Parker Fine Art Auctions Painting Catalogue

Fine Paintings & Frames Sale

Thursday 9th May 2024 at 11am

Forthcoming Fine Paintings & Frames Sale

Thursday 6th June 2024

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Thursday 9th May 2024 at 11am VIEWING

Friday 3rd May 10am to 4pm

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Thursday 9th May from 9am Telephone bids and absentee bids will be accepted until 9am on the day of the sale. 01252 20 30 20 | info@parkerfineartauctions.com

Old Masters and European Paintings Pre 1850

3. Charles Williams (act.1787-1830) British “Boney Bothered or An Unexpected Meeting”

Hand coloured etching, Published by Thomas Tegg

12” x 9” (30.5 x 22.8cm)

Provenance: The Petersfield Bookshop, Hampshire

£100-£200

1. William Heath (1794-1840) British “The Man Wot Drives The Sovereign” Etching

11.5” x 7.75” (29.2 x 19.6cm)

And the companion piece “The Cad To The Man Wot Drives The Sovereign”, a pair (2)

£100-£200

2. John Conde (1765-1794) British “Mr Lewis in the Character of the Copper Captain” Stipple engraving

9” x 7” (22.8 x 17.8cm)

And a companion piece “Mr Bannister Jnr in the Character of Ben The Sailor”, a pair (2)

£100-£200

4. William Heath ‘Paul Pry’ (1794-1840) British “A Review of the New Grand Army”

Hand coloured etching

8” x 12.25” (22.2 x 31.1cm)

£100-£200

Etching

James Gilram

5. James Gillray (1757-1815) British “Very Slippy Weather” Hand coloured engraving published by Hannah Humphrey 9.25” x 7” (23.5 x 17.8cm)

Provenance: Warwick Leadlay Gallery, London £100-£200

6. James Gillray (1757-1815) British “A Welch Tandem”

published by H Humphrey 9.75” x 14” (24.7 x 35.5cm) Together with another by the same hand “Doublures of Characters” (2)

Provenance: Warwick Leadlay Gallery, London £150-£200

8.

Etching

6.25” x 9.5” (15.8 x 24.1cm)

Together with another by the same hand “The King of Brobdingnag and Gulliver” (2)

Provenance: Fanny Harrison, 1979

7. James Gillray

Etching

Oval 9” x 4.5” (22.8 x 11.4cm)

Together with an etching of George IV above Brighton Pavilion (published by John Fairburn) (2) £100-£200

(1757-1815) British “A Slice of Glo’ster Cheese”

James Gillray (1757-1815) British “Tiddy-Doll”

£100-£200

9. Orazio Borgianni (1574-1616) Italian “The Baptism of Christ” after Raphael Etching

5.5” x 9” (14 x 22.8cm) £200-£300

12. After Joshua Reynolds (1723-1792) British Lady Almeria Carpenter

Mezzotint

13.5” x 11” (34.3 x 28cm)

And a similar mezzotint by Hamilton of Miss Jones (2)

10. After Peter Paul Rubens (1577-1640) Flemish ‘A Child with a Bird’ Etching

Bears a signature in pencil

3.75” x 2.75” (9.5 x 7cm)

11. After George Morland (1763-1804) British “A Visit to The Boarding School”

Engraved by W Ward

17.25” x 21.75” (43.8 x 55.2cm)

And a companion piece “A Visit to The Child at Nurse” (2)

£100-£200

£100-£200

£150-£200

13.

Mezzotint

19” x 17.75” (48.2 x 45.1cm)

£100-£200

15. After William Hoare (1707-1792) British

The Right Hon. Philip Dormer Stanhope

Earl of Chesterfield

Mezzotint by Jean Simon

11.75” x 9.75” (29.8 x 24.7cm)

£100-£150

14. Adrian Vander Werff (1659-1722) Dutch

Engraved by G Valck

Unframed 11.75” x 7” (29.8 x 17.8cm)

And thirteen other engravings by the same hand (14) £100-£200

16. After Godfrey Kneller (1646-1723) British “Christophorus Wren”

Mezzotint

11.5” x 9.75” (29.2 x 24.7cm)

£100-£150

Circle of William Redmore Bigg (1755-1828) British A Peep Hole

“Marguerite”

17. After Godfrey Kneller (1646-1723) German/British William Cavendish, Duke of Devonshire

Mezzotint by John Faber 1733

12.5” x 9.75” (31.8 x 24.8cm)

And a companion piece of Spencer Compton, Earl of Wilmington and a further portrait by the same hand (3) £100-£150

18. Mary Maule (18th-19th Century) British Map of England

Tapestry dated 1786

In a darkwood frame

Oval 15.5” x 12.5” (38.4 x 31.8cm) and a companion piece of a map of Europe dated December 87, a pair (2) £100-£200

19. Emery Walker Limited (20th Century)

A Collection of Sexton’s Atlas of England and Wales (not complete) With index, primary tables and frontispiece, including a large map of Yorkshire and thirty other maps

£300-£500

20. Tobias Conrad Lotter (1717-1777) German “Planisphaerium Coeleste”

Map published by Aug. Vindel

Unframed 18.75” x 22.25” (47.6 x 56.5cm)

£100-£200

21. 20th Century English School “Map of London” edition of 1920, Sheet K

Map, Published by Ordnance Survey Office

Unframed, 24” x 36” (61 x 91.5cm)

£100-£200

22. 19th Century European School

Madonna and Child

Pencil

6.75” x 5.5” (17.2 x 14cm)

