An Architect’s Bradenton Dream Home Vacation Vibes in Siesta Key Custom Style in Lakewood Ranch & Much More!
The appeal of Wild Blue at Waterside by Stock Development is perfectly natural. With its prime Lakewood Ranch location, incredible amenities, and luxury single-family homes by some of the area’s finest builders, this waterfront community is the perfect blend of back-to-nature fun and resort-style living. Discover outdoor adventures at the 13-acre sports complex, and relax at the social clubhouse, with indoor and outdoor dining, two pools, a movie theater, fitness center, and a 9-hole premier putting course.
Dive into narratives crafted through a symphony of creativity and collaboration. Every detail holds a story, ready to be explored.
Bonita Springs House of Cabinetry 239-948-3040
Bradenton
Epoch Solutions 941-761-8855
Englewood The Cabinet Guy 941-475-9454
Ft. Lauderdale Lifestyle Cabinetry 954-563-1801
Living Color Cabinetry 954-970-9511
Dwayne Bergmann Interiors 239-344-7455
Islamorada
JDR Designs 610-639-3905
Lake Mary
Signature Kitchens 407-330-6860
Miami
Luv My Kitchens 786-276-9990
Trimline Design 305-666-7609
Naples Tradewind Designs 239-354-4708
Naples Interior by Design West 239-514-1234
Palm Beach Gardens
Rachel Eve Designs 561-694-0146
Sarasota Cooks Custom Cabinetry 941-366-6112
Renaissance Design Studio 941-921-9393
Tampa
Artisan Design 813-922-7909
Vero Beach
Dawn Wallace Designs 772-999-2691
William Charles 772-562-5101
INTERIOR
INTERIOR
INTERIOR DESIGN BY JANNA MCCALLEY
A
INTERIOR DESIGN BY CHELSEA POTTHAST
In Longboat Key, a condominium undergoes a coastal makeover with elegance front of mind.
INTERIOR DESIGN BY LISA GUILD & CASEY O’BRIEN
A photograph of succulents inspires a focused design team to deliver a home defined by a pitch-perfect palette and expert layering.
102
Winning Touch
Fragile Beauty 64 36
44 MAX STEEL
Metal, light, and sea life come together in artist Dom inick Leuci’s kinetic sculpture.
BUZZ
46 BUZZ
News and notes on art, interior design, and architecture from Sarasota and beyond
ART
58 PRIMORDIAL REFLECTIONS
Michele Oka Doner’s childhood memories of Florida get the exhibition treatment at the Ringling Museum of Art.
60 ABSTRACT OF EMOTION
64 FRAGILE BEAUTY
Ceramicist Anja Palombo uses porcelain and stoneware for her modern musings on ancient art traditions. ARBITER
68 ON THE RECORD
Archivist Cynthia Peterson works hard to ensure Sarasota’s design legacy is never taken for granted.
ARCHITECTURE
72 THE NEW GUARD
Hive Architects’ talented leaders are designing Sarasota’s future while honoring its past.
ALFRESCO
76 PLANS AT BAY
Sarasota’s The Bay park is changing the city’s downtown waterfront for the better one ambitious phase at a time.
DISPATCH
78 THE ART OF HOSPITALITY
The new 21C Museum Hotel in St. Louis makes art part of its five-star experience.
EVENTS
126 SARASOTA WELCOME
Florida Design Sarasota celebrates its premiere issue with the city’s design community at Clive Daniel Home.
COVET
128 TALL ORDER
Designer Meg Carson shares her thoughts on artist Joel Escalona’s Still Stand sculptures.
EDITORIAL DIRECTOR
Daphne Nikolopoulos
EDITOR-IN-CHIEF
Luis R. Rigual
DESIGN DIRECTOR
Laurie Spector
ACQUISITIONS EDITOR
Annette Sessa-Galbo
WEB EDITOR
Abigail Duffy
CONTRIBUTING WRITERS
Riki Altman-Yee | Paige Bowers
Christopher Day | Jeanne De Lathouder
Saxon Henry | Kelley Marcellus
CONTRIBUTING PHOTOGRAPHERS
Nicholas Ferris | Ryan Gamma
Shae Mermis | Molly Rose
PRODUCTION DIRECTOR
Selene M. Ceballo
PRODUCTION MANAGER
Lourdes Linares
PRODUCTION COORDINATORS
Ileana Caban
Anaely J. Perez-Vargas
DIGITAL PREPRESS SPECIALIST
George Davis
ADVERTISING DESIGN COORDINATOR
Jeffrey Rey
GROUP PUBLISHER
Terry Duffy
PUBLISHER, SARASOTA
Elizabeth Goodman
ACCOUNT EXECUTIVES
Harvey M. Dana | Jennifer Dardano
Susan Gibson Howard
DIGITAL ACCOUNTS MANAGER
Ryan Hollihan
MARKETING MANAGER
Rebecca Desir
DIGITAL MARKETING MANAGER
Tyler Sansone
ADVERTISING SERVICES COORDINATOR
Elizabeth Hackney
CHIEF OPERATING OFFICER
Todd Schmidt
IT MANAGER
Omar Greene
CIRCULATION/SUBSCRIPTIONS
Marjorie Leiva
DISTRIBUTION MANAGER
Judy Heflin
CIRCULATION PROMOTIONS MANAGER
David Supple
CIRCULATION ASSISTANTS
Britney Stinson | Cathy Hart
LOGISTICS MANAGER
Omar Morales
ACCOUNTS RECEIVABLE SPECIALIST
Ana Coronel
The stories in this magazine are told as much through words as through pictures. I know you, dear readers. Very well, in fact. I know many of you read this publication from cover to cover, even this letter, and I thank you for that. I also know a number of you out there do some rather selective reading. Some of you start with our departments, but then lose steam by the time you arrive at our features. Others read just the headlines and photography captions on the articles—perhaps as a way to decide if they’re worth coming back to, or just because. Then there are those of you who don’t read anything beyond the text on the cover (you know who you are), but leaf through our editions for the superior photography (nothing wrong with that). There are even some of you who read the magazine from back to front. At one time or another, I’ve been all those readers with other publications. And you know what? Whatever category you fall into is fine. We appreciate you all.
With every issue we put out, we strive to provide you with a balance: striking photography and engaging narratives. And I admit it, creating engaging narratives sometimes goes better in some issues than it does in others. I’m proud to say that this spring/summer edition manages that elusive balance of copy and art quite well. I thoroughly enjoyed the way writer Kelley Marcellus told the stories of artists Michele Oka Doner and Anja Palombo, and opted for wording that really gave me a sense of who these women are. I know I’m always in for a treat when Saxon Henry writes about architecture for us, and this issue was no exception. I liked the way Paige Bowers constructed her article on a New Jersey couple who hired the LMG Design Consulting team and asked them to create a Lakewood Ranch home based on a photograph of succulents. And I was thrilled to see the way Jeanne De Lathouder got in the head of architect Jim Schmidt to craft the anecdote of how he brought his dream home to life in Bradenton (our cover feature). The right adjectives and quotes can make or break a story, and these writers know it.
These contributors’ texts were enhanced with photography equally attuned to storytelling. When you see the photograph on our cover, of the aforementioned residence by Schmidt, captured in the light of sunset by Ryan Gamma, odds are you’ll want to know more about that house and who lives in it. Or maybe that’s just me—if you’re a magazine type, you know what I’m saying. There are additional supreme examples of light, texture, and composition in the photographs of Molly Rose, Nicholas Ferris, and Shae Mermis, all of whom contributed to this edition. We thank them all for helping us achieve our balance.
Now, go read, kind-of-read, peruse, or do whatever you do when you receive our publication. We promise not to judge.
LUIS R. RIGUAL Editor-in-Chief lrigual@floridadesign.com
As I write this, much of the country is in the midst of a brutal winter, but spring on the Suncoast is in full swing. In these parts, it comes around mid-January and stays with us until April, sometimes May. Despite some unseasonal rains, we’ve been thoroughly enjoying our slice of paradise, and it seems to me that there are many more people flocking to this area than ever before. Who can blame them when our quality of life is the envy of the world?
As established as Sarasota is, our design scene is in the midst of inspiring growth. We are steadily evolving when it comes to real estate with new builds that up the ante on construction and elevated design, not to mention the resident experience. And because growth promotes more growth, we’ve also seen exciting movement when it comes to showrooms and home stores. Plus, the art scene is filled with insightful programming thanks to venues like the Ringling Museum of Art and talented artists who have chosen to make Sarasota their home.
Once again, the editorial team has curated a stellar issue that reflects all this local energy with departments dedicated to new products, hot trends, showrooms, and culture. And what can I say of this edition’s outstanding features? Later on in the volume, you will find outstanding examples of interior design and architecture from the likes of Jim Schmidt, Studio G. Home, Jana McCalley Interiors, Potthast Design, and LMG Design Consulting. Our cover by the aforementioned Schmidt is particularly striking, don’t you think? A seasoned architect who recently retired, Schmidt has chosen to spend his golden years in the Riverwalk area of Bradenton and personally built a house to his and his wife’s specifications for this new stage of their lives. I urge you to read his story to learn how that all came to be. You’re in for a design treat.
Enjoy the issue.
LIZ GOODMAN Publisher
MKC Architects
“Worth the Wait,” page 84
Thanks to a distinguished architecture career designing residences for others, Jim Schmidt knew just what he wanted when it was time to build his dream home on a prime lot in Bradenton next to the Manatee River. “Everything was thought out from the initial concept and our planning was extensive before building began,” says Schmidt. “Thanks to that, the home is a deliberate success in terms of architecture, landscape architecture, and interior architecture, and offers a unique experience between interior and exterior spaces.” mkcinc.com
Potthast Design
“Paradise Persuasion,” page 110
“We like to provide turnkey service from space plan to fixtures and furnishings, all the way to accessories, artwork, and installation,” says St. Petersburg designer Chelsea Potthast, and that’s exactly what she did with a recent commission in Longboat Key. “Our task was to elevate the design and functionality of a mid-century modern beachfront condo and make it a sanctuary of tranquility and style,” she says. “Our favorite aspect of this project was the creative latitude that the client afforded us on this project. We enjoyed maximizing the aesthetic in each room.” potthastdesign.com
Studio G Home
“Modern Marvel,” page 94
When the new owners of a condominium at The Epoch tower decided they wanted the interior design of their new home to reflect the mid-century modern aesthetic of the building, they called on longtime Sarasota designer Gail Carlson for the job. “We softened the aesthetic with color and texture in the furnishings,” says Carlson, who relied on her two Sarasota showrooms for much of the furniture for the project. “Our goal was to retain the modern design and to create with a minimalist approach, reflecting purity of form and timeless elegance.” studioghome.com
LMG Design Consulting
“The Right Balance,” page 120
Janna McCalley Interiors
“Modernist Musings,” page 102
Working remotely from Marion, Iowa, on a residence in Siesta Key, Florida, in the middle of the COVID pandemic proved to be one of the biggest challenges in designer Janna McCalley’s young career, but she executed the task flawlessly. “The mid-century style and coastal location set the tone and direction for the design of the house,” says McCalley. “It was exciting to build off that influence and create a cohesive and personal space with thoughtful details as expressed by the owners.” jannamccalleyinteriors.com
“Our work is defined by color and texture, and enhanced by architectural details that create individualized results,” says Lisa Guild and it is that approach—and amazing word of mouth—that brought a New Jersey couple to LMG’s office in Naples. The husband and wife tasked Guild and fellow designer Casey O’Brien with creating the look of their vacation home in Longboat Key. Once work got underway, the wife became the designers’ greatest asset, providing guidance, but knowing when to step back. “We are so fortunate to have clients who are collaborative, responsive, and respectful of the design process,” says Guild. “Projects like this one make us better designers.” lmgdesignconsulting.com
For over 25 years, Home Resource has garnered the trust of a global clientele, serving as their premiere source for contemporary furniture requisites. Presenting the utmost in modern and contemporary furniture selections, sourced from the most esteemed brands on the global stage, Home Resource’s clients treasure the insightful and inspired guidance from its seasoned design team.
