pedrosilva.smp@gmail.com

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Pedro Silva. Industrial Designer, MA Landscape & Territory, UDP. Santiago - Chile. Portfolio March 2015. Contact pedrosilva.smp@gmail.com +49 157 5300 9310

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Contents

I. Landscape, Territory, Architecture. Exercises, Interventions, Proposals.

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Santiago’s Soundscape Thesis Project. Social Artifact Residual Spaces Recovery. 27-F Earthquake Memorial. Naltahua Smelter Connection & Regeneration. Performances of Conquest Venice Architecture Biennale. TPT magazine Publication on the Territory & Landscape Workshop (TPT). Poder Huemul Tactical Urbanism (TPT).

Pedro Silva - Designer

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II. Other Design Projects Furniture, Stands, Exhibitions. 52 54 56 58

Antipostcards Santiago: Social Stereotypes. AngloAmerican Stand Design. Chile Design Exhibition module for Chile Design Awards. Duit Furniture Design. 5


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The extensive and modern highways passing through the city of Santiago offer an interesting field of study, research and reflection on the mechanisms of construction of the contemporary city. In addition to generating a series of adverse effects on the urban fabric and city dwelling, is criticized the relevance of addressing the problem of traffic congestion through construction of highways that are designed in view of a business logic associated directly to the economic benefits of mobility, rather than a comprehensive vision aimed to increase urban value, which these large investments could provide. In this context, the project proposes new mechanisms of perception, experimentation and re -appropriation of the urban landscape for the purpose of generating systems on the one

Thesis project 2011 hand , be able to bring new meaning to experience traffic and mobility –in terms of symbolic and cultural construction- and , on the other, becoming a source for space reference and orientation related to the transited areas. Based on the limited possibilities offered by the existing road infrastructure, a door opens to an alternative intangible construction linked to the production of a landscape that is experienced on the basis of variable georeferenced sounds. With this, a new perspective is proposed: intervention on the urban landscape space conceived as a flexible, mutable and ever-changing field; more suited to a society in transformation and to allow citizens to feel more involved and have a closer relationship with the surrounding environment.

Watch Video Project explanation Read the publication Thesis 7

Landscape, Territory, Architecture

Soundscape of Santiago


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Thesis Project


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Landscape, Territory, Architecture


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Thesis Project


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Landscape, Territory, Architecture


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Thesis Project


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Landscape, Territory, Architecture


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Commissioned by the Ministry of Public Works of the Government of Chile (MOP), the proposal was raised around the issue of residual spaces generated by the network of urban highways of Santiago. The section that MOP assigned to Diego Portales University was the Costanera Norte highway and, for this, seven points in conflict were located along the route and distributed among the student groups of the workshop. This proposal was located between the districts of Renca and Quinta Normal which are divided by the Mapocho River and crossed by an acti-

Residual Spaces Recovery 2010 ve railway. On the west bank of the river lies the Renca Thermoelectric, while in the east, there are several industries emplaced near the train line. In this context, the possibilities of intervention were very complex since being an industrial area, the place did not present enough population density, it has all possible lines of movement interrupted by the river as well as by the railroad, and it was an area of obvious social risk for the presence of illegal land grabs and trash collection. To all this, must be added the ongoing construction of

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Landscape, Territory, Architecture

Social Artifact


PEDRO SILVA - DESIGNER

Costanera Sur highway.

Urban Re-generation

Given this scenario, there was no room for conventional solutions and the intervention plan consisted of projecting a vertical artifact that, on one hand, took care of the lack of visual references for users of the highway making the place appear and, on the other, sought to be established as a core of urban regeneration. The conceptual strategy was to give new prominence to the place encouraging inhabitants (of InĂŠs SuĂĄrez neighbourhood) to take ownership of the site and become a point of reconquest of social activity.

.Context

.Industrial Zones

The sector has a high presence of large-scale advertising palettes and the project operation was reformulated its use to transcend the purely commercial. This became possible through the formulation of a management plan to cover the costs of implementation and maintenance of the proposal. .Residential Zones + appropriation

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Landscape, Territory, Architecture

