No.3 NYC PREMIERE ISSUE 2011
ART DESIGN FASHION C U LT U R E
TITAN
design Carlos Gastelum
TM
156 Wooster Street NYC 212.925.6171 www.dune-ny.com
MODA WWW.MODAPITTSBURGH.COM
ONLINE STORE COMING SOON
OMG pretty.
Toro
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CONTENTS NEW
16 LOFT STYLE SIPPING / Milux Café 20 MORE THAN A BOOKSTORE / Phaidon
ART
20 GALLERY SPOTLIGHT / Sperone Westwater Makes Moving Debut 24 SETH PRICE / Seth Price at Friedrich Petzel Gallery 28 IRVIN MORAZAN
EAT & DRINK
32 HECHO EN DUMBO 34 THE OTHER HUDSON / Hudson Manhattan Rye
AFTER DARK
36 BRANDY LIBRARY
TRAVEL
38 SWANKY DIGGS, INDEED / Ace Hotel, Valley Ho, Moonlight Lodge editorial@number3mag.com
Serenity now!
Nook
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CONTENTS LIVE URBAN
50 SURF’S UP / Saturdays Surf NYC is Manhattan’s one-stop destination for surf gear and cool clothing that reflects a casual lifestyle. 56 THE FUTURE OF PREFAB / v100 Modbox 60 RECYCLE / A2B Electric Bike
DESIGN
62 HOME OFFICE OPTIONS 68 SPOT LIGHT MISS KARA’S JEWELRY / Decked Out
STYLE
72 SRULI RECHT / When Gravity Fails 74 SEBASTIAN SZWAJCZAK, CRAZY COLORS, THE LAST WARRIOR, SHAMAYIM, LADY VENGEANCE
LISTINGS
114 INTERIORS, HOTELS, COFFEE SHOPS, GALLERIES editorial@number3mag.com
CREDITS MARK BARNARD Publisher & Founder CAMDEN LEEDS Art Director - Designer REGINA MOLARO Editor JENNIFER COUCH Copy Editor DIRECTOR OF BUSINESS DEVELOPMENT Emmett Zitelli WRITERS Regina Molaro, Emmett Zitelli, Nancy Jeffries, Lynn Maliszewski, Jonah Eller-Isaacs, Stacy Tasman, Karen Holly Berliner, Murrye Bernard, Tony Engelhart, Adrian Harris, Gina Conn, Gillian Sneed CONTRIBUTING PHOTOGRAPHERS Douglas Lyle Thompson, Daniel S. Bernstein, Gianni Cipriano, Erin Goldberger FASHION PHOTOGRAPHERS Shamayim, GL Wood, Daniel Bolliger Studio, Tomaas, Per Zennstrom Photography, Sebastian Szwajczak Special thanks to Charles Kickham FRONT COVER KAREN WALKER grey chain stitch knight’s hood CARA CRONINGER leather necklace Photographed by TOMAAS www.tomaas.com Styled by CARLA ENGLER Photographer’s Assistant: CARLA ENGLER Makeup: FIONA THATCHER for Make Up For Ever Hair: SEJI UEHARA Model: ALICE K. for Ford Models
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“born out of this and trying to get back in worn out from bliss and floating in sin falling back through this future and from where I’ve been sky-born, deliberate draped raw from within”
LETTER FROM THE EDITOR Manhattan’s Art, Design, Fashion, Culture and Lifestyle Resource Welcome to the No.3 Magazine premier issue. This is the first glimpse of what’s to come. So what is No.3? It’s Art, Design, Fashion and Culture…sprinkle in some New York City modern lifestyle, and serve it on a monthly basis to the city’s growing creative class who have a thirst for the modern urban lifestyle. Each issue of No.3 will bring high-quality, compelling imagery and contemporary design to forward-thinking New Yorkers, and will be available at over 200 select locations in lower Manhattan. In addition to our commitment to a unique print publication, No.3 will offer subscribers an interactive online magazine experience. Everyone has a story and No.3 has been an incredible journey. Originally started 3 years ago as LUX Magazine, the concept first launched in my hometown, Pittsburgh, PA. LUX Magazine flourished with both readers and advertisers. With more than a year of planning, improving, refining and researching online publishing technologies, I decided to relaunch in New York City as No.3. It has evolved into a more sophisticated publication catered to creative New Yorkers and will be available in both a print and digital format. The names and the players have changed, but the creative vision and passion remains the same. New York City is a mile deep in everything that makes up No.3…art, modern design, fashion and culture. It is a city that will feed writers, photographers, editors and the creative class. No.3 is also committed to taking advantage of emerging technologies that will bring engaging, interactive content to our readers and detailed statistics and marketing opportunities to our advertisers. Finally, The No.3 Lounge…an RSVP social networking mixer…not the computer kind, but the face-to-face kind, will be launched in March and held monthly at different locations. Visit the website, www.number3mag.com for updates and to sign up for the digital edition. Have a fantastic year,
Publisher & Founder
The armory Show Piers 92 & 94 New York City March 3–6 2011 thearmoryshow.com Gabriel Kuri Sin título / Untitled (“A 84”), 2007, Turn stubs on vintage magazine page, 13 x 10.5 in, 33 x 26.7 cm courtesy of the artist & Sadie Coles HQ, London • Galería Kurimanzutto, Mexico City • Franco Noero, Turin • Esther Schipper, Berlin
®
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LOFT STYLE SIPPING Milux Café
BY GINA CONN IMAGES ERIN GOLDBERGER
In spring of this year Andrea Banfi and Carlos Mantica perfectly pooled their talents together for the creation of a café that is soaking Soho in innovative Italian edible. With its Illy espressos and cups of comforting cappuccinos, Milux offers the best in high quality coffees and teas. All can be paired with pretty plates and pastries while sitting in the two-story polished palace
made of tall ivory walls and wood floors. Rumored to be the best in town, check out their pressed Panini plate that is perfectly priced, and served with a side of homemade salad. Deliciously decadent desserts are always on the menu, from tiramisu to gratifying gelatos. Indulge in one of the fine wines and beers that Milux has to offer. And it’s not all about Italy. The cafe is a friend of local creators, offering tasty tea creations to consumers made by talented New Yorkers. Milux loves collaborating with local artists, and has showcased paintings, clothing designers, and live musical performances. Currently the café is hosting work that is symbolic of the café itself--landscapes of Times Square and Bryant Park painted in an elegant European style. And the cafe itself is a beautiful work of art that also seamlessly blends the best of European and New York aromas and tastes. MILUX CAFE 60 WOOSTER ST. NEW YORK www.miluxcafe.com
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MORE THAN A BOOKSTORE Phaidon Press BY MURRYE BERNARD IMAGES DOUGLAS LYLE THOMPSON
For the 2009 holiday season, British book publisher Phaidon experimented with a pop-up store in SoHo. It was so successful that they opened a permanent location a block away in May 2010. The shop sells plenty of books, spanning the topics of art, fashion, cooking, photography, film, architecture and design, along with the popular Wallpaper* City Guide series.
