162 | australian post-war documentary film
Leyda, J. (1964), Films Beget Films: Compilation Films from Propaganda to Drama, London: Allen and Unwin. —— (1973), Kino: A History of the Russian and Soviet Film, London: Allen and Unwin. Lomax, A. (1990), recording, Blues in the Mississippi Night. Music and words by Memphis Slim, Big Bill Broonzy and Sonny Boy Williamson. Rycodisc RCD 90155. Lovell, A. (1972), ‘The documentary film movement: John Grierson’, in A. Lovell and J. Hillier, Studies in Documentary, London: Secker and Warburg, p. 9–35. Low, R. (1971), The History of the British Film: 1918–1929, London: Allen and Unwin. MacCann, R.D. (1973), The People’s Films: A Political History of U.S. Government Motion Pictures, New York: Hastings House. MacPherson, D. (1980), Introduction, ‘Censorship and the Law’, Traditions of Independence: British Cinema in the Thirties (ed. D. Macpherson in collaboration with P. Willemen), London: BFI, pp. 96–104. MacPherson, K. (1929), ‘As is’, Close Up, 4.2, pp. 5–18. Maddison, J. (1956), ‘Edinburgh’, Sight and Sound, 26.2, pp. 82–83. Mathews, B. (1994), Personal Interview, videocassette, 21 March. Matthews, B. (1972), The Receding Wave: Henry Lawson’s Prose, Melbourne: Melbourne University Press. McDonald, N. (1994), War Cameraman: The Story of Damien Parer, Melbourne: Lothian. McFarlane, B., Mayer, G. and Bertrand, I. (eds) (1999), The Oxford Companion to Australian Film, Melbourne: Oxford University Press. ‘Melbourne University Film Society Committee Minutes’, 14 October 1948, Melbourne Film Society Collection, Melbourne University Archive. ‘Melbourne’s Slums Must Go’, The Sun [Melbourne], 19 June 1947, p. 20. Mitchell, A. (1981), ‘Fiction’, in L. Kramer (ed.), The Oxford History of Australian Literature, Melbourne: Oxford University Press, pp. 27–172. Merewether, C. (1977), ‘Social realism: The formative years’, Arena, 46, pp. 65–80. —— (1982), Preface, Ken Coldicutt, ‘The Party films and I’, in Sixty Years: A Journal of Communist and Labour History [Sydney], 2, pp. 59–60. —— (1985), ‘Australian left film history’, in A. Moran and T. O’Regan (eds), An Australian Film Reader, Sydney: Currency, 338–49. Moran, A. (1983), ‘Australian documentary cinema’, Arena, 64, pp. 83–99. —— (1989), ‘Constructing the nation: Institutional documentary since 1945’, in A. Moran and T. O’Regan (eds), The Australian Screen, Melbourne: Penguin, pp. 149–71. —— (1991), Projecting Australia: Government Film Since 1945, Sydney: Currency Press. Moran, A. and O’Regan, T. (1983), ‘Two discourses of Australian film’, Australian Journal of Screen Theory, 15/16, pp. 163–73. Moran, A. and O’Regan, T. (eds) (1985), An Australian Film Reader, Sydney: Currency. Murray, B. (1990), Film and the German Left in the Weimar Republic: From Caligari to Kuhle Wampe, Austin: University of Texas Press. Nandy, A. (1983), The Intimate Enemy: Loss and Recovery of Self under Colonialism, Delhi: Oxford University Press.
Australian Postwar Film.indd 162
12/8/08 18:03:17