PORTFOLIO 2015

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Urban Re-generation

PEDRO SILVA - DESIGNER

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PORTFOLIO 2015

Diagnostic Scheme MODELO DE INTERVENCIÓN *COLONIZACIÓN *INCLUSIÓN SOCIAL *REFERENCIA VIAL *SOSTENIBILIDAD AMBIENTAL

TOMAS ILEGALES DE TERRENO EVIDENCIA DEL CONFLICTO SOCIAL DESVINCULACIÓN CÍVICO-URBANA VULNERAVILIDAD SOCIAL

VIVIENDA *ENCAJONAMIENTO RESIDENCIAL *DESVINCULACIÓN BARRIAL

LINEA FÉRREA *ELEMENTO DIVISOR *CIRCULACIÓN INFORMAL *VÍA EPICENTRO CULTURAL

“EXTERIOR MENTAL EN EL INTERIOR FÍSICO DE LA CIUDAD” *SUBPRODUCTO URBANO *FALTA DE INCORPORACIÓN *VACÍO DE ACTIVIDAD *DESAFECTO/DESCONEXO DE LA CIUDAD *PUNTO CIEGO/INVISIVILIDAD ZONA INDUSTRIAL *LUGARES ISLA *“SACRIFICIO” URBANO *BARRERA IMPERMEABLE

$

VS.

MAPOCHO URBANOLIMPIO SECTOR DE ESPECULACIÓN ¿CONECTIVIDAD COMUNAL? ¿RENOVACIÓN URBANA?

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Landscape, Territory, Architecture

INFRAESTRUCTURA VIAL *CONFLICTO SOCIAL *DESVINCULACION CIUDADANA *SIN REFERENCIAS ESPACIALES *MUROS DIVISORES


Urban Re-generation

PEDRO SILVA - DESIGNER

Intervention Strategy PANÓPTICO SOCIAL REFERENCIA VIAL MAQUINARIA URBANA

COLONIZACIÓN EXPANSIVA REPROGRAMACIÓN DEL PTO.

EPICENTRO SOCIAL DEL SECTOR IMPLEMENTACIÓN CIRCULACIONES APROPIACIÓN DEL SECTOR

ACTORES EJECUTANTES SECTOR RESIDENCIAL “POBLACIÓN INÉS DE SUAREZ”

ZONA DE TRABAJO “SECTOR MAQUINARIA” SUBPRODUCTO URBANO

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PORTFOLIO 2015

Programatic Distribution

Poblacion Inés de Suarez

La población más cercana a nuestro no lugar es la Inés de Suarez, una población bien constituida de alrededor de 150 familias. Para esta población la zona del puente esta estigmatizada por lo que resulta ser nuestro público objetivo

Conectividad

Actualmente existe una conexión peatonal espontanea, reciclaje de un antiguo puente ferroviario. Nuestra idea es fomentar y potenciar este flujo haciéndolo accesible y seguro.

Areas verdes

La termoeléctrica tira al aire vapor de agua, la vegetación silvestre abunda en este lugar. Estando ahí puede percibirse una pequeña llovizna constante. La idea es poder aprovecharse de esta agua constante para el riego y utilización de aguas.

Cancha explanada

Existe una pequeña cancha de babyfutbol actualmente en desuso ya que no cuenta con la iluminación ni seguridad necesarias.

Maquinaria verde

La maquinaria verde será nuestra bandera de colonización con la cual produciremos energía y se aportara con el equipamiento de actividades recreativas.

Programa panoptico

El equipamiento de la zona atraerá mayor actividad social. No existe mejor seguridad que la misma gente, por lo que nuestra apuesta es que el panóptico se produzca por una acción social.

Vinculacion visual con C.norte

La maquinaria verde generará contacto con la C.norte. Ya sean con publicidades o mensajes de la comunidad hacia la autopista generando un vínculo entre ambos mundos.

Puente abierto control visual

El actual puente genera puntos ciegos los cuales son aprovechados de mala manera por delincuentes. La idea es abrir los espacios con el fin de generar mayor control visual sobre los transeuntes que cruzen el puente peatonal.

Landscape, Territory, Architecture

Concept Model

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H2O

H2O H2O

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More information Project Process

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27-F

Using the large amount of waste that was originated during and after earthquake as the main protagonist, reflection arises around the country geological condition. By using the great symbolic and memorial value of these elements, the memorial seeks for giving them a new meaning as landmark of the damage caused, leaving a permanent sign of our seismic country condition.

CONTEX T

Landscape, Territory, Architecture

The project for earthquake memorial was planned as a major corridor of encounter with the earth. It aims to produce a confrontation with the catastrophe through the rediscovery of the elements that originated: land and water. In addition, it is exposed as a visible trace of damage suffered by the inclusion of the rubble resulting from the tragedy.