However, it is “more than a bookstore,” insists retail manager Trevor Brown. Customers are invited to flip through books and linger on the store’s comfortable benches, and a skylight warms the clean, white space from the far end. Phaidon holds frequent events including author signings and a children’s story hour. Aside from books, they sell collector’s edition boxed-sets featuring
the works of well-known photographers, such as Stephen Shore and Martin Parr. The sets include numbered prints that, according to Brown, “serve as extensions of the books.”
PHAIDON PRESS 83 WOOSTER ST. NEW YORK www.phaidon.com
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GALLERY NEWS Sperone Westwater Makes Moving Debut
BY NANCY JEFFRIES IMAGES NIGEL YOUNG FOSTER + PARTNERS
Galleries abound in New York City, but Sperone Westwater, which opened in September 2010, is making its mark with a roster of international artists and an architecturally unique space on New York City’s Bowery. It has showcased works by Argentinean artist, Guillermo Kuitca, and Bruce Nauman, and opened a new installation by German sculptor and painter, Heinz Mack, January 7 through February 25, 2011.
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Not the least of its features is an unusual footprint, occupying a compact 25 by 100 foot site, and consisting of vertical architecture, milled glass facade, and unusual 12 by 20 foot moving gallery, which connects the upper four exhibition floors and allows visitors to move between levels, while serving as an art gallery space of its own. Based on the notion that a freight elevator can be more than a conveyance for transporting crates, the movable gallery is an integral part of Sperone Westwater, and serves not only to display art, but to comprise it as well. The overall exhibition area can be extended by parking the moving room at any floor and leaving its door open, while an additional elevator and stairs provide alternative access. There are numerous exhibition spaces, as well as a 27-foot high exhibition area at street level, with a sky-lit gallery, mezzanine floor and sculpture terrace overlooking a garden. Norman Foster, of Foster + Partners, who designed the gallery, sees the total space as an architecturally unique way to view art. “The moving gallery animates the exterior of the building and creates a bold vertical element within. Like a kinetic addition to the street, it is a lively symbol of the area’s reinvention,” said Foster. Angela Westwater, who with Gian Enzo Sperone owns the gallery, noted the historical and artistic legacy of the area. “I first visited the Bowery in 1970, specifically the studio of Roy Lichtenstein at the corner of
Spring and Bowery, with John Coplans, for whom I worked at Artforum Magazine. Gian Enzo Sperone also visited numerous artists there, and actually spotted the 257 Bowery site in the fall of 2007. The neighborhood pulses with energy, and has also become an architectural destination,” said Westwater. The gallery provides an exhilarating addition to the architecture of the area, which includes the New Museum and Cooper Union academic building.
SPERONE WESTWATER 257 BOWERY NEW YORK www.speronewestwater.com
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Seth Price at Friedrich Petzel Gallery
BY LYNN MALISZEWSKI Seth Price (b. 1973) challenges notions of cultural resonance in modern America. Reflections on culture often consider trends, the strength of an idea beyond fleeting movements of brilliance. Price, on the other hand, devalues such passive trust in the past. He depreciates culture, almost demeans it, by insisting that it can, should, and does change. His own words and images, in addition to material donated by artists like Martha Rosler and Joan Jonas, are sacrificed as grounds for these ideological experiments. Redistribution (2007 - present), being shown at Friedrich Petzel from January 7th through February 19, 2011, is a video manipulation of Price’s lecture at the Guggenheim in 2007. His words are spliced and warped, fusing academic insights about his work with delightful passages of nonsense. Price’s piece reaches beyond the actuality of the event and formulates alternate truths.
Price acknowledges culture’s tight tether to the past even amidst the evolving value systems of the present. He taps into juvenile nostalgia by manipulating somewhat dated techniques like plastic-mold making and acid-wash graphics. His work absorbs symbolic slang, ranging from text to images like envelopes or rope that are weighted with layers of meaning. The works are disciplined yet active, defined yet open for suggestions. His insistence on refining culture, according to abrupt contextual interruptions, is admirable and exhausting. He generates a labyrinth of timestamps leaning toward extremes that graciously offer moments of neutrality and refurbished culture footnotes. His open-ended and superficially apathetic works create new links to the future, a “currency of loins and coins” that preserves what it destroys.
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BY ADRIAN HARRIS Artist Irvin Morazan grew up in El Salvador, and now calls New York his home. His fascination with Central American deities, culture and ancestry are a common element throughout his work. “I believe that we are all heavily rooted to our ancestors,” Morazan explains, “therefore I feel my work is an extension to what they started; I’m just doing it in the 21st century.”
His work is a mix of Pre-Columbian mythologies, juxtaposed to modern day elements. Abstract qualities, traditions and rights of passage, slammed with contemporary products, thoughts and cultures which create a sometimes humorous, highly visual, and slightly gruesome creation. The large, over-scale headdresses are used to “mimic and distort, and blur boundaries of culture and stereotypes.”
Morazan’s solo exhibition, Temple of the Bearded Man opened January 7th at the DCKT Contemporary Gallery in the East Village. Photography, collage and sculptures are on display, as well as a live procession performance from Morazan--this time playing particularly on the contemporary reference of El Cayote, described as an “enactment of mobility, flux and continuity.”
“During the Maya peak, the pyramids were covered in dried blood,” Morazan says. “The Shamans had their hair dread-locked with dried blood from all the sacrifices. The shamans were the artists, mathematicians, writers, astronomers, the literates, architects, and spiritual guides.” It is clear that Morazan finds deep interest in the history of this time, and it has driven his career as an artist. “I feel that aesthetically I can channel these influences in a contemporary way.”
