2» mining history
Like My Time (New York: Distributed Art Publishers, 2004), 12.
Michael W. Jennings, eds., Walter Benjamin: Selected Writings, 253.
6. Ibid., 14.
14. Ibid., 253.
1» erwin wurm
7. Peter Zuspan, MUSEO magazine.
15. Ibid., 256.
1. Peter Weibel, ed., Erwin Wurm (New York: Hatje Cantz Publishers, 2002), 120.
8. Paul Barlow, Art and Culture: Critical Essays (Boston: Beacon Press, 1961), 149.
1. Fred Wilson, “The Silent Message of the Museum” (paper presented at the first conference of the Institute of International Visual Arts held at the Tate Gallery, London, England, April 27-28, 1994).
2. Peter Zuspan, MUSEO magazine (Accessed 24 November 2008) <www.museomagazine.com>.
9. Howard Eiland and Michael W. Jennings, eds., Walter Benjamin: Selected Writings (Cambridge, The Belknap Press of Harvard University Press, 2003), 251.
2. Lisa G. Corrin, “Mining the Museum: An Installation Confronting History,” in Reinventing the Museum, ed. Gail Anderson (San Francisco: Rowman Altamira, 2004), 248-255.
10. Ibid., 253.
3. Fred Wilson, “The Silent Message of the Museum.”
notes
3. “The Art of Participation,” SFMOMA (Accessed 15 November 2008) <http://www. sfmoma.org/exhibitions/306>. 4. Peter Zuspan, MUSEO magazine. 5. Berin Golonu, et al., eds., Erwin Wurm I Love My Time, I Don’t
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11. Esther Leslie, “Walter Benjamin: Traces of Craft,” Oxford Journals <http:www.jstor.org/ stable/1316160> 8. 12. Ibid., 9. 13. Howard Eiland and
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16. Ibid., 256.
4. Ibid. 5. Ibid. 6. William H. Truettner, “Museums and Historical Amnesia”, in Museums and Dif-