£100-£200

23. Late 18th Century English School

A Lady in a Landscape

Pencil

8.5” x 6.5” (21.6 x 16.5cm)

£100-£150

24. 18th Century French School

A Reclining Classical Lady

Sanguine

9.5” x 15.25” (24.2 x 38.8cm)

£200-£300

25. C Stapleton (18th-19th Century) British “A Hilly Landscape”

Watercolour

Signed and dated 1790, and inscribed on a plaque

18.5” x 25” (47 x 63.5cm)

£100-£200

26. Early 19th Century English School

Figures Fishing in a River Landscape

Oil on canvas

14” x 17.25” (35.5 x 43.7cm)

£150-£250

27. Circle of Julius Caeser Ibbetson (1759-1817) British

A Mountainous River Landscape

Oil on canvas

In a maple frame 13.75” x 17” (35 x 43.2cm)

£200-£300

28. After Giuseppe Zocchi (20th Century) Italian

The Ponte Vecchio

Florence

Oil on canvas

26” x 40” (66 x 101.6cm)

£500-£800

29. Circle of Pietro Longhi (1702-1785) Italian

A Pair of Interior Scenes with Elegant Figures

Oil on canvas

Unframed, 10.5” x 11.5” (26.7 x 29.2cm) (2)

£1000-£1500

(Each

30.

31.

18th Century Dutch School

Figures around a Maypole Oil on panel Indistinctly signed 12” x 15.5” (30.5 x 39.3cm) £300-£500

19th Century Italian School

Figures in an Extensive River Landscape Oil on canvas 36” x 48” (91.5 x 122cm)

£2000-£3000

32. Circle of Jacob Storck (1641-1692) Dutch A Capriccio View of Maarsen Oil on canvas

30” x 42” (76.2 x 106.7cm) £4000-£6000

36. Early 19th Century European School Study of a Roman Bust Oil on canvas laid down 16.5” x 13.5” (42 x 34.3cm) £100-£150

37. 18th Century Dutch School A Figure with a Flute Oil on panel 9.5” x 8” (24.1 x 20.3cm) £100-£200

35. Circle of Pier Francesco Mola (1612-1666) Italian Figures in a Wood Oil on panel Indistinctly inscribed verso 9.75” x 7” (24.8 x 17.8cm) £200-£400

32.5” x 45.5” (82.5 x 115.6cm)

£20000-£30000

38. Manner of Abraham Beerstraaten (1643-1666) Dutch A Winter Scene with Figures Skating, a church beyond Oil on canvas

In a carved giltwood Louis XIV frame

39.

36” x 28” (91.5 x 71.1cm)

40.

Unframed 30” x 24.75” (76.2 x 62.8cm)

£400-£600

Unframed 16” x 12” (40.8 x 30.5cm) £300-£400

After Thomas Lawrence (1769-1830) British A Portrait of George IV (1762-1830) Oil on canvas

£200-£400

Circle of Thomas Gainsborough (1727-1788) British Bust Portrait of a Lady, wearing a blue and white silk dress Oil on canvas

41. Early 19th Century English School A Full-Length Portrait of King William IV Oil on panel

33.5” x 20.5” (85.1 x 52cm) £200-£400

42. 17th Century European School Portrait of a Boy Oil on canvas

25.25” x 20.5” (64.1 x 52cm)

£3000-£4000

43. Circle of Anthony van Dyck (1599-1641) Flemish Portrait of Queen Henrietta Maria Oil on canvas

44. Circle of Michael Dahl (1659-1743) Swedish/British Bust Portrait of a Lady Oil on canvas Oval 30” x 25” (76.2 x 63.5cm) £600-£800

45. Circle of Godfrey Kneller (1646-1723) British Portrait of Countess of Barrymore Oil on canvas Painted oval Inscribed on a plaque and inscribed on a label verso In a fine carved giltwood frame 30” x 25” (76.2 x 63.5cm) £1500-£2000

46. 16th Century English School

A Portrait believed to be Queen Elizabeth I as a child Oil on panel 11.5” x 8” (29.2 x 20.3cm) £10000-£15000

49. Circle of John Singleton Copley (1738-1815) British Portrait of a Man Oil on canvas 30” x 25” (76.2 x 63.5cm) £300-£500

47. Circle of John Hoppner (1758-1810) British Portrait of The Hon. William Henry Bouverie (Politician, 1752-1806) Oil on canvas Inscribed on a label verso 30” x 25” (76.2 x 63.5cm) £300-£500

48. Early 19th Century English School Bust Portrait of a Man Oil on canvas Painted Oval, unframed 15.5” x 13.5” (39.3 x 34.2cm) £300-£500

50.

In a fine carved giltwood frame

30” x 24.5” (76.2 x 62.2cm)

£2000-£3000

After John Wootton (1686-1764) British “His Majesty King George III of England” Oil on canvas

51. Francis Wheatley (1747-1801) British “Courtship” Oil on canvas

14” x 11” (35.5 x 28cm)

And the companion piece “Matrimony” a pair (2) £1000-£1500

53. After Frederic Leighton (1830-1896) British “Hit”

Engraving Signed in pencil

19.75” x 15” (50.2 x 38.1cm) £100-£150

54. After Raniero Grassi (1831-?) Italian “Il Campanile di Pisa”

Print in colours

7.15” x 4.5” (18.2 x 11.4cm)