PHOTOGRAPHER ERIC WOLFE
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PHOTOGRAPHER IRVIN MORAZAN
PHOTOGRAPHER STEPHANIE GEORGE
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HECHO EN DUMBO BY JONAH-ELLER ISAACS FOOD IMAGE DANIEL S. BERNSTEIN BAR IMAGE GIANNI CIPRIANO
Taco trucks and chain burrito bars have cemented the ubiquity of Mexican cuisine in New York, and yet as the sheer volume of Mexican foods have increased, it remains difficult to find the authentic flavors of Mexico. Hecho en Dumbo at 354 Bowery is re-educating New York foodies about the true nature of the cuisine, and no, it’s not blended margaritas or overstuffed burritos made with flour tortillas. Instead, Chef Danny Mena and his staff have taken antojitos (meaning “little cravings”), the street snacks of Mexico, and elevated them to New York’s gourmet standards. The small plates menu may surprise some, but as Managing Partner Ethan Smith points out: “These are things that are made up of just a couple components. There’s a wonderfully seasoned and prepared protein, there’s a well-made tortilla, and then there’s a salsa. It’s something that’s very basic and very simple, and we wanted to showcase that. If you do it well and do it right, it’s ten times better than any Tex-Mex concoction you’ve ever had.” Though the restaurant began in 2007 as a pop-up restaurant in Dumbo (Hecho en meaning “made in”), their Bowery locale has earned rave reviews since its opening in March 2010. Inside the space, the warm, candlelit walls of reclaimed wood blend seamlessly with the bright and lively open
kitchen, from which a tantalizing array of smells emerges to entice patrons who are waiting for favorites like queso fundido—a mix of melted Mexican cheeses layered over a choice of poblano peppers, huitlacoche mushrooms or pork belly chorizo. Those expecting their usual fish taco will quickly recognize the supremacy of the tacos el Alcalde, which features smoked sable, braised octopus and shrimp, and a luxuriously crispy garnish of fish chicharrón. The dramatic shift might be disconcerting to some, but Smith explains:
“For every person that we’ve disappointed, there’ve been ten more—and this is such a credit to New York diners—that just get it. They go with it, they get something that they weren’t expecting, and then they thank you for it.” Given the crowds that pack the bar and tables nightly, the staff of Hecho en Dumbo is on their way to successfully putting Mexican cuisine on the epicurean pedestal it truly deserves.
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THE OTHER HUDSON Hudson Manhattan Rye
BY REGINA MOLARO
New York’s first whiskey distillery since the Prohibition era, TUTHILLTOWN SPIRITS has been distilling some of America’s most prized spirits for generations. The process begins at a farm distillery that utilizes raw grain and fruit ingredients. There are no flavor or color additives, and the whiskeys are not chilled or carbon filtered. The TUTHILLTOWN SPIRITS collection includes HUDSON brand whiskeys: BABY BOURBON, MANHATTAN RYE, SINGLE-MALT, NEW YORK WHISKEY, GOVERNMENT WARNING RYE and NEW YORK CORN whiskey.
36 AFTER DARK
BRANDY LIBRARY Libraries exude an air of elegance and refinement, and their shelves are extensively stacked with books of legends, history, wisdom and experience. The Brandy Library, tucked appropriately in New York’s swanky neighborhood of Tribeca, expresses a similarly enchanting atmosphere, though shelves with endless volumes of fine and rare spirits replace book collections in this amber-lit library. With more than 1,600 glasses from around the world to choose from, the upscale and intimate lounge suits a romantic date, an entertaining business meeting, or a relaxing evening for the scotch, brandy or whiskey lover.
BY STACY TASMAN
The Brandy Library’s spirit sommeliers can offer a seasoned recommendation to appeal to your taste with a glass-specific history lesson at each pour. The debonair hotspot also offers live music on Monday nights with jazzy pianist, Joel Forrester, as well as an esteemed spirit school on Tuesdays and Saturdays for avid drinkers to enhance their knowledge. Unwind in luxury and style as old-world charm meets upper-class glamour and an expert collection of liquor at the Brandy Library.
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SWANKY DIGGS, INDEED THE ACE HOTEL, 16 W. 29TH ST.
BY KAREN HOLLY BERLINER IMAGES DOUGLAS LYLE THOMPSON
If these walls could talk, they’d have quite a mouthful to tell. Back in the turn of the 20th century, the famed entrepreneurs Alfred Stieglitz and Edward Steichen were neighbors; ‘Diamond Jim’ Brady was a regular guest; visionary painter Harry Smith lived there. Enough said. Back then it was the Hotel Breslin. Now it’s the Ace. Originally erected in 1904, the building has been updated to suit a new city and a new style. Design firm Roman & Williams stepped into the past to seamlessly modernize this property, creating a contemporary version via an eclectic collection of lighting and finishes from eras old and new. The space features chalkboard paint on the walls, murals by emerging artists and a brick face with a mansard roof, which all center around an attractive and detailed lobby. Original coffered ceilings, strong moldings, massive columns, airy skylights, and mosaic floors inlaid with a Greek key pattern finish the look. The hotel’s intimate interior continues to entice, offering a sea of comfy sofas occupied by a coffee-buzzed crowd that is busy typing on laptops or people meeting up for a casual drink at the lobby bar.
40 TRAVEL
In step with the trend of New York’s eclectic artisan coffee shops, Stumptown Coffee Roasters has set up shop inside the hotel—in a space that feels like a French café transplanted in Midtown Manhattan. The finished product: Nothing short of a hipster haven. The on-site restaurant, the Breslin Bar and Dining Room, resembles a room from the Titanic. Its vibe is drawn from casual dining spots of the late 19th and early 20th centuries in the U.S. and Europe. Crafted by The Spotted Pig’s Ken Friedman and Chef April Bloomfield, the duo created a similar English pub-style atmosphere. The bar is open every day until 4 a.m.
Beyond the lobby, the hotel offers 260 rooms, some equipped with vintage refrigerators that provide “real food” to mimic the feel of staying at a friend’s place. The hotel also has locations in Portland, Seattle and Palm Springs.
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THE HOTEL VALLEY HO SCOTTSDALE, ARIZONA BY EMMETT ZITELLI
Rising out of the dry, parched, rugged desert floor of Scottsdale, AZ is the Hotel Valley Ho. A majestic relic of a time reminiscent of fedoras and glam, this jewel is a landmark for both visitors and locals. A favorite hideaway of actors, musicians and athletes back in 1956 when it first opened its doors, Hotel Valley Ho quickly became known as a retreat for the Hollywood elite, including Bing Crosby, Zsa Zsa Gabor and Tony Curtis. Its design is the classic elegance of mid-century modern, and its hospitality is warm, downhome Southwestern. The ownership group has poured $89 million into upgrading the hotel facade, renovating the interior spaces, and preserving its designation on the Historic Hotels of America registry.
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The rooms are well appointed with a mid-century modern motif and are rather comfortable. Pamper yourself in a Terrazzo-tiled bathroom with translucent walls and then slide open the floor-to-ceiling glass doors to relax on a patio overlooking a fragrant, green courtyard and azure sky. The hotel pool shimmers crystal blue surrounded by umbrella covered tables that welcome guests to enjoy a Planters Punch or Daiquiri from the on-site bar and restaurant Trader Vic’s. A trip to the rooftop reveals a space with a sweeping panoramic of the Valley of the Sun—a surreal, moon-like desert-scape by day, a glittering sea of city lights by night. A sure hit for private parties or a momentary getaway with a friend or loved one to enjoy the Scottsdale/ Phoenix expanse.
