 1 $(1 (1 $(1 (1 1 (1 (1 (1 (1 (1 /(1 (1 (1 (1 (1 (1 /(1 (1 (1 (1 $(1 (1 1 (1 ( ( 1 (1 ( ( /( ( ( ( ( 3 3 3 3 3 3 3 3 + 3 3 3 3 3 3 3 + 3 3 +
ff
( ( ( ( ( ( ( ( * "
Pno. (s)
ff
simile
$ $ 1 1 1 1 (1 (1 3 /( ( 3 (1 (1 3 (1 (1 3 ( ( 3 3 (1 (1 3 /( ( 3 (1 (1 + (1 (1 3 /( ( 3 (1 (1 3 ( ( 3 (1 (1 3 3 ( ( 3 ( ( + ( ( 3 ( ( 3 + 1 1 1 1 1 1 1 1 1 1 $ $1 1 $1 1 ff ff
&
#
$(1 (1 $1 1 $(1 (1 (( / ( ( ( ( 3 /(1 (1 3 ( ( 3 ( ( 3 $
ff
#
simile
(1 (1 (1 (1 (1 (1 (1 (1 /( ( (1 (1 (1 (1 /( ( (1 (1 ( ( ( ( ( ( ( ( 3 3 ( ( 3 /( ( 3 ( ( + ( ( 3 /( ( 3 ( ( 3 3 3 3 3 (( + 3 ((3 + (1 (1 ( ( (1 (1 (1 (1 1 1 1 1 (1 (1 $ simile # # # #
1 1 1 1 $1 1 $1 1 1 1 $ 1 (1 ( ( (1 (1 /(1 (1 (1 (1 (1 (1 /(1 (1 (1 (1 1( (1 ( ( 1( (1 ( ( ! ,/-( /(1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 /$(1 (1 ( ( ( ( $(1 (1 ( 3 3 3 3 3 3 3 3 + 3 3 3 3 3 3 3 + 3 3 + Vla. ' ,( ( ( ( ( ( ( ( Vc.
"
& +
/ (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 (1 mp
ff
simile
1 1 1 1 (1 (1 3 /(1 (1 3 $(1 (1 3 (1 (1 3 ( ( 3 3 (1 (1 3 /(1 (1 3 (1 (1 + (1 (1 3 /(1 (1 3 (1 (1 3 ( ( 3 (1 (1 3 3 ( ( 3 ( ( + ( ( 3 ( ( 3 + 1 1 $ $ 1 1 1 1 fff $ $1 1 simile ff
40 195 (1 (1 ! (1 (1 + Fl. 1 "
*
#
#
#
#
*
#
#
#
#
*
#
#
#
#
(( "" (1 (1 1 1 +
*
#
#
#
#
1 1 (1 (1 % (( +
*
#
#
#
#
"
*
#
#
#
#
(( " (( 1 1 + 1 1
*
#
#
#
#
(1 (1 & (1 (1 ( ( + ((
*
#
#
#
#
#
#
#
#
( ( ( ( ( ( ( (
( ( ( ( ( ( ( (
( ( ( ( ( ( ( (
fff
Fl. 2
""
(1 (1 (1 (1 +
fff
(1 (1 ! (1 (1 + Cl. 1 " fff
Cl. 2
fff
Perc.
Pno. (p)
Pno. (s)
#
#
&
(1 (1 (1 (1 +
fff
fff
fff
#
(1 (1 ! (1 (1 + Vla. ' fff
Vc.
"
*
slightly separated, shapeless and indifferent
( ( ( ( ( ( ( 3 2 sul tasto
ppp
p
& 3 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( p
41
! Fl. 1 "
#
#
""
#
! "
Cl. 2
Perc.
200
Fl. 2
Cl. 1
Pno. (p)
Pno. (s)
attacca
#
#
#
#
#
#
#
#
#
#
#
#
""
#
#
#
#
#
%
#
#
#
#
#
"
#
#
#
#
#
"
#
#
#
#
#
&
#
#
#
#
#
&
#
#
#
#
#
( ( ( ( ( ( ( (
( ( ( ( ( ( ( (
( ( ( ( ( ( ( (
#
#
#
# #
! ( Vla. ' Vc.
rit.
"
(
(
(
(
(
(
(
(
(
(
(
( ( ( (
& 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( 0( * ppp
rit.
III. Lights 42
! Fl. 1 " 205
Fl. 2
Tranquil q = 48
""
#
#
#
#
#
#
#
#
#
#
! Cl. 1 "
#
#
#
*
""
#
#
#
*
Cl. 2
(gtr cue)
Perc.