Together with four other Italian prints by various hands (5) £100-£200

55. After Augustus Kollner (1813-1906) German “American Falls, Niagara Falls” Lithograph by Deroy

7.4” x 11.1” (18.8 x 28.3cm) £100-£150

56. Frederick Hollyer (1838-1933) British “Study for the Masque of Cupid”, after Edward Coley Burne-Jones Platinum print

12.5” x 24” (31.7 x 61cm) £100-£200

57. Robert Swain Gifford (1840-1905) British “The Path To The Shore” Etching

Inscribed

Unframed 4.25” x 7.75” (10.8 x 19.7cm)

Together with two etchings of America by other artists, and six etchings by Thomas Huson (9) £100-£200

59. Frank Sparks (19th-20th Century) British

“The Toll Bar, Kilburn, 1851” Watercolour

Signed and inscribed

13” x 21” (33 x 53.3cm)

£100-£150

58. John Arthur Poulter (1825-1921) British “Romsey-Hants” Etching

Inscribed in pencil

Unframed 5.75” x 9.75” (14.6 x 24.7cm)

And fifteen other various prints and engravings (16)

£100-£200

60. 19th Century English School

Portrait of a Young Lady wearing a Hat Watercolour

Oval

12.5 x 9.5” (31.7 x 24.2cm)

£200-£300

61. Charles West Cope (1811-1890) British Study of a Man Reading a Book Coloured chalks

Signed with initials and dated July 1874

12.5” x 11” (31.8 x 27.8cm)

£100-£150

62. John Masey Wright (1777-1866) British “The Vicar of Wakefield”

Watercolour

Inscribed on a label verso

13” x 10.25” (33 x 26cm)

Notes: Illustration for ‘The Vicar of Wakefield’

£150-£250

64. Robert Dighton (1752-1814) British A Standing Figure in Profile

Watercolour and ink

11” x 6” (27.8 x 15.2cm)

£100-£200

65. Mildred C Walker (19th-20th Century) British ‘Queen Victoria, Empress of India’

Watercolour and pencil

Signed

9.75” x 6.25” (24.8 x 15.9cm)

£100-£150

63. 19th Century English School

Portrait of a Young Boy

Pencil and chalk

18” x 12.75” (45.7 x 32.4cm)

£100-£200

66. Ernesto Candiani (19th-20th Century) Italian

Portrait of a Cardinal Admiring a Statue

Watercolour

Signed

10.25” x 7.5” (26 x 19cm)

£100-£150

67. Attributed to Eva Gonzales (1849-1883) French “Femme avec son Livre au Salon” Pastel

Inscribed on the plaque

32” x 24.75” (81.2 x 62.8cm)

Provenance: Italian collector; Parisian art dealer, 1980’s £8000-£12000

68. 19th Century Italian School

“Il Porto di Napoli”

Watercolour

Inscribed

2.75” x 3.85” (7 x 10cm)

And three others by the same hand (4) £200-£300

69. 19th Century Italian School

“Napoli dal Carmine”

Watercolour

Inscribed

2.75” x 3.85” (7 x 10cm)

And three others by the same hand (one framed differently) (4) £200-£300

70.

board

With artist’s stamp verso

14.25” x 10.5” (36.2 x 26.7cm)

72. Attributed to Charles Landseer (1799-1879) British “Daydreams”

Oil on canvas

Bears initials, and inscribed on a plaque

28.5” x 23” (72.3 x 58.4cm)

Unframed 24” x 20” (61 x 50.8cm)

71. After Samuel Luke Fildes (1843-1927) British Portrait of Edward VII Oil on canvas

£200-£300

£800-£1200

Attributed to Josef Manes (1820-1871) Czech Bust Portrait of Young Girl Oil on

£1500-£2500

73. Orlando Norie (1832-1901) British

The 8th Hussars Charging

Watercolour

Signed

13.25” x 20” (33.6 x 50.8cm)

£200-£300

74. Orlando Norie (1832-1901) British

British Infantry Soldiers Marching

Watercolour

Signed

11.75” x 17.5” (29.8 x 44.4cm)

£200-£300

75. Orlando Norie (1832-1901) British

The 13th Hussars Charging

Watercolour

Signed

12.75” x 19.25” (32.4 x 48.8cm)

£200-£300

77. Richard Beavis (1824-1896) British Garde Imperiale Chevau-Legers Lanciers Oil on canvas laid down Signed and inscribed 24” x 17” (61 x 43.2cm) £1000-£1500

76. Alfred Frank de Prades (1825-1885) French/British A Royal Horse Guard Trooper Oil on board Signed 24” x 18.25” (61 x 46.3cm) £1000-£1500

78. Alfred Walter Williams (1824-1905) British “Welsh Landscape with Figures Dragging Bracken” Oil on canvas Signed and dated 1849, and inscribed on labels verso 23.25” x 31” (59 x 78.8cm) £400-£600

79. Edward Charles Williams (1807-1881) British Bringing in The Hay Oil on canvas Signed and dated 1852 19” x 34” (48.2 x 86.4cm) £500-£700

80.

Signed, and inscribed on the plaque 31” x 46.5” (78.7 x 118.1cm)

81.

Signed and dated 1887 30” x 50” (76.2 x 127cm)

Henry Deacon Hillier Parker (1858-1930) British “The Parting Day” Oil on canvas

£2000-£3000

Niels Hans Christiansen (1850-1922) Danish A Winter Scene on a tree lined avenue Oil on canvas

£400-£600

82. Early 19th Century European School

A Boat Coming into Harbour Oil on board

In a maple frame

10.25” x 15” (26 x 38.1cm)

And a companion piece, a pair (2)

canvas

Signed, and inscribed on a label verso 20” x 16” (50.8 x 40.6cm)

Provenance: Unicorn Gallery Ltd, Cheshire

83.