Busy, bright, and open, onsite flagship restaurant Zuzu is filled with the delicious smell of marinated chicken breasts, pesto and fresh-ground grilled burgers. Known locally for its seasonal “American comfort food” and warm hospitality, both business people and vacationers dine while the professional waitstaff caters to their whims. The food is as delicious as its presentation. For those expecting modest, ranch-like lodging out of a Western—cowboys, dusty boots and guns a’blazin—this hotel will certainly change your perception of “down Arizony Way.” It will entice with its warm southwestern demeanor wrapped in the cool glamour of mid-century modern design and flair.
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MOONLIGHT HEAD PRIVATE LODGES WATTLE HILL VICTORIA
BY KAREN HOLLY BERLINER
Many people dream of awakening to a stunning coastline outside their window. At Victoria, Australia-based Moonlight Head Private Lodges, that dream can come true—but what’s inside is equally enticing. The hotel is situated along the majestic Southern coast of Australia. Surrounded by serene farmland, Great Ocean Road’s beautiful beaches and towering green-covered cliffs, the location offers the perfect fusion of adventure and tranquility.
The lodges are designed by Australia’s awardwinning architect Glenn Murcutt. Though the town’s scenery will capture your attention, his designs will captivate your senses as well. Three structures each face a different aspect of the landscape: ocean, cliffs and greenery. The rooms feature a sleek, modern stone design, welcoming plenty of sunshine and moonlight for serene mornings and evenings between your outdoor excursions.
48 TRAVEL
Hotel staff will gladly assist you in planning days of local hiking, fishing and other excursions. The hotel itself offers motorbikes, activities for kids and a communal kitchen for your convenience. Experienced chefs are also on board to provide you with wonderful local fare and hand-selected wines as you unwind from your daily endeavors.
Moonlight Head Private Lodges offer the ultimate in enlightened luxury. Surround yourself with beauty that is sure to soothe your senses while enjoying the lavish retreat.
50 LIVE URBAN
Up
SURF’S SATURDAYS SURF NYC is Manhattan’s one-stop destination for surf gear and cool clothing that reflects a casual lifestyle.
BY REGINA MOLARO IMAGE BY DOUGLAS LYLE THOMPSON
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Once you step inside Saturdays Surf NYC, Manhattan’s only surf shop, you’re likely to forget that you’re still in New York City. A flashback to the surf culture that was prevalent during the 50s and 60s, Saturdays Surf NYC offers a cool collection of surfboards, surf accessories and apparel for surfers and non-surfers alike. The downtown store brings a sleek, New York City edge to the casual vibe that has long been associated with the surf culture. Exposed brick walls and hardwood floors create a contemporary space where shoppers can browse, mingle or grab a cup of coffee from the shop’s in-house coffee bar. A large backyard space lures surfers and other Manhattanites who are drawn to the great outdoors.
Opened nearly two years ago by Josh Rosen, Colin Tunstall, and Morgan Collett, Saturdays Surf NYC is Manhattan’s only one-stop destination for all of your surfing needs. Once you pick up a cool board and some surf gear, you can hop on the nearby A train, and within one hour, you’ll hit Rockaway Beach, New York where you can test the waters.
“Our clothing line comes from our lives.�
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“We opened Saturdays Surf NYC to create a space for the New York City surfer or anyone who loves the lifestyle,” says Josh Rosen, co-owner of Saturdays Surf NYC. “There are 9 million people on this island and zero surf shops. It just made sense to open one geared to a more modern New York City crowd. Our customers are made up of all kinds of people from the hardcore surfer to the person coming to get a coffee and a t-shirt.”
The hip shop truly offers something for everyone, from fins and wetsuits to tote bags, sunglasses, towels and more. For those who don’t surf, there’s a cool selection of photo books, artwork, Levi’s flannels and jackets, as well as stylish sweaters, sneakers, skateboards and beyond.
Saturdays Surf NYC created its own capsule collection in the spring of 2010. Spring 2011 will feature an expanded range of styles and categories. T-shirts will start at $30; trunk prices will start at $65; wovens will start at $130. “Our clothing line comes from our lives,” says Rosen. “We live and work in New York City, and we also surf and explore the world outside of the city as much as possible. Our clothing line has to represent that. We make classic pieces that would not be out of place in 1960 Malibu or the Lower East Side.” What is Saturdays Surf NYC’s goal? “To create a new American menswear standard,” answers Rosen. “We will always have surf trunks in the line, but it will grow to have a full range of categories.” SURF’S UP 31 CROSBY STREET NEW YORK www.saturdaysnyc.com
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THE FUTURE OF
PREFAB v100 Modbox
BY MURRYE BERNARD IMAGES STUDIO 8 ANDREW URBAN
The economic downturn coupled with environmental concerns has inspired spaceefficient design. The v100 Modbox provides a modern and attractive way to function small—as in 100 square-feet. The prefabricated live/work units are energy-efficient, flexible and very low maintenance.
www.v100modbox.com
Former restauranteur and songwriter Vincenz Saccento knows a thing or two about operating in small spaces, having previously designed the V2 Flat prefab unit. He is co-founder of the Phoenix-based company that manufactures the Modbox, which he likens to a MacBook in terms of sleekness and functionality. According to Saccento, the Modbox—which he emphasizes is not a modified shipping container—can be assembled by anyone, anywhere, and in only two days. It arrives by truck fully-furnished and requires no nails or screws for assembly. No painting is necessary, either. The base unit, which consists of a light-
weight aluminum frame and cladding, measures 10-feet cubed. Within this tiny footprint fits a kitchen and living room, and a second box can be attached via a glass-faced breezeway to provide space for a bedroom and bath. Though quarters are tight, inhabitants don’t have to sacrifice luxury; high-end touches include a TempurPedic sofa bed, flat-screen TV, walnut millwork, Fagor refrigerator and induction cooktops, and a Duravit sink designed by Philippe Starck. All materials are either recycled or recyclable and are VOC-free, as the units are designed in line with LEED Platinum standards.
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Saccento emphasizes that he is not interested in manufacturing guest houses, and cannot ship units for these purposes outside of Arizona. Instead, the Modbox is intended as a product for developers. Several units may be combined and stacked to create multi-family housing. In fact, three Modboxes were installed on a Phoenix infill lot this summer and rented for around $1,000 per month. Saccento intends to collaborate with hoteliers to develop boutique hotels comprised of the units, and even has plans to transform units into mini-marts with electric car charging stations. These “Jetson’s gas stations of the future� are modeled on the old-school full-service gas station, incorporating coffee shops and perhaps even barber shops. Other potential uses for the Modbox that Saccento is investigating include portable disaster housing.
