A+C THEATER
ampiric Walter Shatley
Rabbits,
Finds Homaha
Actor Walter Shatley was performing at The Rose Theater in the role of Prince Charming in spring 2006 while his fi ancee Samantha Butler played the title role of Cinderella. The Associated Press wrote an article about the couple that was picked up by news outlets from Taiwan to Columbus, Nebraska.
Before the fairy tale, started, however, Walter had no idea he was going to live in Omaha or that he would get married here. He was born and raised in Norman, Oklahoma. The Sooners fan started acting in eighth grade when he performed John Travolta’s role in an assembly production of Staying Alive. Walter said eighth grade was “a poignant year.” Like many adolescents, it was a time when he was discovering his passions. It ignited his love of acting, and Walter took his fi rst acting class as a freshman at Norman High School. His passion led him to the University of Oklahoma school of drama, from which he graduated in 2000 with a BFA in drama. One year later, he was acting in Philadelphia with a company called American // 18 //
JANUARY/FEBRUARY 2022
Family Theater. By 2002, Walter had moved to Los Angeles, where he played in Pinnocchio and worked “a series of crappy jobs to pay the bills.”
Walter’s fun-loving character. Walter kissed her hand by way of chivalric greeting. “I’m pretty sure he had me from that point.”
It was a vampiric rabbit, however, that brought Walter to Omaha and the love of his life. In 2005, he joined The Rose Theater’s touring production of Bunnicula as the character Pete Monroe, replacing actor Andrew McGreevy for the California-WashingtonMaine-Florida run. He also acted as puppeteer for about half of the scenes in which the titular bunny was used. Samantha was already in the area, having fi rst been cast in Miss Nelson is Missing. Several months later, he returned to The Rose during a tour break, and ran into his friend Cat Nelson.
Walter and Samantha, who were married in July 2007, lived in New York City for the fi rst three years of their marriage. The couple remained in theater, working on lighting and carpentry crews. Samantha performed off-Broadway, but the couple realized (as time progressed) the Big Apple might not offer the ideal life for a young family.
As it happened, Samantha, also a friend of Nelson, came to see her as well. Samantha was at that time rehearsing for Th e Berenstain Bears Onstage and simultaneously performing in Junie B. Jones. “I had heard Walter stories, but I came out to see Cat and give her a big hug,” Samantha said, referring to the many local anecdotes about
Th at’s when Rose Theater artistic director James Larson offered Samantha a role as Peter in Peter Pan. Walter, then 33, was cast as a Lost Boy. He showed up to rehearsals the fi rst day sporting a beard. He learned one dance for the role…and at the end of the day was re-cast as a pirate. They had been thinking about moving to Samantha’s hometown of Memphis, or Norman, or possibly moving back to Omaha. Th is casting call sealed the deal. The couple performed together for two years. Then Samantha found work at U.S. Bank to afford the couple health
insurance in anticipation of having a family while Walter continued in theater.
Walter, knowing that working in theater is not conducive to raising a baby, began connecting through the local fi lm community. One of his fi rst connections was writer and director Faustus McGreeves, who had created the short fi lm Bent Over Neal. Walter was cast as Liam, and working on the fi lm enabled Walter to connect with several actors and behind-the-scenes folks; folks who he and Samantha now consider friends. Those connections paved the way for other fi lm projects. Walter acted in the local short fi lm Ambush Avenue by Brian Roma, which was shown in the Omaha Film Festival 2015. Th at same year at OFF, he met writer/director Trevor Nealy and gained acting spots on his web series The Boulevard. He also later met writer/director Todd Graves through fi lm festival connections. Last year, Graves asked Walter to audition for a fi lm he wrote titled Buzz vs. Scooty, a comedy about two elderly boxers who come together for one last fight.
STORY BY DAISY HUTZELL-RODMAN • PHOTOGRAPHY BY BILL SITZMANN • DESIGN BY DEREK JOY
Pira tes, & BOXERS