Oil on canvas

Inscribed and dated 1880

Painted circular, unframed 22.75” x 22.75” (57.7 x 57.7cm)

85. 19th

English School Fairies in a Fantasy River Landscape

Oil on canvas

Unframed 13.5” x 10.75” (34.2 x 27.3cm)

£200-£300

Circle of Thomas Cooper Gotch (1854-1931) British “Sybarite”

£300-£400

84. George Dawson (19th-20th Century) British “Highland Scene with Lake” Oil on

£100-£200

Century

£200-£300

Antonietta Brandeis

Oil on panel

Signed

11.5” x 7.25” (29.2 x 18.4cm) £3000-£4000

Oil on board

Signed, and inscribed on the slip

6.5” x 9.25” (16.5 x 23.4cm) £4000-£6000

86. Antonietta Brandeis (1848-1926) Italian Feeding the Pigeons

87. Antonietta Brandeis (1848-1926) Italian “The Fountain, Rome”

88. Circle of Walter Heath Williams (1836-1906) British Figures by a Cart Oil on panel

8.5” x 11.25” (21.6 x 28.6cm)

£200-£300

89. 19th Century English School

Shepherd and Flock in a Winter Landscape

Oil on board

8” x 10.5” (20.3 x 26.7cm)

£200-£300

90. Henry Crowther (act.1901-1939) British Figures with a Horse and Cart Oil on canvas

Signed and dated ‘02

20” x 27” (50.8 x 68.6cm)

£200-£300

91. Charles Jones (1836-1892) British Sheep by a Gate Oil on canvas

Signed with initials and dated ‘89, and inscribed verso 14” x 20” (35.5 x 50.8cm) £3000-£5000

92. William Collins (19th Century) British Study of a Riverbank Oil on canvas

Inscribed and dated 1875 verso

9” x 16” (22.9 x 40.6cm)

£150-£200

93. William Henry Jobbins (c.1840-1893) British

Santa Maria della Salute”

Oil on canvas

Signed, inscribed and dated 1877 on a label verso

8” x 12” (20.3 x 30.5cm)

£100-£150

94. William Henry Jobbins (c.1840-1893) British “Venice”

Oil on panel

Signed, and inscribed and dated 1883 verso

9.75” x 17.25” (24.8 x 43.8cm)

£300-£400

95. Edward Henry Holder (1847-1922) British An Extensive Surrey Landscape Oil on canvas

Signed and dated ‘93, and indistinctly inscribed on a label verso

13” x 34” (33 x 86.3cm)

£200-£400

“Venice,

96. John Callow (1822-1878) British Shipping in Heavy Waters Watercolour

Signed and indistinctly dated 10” x 14” (25.4 x 35.5cm)

97. Peter MacGregor-Wilson (1856-1928) British

A Coastal Scene with a Sailing Boat Watercolour

Signed

11.5” x 19” (29.2 x 48.2cm)

99. Circle of William McAlpine (19th-20th Century) British

A Shipping Scene in Choppy Waters

Oil on board

Bears a signature

7” x 12.25” (17.8 x 31.1cm)

And a companion piece, a pair (2) £100-£200

98. Early 20th Century English School

A Moored Boat

Oil on board

13.5” x 10.25” (34.3 x 26cm) £100-£200

£100-£200

£150-£250

100. Circle of Nathaniel Hone (1831-1917) Irish A Ship at Sea Oil on canvas

Inscribed verso

Unframed 17.5” x 25.5” (44.4 x 64.8cm)

£100-£200

101. Frederick Bertrand ‘Fid’ Harnack (1897-1983) British “Cruising” Oil on board Signed

23.5” x 29.5” (59.7 x 74.9cm)

Provenance: The National Maritime Museum (BHC1652)

Exhibited: The Royal Society of Marine Painters, ‘A Celebration of Marine Art, Sixty Years of The Royal Society of Marine Artists’, p.43 (catalogue included)

£500-£800

102. William Thornley (1857-1935) British Figures on a Beach Oil on canvas

Indistinctly signed

24” x 42” (61 x 106.7cm)

£800-£1200

15.75” x 19.75” (40 x 50.1cm)

Signed in pencil

13.5” x 11” (34.3 x 27.9cm)

Signed

25” x 36” (63.5 x 91.54cm)

Signed

10.5” x 14.25” (26

104. John Rattenbury Skeaping (1901-1980) British “Antelope” Lithograph

£100-£150

105. Samuel Howitt (1756/57-1822) British Two Dogs by a Kennel Ink and watercolour

x 36.1cm) £100-£200

103. After George Stubbs (1724-1806) British “Sharke”

Engraved by George Townley Stubbs

£100-£200

106. Heywood Hardy (1842-1933) British Fox and a Lion Watercolour

£200-£300

109. Ernest Griset (1843-1907) French A Stag Watercolour and pencil

20.5” x 20” (52.1 x 50.8cm) £100-£200

107. Ernest Griset (1843-1907) French Sleeping Lion Watercolour and pencil Signed

13” x 27.5” (33 x 69.8cm) £100-£200

108. Ernest Griset (1843-1907) French ‘The Vulture’ Watercolour and bodycolour Signed and dated ‘87

28” x 18” (71.1 x 45.7cm) £100-£150

Inscribed on a label verso

Circular 10.5” x 10.5” (26.7 x 26.7cm)

Provenance: Abbott & Holder, London

and

Signed and dated 1872, and inscribed on a label verso

11” x 21” (27.9 x 53.3cm)