REC
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A2B Electric Bike
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C LE
60 LIVE URBAN
REC
BY TONY ENGELHART
Sure, you may bring your own bags to the grocery store and cart an eco-friendly water bottle to the gym. You may even go as far as saving your recyclables to toss into the appropriate bins. But, if you’re ready to reduce your carbon footprint while saving money, getting healthy and avoiding that tough morning commute, forget the hybrid car and check out the A2B electric bike. With a light-weight aluminum frame, the bike only weighs in at 72lbs, including the weight of the lithium battery. The A2B
allows you to effortlessly weave through traffic, peddling at a speed of 20 mph for an impressive 20 mile stretch. The bike features an over-sized saddle and front- and rear shock absorbers for a comfortable glide through the bustling streets of Manhattan. In other words, it’ll get you to your destination with minutes to spare. At a cost of $2,699, the A2B is more affordable than a decent used car. It also looks pretty cool.
VESPA SOHO 13 CROSBY STREET
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TANIS BY PIERRE PAULIN Ligne Roset, 155 Wooster Street Iconic French designer Pierre Paulin created the CM 141 desk in 1953, and Ligne Roset recently reproduced the classic design as Tanis. The updated version features richer finishes, including a black Corian desk surface—which is also available in a satin-finish black laminate—atop a black lacquered, flat-section tubular steel base. A wooden box, finished in natural walnut veneer panels, encloses two drawers and balances within the desk’s frame.
HALO BY KARIM RASHID Dune, 156 Wooster Street Rashid’s minimal design features a desk top and two drawers, constructed of MDF and painted with satin polyurethane, that seemingly float atop a tinted acrylic base. The base contains two open storage compartments that accommodate a computer tower and a small printer or a few books. The desk is available in 15 standard colors, but it is infinitely customizable; bring in a paint chip and receive an exact match down to the shade of the tinted acrylic. Desk measures approximately 60”w x 28”d x 28.5”h, and features self-closing doors that prevent slamming.
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JETZT Ingo Maurer 89 Grand Street Far past contemporary shines the Jetzt, a statement lamp by Ingo Maurer. It’s thin, though powerful structure exudes fascination and refinement as it illuminates the home or office.
FOSCARINI Diesel Store 68 Greene Street On four defined legs stands an edgy, sleek and industrial-style lamp from Successful Living’s Diesel with Foscarini collection. Simple yet poignant in black or white, or bold yet exquisite in fluorescent colors, the reptile-like and avant-garde lamps are a focal point for any interior.
KELVIN FLOS 152 Greene Street The innovative Kelvin LED combines efficient and high-performance lighting with superior and intelligent design. With its glossy finish, the ultra-classic lamp illuminates with a hint of glamour, while optimizing both function and power.
NIXIE DESK CLOCK BDDW, 5 Crosby Street Though it looks like a relic from a fallout shelter, the Nixie Desk Clock is a relatively new invention from NYC-based furniture company BDDW. It does, however, feature some 50’s-era technology. Nixie tubes are made of glass and contain multiple cathodes, a wire mesh anode and a low pressure gas such as neon. Add electricity, and the numerals glow red-orange with a characteristic depth, as the cathodes are arranged one behind the other. The Nixie Desk Clock is available in blackened bronze, silver-plated bronze or a natural bronze finish. BDDW also sells a wall mounted version, as well as a grandfather Nixie clock.
HERMAN MILLER COGNITA BENCH Blue Dot, 140 Wooster Street The Herman Miller Cognita Bench, designed by affordable and functional Blu Dot, pulls double duty as a seat and a storage unit. The walnut finish of the case and the bent brushed-steel legs recall a mid-century modern aesthetic. Blu Dot puts a playful spin on a timeless form; white drawer fronts correspond to the solid section above, but the rest of the unit is topped with a comfortable cushion upholstered with a durable blend of wool and polyester. It is available in three colors: celery, chocolate and chili. Both the solid and cushioned sections hinge open, revealing roomy storage compartments beneath. The Cognita Bench is suitable for a variety of locations—at the foot of a bed, freestanding in a living space or within a home office.
RIFT CHAIR Moroso, 146 Greene Street Spanish architect and designer Patricia Urquiola found inspiration in the natural wonder of the striations of rift valleys for her aptly titled “Rift” collection, created by Italian furniture company Moroso. Available early this year, the Rift chair features a colored shell made of structural polyurethane, and its layers mimic shifting and overlapping tectonic plates. The shells have cushioned seats and come in a variety of colors, including black, white, yellow, green, blue and reddish brown. The base is constructed of lacquered steel. Choose between straight legs or a continuous, bent frame that is also available in a bar stool height. In the meantime, check out the Rift Armchair, which is comprised of similar layers that cascade to the floor. It is comfortably padded and upholstered in either soft felt or leather. The Rift collection also includes two sofas–Aden Sofa and Afar Rift, which sport amoeba-like shapes.
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DECKED OUT Former fashion stylist Kara Lederman debuts her own jewelry collection under the “Miss Kara” moniker. BY REGINA MOLARO
Whether it’s an exotic beaded bracelet embellished with an inspirational Buddha icon, an eye-popping 60-strand coral-colored beaded necklace or a heavy metal textured silver cuff, the Miss Kara collection is sure to make a statement. Styles range from tribal looks to sleek city styles, and boast a range of alluring materials including smoky quartz beads, cinnabar stones, pave crystals, mesh, gems, and beyond. At press time, the eclectic collection was only available at www.shopmisskara.com; suggested prices range from $40 to $200.
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The designer’s key source of inspiration stems from the vibrant New York City scene that energizes her hometown. The collection, which is classified as “whimsical luxury,” was designed with the “New York power woman” in mind. Miss Kara’s style can be described as quite classic with a hint of drama. “I have to admit, my design inspiration is definitely eclectic,” says Lederman. “My color palette comes from some of my travels, including Spain, London, Capri, Paris, Miami, and Los Angeles.” Some pieces offer a dark palette with pops of color while others have a more minimalist feel and offer a sleek silver style.
The Miss Kara collection made its debut in January 2010, but designer Kara Lederman says that she has been busy working on the concept, color palette and design direction for several years prior to the launch. “I have binders of inspiration that I have spent years pulling together, including images, colors, editorials, and old photographs that I constantly reference for current design inspiration,” says Lederman.
It’s not surprising to learn that prior to launching Miss Kara, Lederman worked for several fashion magazines, including Teen Vogue and O The Oprah Magazine. Her task—assisting prominent stylists with pulling together key looks. These experiences certainly contributed and honed Lederman’s vision and sense of aesthetics. The “Miss Kara” moniker was inspired by friends and family who have lovingly referred to Lederman as “Miss Kara” rather than simply by her first name Kara. Lederman believes that the “Miss Kara” nickname certainly suits her style.
Her latest collection, “Jetset,” is scheduled to arrive just in time for Holiday 2011. Lederman refers to it as a “B line” with more affordable prices ranging from $28 to $40. The Jetset collection was designed with the idea of having fashionista fans build their own collection of layering pieces. As far as future goals for the Miss Kara collection, Lederman says, “Expect the unexpected. One piece is never enough.” She reminds us that a stack makes quite a statement.
