shot that Dumbo took for me came from somewhere in this building. I sling the rifle over my shoulder, draw my sidearm, and order her up again. It’s a struggle for both of us—her physical battle to get her legs beneath her, my psychological one to resist the instinct to help her. Upright, she sways, hands to her chest, worrying with that damn spoon. “Drop the spoon.” “You want me to drop my spoon?” “Drop it.” “It’s just a spoon . . .” “Drop the damn spoon!” She drops the damn spoon. I tell her to face the wall and put her hands on top of her head. She swallows back a sob. I step up behind her, place one hand on top of hers—they’re cold as a corpse’s—and pat her down. Okay, Zombie, she’s clean. Now what? Time to fish or cut bait. Maybe she didn’t hear the shot. Her hearing may be bad. She is an old lady, after all. Maybe the shooter knows she’s here but doesn’t bother with her because, after all, she’s an old cat lady, what threat can she really pose? “Who else is here?” I say to the back of her head. “No one, no one, I swear, no one. I haven’t seen a living soul in months. Just me and my babies. Just me and my babies . . . !” “Turn around. Keep your hands on top of your head.” She executes a one-eighty, and now I’m looking down into a pair of bright green eyes nearly lost in folds of withered skin. The mounds of clothes hide how thin she is, but you can see the signs of slow starvation in her face, the cheekbones poking out, the hollows at her temples, the eyes sunken and ringed in black. Her
S
mouth hangs open a little—she has no teeth.
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