They know from experience, Home Resource listens to their needs first, and directs them towards furniture that harmoniously resonates with their distinct lifestyle. They also trust its personal care—a hallmark of the company’s enterprise, encompassing honesty, patience, and commitment to exceed expectations from the start of the process to the delivery of their cherished furnishings, courtesy of a proficient installation team.
Enter the Sarasota showroom to see the finest curation in furniture design, thoughtfully presented to help you envision placement in your home. Or visit Home Resource’s comprehensive, easy-to-navigate website that allows worldwide shipping. So, no matter your location, you can expect a high level of attention from start to finish.
Devotion to craft, quality, and contemporary design. Dedicated to its clients: Home Resource
Home Resource is the premiere showcase of European contemporary and modern furniture along Florida’s West Coast. Within our expansive 7,000-square-foot showroom, an exquisite selection of the finest brands unfold to reveal timeless furniture designs that epitomize refinement and style. Experience the intersection of art and comfort and redefine your notion of luxury living. We offer seamless shipping services to any destination within the United States.
For over five decades, Florida Design Works has been the leader in providing exclusive home improvement and building products for the interiors and exteriors of homes, buildings, and more. Whether it’s a remodeling endeavor or a new construction project, our showroom features an array of exclusive products that can elevate any room. Collaborate with their seasoned architectural and design representatives for a seamless experience. With thousands of options from numerous manufacturers, Florida Design Works provides a diverse range to mix and match, ensuring the ideal combination for your project. Their team is equipped to match any design inspiration and offer a plentiful selection of options to create the perfect space.
FLORIDA DESIGN WORKS
29 N. Pineapple Ave.
Sarasota, FL 34236
941-355-2703
floridadesignworks.com
Renown for building Southwest Florida’s most complex custom waterfront residences, Perrone Construction’s systematic approach to construction allows them to build in any style with equal ease. “I would say that the one thing that characterizes our work is that we strive for timelessness in every home we build,” says Ricky Perrone, President of Perrone Construction. The strict focus on luxury waterfront construction for over four decades has led their team to build some of Sarasota’s most notable homes.
Through a deep understanding of the complexities and nuances of building in coastal conditions, Perrone Construction quickly established itself as the paradigm of timeless luxury waterfront homes in Sarasota for the past 44 years. From assisting with land procurement through completion, Perrone Construction creates a seamless streamlined experience for clientele so the process of bringing their vision to life can be enjoyed and celebrated.
941.924.6900
Sarasota, FL 34231
perroneconstruction.com
Combining an inviting boutique storefront with a design studio, Pecky provides a vibrant and welcoming atmosphere for their customers and clients, including the trade. Their main storefront, nestled in downtown Sarasota for more than 10 years, will soon be accompanied by a 10,000-square-foot annex which will serve as their design center and showcase even more furniture. The boutique features a carefully curated selection of furnishings, decor, original artwork and textiles. The sales concierge and designers are trained to work closely with each client for the purpose of creating spaces that meet their unique personal style. Pecky’s designers offer a wide range of services from space planning, window treatments, and custom furniture design to renovation and new construction. The founders of Pecky, Patricia and Peter Estes, pride themselves on offering the bestin-class of the interior design world and hiring talented, knowledgeable, and friendly staff.
PECKY INTERIORS
100 Central Ave., Suite 1024-26
Sarasota, FL 34236
941-957-0300
peckysrq.com
With over 30 years of experience building homes in the Anna Maria Island and Longboat Key Area, our team understands the meaning of a client’s dream home.
Each home we build is a unique, custom expression of those dreams. With our master craftsmanship, project management, and skilled understanding of local Code issues, we make sure every project remains stress-free and streamlined.
You focus on the vision while our expertise handles all the details. Call 941.778.3215 for a consult
Established in Brazil, TIDELLI is a brand of outdoor furniture that can handle the harsh elements with finesse. The company’s most popular offerings make nautical rope the star of the show. Named for the mountain of the same name in Rio de Janeiro, the Sugarloaf lounger features a frame of powder coated aluminum covered in polyester strands that can take on rain, sun, and sea air without distress. Equally resilient is the Maui collection and its standout multipurpose cooler/seat, a round contraption with a rope exterior and eucalyptus seat/lid that keeps drinks cool and backsides off the sand. tidelli.com
: The Bur pouf by LASKASAS evokes beauty with its softness and classic buttoned upholstery technique. laskasas.com
PANTONE’S 2024 COLOR OF THE YEAR, PEACH FUZZ DENOTES TENDERNESS, CARING, AND WARM MODERN ELEGANCE
A CENTURY AFTER ITS DEBUT, THE ART MOVEMENT THAT GAVE US MAGRITTE, DALÍ, AND MIRÓ REMAINS AS INFLUENTIAL AS EVER
ABOVE: Meant to appear as if dripping from a surface, the Melting Brass by EICHHOLTZ is an artistic accessory for a console or mantel in need of oomph. eichholtzmiami.com
ABOVE: Silkscreened and lacquered by hand, the Architettonico table by FORNASETTI boasts a trompe l’oeil-inspired surface
a base featuring opera singer Lina Cavalieri’s face. Enough said. fornasetti.com
LEFT: Suitable for indoor and outdoor settings, the Giraffe in Love chandelier by Marcantonio for QUEEBOO is meant to infuse a whimsical and fantastical vibe to whatever setting it finds itself in. queeboo.com
The Coastal capsule collection of knobs and pulls by MODERN MATTER nods to nautical motifs inspired by the sea at sunset. modern-matter.com
various
DESIGNER HARDWARE GOES FOR THE GOLD
RIGHT: The Trinity by PULLCAST is an intrinsic drawer handle composed of four loop chains and a white pearl. pullcast.eu
ABOVE: With rock crystal hand-carved into a hexagonal shape, the Freya pull by MATTHEW STUDIO is designed to be used vertically or horizontally. matthewstudiosny.com
NATURE-INSPIRED LIGHTING BRIGHTENS UP SPRING DECOR
ABOVE: Crafted from artisan ceramic, the Soloma table lamp by HUDSON VALLEY LIGHTING reminds us of a white button mushroom. hvlgroup.com
LEFT: Beautifully chaotic in shape, the Jana pendant by ARTERIORS offers a heavily textured look due to its dark brown wicker shade. arteriorshome.com
ABOVE: Reminiscent of a flower pod or a cocoon, the Spiritus pendant by CURREY & COMPANY is made from a mix of wicker and rattan. curreyandcompany.com
ABOVE: Celebrating the beauty of nature’s imperfections, the Blomo Wabi Sabi pendant by OZARKE offers an organic form that charms the eye with its simplicity. ozarke.com
LEFT: With its undulating curves, the Bamboo pendant by VAKKER LIGHTING appears as if it’s moving in place. vakkerlight.com
UNDULATING FORMS THAT LOOP AND TURN BRING AN EXCITING DIMENSIONALITY TO HOME DESIGN
ROCK, SWIVEL, AND SWING TO YOUR HEART’S CONTENT IN THE GREAT OUTDOORS
text CHRISTOPHER DAY
Inspired by the leafy seadragon, a fish native to the coasts of Australia, the Eques Ravus is made from airinflated metal plumes that mimic the creature’s graceful wing-like body and its ability to change color.
“I seek to unfold the wonder, magnificence and joy around us, whether through sculpture or painting,” says Leuci. “I hope that my works act as portals to another world.” dleuci.com; toddmerrillstudio.com
Presented by Todd Merrill Studio at the last edition of the Salon Art + Design showcase, the Eques Ravus is a light sculpture by artist Dominick Leuci that’s the latest addition to an ongoing series informed by nature and futuristic aesthetics.
Leuci’s sculptures appear to float and defy gravity while creating abstract reflections within the environment, but getting them to that point is a laborious process. The Eques Ravus here, for instance, features 42 metal plumes, each of which is individually placed to create the desired sculpture shape. The plumes feature different shapes, sizes, and finishes, including mirror-polished stainless steel, 24K gold-plated steel, and jewel tone. This patina is attained through a specific process of painting and lacquering that takes several days.
In the last 20 years, ceramicist and designer Molly Hatch has made a name for herself by creating installations of ceramic plates that connect cultures and eras with abstract patterns and motifs. Her latest works will be unveiled this spring at the Sarasota Art Museum with the debut of Amalgam (April 25, 2024 to April 26, 2026), a site-specific “plate painting” that takes up two floors of wall space at the Jan Schmidt Loggia and Mark & Irene Kauffman Arcade. The colossal installation consists of 450 earthenware plates that have been handpainted in white, blue, and gold featuring imagery from various historical periods and countries (from 15th century Ming dynasty China to 18th century Mexico). The whole composition may be experienced from near and far, inside and outside of the museum. sarasotaartmuseum.org
House paint and health are terms that don’t often go together unless you consider the negative headlines from years past, but the newly launched Alkemis is determined to change that. The Texas-based company has anointed itself “the world’s first architectural wellness paint” by combining the healing benefits and natural color palettes of non-toxic mineral ingredients with ultra-sustainable production guidelines. So, how is Alkemis better for us? The company makes it clear that its formulation contains a clear quartz base, and that quartz is a stone that returns the energy it absorbs, and that its paints are free from toxic pigments, hazardous pollutants (HAPs), preservatives, biocides, and alkylphenol ethoxylates (APEs). Additionally, its manufacturing is 100 percent emissionfree. Alkemis, which is the only paint company in America that fulfills all five covenants of the American Institute of Architects (AIA) Materials Pledge, is available in the United States, Canada, Mexico, and the Caribbean. alkemispaint.com
ABOVE: The Printemps pattern from New Ravenna’s Ville Lumière collection was inspired by the stained-glass cupola of Paris’ famous department store in the city’s Opéra district.
INSET RIGHT: Designer Caroline Beaupère
ABOVE: Gothic imagery marks the Notre Dame pattern from New Ravenna’s Ville Lumière collection.
