Mantra Yoga + Health Magazine: Issue 4

Page 102

ge to me: a chan it represents g in nn That’s what gi be a t er and kind of it’s going to ge as a songwrit w I’d like to go tell you this, I’m d andard of ho an st SO: When I a ct fa ng l that, tti fu se in of pa a is is It’ . Th er s more on therapeutic. u, but I think as a songwrit d yo ar on rw it fo p m r. to du being a singe sorry to have at we want to almost, than really is is th e th in more what it en be e feel slightly user wrong. I’v your albums prove the ab in not guilty. It MP: Do all of here you are ing that I am w ov on pr d of se s te ba es na u io busin you compass different to yo e ak m , se ur does, of co r people, and your life? ic. You care fo d you and empathet an g, rin ffe su ned to a people’s was year, I’ve liste you care for the street that O: In the last in S ues, which er Bl ng o ra ag st ic a would hug hat’s called Ch have anyone t w n’ of ld t lo ou w t the sad u no s e yo ppy blues; it’ lt. But at crying becaus is a funky, ha wlin’ Wolf that you’ve fe Ho in d pa an of y pe Gu g y ty in dd feel the ore about prov uff. It’s like Bu m st . I went s at it’ th y, e da lik e I ople the end of th agic Sam, pe e things that M th d of ch I’m an e hi On w . y, rong repeat, whole journe the abuser w ing these through this ing up was to ch ow at gr w st do ju to of e , was mad g,” as I was ssed with still have to in se th ey ob no th ng am I hi yt g, probably “I am nothin studying ever ’s d at an th this k ys gh in gu ou th I up. en th s of ngwriting. Ev getting bashed in the busines quality of say about so e I’m th , so m e, bu m al h a blues stuck with ing. I can laug album is not l did for the re I’m not noth ing that we al rit proving that w I’m ng . so at e th d. th by d thank Go very influence about it now, being a cord has been rd in terms of , co ng re ki is in th th of r I’m g, de in ou lk pr ta re . you’ an any record MP: Even as still trying to songwriter th we as women g to in try How much are ill st re g over? e lovable? We’ you’re startin prove that we’r we’re not es it feel like at Do th : , P th M or w e have prove that w s ly, what it feel andonment. s of artistical worthy of ab songa SO: In term as ly, ite g over, defin w. You’re like is startin ly represents el that way no rfu cord definite t re ge SO: I don’t fe is u Th yo . n er whe writ t bu writer, and e, ng m so an a younger th l leave you. It a beginning as al e m es to do it for myself e, e lin now establish e jourther down th I would like to going along th writer, not ep ng ke u so a Yo . as es ex reer you really do real strong ca u as long as a yo ople. I’m e pe av r le he ill r ot ney, and it w myself but fo d thy a way as r al fo he st ju as in ht s rig now, an ings e things t about song press those th th. Often learning a lo el any of thos pa fe t at n’ th do n I w So u do inue possible. other side, yo le’s I want to cont u get out the siness is, peop now. When yo the music bu it you would ay sh w d you of e t an th lo an le a who at. n you’re a wom can laugh at u could laugh jaws drop whe It’s really a yo s. t ng gh so ou te th ro r you w have neve idered, tell them that ten not cons album, orld. You’re of w w an, ne ’s om an ur w m yo a t lk abou think if you’re this MP: Let’s ta is is cause people ss. What does Th be Bo s. e ng th so n I’m y, e your ow I’m Not Boss you don’t writ terms of my ent for you? ing for me in album repres really a beginn riter, a very w ng so a pre f as pes for mysel things that it y ho an m so e rwriter. SO: There ar e most impo capable song ere to pick on growth s resents. If I w it’ e, m r fo love reprerepresents ? What does tant thing it a great song: What is love as P w M e er Th . er as a songwrit . A lot of good sent for you? on this record band writing team d I ha a great . thing? er th ge to e define such a things cam John Reynolds How do you : ed O ud S g quickly? I cl in in th ch a hi answer such e drums u at the time, w th le yo as do w w hn Ho Jo e Hindu peop Kearns. ay an represents. Th and Graham visible itar. I don’t pl in know what it gu e an th by as ed w e all attach and Graham palways write say that we’r n’t see it. I su ell enough to e songs rd, but we ca instrument w ar co e al er lic Th bi s. um cord and song at to th — rts ve pa lo ic that is the mus f with guitar, seeing pose, for me, ten by mysel d that way of that I’ve writ these guys e tachment an at ith w at s th ng so . I think we’r so le al op e pe ar e ith er st w ju n but th r, but we the music. It our connectio n he te ot rit ch w ea ’ve ith t love w where they te some grea bond all secretly in at we all wro think it’s that so happens th ize it. Yeah, I th of this alal ng re re t st n’ e. e do se th n’t at was e us that we ca songs, and th would give m between all of writing. They e rit w d bum, the song an f of ic, and I’d go ther. a piece of mus put it all toge e’d w en th d lyrics an

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