Sheepshead Review Fall 2020

Page 33

shitless of getting too close to each other. Black touch, moments of intimacy, time and time again are miracles because they are so uniquely powerfully intimate and therefore uniquely deadly. And, contrary to queer theories that center bodies in white space, no, our fear was not born during the HIV crisis and its ensuing epidemic. And no, our fear is not the organic byproduct of programmed instability during a shifty Digital Age. And no, our fear did not suddenly metastasize after September 11th as the defining apocalyptic event of our generation. Ours is a fear with an umbilical chord stretching back centuries, across numerous lands and oceans, weaving through multiple generations amplified through compounding traumas. When you are Black and queer, your whole Being calls out White Supremacy and anything, anything that does that in this world must die and keep dying multiple times until stamped “dead enough.” To reach out, to touch another Black queer is non-conformity, is affirmation of the unspeakable, is acknowledgement of the denied, is transcendent and transformational of all betrayals. That particular brand of Black intimacy is completely queer in that its focus is not to turn Darkness into Light but Light into Darkness because Beloved only Darkness, on this wretched Earth, only Darkness is powerful enough to contain all things. To contain the pain with the joy. To hold onto spiritual faith amidst the human horror. To live in peace during the storm. To reach the social heights of Black celebrity while rooted to Almighty God. To manifest contradiction as inevitable surprise. To push the original sin against Black people to the background of our Love Supreme as foreground. So, is my spiritual crisis, and that of my tribal siblings, something like this: somewhere deep down, I knew if I reached out to touch you, I would have to reach for myself? And maybe, after years of trauma, after years of dying multiple deaths, I was scared shitless of where I’d gone and who I’d become to get there? Whenever I stared into the mirror, forced to stare back, to face a reflection that strips all the way to my Ancestors who question what I’ve done to and for my queer family, question how I’ve honored their power through community, question my place on Earth in the name of their precious blood, maybe that reckoning is the ultimate death stamp, the final kill among kills. In short, I never touched you Andre because somewhere deep down I knew I would have to survive myself to reach you. The paradox is exactly what paradox is, glaringly obvious. Just as there are different types of murder—intentional, unintentional, reactionary, accidental, revenge fantasy, merciful—so too are there different types of death. Meaning what? Love kills. Our great Queer Ancestors intended it to be so. Coming out of the closet means dying to that person who was in the closet; going back into the closet means dying to the Self who is out. And life’s epic sweeping journey involves eternally going in and out of that closet’s revolving door unto the everlasting. As you die to yourself—forever moving through multiple closets, moving from who you were to who you are to who you were to who you are, moving from mask to face to soul—as you do so, you get close to someone. And as you get close to someone, you assume a tremendous amount of power because you realize you can always get close enough to kill them—always.

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