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WHEN GRAVITY FAILS SRULI RECHT F/W 2011 A diagonal line for men This is the first complete menswear line from Sruli Recht. “This collection happened in my hands instead of on paper… I just listened to the fabric and the forms and they told me what to do. To do this I came up with a technique to develop the collection; in the studio we made a half-scale mannequin [see i-D online video] and 3D sketched with fabrics straight onto the form. Making garments in half scale really reduced the amount of detail that you would otherwise put in because you have only so much space to work with. While doing this, we set up a technique I call a Macroscope, which is a camera trained on the form, connected to a projector, that throws the image of the half-scale mannequin and garment in progress up on the wall full-scale. The shaped fabric was then transferred to paper,
scanned with a large format scanner, digitized to vector, scaled up, and then cut directly in fabric by the laser cutter. We re-draped in full size, corrected, rescanned, re-edited, re-cut, etc. This process dramatically reduced the amount of work time, while increasing the accuracy and detail of the whole process. Every aspect of the collection is laser cut, from the patterns to the materials and final garments. What you have as an end result is very little wastage of raw materials, much less time spent tracing and cutting, and much more time to work and think with your hands on the actual garment. The whole thing is completely intuitive and free, but very dimensional and formed. The collection is entirely draped mostly from single pieces, and there was absolutely no design sketching. The result is a collection with a balance between construction and freedom.” - Sruli Recht, December 2010 The collection in three words - draped, raw, digital
The Sruli Recht studio is a cross-discipline practice caught somewhere between product design, tailoring and shoe making. Based in Reykjavík, the studio rose to notoriety as it began in 2008 to produce one “non-product” every month’ from umbrellas to bulletproof scarves, tables, to belts and boots, and incorporating such materials as concrete, diamonds, skin and wool.
SHOWROOM ROMEO 19 - 29, JANUARY 2011 18 RUE FERDINAND DUVAL, 75004 PARIS TRANOI 22 - 24, JANUARY 2011 VILLA TRANOI 60 RUE DE TURENNE 75003 PARIS\\ Photographer: Marinó Thorlacius Model: Emil Þór Guðmundsson Stylist: Arash Arfazadeh
PHOTOGRAPHY BY
SEBASTIAN SZWAJCZAK
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STYLIST: JOANNA KOSTKA MAKE-UP: MONIKA KOLODZIEJ HAIR: MAGDA ZIEBA MODEL: SYLWIA BLASZCZYK FROM FASHIONCOLOR
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PHOTOGRAPHY BY
SHAMAYIM
TAYLOR’ D BY ANTHONY TAYLOR blazer.
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TAYLOR’ D BY ANTHONY TAYLOR sweater, pants and blazer to right.
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TAYLOR’ D BY ANTHONY TAYLOR long sweater, pants and sweater to left.
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TAYLOR’ D BY ANTHONY TAYLOR sweater, GOTROXX by JACKIE JONES necklace, AVNAH dress to right.
MODEL: WANG XIAO FROM WILHELMINA MAKE-UP: SHON SANKS HAIR: TYMOTHE WALLACE
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CRAZY COLORS PHOTOGRAPHY BY PER ZENNSTROM
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STYLIST: PIRJO NIMELA HAIR & MAKE-UP: TONY LUNDSTROM MODEL: ANNA A FASHION BY: BETSY JOHNSON, VIVIENNE WESTWOOD, LARS WALLIN, DAY BIRGER ET MIKKELSEN, MARTIN BERGSTROM, GASPARD YURKIEVICH ACNE, HUGO BOSS, AGENT PROVACATEUR, IDA SJOSTEDT.
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THE LAST WARRIOR PHOTOGRAPHY BY TOMAAS
ELISE OVERLAND goat hair capelet, Inhabit slate grey cashmere tank dress. Necklace, ANOTHAIDESIGN.com.
MICHAEL KORS graphite feathered fox hooded coat, CARA CRONINGER clear lucite stalagtyte resin pendants on leather.
ELISE OVERLAND reversible grey shearling coat, CARA CRONINGER large green and black resin disk neck on leather, hard black resin neck ring, and wide silver and black and green striated cuffs.
KAREN WALKER ivory looped vest, CARA CRONINGER ivory resin pendants on leather cord and ivory striated resin bracelets.
AGNES B pale rasberry faux fur capelet, ANOTHAIDESIGN.com necklace.
TSE black and white fox coat, ANOTHAIDESIGN.com necklace.
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KAREN WALKER lamb vest, ANOTHAIDESIGN.com necklaces.
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ADRIENNE LANDAU red fox chubby jacket, CARA CRONINGER necklaces.
REPRESENTED BY ROBERT BACALL REPS PHOTOGRAPHER ASSISTANT: KOSUKE FURUKAWA STYLIST: CARLA ENGLER REPRESENTED BY BRIAN BANTRY INC. MAKE UP ARTIST: FIONA THATCHER FOR MAKE UP FOR EVER. HAIR STYLIST: SEIJI UEHARA POST PRODUCTION: ELENA LEVENETS MODEL: ALICE K. FROM FORD MODELS www.tomaas.com
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LADY VENGEANCE PHOTOGRAPHY BY GL WOOD
VICTOR OSBORNE studded mickey mouse hat, ALEXIS BITTAR metal collar
CHRIS HABANA denim vest and gunmetal teardrop bracelet, created by ANGELLA N. mirrored mohawk headpiece, ALEXIS BITTAR gunmetal bangle, Vintage YSL scarf around wrist.
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SALLY LAPOINTE neoprene top, GUCCI textured leather pants, LA CRASIA for SILKE DEBLER caged gloves.
SALLY LAPOINTE cropped moto jacket, LINA OSTERMAN leggings with leather detail, EMILIO CAVALLINI stockings, WIGWAM socks, BESS studded boots.
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LINA OSTERMAN sleeveless shirt w leather detail, DAIN KALAS ARCHIVE spike bikini bottoms, ALEXIS BITTAR cuff, SALLY LAPOINTE ring with chains.
SALLY LAPOINTE black leather jacket, LINN LARSSEN patent neck piece, REACTOR RUBBERWEAR latex leotard, ALEXIS BITTAR cuff
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PHOTO ASSISTANT: BRENDAN BURDZINSKI STYLIST: ANGELA N. HAIR: LINH NGUYEN FOR TRESemme MAKE-UP: CYNTHIA ROSE MODEL: MARIA FROM WILHELMINA ROCHAMBEAU faux fur tiered trench, REACTOR RUBBERWEAR latex skirt, SALLY LAPOINTE triangle pointed 4 finger hand cuff.