The new Ville Lumière collection of mosaics from New Ravenna is like a promenade through Paris’ most enchanting neighborhoods, which was exactly what designer Caroline Beaupère intended. The nine designs in the line (all made of natural stone or jewel glass with 24K gold accents) were inspired by the capital’s most iconic architecture and landmarks. Styles include Sacré-Coeur, with a stylized heart motif to represent the neo-byzantine basilica, Place des Vosges, which interprets the vaulted arcades that frame the square in the Marais, and Île Saint-Louis, with heraldic fleursde-lys accented in gold. All the mosaics are handcrafted by New Ravenna’s inhouse artisans and most are suitable for both indoor and outdoor installations. newravenna.com
Alkemis’ Feral paint offers a matte shade of green. LEFT: Alkemis’ white packaging reflects its commitment to purity. Alkemis’ Hair of the Dog paint is a rich brown. ABOVE: Alkemis founders Maya Crowne and Price Latimer
As forward-thinking as the brand can be, Louis Vuitton’s first tableware collection strikes a traditional note. Featuring three distinct lines crafted in Limoges porcelain, the collection celebrates LV’s monogram flower in a whiteand-blue color scheme. Crystal makes an appearance in the form of the Twist glass, which gets its name from the swirling pattern at the base of its silhouette. The collection covers everything from dinner plates to decanters. us.louisvuitton.com
ABOVE AND RIGHT: Porcelain pieces in Louis Vuitton’s tableware collection feature the brand’s iconic monogram flower.
Ruvati is dedicated to making the good life even better. Case in point: the brand’s new Ibiza collection of sinks specifically created with wet bars in mind. These sleek engineered contraptions feature a built-in glass rinser for quick cleaning of everything from coffee mugs to wine goblets. Additionally, the sink comes with a wood cutting board that spans the width of the basin to instantly create a prep area and allow glassware to drip-dry in the rinse grid safely. As expected, the sinks are constructed of top-ofthe-line 16-gauge stainless steel that’s guaranteed to never rust or stain. ruvati.com
ABOVE AND LEFT: Ideal for a wet bar set-up, Ruvati’s new Ibiza sink features a wood cutting board for prep work that can be easily integrated and removed.
DESIGNER JAMES DE WULF MAKES
USE OF HIS FAVORITE MATERIAL ON A SET OF NEW PIECES
above: The Mosaic Lily Exo side table was inspired by the water plant from which it gets its name.
below: Designer James De Wulf
The second edition of his Exo furniture series prompted designer James De Wulf to do something he’d never done before. The renowned tastemaker, known for the innovative ways he combines concrete with bronze, brass, steel, and iron, decided to participate in the most recent edition of Salon Art + Design, the annual fair for collectible furniture at the Park Avenue Armory in New York City. His showing at the gathering focused on four new pieces: the Poppy Exo console, the Mosaic Lily Exo side table, the Imperial Exo poker table, and the Opihi Exo library table, all of which use noncorrosive materials to reinforce concrete externally rather than internally for an experiment in form and function. “I’m having fun and following nature,” says De Wulf. “My goal is to make fun, thoughtprovoking heirlooms out of the finest materials out there.” jamesdewulf.com
above: De Wulf designed the Imperial Exo poker table to “make the game of Texas Hold’em more of what it is: a battle.”
above: The Rooted wallcovering offers a large-scale, three-panel mural printed with silhouettes of trees.
right: Orchidea is a heavyweight polyester that’s ideal for upholstery or drapery.
“Love is in the air” is too perfect a catchphrase for Holly Hunt’s new collection of textiles and wallcoverings, Romantics. The line features elegant patterns and colorways meant to “evoke the spirit of young love, both warm and inviting, yet simultaneously sexy and daring.” Their words, not ours. Fabrics represented include velvet, jute, polyester, linen, bouclé, and chenille. Wallcoverings are made from a variety of eco-friendly materials that are easy to clean and designed to last. Prints for both categories run the gamut from solids to floral bouquets and mysterious forests. hollyhunt.com
below: The Briati is an elegant performance wallcovering made of ecofriendly woven glass with a large-scale geometric design.
No two homebuyers are the same. It’s a statement the team of designers and builders at Lee Wetherington Homes not only recognizes but have embraced spanning their over four-decades-long legacy on the Suncoast. For the award-winning local homebuilder, the residential construction process is a singular experience for each and every customer, in which “what could be”—homebuyers’ one-of-akind visions for Florida living—becomes reality in the form of incomparable custom homes.
It’s about creating a masterpiece that balances timeless style with innovative designs and impeccable durability, centered on the idea of not only satisfying but exceeding expectations. Having built more than 4,000 homes across Sarasota and Manatee counties, and in many fine communities, Lee Wetherington Homes has developed a reputation of trust, excellence and ingenuity in both the homebuilding industry and among its customers. For the team, their process is truly an art form—one based on consistency and experience.
For over 40 years, Lee Wetherington Homes has believed “consistency” is the foundation for incomparable art that reflects a homeowner’s singular vision of life on the Suncoast. This mastery of the basic elements of residential construction – what makes a custom home last a lifetime – lays the canvas for breathtaking designs combined with bold innovations. As a trusted local homebuilder, our individualized process results in fully custom homes, like the stunning Mainstay II, that evoke an experience. For us, turning your aspirations into a reality is truly our mainstay 941-922-3480
Trade Mark Interiors (TMI), a leading fullservice interior design firm, boasts a rich history of transforming spaces into personalized works of art using the fundamentals of psychology. Renowned for their published and awardwinning innovative designs and attention to detail, TMI has been a trailblazer in the industry for over two decades. Trade Mark Interiors combines creativity with functionality, ensuring every project reflects their clients’ unique tastes and lifestyles. Their portfolio showcases diverse residential projects, each a testament to their commitment to excellence. For inquiries or consultations, contact Trade Mark Interiors at 941.879.9494. To explore their impressive portfolio and services, visit their website at www. trademarkinteriordesign.com.
TRADE MARK INTERIORS
941-879-9494
3232 S. Tamiami Trail Sarasota, FL 34239 trademarkinteriordesign.com
Meg Krakowiak is an award-winning artist known for her intriguing color palettes and creating paintings that “Bring Happiness into Your Home.”
Krakowiak paints from a memory inspired by color, light and movement. That visual experience is exaggerated in her paintings, making a personal connection with the viewer and a sharing of those splendid colors in nature.
Working with designers and homeowners, Krakowiak also creates custom pieces where the imagery, size, and color palette are personalized to meet the clients’ individual style and needs. Creating a custom piece is a great way to bring the whole room together.
In 2010, Krakowiak launched her business model combining both her working studio and retail gallery into one space. One can enjoy watching her paint in the storefront windows or come in and meet the artist in person. Her studio/gallery is located on historic Palm Avenue in downtown Sarasota.
MEG KRAKOWIAK ART GALLERY
60 S. Palm Ave.
Sarasota, FL 34236
941-400-2478
megkrakowiakstudios.com
Whether alone or in combination with other materials, wood is setting the trend in outdoor furniture seating and accent pieces. Live-edge tables, large sculptural wood pieces, as well as pairings of teak wood with aluminum, ipe wood with wicker, or other stunning pairings set the stage for elegant outdoor living that meets the demands of modern life and the Florida climate.
Outdoor in the Sarasota Marketplace showroom is expanding to a total of 11,000 square feet of dedicated space in April. Discover these outdoor and latest trends at International Design Source (IDS), to-the-trade showrooms exclusively for interior design professionals with locations in Sarasota and Naples, Florida.
With over 90,000 square feet of floor space between nine showrooms, IDS houses a large collection of ready-to-go items and represents over 180 furniture, 55 fabric, and multiple accessory lines from the most respected names in the industry.
INTERNATIONAL DESIGN SOURCE
1781 Independence Blvd.
Sarasota, FL 34234
941-552-2550
ids1.com
A NEW RINGLING MUSEUM OF ART EXHIBITION INFORMED BY ARTIST MICHELE OKA DONER’S MEMORIES OF CHILDHOOD TOUCHES ON FLORIDA’S RAPIDLY CHANGING ECOSYSTEM
LEFT: In her book
A Seed Takes Root:
A True Story, Oka Doner reflects on her decades-long relationship with a 90-year-old banyan tree in Miami Beach.
As a child, Michele Oka Doner spent a great deal of her time outdoors. The Miami Beach-born and -raised, New York City-based multimedia artist has dedicated her career to interpreting her play-filled days in Florida in the 1940s and ’50s—a time before out-of-control real estate development, congested highways, and even air conditioning.
“We lived outside, at the beach, walking around and looking at things, sitting under trees for shade,” says Oka Doner. “As I grew up, I learned ways of addressing the world around me.”
The results of those early explorations now inform The True Story of Eve (through June 2), an exhibition at the Ringling Museum of Art in Sarasota. Featuring more than 60 works dating back to the 1960s, Oka Doner says the presentation is not a retrospective, but rather a collection of “pieces of a larger puzzle that fit together in some new way.” The show pays homage to Florida’s unique ecosystem while also reminding us of its fragile state.
A prolific artist, Oka Doner’s technique is varied to say the least. She works with paper, wood, bronze, silver, wax, glass, and ceramics, and has a penchant for
natural, found materials. Her themes draw from childhood memories, such as family trips to cities on Florida’s Gulf Coast, including Sanibel, Fort Myers, and Sarasota. “Those were long drives from Miami Beach on the Tamiami Trail,” recalls the artist. “Pastoral in some sense.”
Oka Doner first discovered her tools of expression as a college student and she remains inspired by her idyllic past: “I carry those days with me, and I think that’s what artists do, what they’re compelled to do,” she says. “Over the years, my work has become a narrative that I keep writing, adding new chapters, or a saga that’s both personal and transcendent.”
Although the artist’s work has been exhibited at notable institutions across the United States and Europe, this showcase at the Ringling (which owns three of her works as part of its permanent collection but had never before hosted an exhibit of her work) is rather close to her heart. “Showing at the Ringling is very special,” says Oka Doner. “It’s almost like an extension of my childhood.” ringling.org; micheleokadoner.com
above: A Seed Sprouted, 2021, is made on paper from a tree that survived being hit by a car, a fire, and a fungus.
left: Birth of Adam, 2007, consists of desiccated roots from sea oats.
below: The painting Midsummer Night’s Dream, 2016, was inspired by underwater photographs taken at the Port of Miami and created for the 30th anniversary of the Miami City Ballet, for which Oka Doner designed sets and costumes.
Science may seem to most like the opposite of art, but for painter Cat Tesla, they’re two parts of a whole.
Growing up in St. Louis, Missouri, Tesla excelled in the arts and sciences, but she wasn’t sure which of those directions her life would take. She picked the science path during college and eventually dove into a career as a genetic counselor, researcher, and faculty member at Atlanta’s Emory University. But, she never quite let go of her artistic aspirations.
“I think scientists are creative problem solvers, and that’s how I view painting,” she says. “You’re facing a blank canvas or piece of paper and you’re trying to transform it into something beautiful and meaningful.”
Ten years into her career, Tesla submitted some of her paintings into a juried art show as an experiment to test her talent. Not only did she sell nearly all the works she displayed, but she also
won an award and an offer of representation by a gallery. “It was a very big weekend,” she says with a laugh.