Pno. (p)
Pno. (s)
Vla.
Vc.
))--))-
)" ) -) -)-
#
%
"
B .
B .
+
+
*
+
B .
mp sempre l.v. Note: downstrokes (low-to-high) should begin slightly
))-
sul-pont and finish ord. to clarify the pitches. All strokes should be played as a medium/slow "strum".
))-
pp sempre l.v.
)" > + una corda, sempre ) -))--& )-
#
)( )( ) ((( )(
pp sempre l.v.
& )-
)-
*
+
*
+
*
+
*
+
)))--)-
)) *) --)-
[12th fret harm]
*
+
( )(
. .
)( (
. .
)( )(((
. . ..
)(
.
FE .
Cell A Note: Repeat figure as fast as possible throughout the given duration. Strict alignment not necessary; the figure should cycle and flow smoothly, like light shimmering underneath a placid surface. 3
@????????? )(1 (1 G (1 G (1 (1 (1 4 )( (1 G (1 (1 (1 pp
3
)(1 G (1 G (1 (1 (1 G (1 4 (1 (1 G (1 (1 G )))--))-
))) --)-
*
* * * *
B .
+
+
*
))-
))-
--
)-
*
))---
)))----
*
)-
)-
*
!'
#
#
#
#
&
#
#
#
#
"
B .
*
#
very sul pont, nearly on the bridge
& . p
gliss.
I
Whistle tone - cycle through the upper partials of the provided fundamental (the given pitch should not sound). Speed indications denote rate of alternations between partials.
! " 210
Fl. 1
Fl. 2
#
""
#
Perc.
Pno. (p)
Pno. (s)
Vla.
Vc.
+
""
#
% *
H
+
" *
+
#
& *
+
& *
+
! ' "
&
H
+
" *
)( ) (( ) (( )(
B . ((
gliss.
0(
pp
(slow)
(fast)
@
!
@
(slow)
(fast)
+ +
---
*
)))) --)-
B .
+
+
) --
). .
)( )(
-
))--
. ).
) (( )((
---
)))----
. ). .
)(
-
)-
). ).
* +
!
n
--
# -
( ()
Cell A
p
+
E ).
w.t.
#
n
"
(gtr cue)
#
p
! (- ) Cl. 1 " Cl. 2
E ).
w.t.
*
!
(slow)
(
+
*
#
+
*
#
ppp
@
(fast)
(
*
#
+
Cell A
H p
*
Tam-tam, bowed
0* E
#
2
+
+
*
+
mp
). .
+
). .
+
). . .
+ +
). ).
Note: bowed on bridge, ad lib gliss through harmonics: result should be primarily pitchless bow noise, with subtle harmonic coloration.
30
p
3
pppp
30
3
A
p
43
A
pppp
H )( ) (( ) (( )(
---
((
--
) (( )((
---
)(
-
B . )( )(
* -
+
*
#
+
*
#
44
! Fl. 1 " 215
Fl. 2
""
! Cl. 1 " Cl. 2
Pno. (p)
Pno. (s)
@E
p w.t. @
)E )-
* ( -*)
#
%
"
!
@E
!E
E@
!E
-
+ +
B .
) --
+
+ --
2 E
0
--
)" )-
-
-
)& ))---
--
--
& )-
))-
-
#
&3
p
"
-
E -
n
" )))--))-
! Vla. '
Vc.
! w.t. E
""
(gtr cue)
Perc.
*
&
&3
p
3 3
!
E (
-
-
+
#
#
+
#
#
ppp
@E
-
(
#
#
#
#
#
#
#
#
#
#
2
+
mp
*
* ) -- **
)-
( (
)--
((
)--
(( ))--- ** * (
))-
( (
A
+
+
pppp
)- * )-* 6 )(9
+
+
5
mfp
.. .
*
))-)--
. ..
*
))))----
. .. .
))-
. .
repeat cell, slurred, as fast as possible.
*
( )( ( ( ( (
ord., poco a poco sul pont.
) -9 *
)))---
*
ord. > sul pont.
mfp
pppp
A
)-- **
*
n (on the bridge)
(
ppp
+
sul pont.
-
mp
(Gradually tune down to Ab scordatura)
I -
)I -
pp
J
! "
#
#
#
#
#
""
#
#
#
#
#
! "
#
#
#
""
#
45
220
Fl. 1
Fl. 2
Cl. 1
Cl. 2
-* mp expressive, freely
)(
)( *
3
3
p an afterthought
3
(
( )(
( mf
( " )))((( )( )(
(gtr cue)
Perc.
