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IN 2021
4 ESSENTIAL MOVIES 4 ESSENTIAL MOVIES TURNING 20 THIS YEAR TURNING 20 THIS YEAR
BY JENNAH PENDLETON • TWITTER @JENNAHPEN
2021 marks the twenty-year anniversary of an extremely influential year in culture and film. The films released in 2001 were unknowingly created on the precipice of a total cultural shift. The past two decades in film have been defined by advancements in technology that changed the way we make and consume movies. Our current cinematic landscape where we can stream nearly any movie – old or brand new – at home looks radically different than the days of either seeing a movie in the theater or awaiting the DVD release.
Looking back twenty years, which movies have sustained the test of time? These are some of the best films across different genres.
Best Franchise Film: The Lord of the Rings: The Fellowship of the Ring
2001 was a huge year for the movie franchise. The first installments of “Harry Potter,” “The Lord of the Rings,” the “Ocean’s” series, “The Fast and the Furious” and “Shrek” all came out this year and are part of some of the most profitable film franchises ever produced. By now, many of these franchises have been milked to their last drop of creative worth, but it’s important to remember that “The Fellowship of the Ring” was a revelation in filmmaking, reigniting the fantasy genre and setting a gold standard for cinematography, visual effects and costuming.
Best Animated Film: Spirited Away
Though “Shrek” was extremely influential on the animated film industry, won the first Academy Award for Best Animated Feature and remains popular to this day, no other film can overshadow the beauty of Hayao Miyazaki’s “Spirited Away.” It’s hard to sum up the experience of watching “Spirited Away” by only praising its lush animation and whimsical music or by dissecting its multilayered themes; it has proven to be a sensory and emotional experience that a person of almost any age or any culture can appreciate.
Best Comedy: Legally Blonde
What may have been once viewed as a chick-flick about a girl reaching her dreams has aged like fine wine in the public consciousness. With the rise of fourthwave feminism, viewers recognize “Legally Blonde” as not just a film about girl power, but actual feminism. In the age of “Captain Marvel,” in which a strong female character basically holds all the same characteristics of a man but in a woman’s body, “Legally Blonde” still stands out as an example of how a woman can be smart and powerful while being unapologetically feminine. Reese Witherspoon’s portrayal of Elle Woods has undoubtedly inspired a generation of girls to find power in their femininity.
Best Drama: Mulholland Drive
Often considered to be one of the best films of all time, “Mulholland Drive” is hard to define in any sense; the characters shift identities, the story is nonlinear and the film contains elements of many genres. However, the dramatic tension and impending sense of terror qualify it to be most closely described as a drama. Through “Mulholland Drive,” David Lynch exposes the wretchedness behind beauty. The disjointed structure and lack of an ultimate explanation for the plot might turn some viewers off, but if you give in to “dream logic,” you will be rewarded with a heartbreaking but breathtaking film that will undoubtedly haunt you.
The lobby of the theater is decorated with old movie posters and antique furniture. A church pew is used as lobby seating. Bijou Art Cinemas, a former church from 1925, is now a movie theater in showing mostly indie dramas and documentaries in Eugene, Ore. on Feb. 22, 2020. (Maddie Knight/Emerald)
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BRINGING A PIECE OF OREGON’S DIVERSE HISTORY BACK TO LIFE
BY GRACE MURRAY• TWITTER @GRACIEE_MURRAYY
“Timber Culture” is a traveling exhibit put on by the Maxville Heritage Interpretive Center that explores cultural heritage in the Pacific Northwest. (DL Young/Emerald)
“Timber!” Towering pines rip through the air sending sounds of cracking wood echoing through the neighboring trees before they settle with a thump on the forest floor. Burly loggers pull axes and saws from the bases of trees, their overalls, which are dirtied with sap, hang from their shoulders. Photographs in “Timber Culture,” an exhibit on cultural heritage in the Pacific Northwest, capture the men of one of Oregon’s most dangerous yet fruitful industries hard at work in 1926.
Timber is a bustling industry that has thrived deep in the northern Oregon forest from the early 1900s into the present. The Bowman-Hicks Lumber Company created a flourishing remote logging community in the 1920s called Maxville, close to the border of Oregon and Washington. Maxville was home to a multicultural community of Black and White loggers and their families in a time when strict exclusionary laws made it illegal for Black people to live and work freely in Oregon. Maxville defied these laws which were considered unconstitutional and unenforceable according to national laws.
