Performer Magazine: October/November 2017

Page 39

SPOTLIGHT when I do it feels like you’re only halfway there.’ “Guilty Party” places Berninger in the midst of a relationship fictionally falling apart at the seams while the title track teeters between hopelessness and the acceptance of it: ‘We leave our saviors wrapped around the necks of new machines/Or at the ends of threads that hold their bodies to the ground/And then the men who look a little like they feel like me/Offered them some bottled water then cut them down.’ The band has become sonically synonymous with blustery intensity, tumultuous buildups, and beautiful letdowns. But when asked about how the recording sessions went for Sleep Well Beast, Devendorf insisted that everything was, well, idyllic. “For this album, the place we recorded certainly influenced the sound. Aaron built a studio on his property in upstate New York and it was very homey. We were all instantly relaxed. I was surprised we were able to write anything, really,” he chuckled.

“It was a very rural setting; there was a pond and lots of nature surrounding the studio, which was nice because usually we’re in windowless spaces.” Being one with nature helped the band work harmoniously together. “Everything around us was just so scenic and there was less pressure on us, I think. There were no interpersonal wars or anything; disputes only occurred about the music. Battles over what elements were to be used in the songs, the lyrics. But once we started working, we started working. We let the music take us where it wanted to go.”

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And perhaps that tranquil mindset also seeped into Devendorf’s outlook on how Sleep Well Beast will be received by the general public, as he admitted that in a way nerves are a thing of the past. “Maybe on some levels, I get anxious about the release of a new record but it’s more of a nervous excitement. The record was finished a while ago and I want people to like it--I want it to be loved. It’s like our baby, you know?” His vulnerability flashes for only a split second, but remains poignant nonetheless. “I get nervous about the live execution of the songs: will my 42-year-old body actually be able to do a worthy performance that people would pay money to see? Yes, we are more confident than we’ve been in the past due to the fact that we’re older. But we also realize that we only have so much time left to do this, so we better do it right.”

THE NATIONAL SLEEP WELL BEAST STANDOUT TRACK: “WALK IT BACK”

PERFORMER MAGAZINE OCTOBER/NOVEMBER 2017 37


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