David Rubio’s house in Duns Tew, as it stands today.
“You really can’t talk about an English tradition of guitar making before Rubio.” What can you tell us about guitar making in England before David Rubio? Paul Fischer – The only luthier from eighteenthcentury England that I remember is John Preston… We’ve never been famous for guitar making. Luthiers used to make the so-called “English guittar”, a kind of cittern with metallic strings – very trendy in those days – but it actually was a completely different instrument. There was hardly any guitar making in the nineteenth century. The first major luthier in England was Panormo, and he certainly made the best guitars of that period. But Panormo was Italian, anyway! In the twentieth century, before Rubio, there were three or four guitar makers but they built very mediocre guitars. In a sense, you really can’t talk about an
English tradition of guitar making before Rubio, because there was nothing of real importance. Rubio learned to build guitars mainly with Esteso’s nephews (the Conde brothers) in Madrid. He was a flamenco player and so he travelled a lot in Spain, visiting other luthiers in Granada and Seville, observing how guitars were made. He had a kind of photographic memory. He started making guitars in 1963 in New York. There, he met Julian Bream and built a couple of guitars for him. When he came back to England, he initially had his workshop on Julian Bream’s estate, in Semley, and later moved to Duns Tew, near Oxford. Left, Rubio at work; right, outside the workshop with Paul Fischer and two employees.