Provenance: Richard Green Fine Paintings, London £300-£500

110. Circle of Henry Bright (1810-1873) British Guarding the Nest Watercolour

£100-£200

111. William Huggins (1820-1884) British ‘Lions At Rest’ Coloured chalks

wash

British and European Paintings Post 1900

112. F Jones (19th Century) British “Ploughing”

Drypoint

Inscribed in pencil

Unframed 6” x 8” (15.2 x 20.3cm)

Together with eleven other etchings by various hands, 12) £100-£200

114. Leslie Moffat Ward (1888-1978) British Cottages by an Estuary Woodcut

Signed in pencil

Mounted, unframed 6” x 8.5” (15.2 x 21.6cm) £100-£200

116. Frank Brangwyn (1867-1956) British

The Artist Working for a Design for a Stained Glass

Photograph

Signed, and inscribed verso

7.25” x 8.75” (18.2 x 22.2cm)

£100-£150

113. John Charles Moody (1884-1962) British “Top of the Hill”

Etching

Signed, inscribed and numbered 3/60 in pencil

Unframed 8.75” x 11.65” (22.2 x 29.5cm)

And two other etchings by various hands (3)

£100-£200

115. Eric Gill (1882-1940) British

A Pair, “The Bull Calf of St Luke” and “The Lion of St Mark”

Engravings

Each 7.25” x 7” (18.3 x 17.8cm) (mounted as one)

Together with eight others (mounted as three)

£200-£300

117. Paul Cesar Helleu (1859-1927) French “Madam Helleu”

Etching

Bears a signature in pencil

8” x 11” (20.3 x 27.9cm)

£100-£200

Robin Tanner

118. Robin Tanner (1904-1988) British “Memorial Portfolio”, The Complete Set of 12 Etchings With printers guild stamp, some Inscribed ‘PP’, of varying sizes Together with the collection extra two etchings, a booklet by John Russell Taylor, printed by Jeremy Blighton and Anthony Dyson, published by Merivale Editions and contained in the original box £800-£1200

119.

Linocut

Inscribed in pencil

10” x 8” (25.4 x 20.3cm)

And two others by the same hand, “Crocuses” and “Violets and Primroses” (3)

121.

Signed, inscribed and numbered 32/150 in pencil

Unframed 10.25” x 7.75” (26 x 19.7cm)

Together with three other etchings by various hands (4) £100-£200

122.

Inscribed verso 9.5” x 6.5” (24.2 x 16.5cm)

120.

Signed and dated ‘25 in pencil

Unframed 12.75” x 9.75” (32.4 x 24.7cm)

And ten other etchings by various hands (11)

123.

Signed and inscribed ‘epreuve d’artiste’ in pencil

20” x 16.5” (50.8 x 41.8cm)

£100-£150

Circle of John Hall Thorpe (1874-1947) Australian “Nicotianas”

£100-£150

Lucy B Whiteham (20th Century) British A Girl Seated on a Stool Etching

£100-£200

Paul Louis Guilbert (1886-1952) French “Provence” Etching

Christopher Richard Wynn Nevinson (1889-1946) British “The Spirit of Progress” Lithograph

£100-£200

Jacques Bleny (1925-1960) French Poppies in a Window with a Town Scene beyond Lithograph

124. Cyril Power (1872-1951) British “Setting Out” Screenprint

Richard Bawden

125. Richard Bawden (1936-) British “Fizz”

Linocut

Signed, inscribed and numbered 78/95 in pencil

17.5” x 26.25” (44.4 x 66.7cm)

£300-£400

126. Richard Bawden (1936-) British “St Katherine’s Dock”

Lithograph

Signed

Unframed, 18” x 24” (45.7 x 61cm)

Together with a signed lithograph of “Transport Cafe” (2) £150-£200

127. Richard Bawden (1936-) British “Transport Cafe”

Lithograph

Signed

Unframed, 18” x 24” (45.7 x 61cm)

Together with an unsigned lithograph, “Telford’s Bridge, Conwy” (2) £100-£150

Numbered 152/500, and inscribed on a label of authenticity verso 27” x 21”

Signed and numbered 184/300 in pencil, and inscribed on a label verso 20.5” x 26.5” (52.1 x 67.3cm)

Provenance: Gilden’s Arts Gallery, London

128. Marc Chagall (1887-1985) Russian/French “Bella” Offset Lithograph

(68.6 x 53.3cm) £300-£400

129. Marc Chagall (1887-1985) Russian/French “Motherhood (Maternite)” Lithograph in colours

£2000-£4000

130.

Lithograph for The Baynard Press for School Prints Ltd

Unframed, overall 19.5” x 29.75” (49.5 x 75.6cm)

131.

Lithograph for The Baynard Press for School Prints Ltd

Unframed, overall 19.5” x 29.75” (49.5 x 75.6cm)

133.

Lithograph for The Baynard Press for School Prints Ltd

Unframed, overall 19.5” x 29.75” (49.5 x 75.6cm)

132.

Lithograph for The Baynard Press for School Prints Ltd

Unframed, overall 19.5” x 29.75” (49.5 x 75.6cm)

134.