Gwendolyn Trice, founder and executive director of the Maxville Heritage Interpretive Center, has made discovering and unearthing Maxville and its history her life’s work. Her father, Lucky Trice, was a Black Maxville logger whose stories ignited her passion.
“There’s just no way to encapsulate what has been lost when you don’t include everyone when you’re telling history,” Trice said.
When Maxville was operating in the early 1900s, the Ku Klux Klan was rampant in Oregon and segregation was a normalized practice nationwide. Their homes sat on opposite sides of the railroad tracks with segregated schools, but nonetheless the community members, both Black and White, worked together, supported one another and saved each other’s lives in logging accidents.
“Black timber workers have accounted for less than 1% of all Pacific Northwest timber workers from 1900 to the present,” Steven Beda, University of Oregon assistant professor in history and specialist in Pacific Northwest timber history, said. When Maxville died out after a stock market crash in 1933, nearly all of its history faded with it. Any knowledge of Maxville came from the stories shared by the nearly 400 people who lived there. For decades Oregon’s history books have depicted loggers solely as White men in White communities, erasing the hardworking People of Color from its history.
“It is this kind of aberration in the larger history,” Beda said. “It is a fascinating and important story, because when most people say Oregon history, they think White history and that is sometimes true, but it’s important to know that People of Color have been at the center of Oregon’s history and have critically shaped our state’s history.”
Trice founded the Maxville Heritage Interpretive Center, which is located in Joseph, Oregon, to share her discoveries with the world. Thus far she has accumulated video interviews, exhibitions, events, educational experiences and more. While Trice has a large collection of materials such as touching photos that display Black and White loggers and their families sitting shoulder to shoulder and smiling, her journey of sharing Maxville’s story and creating more opportunities is far from over.
“She has a vision of Maxville’s potential and the possibilities, and she’s really good at articulating that,” Michelle Banks, president and co-founder of the African American Firefighter Museum, said about Trice. “She has a certain excitement about it that helps you kind of tune in and connect to the story.”
STEVEN BEDA University of Oregon assistant professor
The Maxville Heritage Interpretive Center is in the process of raising funds to purchase all 96 acres of Maxville’s original townsite as well as 144 acres of forested land surrounding it. The area is filled with wide open natural spaces and lush forests. Trice sees the land as 240 acres of infinite opportunity for the community, the Maxville Heritage Interpretive Center, local schools and the general public.
“My descendants lived on the land during the exclusionary laws between 1923 and 1926 and they couldn’t own land,” Trice said. “They really weren’t actually supposed to be here working and thriving in a good way, so to have that land owned by a nonprofit that’s Black-led is really pivotal.”
For years Maxville resided as a ghost town, but Trice has brought the site back to life. Upon purchasing the land Trice will begin a robust educational program that will offer outdoor school, archaeological research, Maxville historical information, forestry education and a stewardship of the land. Trice already recruited several local schools and universities to help her preserve and understand the land. The Smithsonian’s National Museum of African American History & Culture has offered support in helping to spread Maxville’s story nationally.
“It’s not just the past that we celebrate; it’s looking at what we’re doing today,” Trice said. “The space is really dedicated for education and learning and building a great space for everybody.”
The site holds remnants of Maxville’s past including railroad and logging equipment and a beautiful log cabin. Architect and historian Henry Kunowski and the Clackamas Community College preservation program saved the cabin by properly dismantling it and storing it to be reassembled once the land is purchased.
“Gwen never fails to amaze me with her abilities of articulating her vision and bringing people together to share that experience,” Kunowski said. “I was so impressed with her vision that I felt it would be an honor to be able to help her accomplish that goal.”
Eastern Oregon University archaeology professor Rory Becker and his students have been observing the land for several months to document its state. Becker intends to bring even more students to the site to utilize it as an educational tool once the land is purchased.
“I think that there is a lifetime of work out there archeologically speaking,” Becker said. “It also can provide training, education and real opportunities for folks to engage in that past.”
Trice has been hard at work planning and preparing so that the Maxville Heritage Interpretive Center can get to work as soon as the land is purchased. Although the center received a $120,000 grant from The Meyer Memorial Trust to assist in the land acquisition and development, the fundraising process is still well underway with a long way to go before they will be able to begin the new plans.
“We’ll stop and look at how we preserve the space in perpetuity; that it will always be used for the intention that it is being built today,” Trice said. “People just love history. They love to learn. They love to be on the grounds and explore the green spaces, and we want to make sure that it is continually being made available.”
