2012-2013 Ph.D. Graduates Mark B. Abbe “The Polychromy of Roman Marble Sculpture: Aphrodisias and Corinth” (Katherine Welch)
Melanie Hanan “Romanesque Casket Reliquaries: Forms, Meanings, and Development” (Jonathan Alexander)
Denise Birkhofer “On and Off the Streets: Photography and Performance in Mexico City, 1974-1984” (Edward Sullivan)
Genevieve Hendricks “Collision and Collusions: Interactions in Le Corbusier Art and Architecture, Purism and Beyond” (Jean-Louis Cohen)
Cathleen Chaffee “Décors: Marcel Broodthaers’s Late Exhibition Practice, 1974-5” (Robert Storr)
Alison Hokanson “The Soul of Solemn Places: The Interior Scenes of Henri De Braekeleer (1840-1888)” (Linda Nochlin)
Jason Dubs “Writing and Resistance: El Techo de la Ballena and the New York Graphic Workshop: Conceptual Art Strategies, Collaboration and Cultural Politics in Caracas and New York, 1960-1970” (Edward. Sullivan) Rachel Federman “Framing Los Angeles: Artists’ Environments and Institutional Space, 1962-1994” (Thomas Crow) Ross Finocchio “Henry Clay Frick: The Making of an American Collector, 1880-1905” (Jonathan Brown) Ana Franco “Edgar Negret and Eduard Ramirez-Villamizar: Transnational Encounters and the Rise of Modernism in Colombian Art, 1944-1964” (Edward Sullivan) Maryl Gensheimer “Decoration and Display in Rome’s Imperial Thermae: Issues of Intention, Reception, and Visual Experience at the Baths of Caracalla” (Katherine Welch) Erik Gustafson “Tradition and Renewal in the Thirteenth-Century Franciscan Architecture of Tuscany” (Marvin Trachtenberg)
Jai Imbrey “Fictive Frames in Mantegna’s Devotional Art” (Colin Eisler) Abby Kornfeld “Meanings in the Margins: Between Text and Image in the Medieval Haggadah” (Jonathan Alexander) Laura Leaper “Time, Memory and Ritual: Deciphering Visual Rhetoric in Diego Valades’ Rhetorica Christiana” (Jonathan Brown) Minna Lee “The Archaic Korai from the Athenian Akropolis: A Re-examination of the Material Evidence” (Clemente Marconi ) Beth Merfish “Stars in Complex Constellations: Mexico City’s Taller de Gráfica Popular through Inside and Outside Histories” (Edward. Sullivan) Elizabeth Monti “Art for an Antipope: Patronage at the Court of Clement VII (1378-1394)” (Jonathan Alexander) Sarah Montross “Cartographic Communication: Latin American New Media Artists in New York, Juan Downey and Jaime Davidovich (1960s-1980s)” (Edward Sullivan)
Lelia Packer “Imitation and Innovation in Materials in Early Modern Northern European Art: Pen Prints, Pen Drawings, and Pen Paintings, c. 1580-1670” (Mariët Westermann) Alexander Rich “Artist or Critic: Guy Pène du Bois and the Search for Artistic Identity” (Linda Nochlin) Hannah Sigur “Neoclassicism and National Identity: Japan, the United States, and International Expositions 1862-1915” (Jean-Louis Cohen) Denise Teece “Vessels of Verse, Ships of Song: Persian Anthologies of the Qara Quyunlu and Aq Quyunlu Period” (Priscilla Soucek) Rosemarie Trentinella “The Roman Villa in Calabria: Case Studies in Visual Culture” (Katherine Welch) Derek Weiler “Serial Aesthetics and the Concept of Technique: Mel Bochner and the 1960s” (Jeffrey Weiss) Michele Anne Wijegoonaratna “Tradition, Innovation and the Construction of Identity in Otto Dix’s Portraits and Self-Portraits 1912-1925” (Robert Lubar) Kathryn Wysocki-Gunsch “Images for the King: The Bronze Plaques of the Benin Court in Their Architectural Context” (Jonathan Hay)
Previous page: Alumni publications on view at the IFA Alumni reunion during CAA, February 2013
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57 Institute of Fine Arts Annual 2012 - 2013
Liam Considine “New Realisms: Pop Art in France, 1962-1968” (Thomas Crow)
Judith Noorman “Un peintre renommé de la court: Jacob van Loo (1614-70), Academic Painter and Elite Portraitist in Amsterdam and Paris” (Mariët Westermann)