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MYSTICAL REVOLUTION PHOTOGRAPHY BY DANIEL BOLLIGER
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STYLING: LAURA BATTIG, SASA KOVACEVIC MAKE-UP & HAIR: KIM BISCHOFBERGER MODELS: SHAUN ROSS, DUBE PAUL FASHION BY (FROM SS/11 COLLECTION): SADAK, ALUAR BALAGAN, JULIAANDBEN BUTTERFLYSOULFLYER, JULIUS, RAUL EGLOFF ALCAIDE NATALIA BRILLI, PETAR PETROV, RAF SIMONS www.danielbolligerstudio.com
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INTERIORS AFNY 22 W. 21st Street (212) 243-5400 afnewyork.com
D’ apostrophe 394 Broadway (212) 334-5045 dapostrophe.net
Ligne Roset 155 Wooster Street (212) 253-5626 lignerosetny.com
Roche Bobois 200 Madison Avenue (212) 889-0700 rochebobois.com
Bang & Olufsen 921 Broadway (212) 388-9792 bang-olufsen.com
De La Espada 33 Greene Street (212) 625-1039 delaespada.com
Luceplan 49 Greene Street (212) 965-8817 luceplan.com
The Rug Company 88 Wooster Street (212) 274-0444 therugcompany.info
BDDW 5 Crosby Street (212)-625-1230 bddw.com
Design Within Reach 110 Greene Street (212) 475-0001 drw.com
Mila 20 W. 21st Street (646) 415-8666 mila-international.com
The Sliding Door Company 230 5th Avenue (212) 213-9350 slidingdoorco.com
Blu Dot 140 Wooster Street (212) 780-9058 bludot.com
Dune 156 Wooster (212) 925-6171 dune-ny.com
Molteni & C Dada 60 Greene Street (212) 673-7106 magazine.molteni.it
Bo Concept 69 Greene Street (212) 966-8188 boconcept.us
Duravit 105 Madison Avenue (212) 686-0033 duravit.com
moss 150 Greene Street (212) 204-7100 mossonline.com
Boffi Soho 31 1/2 Greene Street (212) 431-8282 boffi-soho.com
FLOS 152 Greene Street (212) 941-4760 flosusa.com
Moura Starr 121 Wooster Street (212) 219-1110 mourastarr.com
Bulthaup 158 Wooster Street (212) 966-7183 bulthaup.com
The Future Perfect 115 N. 6th Street 718) 599-6278 thefutureperfect.com
Poggen pohl 270 Park Avenue South (212) 228-3334 poggenpohl.com
California Closets 26 Verick Street (212) 517-7877 californiaclosets.com
Ingo Maurer LLC 89 Grand Street (212) 965-8817 www.ingo-maurer.com
Poltona Frau 145 Wooster Street (212) 777-7592 frauusa.com
Cappellini 152 Wooster Street (212) 966-0669 cappellini.it
Inigo Elizalde Rugs 551 W. 21st Street (917) 216-7855 inigoelizalderugs.com
Raumplus 494 8th Avenue (212) 947-0404 raumplusna.com
Cassina 151 Wooster Street (212) 228-8186 cassinausa.com
LaCOUR 200 Lexington Avenue (212) 213-6600 lacourinc.com
Resource Furniture 969 3rd Avenue (212) 753-2039 resourcefurniture.com
USM Modular Furniture 28-30 Greene Street (212) 371-1230 usm.com Vitsoe 33 Bond Street (917) 675-9660 vitsoe.com Vladimir Kagan couture 200 Lexington Avenue (212) 689-0730 vladimirkagancouture.com Warp & Weft 145 Madison Avenue (212) 481-4949 warpandweft.com
HOTELS
COFFEE SHOPS
6 Columbus 6 Columbus Street (212) 204-3000 thompsonhotels.com
Hotel Chelsea 222 W. 23rd Street (212) 243-3700 hotelchelsea.com
60 Thompson 60 Thompson Street (212) 431-0400 thompsonhotels.com
Hotel Roger Williams 131 Madison Avenue (212) 448-7000 hotelrogerwilliams.com
Ace Hotel 20 W. 29th Street (212) 679-2222 acehotel.com
Ink 48 653 11th Avenue (212) 757-0088 ink48.com
Crosby Street Hotel 79 Crosby Street (212) 226-6400 firmdale.com
Smyth 85 W. Broadway (212) 587-7000 thompsonhotels.com
Dylan Hotel 52 E. 41st Street (212) 338-0500 dylanhotel.com
SOHO Grand Hotel 310 W. Broadway (212) 965-3000 sohogrand.com
Eurostars Wall Street 129 Front Street (212) 742-0124 eurostarswallstreet.com
Stay 157 W. 47th Street (212) 768-3700 stayhotelny.com
Fashion 26 152 W. 26th Street (212) 858-5888 f26nyc.com
Thompson LES 190 Allen Street (212) 460-8888 thompsonhotels.com
Gansevoort 18 Ninth Avenue (212) 206-6700 hotelgansevoort.com
Tribeca Grand Hotel 2 Avenue of the Americas (212) 519-6600 tribecagrand.com
Gild Hall 15 Gold Street (212) 232-7700 thompsonhotels.com Gramercy Park Hotel 2 Lexington Avenue (212) 920-3300 gramercyparkhotel.com
W Hotel 123 Washington Street (646) 826-8600 starwoodhotels.com
Café Café 470 Broome Street SoHo The Bean Coffee & Tea 49 1/2 1st Avenue East Village Roasting Plant Coffee Co. 81 Orchard Street West Village (212) 775-7755 Roasting Plant Coffee Co. 75 Greenwich Avenue Lower East Side (212) 775-7755
New York Film Acadamy 51 Astor Place East Village Café Mocha 116 2nd Avenue East Village (212) 253-2050 Think Coffee 248 Mercer Street SoHo (212) 533-3366 Think Coffee 1 Bleeker Street Bowery ?
Tea & Sympathy 108 Greenwich Avenue West Village (212) 989-9735
Think Coffee 123 4th Avenue Midtown ?
