C. G. Jung: The Practise of Psychoterapy

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GENERAL PROBLEMS O F P S Y C H O T H E R A P Y

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longer see any sense in being socially useful and who have come upon the deeper and more dangerous question of the meaning of their own individual lives. To be a particle in the mass has meaning and charm only for the man who has not yet reached that stage, but none for the man who is sick to death of being a particle. The importance of what life means to the individual may be denied by those who are socially below the general level of adaptation, and is invariably denied by the educator whose ambition it is to breed mass-men. But those who belong to neither category will sooner or later come up against this painful question. 4 Although my patients occasionally produce artistically beautiful things that might very well be shown in modern "art" exhibitions, I nevertheless treat them as completely worthless when j udged by the canons of real art. As a matter of fact, it is essential that they should be considered worthless, otherwise my patients might imagine themselves to be artists, and the whole point of the exercise would be missed. It is not a question of art at all—or rather, it should not be a question of art— but of something more and other than mere art, namely the living effect upon the patient himself. The meaning of individual life, whose importance from the social standpoint is negligible, stands here at its highest, and for its sake the patient struggles to give form, however crude and childish, to the inexpressible. t why do I encourage patients, when they arrive at a certain stage in their development, to express themselves by means of brush, pencil, or pen at all? Here again my prime purpose is to produce an effect. In the state of psychological childhood described above, the patient remains passive; but now he begins to play an active part. To start off with, he puts down on paper what he has passively seen, thereby turning it into a deliberate act. He not only talks about it, he is actually doing something about it. Psychologically speaking, it makes a vast difference whether a man has an interesting conversation with his doctor two or three times a week, the results of which are left hanging in mid air, or whether he has to struggle for hours with refractory brush and colours, only to produce in the end something which, taken at its face value, is perfectly senseless. If it were really senseless to 4$

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