Little by little, Tesla began to step away from her science career and evolved into a full-time artist, focusing her efforts on nature-based abstraction paintings. “Nature is really my thing,” she says. “I spend time hiking or doing mindful meditation and ask myself, ‘What does nature feel like?’”
Her example draws reference to Claude Monet who famously said he wanted to paint the way a bird sings. “The language of abstract is expressing emotion,” adds Tesla, whose work is carried by multiple galleries in Florida and across the United States. “I’m really trying to express how it feels to be in nature.”
Tesla treats painting much like she did science. Her lab is now a studio on the eight-acre property she shares with her husband in North Port in Sarasota County. There, she creates commissions for corporate and private clients, and teaches workshops to budding artists (an unexpected pursuit born out of pandemic online demonstrations). With her students and herself, Tesla strives to combine strong marks with softer passes of her brush. “I paint from memory and feeling,” she explains. “I’m not trying to render anything realistically, but nature is active, and it’s always moving because it’s something that’s breathing, alive, and exciting.” artbycat.com
Treasure can be fleeting, sometimes crumbling in your hands or shattering in misstep. That’s true in life, as well as in art, insists Sarasota-based ceramicist Anja Palombo, who spends her days covered in clay creating sculptural pieces of porcelain and stoneware.
With her surroundings for inspiration and thoughts for company, Palombo considers what is possible as she pulls the clay taller or forms hollow spaces in the slippery medium before it hardens in the kiln, adjusting the firing temperatures to achieve the finish she desires. “You can’t get too attached,” she says. “Pottery is a character-building activity.”
Palombo (lover of Cycladic and Mycenaean art, the Bauhaus movement, Jean Arp, and Isamu Noguchi) was born in Hamburg, Germany, and has lived and worked in Turkey, India, and
above: In her studio, artist Anja Palombo tests the limits of clay on a daily basis. The craft of ceramics offers her time and opportunity for her thoughts and inspiration to come together.
a handful of cities across the United States before landing in Sarasota with her husband a decade ago. In many of these places—including here—she has taught aspiring artists the skills of her trade, always reminding them of the fragility of the work at hand. “Don’t fall in love with this beautiful thing because if you don’t drop it in the studio, you will probably drop it in the parking lot,” she likes to say. “And if it survives the ride home, your kid will drop it in the sink.” As she sees it, without risks—in the pottery studio or in life—the rewards aren’t as sweet: “You have to be a little bit reckless. That’s the fun of working with clay.”
The anthropomorphic results of Palombo’s recklessness can be found in private collections around the state, and for sale through the Soft Water Gallery in St. Petersburg, which represents her work. The artist’s forms run the gamut from bowls to vases to sculptures, and they reference everything from flowers to women’s bodies. At the time of our interview, she was focused on Head in the Clouds , an ongoing series inspired by clouds and how they connect us all through “the water, the beauty, and the data they hold.”
“My work is about seeing common subjects and themes and trying to understand them in fresh and deeper ways,” says Palombo. “We can only envision new things by synthesizing our experiences, observations, and insights. I am fascinated by the poetic and interconnected metaphors to be found in the mundane.” anjapalombo.com
PRESERVATION EFFORTS ARE HELPING TO ENSURE THE
SCHOOL OF ARCHITECTURE FOR GENERATIONS TO COME
Architecture has its own language , and those who depend upon the lexicon to bring their visions into reality speak volumes about one of the most dynamic words in their vernacular: legacy. Talented professionals understand that the concept has layers to it, and nowhere is this on fuller display than in Sarasota. A building is designed and built, but the preservation of the ideas that formed it are far from guaranteed into perpetuity, and Cynthia Peterson lives by this dictum. A certified archivist and an honorary member of the American Institute of Architects, Peterson is a long-time Sarasota resident who credits her husband Guy for inspiring her to want to ensure that a fuller definition of architectural heritage is cemented in Florida.
“My passion for the preservation of the important documents of our built environment was first instilled by my husband and his passion for architecture,” she says. “To see the transformation of a building from pencil to paper to its realization, and the effort and passion and talent to make that happen is a daunting process. Not preserving that history would be such a loss for our generation and for future generations. Every building has a story to tell—it’s our job as archivists to preserve those stories and to encourage all those who shape our built environment to learn from them.”
Peterson’s first concrete step on this journey to conservation began when she entered the renowned graduate library science program at Simmons College in Boston at 48. Through her studies, she had access
to the architecture archives at Harvard University and the Massachusetts Institute of Technology. “I was especially fortunate to be mentored by Nancy Schrock at MIT,” notes Peterson. “Not only did she lead the charge in the U.S. for a greater understanding of the importance of preserving architectural documents, but she also established some best practices for doing so.” Bringing the vision she gleaned from her time in Boston back to Florida, Peterson became the first curator of the University of Florida Smathers Libraries Architecture Archives in 2009. “As the curator, I was able to identify important historical collections and those of contemporary architects that need to be preserved,” she says.
Her route to and from Gainesville each week took Peterson past a mid-century building on Orange Avenue in downtown Sarasota that had seen better days. “I became fascinated with it, and I knew it needed to be brought back to a higher purpose,” she remembered. As the only remaining example of
above and right: Peterson was instrumental in the restoration and repurposing of the McCulloch Pavilion (once known as the Center for Architecture Sarasota), which now houses the Architecture Sarasota headquarters.
“Every building has a story to tell,” says Cynthia Peterson. “It’s our job as archivists to preserve those stories and to encourage all those who shape our built environment to learn from them.”
a commercial building with the hallmarks of the Sarasota School of Architecture, it now has a new life to live. “After we preserved the building and put it on the National Register of Historic Places, we developed programming to educate the Sarasota community about the important built environment we have inherited.” That programming has been expanded within the beautifully restored building now known as the McCulloch Pavilion, which houses the current Architecture Sarasota, an organization formed by an alliance between the Center for Architecture Sarasota and the Sarasota Architecture Foundation. The process of bringing the project to life was a rewarding one for Peterson: “I am incredibly grateful that the community in Sarasota embraced the project. We had such wide support from all those who wanted to see the restoration become a reality. I still look back in amazement that so many gave so much for a vision I had.”
Peterson has had her gloved fingers in a number of other important archives during the past several decades, and her talent for understanding that preserving legacy goes far beyond cinder blocks, two-by-fours, and sheetrock is transformative. Those who advocated for her honorary acceptance into the AIA touted her intelligence, energy, and creativity; made it clear they had witnessed her ability to effect positive change; and noted her passion for ensuring the built world has a champion. She’s living proof that abstract thought can become concrete reality if one has the conviction to translate it. architecturearchives.uflib.ufl.edu
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THE FOUNDERS OF HIVE ARCHITECTS ARE BUSY CRAFTING THE RESIDENCES OF SARASOTA’S FUTURE WHILE MAINTAINING A FIRM GRASP ON THE CITY’S DESIGN LEGACY
Guided and influenced by the principles of both the Sarasota School of Architecture movement in Florida and the Case Study Houses project in California, Joe Kelly and Gwen Leroy-Kelly, the founders of Hive Architects, are steadily turning out work that’s getting them noticed—both by their peers and the well-heeled buyers that flock to this part of Florida. The recent recipients of two AIA Florida Chapter awards hesitate to call their work tropical modernism, but their designs—of which there are many more to come—speak for themselves.
When did you know architecture was meant to be your profession?
Gwen Leroy-Kelly: My first day at the University of Florida changed my life. When our professor, Michael Kuenstle, started talking about design and architecture, it resonated with me in a way that had never happened
left: A constant connection to the exterior views of the Big Sarasota Pass and the downtown Sarasota skyline offers itself to this residence’s main pavilion. Elevated above the pool, the living room, dining room, and kitchen spaces flow seamlessly from one to the other.
before. I knew that architecture was my future. Joe Kelly: My father is a graphic designer, so I grew up surrounded by art and design. Later in high school, I had a good friend whose father was an architect, and their home influenced my understanding of how spaces can be designed to suit one’s lifestyle while taking advantage of the site and surrounding landscape. This was the point when the design influence from my father fused with the built environment and was the memory that pulled me back to architecture after first exploring a medical path in college. You opened the doors to Hive in 2016. What made you want to set up a studio here in Sarasota? JK: We once took a seminar about the Case Study Houses project that took place in California after World War II and focused on experimental modern residential designs. We both fell in love with the modern design’s simplicity, the materials and structural
Strategically placed vertical shading screens, deep overhangs, and nested windows emphasize the structure’s integrity through their adaptation and interplay with the Florida sun.
above: The conceptual idea for this home derives from the Japanese word shibusa. This concept encompasses a simple and subdued appearance but refined quality with economy of form, line, and effort, producing a timeless and tranquil aesthetic.
expression, and its relationship to the environment. The same thing happened when we explored the history of the Sarasota School of Architecture. As we see it, Sarasota is the perfect place to open an architectural practice focused on modern residential design.
How would you define the Hive style of architecture? GLK: Our practice focuses on modern designs that are influenced by the Sarasota School of Architecture movement in Florida and the Case Study Houses program in California, both of which took place from the mid 1940s to 1960s. Our designs are a modern adaptation of the elements that characterize both architectural movements and take into consideration Florida’s subtropical climate and landscape. It is paramount to adapt such designs in a functional manner that accommodates our clients’ modern lifestyles.
Who is the typical Hive client? Is there such a thing?
JK: Our clients appreciate our consistency in terms of design quality while providing a distinctly unique design approach and aesthetic. Our rigorous pre-design phase allows us to understand our client’s requirements and site conditions before conceiving a concept and schematic design. Each client is unique in their personality, lifestyle, and specific design requirements, and that is what seeds each project.
What are your pet peeves when it comes to design and architecture today? GLK: A large misunderstanding exists about true modern architecture and its underlying principles.
“Cut-and-paste modern” is quite prevalent in our region. That’s when parts and pieces of well-designed buildings are used as inspiration and interchangeably merged to create a singular design. This trend in Sarasota is detrimental to true modern architecture.
We can’t mention architecture these days without discussing climate change. In what ways do you address that in your
practice? JK: One primary way we address climate change is to be extremely efficient with our space planning to fit more program requirements in less space. Reducing the total area of a structure due to efficient planning is the easiest way to reduce your carbon footprint. Beyond this, we also design spaces with ample daylight to reduce daytime electrical requirements, shading elements to temper the hot Florida sun, and high-performance glass walls that can be opened during the cooler months for cross-ventilation and a connection to the outdoors. At the end of the day, what keeps you inspired and excited about your profession?
GLK: Clients who are as passionate as we are about modern architecture inspire us.
JK: Nothing is more motivating than our clients’ trust in our abilities to design a house that will be sensitive to their site, respond to their programmatic requirements, and function seamlessly to fit their lifestyles. Ultimately, we want our clients to have an emotional response that makes them feel uplifted by spaces that we tailor for them. hivearchitects.com
left: Like its owners demanded, this waterfront house was designed with interconnected spaces that work together yet are independent of one another.
above: A series of gardens dynamically located to be visible and accessible from the inside of the residence reinforces the connection between indoor and outdoor spaces.
right: In the living room, the pairing of hard surfaces, soft textiles, cold steel, and warm woods used in various combinations of scale and texture creates a harmonious yet dynamic balance that unifies the interiors in a dualistic language.
