Come Scoglio A drama giocoso in three acts* K. A. Feltkamp
About the Author Kim Feltkamp is a mezzo-soprano currently pursuing her MM at Bard College in Dawn Upshaw’s Vocal Arts Program. She has been part of the online opera community as OperaRox, providing interactive opera liveshows and contests to educate and unite the opera community. She is also a published writer. You can find her at OperaRox, Kimozart, and her professional website.
Note from the Author I wrote this story to depict, as closely as possible, the people and events in Mozart’s life when he was at the height of his compositional success. The people in this novella all really lived and had personalities close to the characters portrayed here. This is a work of fiction, but the goal was to remain as close to history as possible. I took the time to read countless letters, journal entries, autobiographies, and the like, not only to capture the true essence of the people in the story, but also to get all the facts and dates straight. Many of the things said or alluded to by the characters are directly from these sources. The one exception to this is the narrator, Louise Villeneuve. History tells us what and where she sang, but not who she was. Therefore, I have taken some license in regard to the narrator and her connection to the composer, especially in ways which strengthen the plot. In short, everything relating to Ms. Villeneuve is completely from my imagination. I have made educated guesses from what others said about her, which is very little, and from the music that Mozart wrote for her, which tells us a bit more. Therefore, this story is a conglomerate of sorts, as all fiction tends to be, but there is a great deal of truth in it. I hope you enjoy the ride and learn a little of who Mozart truly was and what he experienced as a composer and a man. *continued series. Previous chapters can be found in earlier issues of Opera21. 21