Earthquake Memorial 2010

FRAGMENTATIO N

Materials Cycle

LIFT

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Memorial Proposal

Proyect Strategy

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2. PROJECT LOGIC: Place Possibilities [car zones, pedestrian zones, parks and squares, vacant lots] Debris (rock, steel, concrete, ceramics, adobe, bricks) Applications (topographies, sculptures, m emorial wall, textures)

3. CONCEPT IMPLEMENTATION -Interaction Levels ( Colective/Individual - Actor/Spectator) Nature Reunion (Water - Earth) Memorial Steps ( Acknowledge - Confrontation - Overcomig)

Landscape, Territory, Architecture

1. CULTURAL FACTORS: Fatalities Locations Damage buildings Richter scale

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PEDRO SILVA - DESIGNER

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PORTFOLIO 2015

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PEDRO SILVA - DESIGNER

Watch Video 27F. Project Video More information Project Images

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PORTFOLIO 2015

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Naltahua Smelter The project aims to establish a relationship among all elements of the landscape, taking advantage of a strategic location, historical and natural components that give value to the environment. Thus, it is proposed to build routes of historical recognition that provide interest to towns like Pe単aflor, Talagante, El Monte and Isla de Maipo, establishing strategic points in the central square of each town, offering from there, the available possibilities that visitors have. For its historical significance and strategic location, El Monte is positioned as a cultural capital of the area from where it will connect to the possible routes that lie around. In addition, a project is proposed by using the ruins of the Naltahua Smelter, place that gives faithful witness to the economic and cultural development of the area. Through a varied program offer, it seeks to promote the place

Connection & Regeneration 2009 as cultural convergence zone. The area of the foundry has a number of features that allow to thinking it as a strategic center of landscape planning. Geomorphically, has a privileged position in relation to the views from the sector. In connectivity terms, it has direct access from the Del Sol Highway, an artery with a large influx of tourists that goes mainly towards the central coast or, in lesser extent, to the area of Pomaire, renowned for its handicrafts in clay and typical cuisine. Thus, the Naltahua foundry is established as a real possibility of sustainable tourist development. The project aims to organize a program of restoration and recovery of mining complex that includes the incorporation of various elements in order to revalue the land that today is in a state of neglect.

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Landscape, Territory, Architecture

PORTFOLIO 2015

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Performances of Conquest Venice Architecture Biennale Occupation, appropriation and imposition are some actions that are currently taking place on Chilean soil. These actions are presented by using three different cases: the first one refers to Santiago’s Plaza Italia, located in the city’s central district. This location constitutes the place to witness many collective actions executed by groups and individuals that congregate to ‘appear’ in front of society, they are all of a sudden temporal occupants that charge the territory in symbolic terms. What happens here is relevant because it constitutes an embodied display (in terms of resistance or joy) on a

public realm. Public manifestations in Plaza Italia are of public interests for the Chilean society; the ground of this territory literally reflects the collective desires that people have. The second case refers to Puerto Viejo Bay in northern Chile. It corresponds to a small group of individuals that live by the seashore in an improvised ‘resort’ made of precarious houses. This location was built up by the appropriation of the ground and it is the representation of an action won by arguments about needs and rights. The third case is the Castro Shopping Mall in the island of Chiloé, in the south of Chile.The case here

Image: Domus 37

Landscape, Territory, Architecture

2012


PEDRO SILVA - DESIGNER

refers to a large-scale commercial structure that has been installed in the city of Castro. This intervention is nowadays transforming the landscape of the city into a ‘developed’ one. The mall promotes a context that stimulates a form of social deRead the publication Cancha:Chilean Soilscapes

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velopment through the imposition of new commercial living spaces. These three examples consider temporary and permanent interventions of the soil onto which they are placed. All these actions executed because of the desires and needs of Chilean Watch Video Second Home (C.Palma)


PORTFOLIO 2015

people could be understood as environmental performances that shape the perception we have of social spaces. The notion of performance,when associated to the act of the architect, enables the analysis of human actions taking place in the many diffe-

rent contexts where they are located. It reflects the goals and effects caused by the construction of new participatory spaces that, in the majority of the cases here, refer to matters of social, political and cultural characteristics. (Text by Rodrigo Tisi)

More information www.canchachile.cl

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This publication was produced to record and disseminate the work approach of the Territory & Landscape Workshop, its project formulation methodology and, finally, provide a preliminary review of the work process carried out by students.

Read the publication TPT Magazine Watch Video TPT Workshop

Territory and Landscape Workshop 2013 The workshop focus is presented in three main areas that serve as work guides for both students and teachers. These axes refer to the conceptual development of the notions Territory and Landscape, to the possibilities of landscape project and the role of representation as a tool for project implementation. Additionally, a brief review of the first stage of the work done by students in the natural reserve Altos de Cantillana, an important point given its significant range of animal and plant species, is provided.