Pno. (p)
Pno. (s)
Vla.
#
%
F .
)-- ** - * ) -- ** )- *
B .
*
F .
+
)). . . ) .. ).
B .
*
+
* )-- * )) -- *** ))- *
F .
3
)-
(
( 3
(
+
*
(
)( 2
pp
6 )(
(
p
+
+
)(( ( ) (( )(
B .
---
*
)-)) -))-
F .
#
#
#
#
#
"
#
#
#
#
#
&
#
#
#
#
#
&
#
#
#
#
#
! '
#
#
#
#
#
# "
& ,)-.
mp sempre
" ).
" ).
" ).
(*
mf
"
Note: Holding both ends of the bow with pressure, bow in a slow circular motion between s.p. and s.t., shifting between overtones/subtones.
Vc.
*
)-)) -))-
63 ( ( ( ( )( )( 5
" ).
+
46
! Fl. 1 " 225
Fl. 2
""
! Cl. 1 " Cl. 2
# *
(gtr cue)
"
---
Perc.
%
*
Pno. (s)
Vla.
Vc.
#
) 9(
+
3 3 3 3 3 (6 ( )( ( (6 (
p
Pno. (p)
* (
p
3
3
( )( (
(
)(
3
mp
+
( ( (
(/6
6
-
)( mf
ppp
p
(
3
+
*
p
#
#
#
#
n
-*
+
n
).. )) . . ). ).
F .
(
@-??????????????????????????????????????????????? ( +
p
4 )( (
p
mp
+
/ ( )( (
( pp
)(*
-*
5
))--) -)-
B .
( mp
(
)( *
(
p
3
p
/ "" ( ()( ( *
)(
@ timbral trill (alt. fing.) )-*
)( )--( )( )( )( ))( )6
+
+
+
+
B F . ?????????????????????????????? . (slow downstroke. connect to following upstroke)
+
#
"
#
#
#
#
"
#
#
#
#
&
#
#
#
&
#
#
#
! '
#
#
#
# "
&
" ).
" ).
).
) -pp
))-
)--)#
release with a gradual shift onto the bridge.
n
#
K ! Fl. 1 " 229
Fl. 2
Cl. 1
,)- ( ppp
47
+
""
*
+
#
+
! w.t. E
@
E @ )- *
!
)- *
p w.t.
Cell A ! " H
E . E . (( )
p
Cl. 2
)- * " ) -- *** ) -- ** )-
Perc.
Pno. (p)
#
%
"
B .
)-* -*
-* " )- * pp
#
& )- *
! Vla. ' *
( )( )) ((( )(
. . . . . .
)) ((
((
( )(
( (
))((((
((((
)(
(
B .
*
) -- ** * & )-- *
Pno. (s)
+
AA
p Vc.
"
& *
@
@
!
+
+
AA
p
+
&3 &3
+
-- ** --** -* ) -- ** )- * )- *
4 E
2 + + + +
3 3
!
E -
ppp
@
E -
*
#
*
#
*
#
#
+
*
#
#
2
+
n
"" H
(gtr cue)
!
mp
--**
)-- ** )-- ** -*
)- * )-*
pppp
+
+
*
) -- **
))-- ** ))--- *** )- * )-*
+
#
)) ((
. .
)( )(
. .
) (( )((
. .. .
)( )(
. .
ord. > sul pont.
6 )(9
mfp
5
( )( ( ( ( ( (on the bridge)
ord., poco a poco sul pont.
pppp
) .9
mfp
-
(
ppp
+
48
! Fl. 1 "
#
#
#
I #
""
#
#
#
I #
! "
#
#
#
I #
""
#
#
#
I #
234
Fl. 2
Cl. 1
Cl. 2
(gtr cue)
FE .
[12th fret harm]
Perc.
Pno. (p)
Pno. (s)
Vla.
Vc.
#
%
[12th fret harm]
+
pp
) ..
FE .
+
*
ppp
I BE .
[5th fret harm]
[7th fret harm]
+
#
mf
I #
#
#
#
#
I #
). . . ) . &
#
#
I #
& ).
#
#
I #
#
#
I #
#
#
I #
" "
#
! ' "
p
FE .
I . ))) .. ). . ).
)) --)-
))--))-
)) -" )-)--
&
). .
+
*
n
#