SARASOTA’S SIGNATURE PUBLIC PARK HAS TRANSFORMED THE CITY’S WATERFRONT WITH PLENTY OF GREEN SPACE AND ACTIVITIES FOR RESIDENTS AND VISITORS —AND ORGANIZERS SAY THEY’RE JUST GETTING STARTED
text KELLEY MARCELLUSA parking lot is the last thing that comes to mind for visitors to The Bay—Sarasota’s signature public park located on the water downtown—but that’s what once occupied two-thirds of the 53acre, city-owned parcel. A decade of planning turned 10 acres of that property into a blue-green oasis marked by walking trails, water access, live music, and more, all designed to enhance the city experience for residents and visitors. More than 300,000 people have visited The Bay so far, and almost 50,000 have taken part in the 600-plus no-cost activities that are hosted there.
The master plan for The Bay was designed in 2017 by Sasaki, a Boston-based multidiscipline design firm, and The Bay Park Conservancy was established in 2019 as a nonprofit consortium to spearhead the planning and financing of the project. The 10-day grand opening of phase one came in October 2022, a few weeks after Hurricane Ian devastated a large swath of Florida’s Gulf Coast. It was a reminder to The Bay Park Conservancy of another of The Bay’s goals: to protect the city and Sarasota Bay from environmental threats.
“We will expand the resilient shoreline so that it takes storm surges and can handle sea levels rising and does it in a way that when water flows off the site, it doesn’t pollute Sarasota Bay,” says Diana Shaheen, The Bay’s director of park guest experiences.
The Bay’s phase two is scheduled to break ground this summer, and it includes the transformation of 14 acres that will form a perimeter of three-quarters of the already completed portion of the park. “On the west side, we are going to replace the seawall, which is deteriorating, and add 20-plus day docks for boats so that people can come from all over, dock their boat, and come to the park or other places in downtown Sarasota,” says Shaheen about the shoreline and canal areas of The Bay. Also part of phase two (which is expected to be completed in late 2026 or early 2027) will be the establishment of a cultural district along North Tamiami Trail, with the addition of walkways, event space, and open gathering spaces which might be home to a green market. “We are really excited because the heart of the cultural district will become the town square, which doesn’t exist anywhere in Sarasota,” adds Shaheen.
The final portion of phase two will be the addition of a sunset pier, which will jut from the western end of the existing promenade into the bay, providing 360-degree waterfront views, as
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well as areas for paddling, fishing, and wading. The construction of the pier is somewhat uncertain as The Bay awaits approval of the Army Corps of Engineers. “The timing on that one is outside of our control,” says Shaheen, although the $65 million funding for all of phase two, including the pier, has already been secured through city and county incremental tax bonds and governmental grants. Phase one was 90 percent funded from private sources.
Going forward, The Bay will be home to a performing arts center—which brings up the question of what will happen to the much-loved Van Wezel Performing Arts Hall that was built on the waterfront in the late 1960s. Other buildings on the grounds such as Selby Library, which was Sarasota’s first public library, will be restored and given new purpose. The entire project is expected to be completed in eight to 10 years over the course of four phases, costing an estimated $175 million to $200 million with the intention to protect and preserve Sarasota’s waterfront in perpetuity. thebaysarasota.org
An aerial view of the completed 10 acres of The Bay shows its walking trails, The Nest concessions area, walkways, playground, green space, sunset deck and beach area, kayak launch, and welcome center.
above: A rendering of the resilient shoreline planned in The Bay’s second phase, which is anticipated to open in late 2026 or early 2027, featuring elevated walkways, a sunset pier, and day slips for boaters
In downtown St. Louis, a museum of twenty-first century artists is open 24-hours a day, seven days a week, 365 days a year. There’s no charge for admission, the place is amiable to business meetings and coffee dates, and those who want can even spend the night. The 21c Museum Hotel is the brainchild of Laura Lee Brown and Steve Wilson, avid art collectors and historic preservationists from Louisville, Kentucky, who opened the first 21c Museum Hotel in 2006. Their goal, according to Alice Gray Stites, the company’s chief curator and museum director, was “to make contemporary art more accessible to the public and help revitalize the economy” of the urban cores where the museum hotels are located.
True to that mission, the 21c St. Louis (the eighth such venue) is housed within a historic 1928 Renaissance Revival-style building (once a YMCA) that’s been reimagined as 173 hotel rooms, a spa and swim club, a coffee shop, and a restaurant. Said transformation was spearheaded by Perfido Weiskopf Wagstaff + Goettel, Hufft Projects, and Bill Rooney Studio, the three firms that oversaw the architecture and interior design.
Upon setting foot on property, it’s clear the star here is the art. Entering the lobby, attention immediately falls on O by Serkan Ozkaya, an eight-foot, plexiglass orb filled with water that refracts and reflects everything around it, changing one’s perspective of the space instantly.
Site-specific art installations were commissioned for most of the public spaces of the 21c Museum Hotel’s St. Louis location. O by Serkan Ozkaya is an eight-foot in diameter spherical orb filled with distilled water to magnify, diffract, and alter the surrounding hotel reception area.
above: Until We Meet Again by Nick Cave and Bob Faust was specifically created for the hotel’s Good Press coffee shop.
The main stairwell, connecting three stories, is home to the installation The Way Out West by David Allen Burns and Austin Young (the duo known as Fallen Fruit). This profusion of St. Louis-inspired imagery takes over the steps and walls of the stairwell, enveloping the visitor in a story of colorful blooms and birds. On the ceiling of the Good Press coffee shop, Until We Meet Again, a kaleidoscopic piece commissioned from Missourian Nick Cave and his partner Bob Faust, delights the eye with its three-dimensionality.
“I n terms of spatial connections, you can stand [in the lobby] and see how the art connects between the ballrooms, restaurant, and galleries in a complete holistic exhibition,” says Stites. “That’s often challenging to do in historic buildings [like this one.]”
Ar t encounters are par for the course at the rest of the property as well. Contemporary paintings and photographs electrify the Old-World social club vibe of the billiards room. At the on-site restaurant Idol Wolf, the imagery alludes to the menu’s Iberian sensibilities.
Water-themed artworks set the right tone in the pool and spa complex. And in the rooms and suites, pieces by Carmon Colangelo, Collin W. Elliott, Brandon Forrest, Bethanie Irons, and La Vispera become part of the guest’s own private collection—albeit for the length of their stay.
More traditional art viewing experiences happen in the 21c’s galleries on the first and second floors. Such is the case with Revival: Digging Into Yesterday, Planting Tomorrow, the venue’s inaugural exhibition, which runs through June 2024. This group showcase features the work of 47 local and globally known artists whose paintings, sculptures, photography, videos, textiles, and multimedia works explore the influences of the past on the present. “Reviving complex histories from a global spectrum of sources that are alternately inspiring and challenging, the artworks on view highlight how paths forward often lead back, and then through, summoning reframing, transformation, and transcendence,” says Stites. “Listening to these echoes can spur a deeper understanding of where we have come from, where we are, and where we are going.”
The 21c’s commitment to art goes beyond just showcasing it, however. The nearby Laumeir Sculpture Park sponsors an artist-in-residence curriculum whose participants stay at the hotel during the program. Partnerships with other local cultural institutions and universities are being explored. And, as of press time, a robust program of lectures, workshops, tours, performances, and film screenings was in the works.
“Art is a platform to engage with others,” says Stites. “We are excited to [show St. Louis] what a difference it can make in people’s lives.” 21cmuseumhotels.com/stlouis
AFTER A LIFETIME OF DESIGNING RESIDENCES FOR OTHERS, AN ARCHITECT FINDS A PRIME LOT IN BRADENTON FOR HIS DREAM HOME NEXT TO THE MANATEE RIVER
IF THE OLD STORY ABOUT the cobbler’s children going without shoes holds true, then it’s fitting that Jim Schmidt didn’t have the opportunity to design a home for himself and his wife, Ann, until just before he retired from MKC Architects in Columbus, Ohio. The couple had been crisscrossing Florida, visiting Boca Raton, Naples, and Sarasota, before setting their sights on the region to the south of Tampa. Anna Maria Island or Longboat Key seemed likely spots to lay
The terraced backyard offers walkways from the interior of the home, through the lanai to a sun deck and then a fire pit and on to the dock. The interior of the pool and the spill-over wall was customized in a shade of blue to match the color of the Manatee River.
down roots, though the traffic and transient nature of those places weren’t quite what their hearts desired. Enter Bradenton—specifically the historic homes along Riverview Boulevard. The location was a boater’s dream, only three miles from the beach, and with access to all of Tampa Bay and Sarasota Bay.
“This is definitely a neighborhood where people live year-round,” says Schmidt. “We liked that it’s not all rentals, and from a boating standpoint, it’s really an ideal location to be in.”
In 2016, the couple moved into a place a mile or so from the spot they’d eventually call home. “There are some really beautiful homes [on Riverview], but most of them are older and it’s rare for a lot to become available,” says Schmidt. “But then one did.” The architect didn’t hesitate and promptly purchased the land.
Schmidt was still working full-time when he began designing what started out as a modern farmhouse that evolved, he says, into something different. He was aware of the historic legacy of the neighborhood and wanted to create something modern, but not out of place with the houses that were already there. He considered the typology of homes constructed in the early 20th century, and
The exaggerated oven hood in the kitchen is located directly across from the living room’s soaring fireplace and built on a similar scale. It features an elevated window for extra light.
decided he needed to lean into those traditional forms and shapes. He came up with the ideal compromise, a structure that’s modern enough for his sensibilities yet still blends into the context of the neighborhood.
The house consists of two portions divided by a central foyer that leads from the front door through the public living spaces to the lanai, and then all the way to the shores of the Manatee River. On the other side of the walkway is the twostory private portion of the building, with the primary suite on the first floor and two guest bedrooms and an office.
“Even though it’s an asymmetrical house, it’s organized
right: Just outside the dining room, this patio offers an intimate outdoor nook with plenty of morning sun. As the sun moves across the sky, the homeowners tend to follow.
below: With its lower ceiling, the dining room is a cozy spot to entertain. The oversized windows give occupants the feeling of dining alfresco. The elevated square windows offer privacy from the entryway and act as frames for the landscaping outside.
very symmetrically,” says Schmidt, referencing the walls, columns, staircase, fireplace, and stove hood aligning to maximize movement and the natural light made possible by 13 larger-than-usual windows. The buildout took nearly two years to complete—in small part because those windows and other elements were held up in pandemic-era supply chain issues—before the couple set up residence in February 2022. Both husband and wife agree the wait was worth it.