Soy Café 115 Greenwich Village West Village (212) 229-9898
Recess 60 University Place East Village (212) 228-7736
Joe The Art of Coffee 141 Waverly Place West Village (212) 924-6750
Café Grumpy 224 W. 20th Street Chelsea (212) 255-5511
Joe The Art of Coffee 9 East 13th Street Union Square (212) 924-7400
71 Irving Place Coffe & Tea 71 Iriving Place Gramercy Park (212) 995-5252
Joe The Art of Coffee 405 W. 23rd Street Chelsea (212) 206-0669
The Grey Dogs Coffee 90 University Place Greenwich Village (212) 414-4739
Joe The Art of Coffee 514 Columbus Avenues UWS (212) 875-0100
The Grey Dogs Coffee 242 W. 16th Street Chelsea (212) 229-2345
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COFFEE SHOPS cont. The Grey Dogs Coffee 33 Carmine Street West Village (212) 462-0041
La Columbre 319 Church Street Tribeca (212) 343-1515
Aroma Espresso Bar 145 Greene Street SoHo (212) 533-1094
Cafecito 185 Avenue C East Village (212) 253-9966
La Columbre 270 Lafayette Steet SoHo (212) 625-1717
Gregories Coffee 327 Park Avenue South Flatiron (212) 979-8600
Everyman Espresso 75 9th Avenue Midtown ? (212) 228-2930
La Columbre 348 14th Street Chelsea
Gregories Coffee 58 W. 44th Street Midtown (212) 221-3811
Everyman Espresso 136 E. 13th Street East Village (212) 553-0524 FIKA Espresso Bar 41 W. 58th Street Midtown West (212) 832-0022 Ninth Street Espresso 700 E. 9th Street East Village (212) 358-9225 Yaffa Café 97 St. Marks Place East Village (212) 674-9302 Café Pick Me Up 145 Avenue A East Village (212) 673-7231 Hampton Chutney Co. 68 Prince St. SoHo (212) 226-9996 Hampton Chutney Co. 464 Amsterdam Avenue UWS (212) 362-5050
Stumtown Coffee 18 W. 29th Street (Ace Hotel) Flatiron (212) 679-2222 Pecan 130 Franklin Street TriBeCa (646) 613-8293 Porto Rico Improting Co. 210 Bleecker Street Greenwich Village (212) 447-5421 Porto Rico Improting Co. 40 St. Marks East Village (212) 533-1882 Porto Rico Improting Co. 107 Thomspson Street SoHo (212) 966-5758 Irving Farm Coffee Co. 56 7th Avenue West Village (212) 475-5200 MILUX Café 482 Broome Street SoHo (212) 228-6653
Saturdays Surf 31 Crosby SoHo (212) 966-7876 Alessi 130 Greene Street SoHo (212)-941-7300 Café Reggio 119 MacDougal Street Greenwich Village (212) 475-9557
GALLERIES 303 Gallery 547 West 21st Street (212) 255-1121 www.303gallery.com A.I.R. Gallery 111 Front Street, #228 (212) 255-6651 airgallery.org Andrew Kreps Gallery 525 West 22nd Street (212) 741-8849 andrewkreps.com
DCKT Contemporary 195 Bowery, Ground Floor (212) 741-9955 dcktcontemporary.com Drawing Center 35 Wooster Street (212) 219-2166 drawingcenter.org Dumbo Arts Center 30 Washington Street (718) 694-0831 dumboartscenter.org
Gladstone Gallery 515 West 24th Street (212) 206-9300 gladstonegallery.com
Lisa Cooley Fine Art 34 Orchard Street (212) 680-0564 lisa-cooley.com
Greene Naftali Gallery 508 West 26th Street (212) 463-7770 greenenaftaligallery.com
Ludlow 38 38 Ludlow Street (212) 228-6848 ludlow38.org
Harris Lieberman Gallery 89 Vandam Street (212) 206-1290 harrislieberman.com
Luhring Augustine 531 West 24th Street (212) 206-9100 luhringaugustine.com
Anton Kern Gallery 532 West 20th Street (212) 367-9663 antonkerngallery.com
E-Flux Projects 41 Essex Street e-flux.com/projects
Invisible-Exports 14A Orchard Street (212) 226-5447 winvisible-exports.com
Maccarone 630 Greenwich Street (212) 431-4977 maccarone.net
Art in General 79 Walker Street (212) 219-0473 artingeneral.org
Elizabeth Dee 545 West 20th Street (212) 924-7545 elizabethdeegallery.com
James Fuentes LLC 35 St. James Place (212) 577-1201 jamesfuentes.com
Marianne Boesky Gallery 509 West 24th Street (212) 680-9889 marianneboeskygallery. com
Artists Space 38 Greene Street 3rd Floor (212) 226-3970 artistsspace.org
Emily Harvey Foundation 537 Broadway (212) 925-7651 www.emilyharveyfoundation.org
Kate Werble Gallery 83 Vandam Street (212) 352-9700 .katewerblegallery.com
Audio Visual Arts (AVA) 34 East 1st Street www.audiovisualarts.org
Friedrich Petzel Gallery 537 West 22nd Street (212) 680-9473 petzel.com
Kunsthalle Galapagos 16 Main Street (718) 222-8500 kunsthallegalapagos. com
Gagosian Gallery 555 West 24th Street (212) 741-1111 www.gagosian.com
Lehmann Maupin 540 West 26th Street (212) 255-2923 lehmannmaupin.com
Gavin Brown’s Enterprise 620 Greenwich Street (212) 627-5258 gavinbrown.biz
Leo Koenig Inc. 545 West 23rd Street (212) 334-9255 www.leokoenig.com
Canada 55 Chrystie Street (212) 925-4631 canadanewyork.com Casey Kaplan 525 West 21st Street (212) 645-7335 caseykaplangallery.com David Zwirner 519 West 19th Street (212) 517-8677 davidzwirner.com
Mary Boone Gallery 745 Fifth Avenue (212) 752-3939 maryboonegallery.com Matthew Marks Gallery 523 West 24th Street (212) 243-0200 matthewmarks.com Metro Pictures 519 West 24th Street (212) 206-7100 www.metropicturesgallery.com Miguel Abreu Gallery 36 Orchard Street (212) 995-1774 miguelabreugallery.com
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GALLERIES cont.
On Stellar Rays 133 Orchard Street (212) 598-3012 onstellarrays.com
Team Gallery 83 Grand Street (212) 279-9219 teamgal.com
Paula Cooper Gallery 534 West 21st Street (212) 255-1105 paulacoopergallery.com
Wallspace 619 West 27th Street (212) 594-9478 wallspacegallery.com
Peter Freeman, Inc. 560 Broadway, Suite 602/603 (212) 966-5154 peterfreemaninc.com
Watermill Brooklyn Gallery 115 West 29th Street, 10th Floor (212) 253-7484 watermillcenter.org
Reena Spaulings Fine Art 165 East Broadway (212) 477-5006 reenaspaulings.com Sean Kelly Gallery 528 West 29th Street (212) 239-1181 skny.com Sperone Westwater 257 Bowery (212) 999-7337 speronewestwater.com
White Columns 320 West 13th Street (212) 924-4212 whitecolumns.org Zach Feuer Gallery 530 West 24th Street (212) 989-7700 zachfeuer.com
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Swiss Institute 495 Broadway, 3rd Floor (212) 925-2035 swissinstitute.net
REQUEST DISTRIBUTION
Murray Guy 453 West 17th Street (212) 463-7372 murrayguy.com
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