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Landscape, Territory, Architecture

TPT Magazine


PEDRO SILVA - DESIGNER

Course Methodology

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WORK SCALE

Reserva A. de Cantillana REPRESENTATIONAL TOOLS

PHOTOGRAPHY CARTOGRAPHY MIXED GRAPHICS

Teaching & Publication

RESEARCH

OBJECTIVES

a.Place reconnaissance b.Correct data display c.Preliminary conclusions

STAGE

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PHENOMENOLOGICAL APPROACH

STAGE

WORK SCALE

Microscapes REPRESENTATIONAL TOOLS

ISOMETRICS/SECTIONS PHOTOGRAPHY CARTOGRAPHY MIXED GRAPHICS OBJECTIVES

a.Localise and identify work context b.Detection and articulation of work agents.

Image: Sofía Troncoso (student)

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PORTFOLIO 2015

REPRESENTATIONAL TOOLS

CONCEPT MAPPING CONCEPT MODEL PROJECT PROTOTYPING MASTERPLAN

DESIGN STRATEGY

OBJECTIVES

a.Problem/Opportunities detection. b.Hyphothesis formulation. c.Project guidelines formulation

STAGE

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WORK SCALE

Landscape Devices REPRESENTATIONAL TOOLS

PLANIMETRY OBJECTIVE IMAGES

OBJECTIVES

a.Work agents data visualization b.Research coherence c.Dwelling aspect. d.Technical viability

Landscape, Territory, Architecture

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WORK SCALE

PROJECT IMPLEMENTION

STAGE

Image: Benjamín Pizarro (student)

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Power Huemul is a tactical urbanism action that consists in a series of activities to encourage participation of the community around the problems and possibilities of their neighborhood. It is conceived as an urban intervention that neighbors carry out with help of instructors and volunteers organized according specific work themes. The intervention is non-profit, temporary and its main objective is to become an instance to identify and socialize in an accessible manner the various problems associated with the neighborhood. In this sense, the intervention is de-

Tactical Urbanism 2014 signed as an instrument of mediation among the diverse range of neighborhood actors encouraging each of the persons and groups to become an effective agent of change for building a better city. Thus, the initiative was proposed as the initial part of a process that seeks to generate encounters within the community in order to climb to the authorities and settle on public responsibility agendas. Watch Video Collective Mapping

Landscape, Territory, Architecture

Poder Huemul

Watch Video Urban Intervention

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Collective mapping session before the intervention.

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PORTFOLIO 2015

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PEDRO SILVA - DESIGNER

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PORTFOLIO 2015

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Anti-Postcards

Santiago: Socioeconomic Stereotypes 2010

Illustrations

The work is to propose a line of postcards with a critical approach of a particular feature of the city of Santiago. Thus, the (anti) postcards should not expose a tourist image of the beauties of the city but portray some reality or situation difficult to see with a naked eye. For this, a cartography showing the use of land among different socioeconomic strata and how these are distributed in each commune was carried out. With this information, a line of postcards was generated showing stereotypical characters depicted in a cartoon style which can be built based on each socio-economic group and various architectural elements with they interact.

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Other Design Projects


AngloAmerican.

Stand design 2013

Stand developed for the 13th Expomin international Congress in Espacio Riesco, Santiago. The proposal soughts to highlight the main values given by the company: Technology, Security, Human Resources.

Stand Design

E. FRONTAL

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V.ISOMÉTRICA


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Other Design Projects


Chile Design Awards.

Exhibition module 2013

Exhibition Module

Exhibition module for Chile Design Awards held at the Centro Cultural Palacio La Moneda. The piece was designed in consideration of an easy assembly in plant and optimal material utilization.

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Other Design Projects


Duit. Duit is a design product brand offering elements of simple lines that adapt to different spaces and surroundings. All products are created and manufactured in Chile using materials that are accessible in the local industry.

Furniture Design

Its formal lines highlight the products’ basic structures, which use steel and wood in a balanced manner to offer attractive and affordable design products.

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Furniture design 2012 / 2013 Processes based on CNC technology allow optimizing product manufacturing and distribution, which in turn makes it possible to design elements that are light, compact and easy to transport. The assembly and self-assembly logic behind each product’s design enables the relationship between the product and final user.


Other Design Projects

More information www.duit.io

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for more projects and information visit

www.pedrosilva.cl

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