To a ssure that all the aesthetic elements of the property, both inside and out, were consciously thought through, Schmidt and his wife hired a landscape architect and an interior designer. In terms of the interiors, the entire palette for the house is extremely neutral—white, black, native coral stone, and oak. The wooden trusses are finished slightly darker than the pickled oak floors to evoke the sensibilities of a timber frame house. The light fixtures are bold, and in some cases oversized to fill the expansive spaces with
The neutral palette and fuss-free design of the primary bedroom focuses the attention on the expansive window and its view of the Manatee River.
right: The vanity in the primary bathroom features an exaggerated marble backsplash and countertop and oversized overhead light and sconces. “All the ceilings in the house are 10foot ceilings, the doors are nine-foot doors, and the baseboards are eight-inch baseboards,” says Schmidt. “Everything is big, so the lights needed to be a little overstated as well.”
above: With a northwestern exposure, the home boasts a view of the sunset at an interesting angle, while the terraced decks encourage visitors to wander between the lap and infinity pools.
left: The residence’s outdoor spaces are as livable as those indoors. This loggia features a coral stone fireplace, coffered oak ceilings, a kitchen, and plenty of seating.
warm, ambient lighting. From the water, Schmidt says, it’s easy to find his way home by the glow cast over the river.
When color is introduced, it’s purposeful. Schmidt points to the artwork on either side of the fireplace in the great room seating nook as an example. Commissioned by local artist William Corr, one references the couple’s Midwestern roots and the other illustrates the coastal lifestyle they now enjoy in Florida. The pool features a deep blue that’s intended to match the color of the river, making the spill-over infinity edge visually meld with the natural body of water.
“I’ve designed houses for many other people, but never one for myself,” says Schmidt. “This is the first one. It was fun. And it was about time.”
SOURCES
BACK EXTERIOR
Lounges and chairs – RH, Tampa, FL
Fire pit – RH, Tampa, FL
Pool designed by Michael L. Gilkey, Sarasota, FL, and fabricated by Tom Sanger Pool and Spa, Bradenton, FL
LIVING ROOM
Sofas – RH, Tampa, FL
Chairs – RH, Tampa, FL
Cocktail table – RH, Tampa, FL
Sofa back console – RH, Tampa, FL
Chandelier – RH, Tampa, FL
Floor lamps – RH, Tampa, FL
Area rug – RH, Tampa, FL
KITCHEN
Cabinetry and island designed by Campbell Cabinetry Designs, Sarasota, FL, and fabricated by Campbell Cabinetry Designs, Sarasota, FL
Hood – Wolf, Ferguson Enterprises, Sarasota, FL
Stools – RH, Tampa, FL
Pendant lighting – RH, Tampa, FL
Wall lighting – RH, Tampa, FL
DINING ROOM
Table – RH, Tampa, FL
Chairs – RH, Tampa, FL
Chandelier – RH, Tampa, FL
PRIMARY BATHROOM
Shower designed by Jim Schmidt, MKC Architects, Columbus, OH, and fabricated by Ross Built Custom Homes, Bradenton, FL
Tub – Kohler, Ferguson Enterprises, Sarasota, FL
PRIMARY BEDROOM
Bed – RH, Tampa, FL
Dresser – RH, Tampa, FL
Chair – RH, Tampa, FL
Area rug – RH, Tampa, FL
LOGGIA
Seating area – RH, Tampa, FL
Cocktail table – RH, Tampa, FL
Drink table – RH, Tampa, FL
Dining table – RH, Tampa, FL
Chairs – RH, Tampa, FL
Exterior architecture – MKC Architects, Columbus, OH
Builder – Ross Built Custom Homes, Bradenton, FL
Landscape architecture – Michael L. Gilkey, Sarasota, FL
A LOCAL TASTEMAKER HONORS THE CITY’S HOMEGROWN DESIGN STYLE IN HER OWN WAY AT A LIGHT-FILLED SKY RESIDENCE OVERLOOKING SARASOTA BAY
CHARACTERIZED BY SWEEPING WINDOWS, open living spaces, and clean, contemporary sight lines designed to maximize Florida’s broad horizontal landscape, abundant sunshine, and continually moving air, the Sarasota School style is synonymous with Sarasota for obvious reasons. When a couple from Maryland recently purchased one of the 23 condominiums in the Epoch building on Gulfstream Avenue, they appreciated the unit’s interpretation of the mid-century design but were eager to make it their own.
“They wanted the residence’s look to be minimalistic to maintain the purity of form and the timelessness,” says interior designer Gail Carlson, who was tasked with customizing the 3,681-squarefoot residence. “They also wanted to personalize the space, to make it inviting and approachable with a focus on quality and luxury.”
Soft colors and varying textures helped Carlson achieve this goal, as she remained focused on maximizing the apartment’s incredible views of Sarasota Bay and the skyline beyond. Epoch was constructed in 2021 with massive floor-to-ceiling windows and cantilevered overhangs that allow
interior design GAIL CARLSON, STUDIO G HOME , SARASOTA text KELLEY MARCELLUS photography RYAN GAMMA, SARASOTA, FL right: The residence’s private elevator lobby was designed to create a sense of anticipation, with custom walnut panels (in a honeycomb pattern) against a wallpaper composed of cork with a hint of metallic threads that catch the light cast by the sconces and Moooi light fixture. The artwork here and throughout the residence was curated by Tre Michel of State of the Arts Gallery in Sarasota.
“The homeowners wanted the residence’s look to be minimalistic to maintain the purity of form and the timelessness,” says interior designer Gail Carlson. “They also wanted to personalize the space, to make it inviting and approachable with a focus on quality and luxury.”
With sweeping views of the city skyline and Sarasota Bay, the great room is awash in natural light, which filters in through a cantilevered overhang. The sculptural chandelier over the dining table is reminiscent of birds in midflight. A secondary focal point comes from the monolithic, bioethanol fireplace with a television mounted on top.
natural light to flood its apartments. “The structure’s style of construction created patterns of ever-changing light and breeze,” says Carlson, “and that’s one of the things I love most about the building.”
Ca rlson and her team opted for furnishings and design accessories (many of which came from the designer’s two showrooms in the city) that are neutral and light, offering a simple elegance that is at home with the architecture. Leather swivel chairs in the great room easily turn to the windows to reveal gorgeous sunsets over the water. When the owners wanted custom, Carlson was game. Case in point: a living room fireplace that burns bioethanol fuel and results in “more or less a monolith” that stops just short of the ceiling.
Wh ile the residence is exposed to abundant natural light, the designer also relied on fixtures to highlight focal points. In front of the fireplace and off-center in the room is a light installation that Carlson describes
as “a bit like a constellation” to further draw attention. In fact, the designer carefully chose lighting pieces that are organic in form—some reminiscent of birds in flight and others that allow air movement through them. In the kitchen, ceiling pendants virtually disappear, allowing for an open sightline through the minimalistic space, which is accented by the soft luminescence of the glass tile backsplash and quartzite island countertop.
Ar tworks in the residence, curated by Tre Michel of State of the Arts Gallery in Sarasota, infuse color and mid-century modern sensibilities while carefully placed biophilia (including orchids, a fig tree, a slice of exotic wood, and a cloud-inspired light fixture in the primary bedroom) creates connection to the outdoors. “In our projects, we always like to incorporate a feeling of being attuned to nature,” says Carlson, noting that’s an important tenet of the Sarasota School movement.
“This project was defined by the contrast of light and shadow, softened materials, and design ideas that harmonize together and don’t detract from the residence’s optimal views,” says Carlson. “Those are the qualities that elevate the art of living.”
above: To break up the austerity of the all-white kitchen, the design team extended the existing white cabinetry to the ceiling to maximize storage and added a quartzite island countertop and a glass-tile backsplash that offers translucency and reflected light.
right: An unused niche adjacent to a structural column was transformed into functional space with the installation of a wet bar with a back-lit glass countertop that changes colors.
below: Situated near the guest bedrooms, this den area offers guests a cozy place to unwind.
The TV console and coffee tables add movement to the space with their diagonal lines.
SOURCES
ELEVATOR LOBBY
Console – Interlude Home, Studio G Home, Sarasota, FL
Ottomans – Interlude Home, Studio G Home, Sarasota, FL
Chandelier – Moooi, Light Up Your Life, Sarasota, FL
Wall panels – Greg Pennenga, Sarasota, FL
Art – Alexa Snyder, State of the Arts Gallery, Sarasota, FL
LIVING ROOM
Sofa – Bracci, Shibui at Home, Sarasota, FL
Chair and ottoman – Bracci, Shibui at Home, Sarasota, FL
Cocktail table – Century Furniture, Studio G Home, Sarasota, FL
Accent table – Arteriors, Studio G Home, Sarasota, FL
Fireplace installation – European Marble, Sarasota, FL
DINING AREA
Table and chairs – Bontempi, Studio G Home, Sarasota, FL
Chandelier – Artemide, artemide.com
Area rug – Feizy, Shibui at Home, Sarasota, FL
KITCHEN
Kitchen cabinetry – Cucine Ricci, Sarasota, FL
Stools – Enrico Pellizzoi, Cascina La Valle, Italy
Chandelier and pendant lighting – Sonneman Lighting, Studio G Home, Sarasota, FL
FAMILY ROOM
Sleeper sofa – Bracci, Shibui at Home, Sarasota, FL
Cocktail table – Arteriors, Studio G Home, Sarasota, FL
Buffet – Esseneza, Studio G Home, Sarasota, FL
Chandelier – Moooi, Light Up Your Life, Sarasota, FL
PRIMARY BEDROOM
Bed and headboard –Taracea, Shibui at Home, Sarasota, FL
Art over bed – Brian Miller, State of the Arts Gallery, Sarasota, FL
Bench – Arteriors, Studio G Home, Sarasota, FL
Dresser – Interlude Home, Studio G Home, Sarasota, FL
Desk – Hickory White, Studio G Home, Sarasota, FL
Chair – Bontempi, Studio G Home, Sarasota, FL
Chandelier – Arturo Alvarez, New York, NY
Area rug – Feizy, Shibui At Home, Sarasota, FL
PRIMARY BATHROOM
Cabinetry – Cucine Ricci, Sarasota, FL
Lava stone – La Casa Tile, Sarasota, FL
THROUGHOUT
Bar cabinetry – Epoch Solutions, Bradenton, FL
left: In the elegant primary bedroom, the dresser is made of faux stingray shagreen, while the wool rug boasts a soft wave with an alternating high/low pile. Overhead, a perforated stainless steel light fixture hangs cloudlike, bathing the room in a soft, romantic light.
below: Elevating the existing primary bathroom by installing lava stone tiles helped to add variation in texture. The addition of back-lit mirrors and decorative fixtures introduced different layers of illumination.
DRAWING INSPIRATION FROM MID-CENTURY MODERN ARCHITECTURE, AN A-TEAM OF DESIGNERS CRAFT A SPOT-ON SECOND HOME ON SIESTA KEY
interior
text JEANNE DE LATHOUDER
photography MOLLY ROSE, CHARLESTON, SC
design JANNA MCCALLEY, JANNA MCCALLEY INTERIORS, MARION, IA
VICKI AND DAVE DROWN thought finding an ideal second home on the Suncoast was difficult enough, but the couple discovered the true meaning of the word when they began the interior design process in the midst of the COVID pandemic from miles away in Iowa.