Lithograph for The Baynard Press for School Prints Ltd

Unframed, overall 19.5” x 29.75” (49.5 x 75.6cm)

Russell Reeve (1895-1970) British “The Elephant Act”

£100-£150

Gerald Cooper (1898-1975) British “Striped Lily”

£100-£150

Clarke Hutton (1898-1984) British “Harlequinade”

£100-£150

Adolf Dehn (1895-1968) American “Minnesota”

£100-£150

Barbara Jones (1912-1978) British “Fairground”

£100-£150

Wilfred Fairclough

135. Wilfred Fairclough (1907-1996) British “Crocuses”

Oil on board

Signed, and inscribed on labels verso 12” x 7.75” (30.5 x 19.7cm) £100-£150

137. Wilfred Fairclough (1907-1996) British “Orvieto Wedding, Three Bottle Men” Etching

Signed and dated 1994 in pencil

Unframed 6” x 6.75” (15.3 x 17.1cm)

And two others “Frenchman in Tivoli” and “Venetian I” (3) £100-£150

136. Wilfred Fairclough (1907-1996) British “Mario, Venetian Fishmonger” Etching

Signed and dated 1966 in pencil

Unframed 10.75” x 8.25” (27.3 x 21cm)

And two others “Venice, The Chef” and “Venetian Barmaid” (3) £200-£300

138. Wilfred Fairclough (1907-1996) British “Covent Garden, Grand Tier” Etching

Signed and dated 1957 in pencil

Unframed 6.75” x 8” (17.1 x 20.3cm) and two others “Miss Hattie Jaques, Players’ Theatre” and “Jaques String Orchestra, Hampton Court” (3) £100-£150

139. David Gentleman (1930-) British “Langley Street” Lithograph

Signed and numbered 93/120 in pencil

20.5” x 15” (52.1 x 38.1cm)

£100-£200

140. Peter Blake (1932-) British “Costume Life Drawing - Yellow Hat” Lithograph

Signed and numbered 404/500 in pencil

16.75” x 8.75” (42.5 x 22.2cm)

£100-£200

141. Edgar Holloway (1914-2008) British “Essex St Watergate” Etching

Signed and inscribed with ‘publishers proof’ in pencil

Contained with original Merivale Editions 1992 folder

9.5” x 5.75” (24.1 x 14.6cm)

Together with “Daisy Monica”, “Orchard Moon” and “Afghan Hat” by the same hand (4)

£150-£250

Signed, inscribed and dated 1982 in pencil, also inscribed ‘D from B 1993’ 6.75” x 4.5” (17.1 x 11.4cm)

Signed and numbered 79/250 in pencil

8.5” x 8.5” (21.6 x 21.6cm)

And another by the same hand, “Sagittarius” (2)

Signed with initials in pencil

19.25” x 17” (48.8 x 43.2cm)

144. Salvador Dali (1904-1989) Spanish “Capricorn” Etching

£200-£300

142. Bryan Ingham (1936-1997) British “Damen I” Etching

£200-£300

143. Matthew Smith (1879-1959) British Still Life Monotype

£150-£250

Lithograph

Unframed 18.75”

Unframed 28.5”

Lithograph

Signed, inscribed and numbered 55/60 in pencil

Unframed 13” x 11” (33 x 27.9cm)

Together with “A Paddington Church” (55/60) and “District Line “ (49/60) together with frontispieces (3)

148.

Limited Edition in facsimile, published by Thames and Hudson

Editions, Cercle d’Art, 1960 (with foreword and cover)

145. Barnett Freedman (1901-1958) British “The Darts Champion” Guinness Lithograph

x 28.75” (47.6 x 73cm) £100-£200

146. Barnett Freedman (1901-1958) British “The Window Box”, a design for Lyons Teashops

x 38.5” (72.3 x 97.1cm) £100-£200

Pablo Picasso (1881-1973) Spanish ‘Picasso’s Sketchbook’

£200-£300

147. Rupert Shephard (1909-1992) British “Royal Exchange”

£100-£200

149.

Screenprint

Signed and numbered 36/50 in pencil, and inscribed on a label verso 22.75” x 19.5” (57.8 x 49.5cm)

Provenance: Katharine House Gallery, Wiltshire, 2013

150. Bruce Mclean (1944-)

Screenprint

Signed, numbered 23/75 and dated ‘89

Unframed, 40” x 30” (101.6 x 76.2cm)

151.

Signed, inscribed and numbered 12/25 in pencil

Unframed 45.75” x 34.75” (116.2 x 88.2cm)

Adrian Wiszniewski (1958- ) British “Subliminal Thought” Woodcut

£200-£400

Eduardo Paolozzi (1924-2005) British “Turing 4, 2000”

£300-£400

British “Soldat (1989)”

£300-£400

152. Laurence Stephen Lowry (1887-1976) British “Ferry Boats” Print

With Chelsea Green Editions stamp and numbered 8/75 in pencil

20” x 27” (50.8 x 68.6cm)

£300-£500

153. Edward Bouverie Hoyton (1900-1988) British “Downalong Newlyn” Coloured etching

Signed and inscribed in pencil

11.75” x 17.25” (29.8 x 43.8cm)

£400-£600

154. Rupert Shephard (1909-1992) British “Native Women With Mats” Linocut

Signed and numbered I/18/60 in pencil

Mounted unframed 10” x 15.75” (25.4 x 40.6cm)

£100-£150

Notes: Created for the investiture ceremony of Prince Charles, hosted at Caernarfon Castle on 1st July 1969, the chairs were designed by Antony Armstrong-Jones (Lord Snowdon), Carl Toms and John Pound and manufactured by Remploy

Notes: To be sold as a work of art (not a chair) as it is not certified as fire resistant.