New empty-nesters, the Drowns encountered their dream perch in Siesta Key: a 2,200-square-foot condominium at the Terra East tower on Ocean Boulevard that they wasted no time in acquiring. With optimal views of the Gulf of Mexico, the residence was a rare find on the key, one of only two such units in the building. The husband and wife were ecstatic.
“The Sarasota community offers so many amenities that are important to us and our family,” says Vicki. “We all love the live music scene, the restaurants, and pristine beaches. It’s our relaxing ‘happy place,’ where family and friends can enjoy vacations and make memories together for years.”
When they decided to renovate the apartment down to the studs, the couple had the opportunity to go in any design direction but quickly landed on mid-century modern, a style reflected on the building’s architecture and one their entire family appreciates. They initially hired a local Sarasota team, including J.B. Kent Construction,
above: Custom built-in cabinetry integrates slatted wood detailing and provides a mix of concealed storage for games, books, and display space. The homeowners’ classic Herman Miller Noguchi table plays off the elegant, clean lines of a Thayer Coggin sofa and a pair of oak and paper-cord easy chairs by Carl Hansen & Søn. Custom pillows introduce color and pattern to the room.
above: Upholstered in Holly Hunt fabric, a Fredericia Swoon chair emulates the curves of the Noguchi table and brings a soft contrast to the room’s linear features. A white lamp and spun resin table create crisp accents.
right: Lina swivel chairs from Design Within Reach provide cozy conversation seating in the bar area. Their curvy forms complement a round oak coffee table from Lawson-Fenning. A 1950s photograph by Slim Aarons brings vintage flair to the built-in cabinetry.
Billue Guignard of Metro Cabinet Company, and architect Leonardo Lunardi, who drew up the floor and electrical plans and agreed to be the eyes on the project. “Our remodel kicked off in 2020, but the onset of COVID brought real challenges and delays to our project,” says Dave. “We flew home to Iowa with only a small sample of floor tile in hand.”
Even with local talent involved, the project stalled, and challenges such as sourcing products and making final decisions arose. That’s when the couple decided to reach out to interior designer (and overall problem solver) Janna McCalley in Marion, Iowa, to take charge of the residence’s aesthetics and come up with solutions for selecting and ordering cabinetry, furnishings, textiles, and window treatments.
“Our inspiration for this project was both the oceanfront location and the architecture of Terrace East,” says McCalley. “Due to its concrete structure, the building has limitations, so we embraced the lower
left: Slatted white oak walls and a floating console table with a glossy white surface lend sophisticated textural elements to the foyer. Handblown opal glass sconces from Lightmaker Studio flank a commissioned abstract by McKenzie Dove.
below: A slatted-wood entrance door integrates with the slatted wall treatment, creating an architectural accent that outshines an ordinary flat-panel door. A woven bench and randomly placed sculptural hooks contribute an organic vibe.
ceilings and smaller footprint in some spaces, making sure our selections were intentional and special.”
The tropical surroundings influenced a palette of neutral tones, soft colors, and natural materials. These elements, along with the couple’s taste for artisan and handmade pieces, established the design direction. Avid entertainers who enjoy hosting neighbors and family get-togethers with their grandkids, the homeowners wanted their spaces to feel uncluttered, relaxing, and inviting, while ensuring the furnishings were durable and livable.
“Dave enjoys cooking, and we love hosting gatherings,” says Vicki. “The friends we’ve made here have become such an important part of our lives, and the bar area has become one of our favorite spots for casual conversation and cocktails. Surrounded by floor-to-ceiling windows, the room creates a treehouse feel, with palm trees on one side and panoramic gulf views on the other.”
The primary bedroom showcases an upholstered linen bed with a white oak frame from Lawson-Fenning. Its low profile befits the room’s scale while highlighting a pair of textural mixed-media paintings by Tracy Holt. Accents include aged-brass swing arm sconces and a gold ceiling fixture.
SOURCES
LIVING AREA
Sofa – Thayer Coggin, Francis King, Minneapolis, MN
Armchairs – Hans Wegner, Carl Hansen & Son, Design Within Reach, Chicago, IL
Chair and ottoman – West Out East, New York, NY
Cocktail table – Isamu Noguchi, Herman Miller, Design Within Reach, Chicago, IL
Side table – Mr. Brown London, High Point, NC
Floor lamp – Visual Comfort, Dallas, TX
Cabinetry - North American Cabinets, Metro Cabinet Company,
Sarasota, FL
Area rug – Lee Jofa Carpet, Kravet, Minneapolis, MN
DINING AREA
Table – Jacob Plejdrup, dk3, Design Within Reach, Chicago, IL
Chairs – Hans Wegner, Carl Hansen & Son, Design Within Reach, Chicago, IL
Chandelier – Lindsey Adelman Studio, New York, NY
CONVERSATIONAL SEATING
Swivel chairs – Hlynur Atlason, Design Within Reach, Chicago, IL
Cocktail table – Lawson-Fenning, Los Angeles, CA
Bar cabinetry – North American Cabinets, Metro Cabinet Company,
Sarasota, FL KITCHEN
Cabinetry and island – North American Cabinets, Metro Cabinet Company, Sarasota, FL
Stools – Hee Welling, HAY, Design Within Reach, Chicago, IL
Lighting – Cedar and Moss, Clackamas, OR
PRIMARY BEDROOM
Bed and headboard – Lawson-Fenning, Los Angeles, CA
Side table – Lawson-Fenning, Los Angeles, CA
Wall lamps – Hector Finch, Michael Cleary, Chicago, IL
Chandelier – Lawson-Fenning, Los Angeles, CA
Cabinetry
Mirror – Regina Andrew,
THROUGHOUT
Architecture – Leonardo Lunardi, Lunardi Architects, Sarasota, FL
Contractor – J.B. Kent Construnction, Sarasota, FL
Cabinetry supplier – Billue Guignard, Metro Cabinet Company, Sarasota, FL
Millwork – J.B. Kent Construction, Sarasota, FL
left: The primary bathroom’s white handmade ceramic tiles create a light and airy feel in a small space. A white oak vanity, polished nickel Brizo fixtures, and antique brass accents bring warm contrast to the hard surfaces.
below: A slatted wood panel next to the walk-in closet brings architectural interest while creating a quaint dressing nook. Behind it, a tall brass-framed mirror from Made Goods counterbalances a bouclé bench from Mr. Brown London.
Throughout the home, McCalley incorporated an impeccable blend of classic f urniture pieces, textured fabrics, organic shapes, and natural materials to amplify the mid-century modern aesthetic. “Installing this project was a rewarding experience, and the project location was an added bonus,” she says. Due to delays with large items, including flooring and hurricane windows, many materials had to be accepted by a receiver and sit in storage for several months. Once the project was nearly complete, McCalley and her assistant traveled to Siesta Key to accept final deliveries and set up the condo before the homeowners arrived.
“Janna went above and beyond with our Florida home,” says Vicki. “Despite the unusual circumstances, she helped us create a space that is cohesive, ultimately bringing our vision to amazing reality.”
Area rug – Armadillo, New York, NY
PRIMARY BATHROOM
– North American Cabinets, Metro Cabinet Company, Sarasota, FL
Wyandotte, MI
IN LONGBOAT KEY, A CONDOMINIUM ECHOES ITS IDYLLIC BEACHSIDE SETTING WITH ELEGANT COASTAL DESIGN TOUCHES AND AQUA ACCENTS GALORE
interior
text
photography
design CHELSEA POTTHAST, POTTHAST DESIGN, ST. PETERSBURG, FL
JEANNE DE LATHOUDER
NICHOLAS FERRIS, SARASOTA, FL
above: To avoid demolishing the existing tile floor, the homeowners floated luxury vinyl tile flooring in the foyer and throughout. A Kate Spade lighting fixture illuminates the entrance, defined by a textured Stark area rug. A Mercana beaded mirror punctuates a white rattan console table from Elk.
“The condo has access to a private beach with silky, soft white sand visible from the windows,” says designer Chelsea Potthast. “To echo this picturesque setting, our team drew inspiration from the light aqua Gulf waters and the sugary sand.”
AFTER JUST A FEW DAYS of surf and sun in Longboat Key, a vacationing couple fell in love with the area. The romance endured and by the next year, the husband and wife had purchased a unit in the same complex they had visited, sight unseen.
The charm is obvious. The gleaming mid-century building, located in an exclusive community within the lavish Longboat Key Club, is surrounded by the Gulf of Mexico on two sides and offers private beach access. And just a few miles away, Sarasota’s quaint St. Armands Circle awaits with the area’s best shopping and dining options.
“Our new home lets us enjoy the beautiful views of the Gulf and the peacefulness of the surrounding nature,” says the owner. “We love having close access to St. Armands and the rich culture of Sarasota.”
After acquiring the 1,900-square-foot, three-bedroom residence, the couple immediately hired St. Petersburg designer Chelsea Potthast to oversee an interiors overhaul. “The project’s goal was to elevate design and functionality and breathe new life into the spaces to create a sanctuary of tranquility and style,” says Potthast, who wasted no time in hiring vendors, including Creative Kitchens & Baths and Campbell Cabinetry Designs, once her design vision was approved.
A brilliant white chandelier from Oly Designs complements a dining table from Villa and House and a mix of bamboo chairs from David Francis. A seascape print by Dana Gibson enhances the beachy color palette.
“During our first meeting with Chelsea, we asked her to create a space that emanates quiet beauty,” says the homeowner. “And she did exactly that, providing us with perfect choices and guiding us through the entire process. Chelsea and her team worked directly with the vendors and contractor, and handled every detail to ensure we were completely satisfied. They were amazing.”
The apartment’s design aesthetic merges with its private beach setting of silky white sand and blue water visible from the windows. To echo this picture, Potthast and her team drew inspiration from the light aqua Gulf waters and the sugary sand, and enhanced the design with navy and coral accent hues. “While we sought to employ the golden rule of ‘form follows function,’ we did not compromise on aesthetics,” says Potthast. “The furniture and fabric selections also played a pivotal role in channeling the renewed ambiance of the condo.”
The Northeast owners primarily use this property as a vacation home and they love hosting their friends and
below: An aqua palette flows into the guest bath, with a custom vanity topped in Calacatta marble. An opaque white lighting fixture from Visual Comfort echoes the lustrous sheen of a mother-of-pearl mirror from Regina Andrew.
entertaining family for the holidays. “We really enjoyed the creative latitude that the client afforded us on this project,” says Potthast. “We were able to maximize the aesthetic of each room by replacing all the finishes, adding gorgeous light fixtures throughout, as well as all-new furnishings, mirrors, artwork—you name it.”