Signed and dated ‘06, and inscribed on a label verso 14.25” x 20.5” (36.1 x 52cm)

x 7.5”

19cm)

155. After Lord Snowdon (1930-2017) British King Charles Investiture Chair from 1969

£300-£500

156. E Gregory (19th-20th Century) British “Around the Cauldron” Watercolour

£200-£400

157. Frank Brangwyn (1867-1956) British Figures at a Fair Watercolour

5.25”

(13.3 x

£1500-£2000

158. Francis Ives Naylor (1892-1982) British

Watercolour and ink

Inscribed verso

Mounted unframed 14.5” x 20.5” (36.8 x 52cm)

160. Francis Ives Naylor (1892-1982) British

Watercolour and ink

Inscribed verso

Unframed 14.5” x 20.25” (36.2 x 51.5cm)

162. Howard Forster (fl.1939-1950) British “Old Stone Barn”

Watercolour

Signed, and inscribed on a label verso

10” x 14.5” (25.4 x 36.8cm) £100-£150

159. Francis Ives Naylor (1892-1982) British

Watercolour and ink

Inscribed verso

Mounted unframed 14” x 19.75” (35.5 x 50.1cm)

Notes: Depicted is Morshead hotel

161. Francis Ives Naylor (1892-1982) British

Watercolour and ink

Signed, and inscribed and dated 1947 verso

Mounted unframed 16” x 14” (40.6 x 35.5cm)

163. Percy Robertson (1869-1934)

Watercolour

Inscribed on labels verso

6.5” x 10.25” (16.5 x 26cm)

Provenance: Abbott & Holder 2001

£100-£200

“St Clement Danes, London”

£100-£150

“Richmond Hill, Surrey”

£100-£150

“Clerkenwell Green, London”

£100-£150

“37 Bywater St, Chelsea”

£100-£150

British ‘Distant View of the Needles from Totland, Isle of Wight’

Inscribed on a label verso

12” x 8” (30.5 x 20.3cm)

Provenance: Robin de Beaumont (1926-2023) Park Walk, Chelsea, c.1981, to the present owner

Notes: Robert Bevan made many sketches of the horse sales at the Barbican Repository which were used as the bases for large scale oil paintings and culminated in his famous series of original lithographs which included “Horse Dealers at the Barbican (Barbican No. 2)”, published in 1921. The Barbican horse sale started sometime in the eighteenth century and lasted some two hundred years. Located at 56 Barbican, in the Aldersgate district of the City of London, it operated under a variety of names at different times. When Bevan first visited it was called the Royal City Horse and Carriage Repository, but in 1919 it changed its name to the Barbican Repository.

£1500-£2500

164. Robert Polhill Bevan (1865-1925) British “Study for Horse Dealers at the Barbican” (c.1918) Charcoal

165. Raphael Kirchner (1876-1917) British A Seated Nude Watercolour and pencil

16” x 10.5” (40.6 x 26.7cm)

Provenance: Salle Drouot, Paris; Bernard Danenberg; Christie’s, London

167.

Pastel

16” x 12.5” (40.6 x 31.8cm)

£200-£300

166. William Rothenstein (1872-1945) British ‘Charles Conder’ (Artist, 1868-1909) Pastel

Signed with initials, and inscribed verso 12.5” x 9.25” (31.7 x 23.5cm)

£150-£200

168. Charles Walter Simpson (1885-1971) British “Horse and Rider”

Ink

Inscribed on a label verso

Mounted unframed 6.5” x 6” (16.5 x 15.3cm)

£200-£400

£200-£300

Early 20th Century European School Viewing The Exhibition

Harry Becker

169. Harry Becker (1865-1928) British “Man with Buckets in The Barn”

Pencil from a sketchbook

Inscribed on a label verso

Mounted unframed, shaped 7.25” x 4.25” (18.4 x 10.9cm)

And the companion piece “Filling The Trough In The Barn” (2)

Provenance: Acquired from The Redfern Gallery following the 1930 exhibition £200-£400

170. Harry Becker (1865-1928) British “Building Ricks In The Yard I”

Pencil from a sketchbook

Inscribed on a label verso

Mounted unframed, shaped 4.25” x 7.25” (10.9 x 18.4cm)

And the companion piece “Building Ricks In The Yard II” (2)

Provenance: Acquired from The Redfern Gallery following the 1930 exhibition £200-£400

171. Harry Becker (1865-1928) British “Man Milking”

Pencil from a sketchbook

Inscribed on a label verso

Mounted unframed, shaped, 4.25” x 7.25” (10.9 x 18.4cm)

And the companion piece “Cows In The Field” (2)

Provenance: Acquired from The Redfern Gallery following the 1930 exhibition £200-£400

Signed, inscribed and dated 1923 10.5”

15.25”

7”

Inscribed on a label verso 14” x 10”

Provenance: Abbott & Holder (93444)

Signed in pencil 15” x 11” (38.1 x 27.9cm)

Provenance: Abbott & Holder (97362)

172. Hilda Mary Harvey (1890-1982) British “The Pavilion, Nice” Watercolour

x 14.5” (26.7 x 36.8cm) £100-£150

173. Fortunino Matania (1881-1963) Italian A Standing Male Nude Pencil

x

(38.7 x 17.8cm) £100-£150

174. Ethel Walker (1861-1951) British Standing Nudes Pencil

(35.5 x 25.4cm)

£200-£300

175. Malcolm Arbuthnot (1877-1967) British A Hut in a Landscape Watercolour

£200-£300

Signed and dated 1972 13” x 19” (33 x 48.2cm)

Provenance: The Bruton Gallery, March-April 1973

Signed, and inscribed verso 15.5” x 23.5” (39.4 x 59.7cm)