To befit the grand proportions of the great room, a massive sectional sofa upholstered in plush performance fabric takes the spotlight, along with a glossy white baby grand piano. Swivel lounge chairs dressed in aqua-toned fabrics emanate casual comfort while maintaining a crisp, contemporary appearance. Potthast also chose a custom-designed, diamond-patterned area rug to anchor the space and generate an elegant landing for the abundance of furnishings. “We opted for a Samsung Frame TV for its slim profile and ability to blend into the interiors when not in use,” notes the designer. “For the media unit, we went with a pale custom color, instead of white or wood, and added gold mica-flecked wallpaper behind it to bring texture and elegance to an otherwise plain wall.”
With the help of Campbell Cabinetry Designs, the reconfigured kitchen facilitates a seamless flow between dining and living spaces. The tile backsplash composes an essential focal point covering the entire back wall of the unit. “Here, we opted for a subtle and elegant stone basketweave mosaic to brighten the room
The primary bedroom’s views are maximized by window treatments framing the Gulf of Mexico. Soft shades from Horizon Window Fashions pair with side panels made of Calvin Fabrics from Ammon Hickson for a clean, beachy aesthetic. Showcasing the room’s ample proportions, a bamboo-inspired bed from Old Biscayne blends with white Villa & House nightstands and Chelsea House lamps.
Dressed in tranquil turquoise and aqua hues, a guest bedroom features a tropical-inspired Old Biscayne bed with a headboard upholstered in a patterned fabric by Dana Gibson for Duralee. A playful agate pattern fabric from Kravet covers a Lexington Home occasional chair.
SOURCES
GREAT ROOM
Sofa – Bernhardt, bernhardt.com
Club chairs – Bernhardt, bernhardt.com
Cocktail table – Old Biscayne Designs, oldbiscaynedesigns.com
Side table with wicker – Worlds Away, worlds-away.com
Drink table with gold legs – Chelsea House, chelseahouseinc.com
Floor lamp – Wildwood Home, wildwoodhome.com
Sconces – Wildwood Home, wildwoodhome.com
Wallcovering – Wolf-Gordon, wolfgordon.com
Area rug – Jamie Stern, jamiesterndesign.com
FOYER
Console – Elk Home, elkhome.com
Lamps – Wildwood Home, wildwoodhome.com
Mirror – Mercana, mercana.com
Ceiling fixture – Visual Comfort, Miami, FL
Area rug – Stark Carpet, Hollywood, FL
KITCHEN AND DINING AREA
Kitchen cabinetry designed by Potthast Design, St. Petersburg, FL, and fabricated by Campbell Cabinetry Designs of Sarasota, Sarasota, FL
Stools – Essentials for Living, essentialsforliving.com
Table – Villa & House, vandh.com
Chairs – David Francis, Vero Beach, FL
Fabric – CW Stockwell, cwstockwell.com
Chandelier – Oly Studio, olystudio.com
Bar – Campbell Cabinetry Designs of Sarasota, Sarasota, FL
Wallcovering – Tile Bar, tilebar.com
POWDER ROOM
Cabinetry – Creative Kitchens and Baths, Longboat Key, FL
Mirror – Regina Andrew, reginaandrew.com
Lighting – Visual Comfort, Miami, FL
GUEST BEDROOM
Bed and headboard – David Francis, Vero Beach, FL
Bedside chest – Four Hands, fourhands.com
Lamp – Worlds Away, worlds-away.com
PRIMARY BEDROOM
Bed and headboard – Old Biscayne Designs, oldbiscaynedesigns.com
Bedside chest – Worlds Away, worlds-away.com
Lamps – Worlds Away, worlds-away.com
and give a nod to Old Florida style,” says Potthast. “Sleek GE Café appliances and soft aqua cabinetry elevate the design.”
Deeper aqua tones energize the guest bedroom and bath, lending a beach-inspired aesthetic enhanced with mother-of-pearl accents, luminous gold hardware, and bright white furnishings. Infused with an unexpected splash of color, an adorable twin bedroom wows with vibrant green, canary yellow, and brilliant coral red colors. But the ultimate retreat awaits in the primary suite, with a mesmerizing panoramic vista of the Gulf of Mexico. Potthast enhanced the view with ethereal drapery panels that frame the ever-changing seascape.
“We are so grateful to have found Chelsea and her talented craftspeople to help us create our sanctuary in Longboat Key,” says the homeowner. “We love spending time here with family and friends, and we feel truly blessed to share our piece of paradise with the people we love.”
below: In the primary bathroom, a calming white palette enhanced with gleaming gold plumbing fixtures, gold Hickory hardware, and gold-trimmed vanity lights from Elk Lighting creates a glamorous vibe. Elegant Shadow White quartzite tops custom cabinets from Creative Kitchens & Baths for a luxurious finish.
Dresser – Worlds Away, worlds-away.com
Chair – Lexington Home Brands, lexington.com
GUEST BEDROOM
Poster bed– Old Biscayne Designs, oldbiscaynedesigns.com
Headboard – Dana Gibson, danagibson.com
Bedside chest – Villa & House, vandh.com
Lamps – Chelsea House, chelseahouseinc.com
Dresser – Villa & House, vandh.com
GUEST BATHROOM
Cabinetry – Creative Kitchens and Baths, Longboat Key, FL
Lighting – Elk Lighting, elklightinglights.com
THROUGHOUT
Builder – Creative Kitchens & Bath, Longboat Key, FL
Pillows and bolster pillows designed by Potthast Design, St. Petersburg, FL
Pillows and bolster pillows fabrics – Kravet, kravet.com; Jim Thompson, jimthompson.com; Duralee, duralee.com; Fabricut, fabricut.com; Perennials, perennialsfabric.com; Pindler, pindler. com; F. Schumacher & Co., schumacher.com; Nina Campbell, ninacampbell.com; Houles, houles.com; Manual Canovas, manuelcanovas.com; Samuel & Sons, samuelandsons.com
IN LAKEWOOD RANCH, A CAREFULLY COMPOSED PALETTE AND EXPERT LAYERING BRING FORTH THE TEXTURED VACATION HOME ITS OWNERS ENVISIONED
interior design LISA GUILD & CASEY O’BRIEN, LMG DESIGN CONSULTING, NAPLES, FL text PAIGE BOWERS photography SHAE MERIS, SMALL SNACK STUDIOS, BROOKLYN, NY
above: The foyer showcases the design team’s expert eye for layering and accessorizing with a Global Views console, a mirror by Uttermost, and artwork from Made Goods.
AFTER A NEW JERSEY husband and wife decided to build a 4,500-square-foot custom home in Lakewood Ranch as their vacation retreat, they began to ask around to find a designer who would create interiors that represented them. Excellent word of mouth brought them to LMG Design Consulting in nearby Naples and to their first meeting with Lisa Guild and Casey O’Brien.
“I told the homeowner to come to the table with some inspiration and ideas for what she wanted the feeling of the house to be,” says Guild. “As soon as our conversation started, she handed me a photo with a variety of succulents.”
Thus, the desired palette.
“The image guided the color direction of the residence,” says Guild. “Beautiful celadon green, purple, pink, and aqua. Based on that, we knew we’d be dealing with softer hues, nothing harsh. She also told us she wanted an organic feeling in each of the rooms, and design that flowed from space to space.”
To ensure the desired palette, the design team poured through paint swatches for days before deciding on October Mist and Tavern Gray by Benjamin Moore. Guild and O’Brien then put their heads together to develop a plan of action that supported the overall vision. above: The study draws
“The homeowners requested that the design of the primary bedroom be a departure from the rest of the house, so that it feels like a sanctuary at the end of the day,” says interior designer Casey O’Brien. Furniture here includes a bed by Hickory Chair, a bench by Ambella Home, nightstands by Vanguard, and art by Lillian August.
When it came to furniture, the designers opted for pieces defined by modern lines, which aptly describes the sectional and club chairs in the living room, the white stools along the kitchen island, and the sculptural amber table in the foyer. To assure a timeless look, special attention was paid to layering. Case in point: velvet cushions and glass mid-century modern lamps (found in New Orleans) in the living room and European tile backsplash in the kitchen. “The client’s decisions on furniture and accessories leaned mostly to contemporary, with some traditional choices,” says Guild. “I think what we came up with is a perfect mix of the two.”
Two-and-a-half years after that first meeting with the succulents photo, the house was complete and the homeowners were enchanted by the outcome.
“We are so fortunate to have clients who are collaborative, responsive, and respectful of the design process,” says Guild. “Projects like this one make us better designers.”
right: “We wanted the primary bathroom to have the same sort of tonality as the primary bedroom, and for the look to be clean, simple, and lovely,” says interior designer Lisa Guild. “The tile backsplash helped accomplish that and created a focal point between the two vanities.”
SOURCES
ENTRY Table – Global Views, High Point, NC
Mirror and lamp – Uttermost, High Point, NC
Metal sculptures in reflection – Made Goods, madegoods.com
LIVING ROOM
Sofa – Taylor King, Taylorsville, NC
Chairs – Ray Booth, Hickory Chair, Hickory NC
Custom chests – Vanguard, Conover, NC
Cocktail tables – Caracole, High Point, NC
Sofa table – Century Furniture, Hickory, NC
Lighting – Arteriors, High Point, NC
Wallcovering – Phillip Jeffries, Fairfield, NJ
DINING AREA & KITCHEN
Custom dining table – Century Furniture, Hickory, NC
Chairs – Caracole, High Point, NC
Lighting – Ralph Lauren, Visual Comfort, High Point, NC
Pendant – Hudson Valley Lighting Group, hvlg.com
Counter stools – Arteriors, High Point, NC
GUEST BEDROOM
Bed – Cox, coxmfg.com
Bedside chest – Brownstone Furniture, Richmond, CA
PRIMARY BEDROOM
Bed – Hickory Chair, Hickory, NC
Bed bench – Ambella Home, High Point, NC
Nightstands – Vanguard, Conover, NC
Artwork – Lillian August, lillianaugust.com
PRIMARY BATH
Sconces – Hudson Valley Lighting Group, hvlg.com
THROUGHOUT
Builder – Anchor Builders of Southwest Florida, Sarasota, FL
Area rugs – Jaipur Living, jaipurliving.com
A purple headboard on the bed of the guest bedroom injects a dose of bold color to the otherwise neutral space.
The city’s design community came out to celebrate the debut issue of Florida Design Sarasota at the Clive Daniel Home showroom on Fruitville Commons Boulevard. Hosted by Publisher Terry Duffy, Publisher Liz Goodman, and Editorial Director Daphne Nikolopoulos, the cocktail party acquainted attendees with the Florida Design brand as they perused the inaugural edition of the publication and enjoyed cocktails and hors d’oeuvres. The overall consensus? Viva regional design!
THE TASTEMAKER: Founder and head of Emcy Interior Design in Sarasota, Meg Carson leads a team that tackles residential and commercial projects all over the state.
THE OBJECT: Made of oak and walnut, Joel Escalona’s Still Stand sculptures are marked by smooth curves that flow into one another. The artist compares them to “silent sentinels, standing guard over the spaces they inhabit, filling viewers with a lust to touch them.”
IN HER WORDS: “This Joel Escalona sculpture is an over-scaled show piece that manages to be eye-catching without being flashy. It’s an organic element with a touch of modernism that would suit any corner in any type of home.” joelescalona.com; emcyinteriordesign.com