Provenance: Sarah Samuels, Chester

176. Hervey Cadwallader Adams (1903-1996) British A Woodland Scene Watercolour

£500-£700

177. James Longueville (1942- ) British “Morning Light, Bridge Street, Chester” Pastel

£600-£800

Signed, and inscribed on a label verso

13.5” x 17” (34.2 x 43.1cm)

Signed

6.5” x 17.75” (16.5 x 45.1cm)

Signed with studio stamp, and inscribed and dated 1957, and inscribed on a label verso

11.25” x 16.25” (28.6 x 41.3cm)

Provenance: Messum’s Fine Art, Exhibition No.9, 2010

Signed in pencil

12.5” x 19.5” (31.8 x 49.5cm)

Signed with studio stamp and signed and dated 1959, and inscribed on a label verso

11.25” x 17.25” (28.6 x 43.8cm)

Provenance: Messum’s Fine Art, Exhibition No.5, 2007

178. Ethelbert White (1891-1972) British “Farmyard Scene” Watercolour

£200-£300

179. Muirhead Bone (1876-1953) British A River Scene with Night Life Watercolour, pencil and crayon

£200-£300

180. Arthur Henry Knighton-Hammond (1875-1970) British A Winter Mountain Scene Watercolour

£100-£200

181. Hugh McKenzie (1909-2005) British “Roan Street, Greenwich” Watercolour, pencil and wash

£100-£200

182. Hugh McKenzie (1909-2005) British “All Hallows by The Tower” Watercolour

£100-£200

9.5”

183. John Yardley (1933-) British A Woman in her Bedroom Watercolour Signed in pencil

10.5” x 8.25” (26.7 x 21cm) £100-£150

184. Karl Hagedorn (1889-1969) German/British Boats on a River Watercolour Signed and dated ‘64

20.25” x 14.25” (49 x 36.1cm) £200-£300

185. Alberto Micheli Pellegrini (1870-1943) Italian A Study of a Statue in a Park Pencil

x 9” (24.2 x 22.8cm)

And another study by the same hand (2) £200-£300

186. Alix Stone (1913-2010) British A Costume Design (possibly from Die Entfuhrung aus dem Serail)

Watercolour on joined paper and textiles

20.75” x 14.75” (52.7 x 37.5cm)

Provenance: Given by the artist to Michael Cartwright Sharpe; thence to a private collection £100-£200

189. Sidney Horne Shepherd (1909-1993) British A Standing Female Nude Ink and wash

Signed

10.25” x 10” (26 x 25.4cm) £100-£150

187. John Cecil Lund (1932-) British Children Playing Cat’s Cradle Watercolour

Signed

11” x 9.75” (27.9 x 24.7cm)

188. Kanwaldeep Singh Kang ‘Nicks’ (1964-2007) Indian

“Jane”, a reclining nude Ink and watercolour

Signed, inscribed and dated ‘00 10.75” x 8” (27.3 x 20.3cm) £100-£150

190. Nina Winder Reid (1891-1975) British Still Life of Flowers in a Green Glass Bowl Watercolour

Signed, and inscribed verso 10” x 8” (25.4 x 20.2)

And another by the same hand, “Tulips” (2) £100-£150

191. David Tindle (1932- ) British “Leather Coat”

Watercolour and bodycolour

Signed with initials, and signed, inscribed and dated 1979 on the mount

11” x 10.75” (29 x 27.5cm) £100-£200

£100-£200

192. Eardley Knollys (1902-1991) British ‘Provence Landscape’ Pastel

Signed with initials

18.75” x 24.5” (47.6 x 62.2cm)

£150-£250

193. Eardley Knollys (1902-1991) British ‘Snowy Landscape’ Pastel

Signed with initials

18” x 23.5” (45.7 x 59.7cm)

£150-£250

194. Eardley Knollys (1902-1991) British “Hills, Dorset” Oil on canvas

Signed, and inscribed and dated 1962 verso 20” x 30” (50.8 x 76.2cm)

£500-£800

12.5” x 10”

25.4cm)

28”

dated 1908 9” x 7.5”

197. 20th Century English School A Garden Stream Oil on board 36” x

(91.5 x 71.1cm) £200-£300

195. Early 20th Century English School Head Study of a Young Girl Oil on board

(31.7 x

£200-£300

196. Murray MacDonald (19th-20th Century) British Returning Home Oil on panel Signed and

(22.8 x 19cm) £200-£300

Wilfred Gabriel de Glehn

199. Wilfred Gabriel de Glehn (1870-1951) British Saint Roch with Saint Jerome and Saint Sebastian After a work attributed to Alessandro Oliverio Oil on canvas

Inscribed on studio labels verso 29.5” x 30.5” (75 x 77.5cm) £800-£1200

198. Wilfred Gabriel de Glehn (1870-1951) British ‘Model in a Blue Gown’ Pastel

Signed and dated 1890, and inscribed on a studio label verso Oval 29.5” x 22” (74.9 x 55.8cm) £500-£700

200. George Francis Carline (1855-1920) British “The New Mown Hay” Oil on canvas

Signed, and inscribed verso

12.75” x 17” (32.3 x 43.2cm) £100-£200

201. George Francis Carline (1855-1920) British “In The Hewen Meadows, Wangford” Oil on panel

Signed, and inscribed on a label verso

8.25” x 11.25” (20.9 x 28.6cm)

Provenance: The Fine Art Society, 2015

202. Richard Cotton Carline (1896-1980) British Cow Under a Copper Beech Oil on panel

Signed and dated 1921 verso

10.5” x 14.5” (26.7 x 36.8cm)

£200-£400

£100-£200

Provenance: Miss Katharine Jamieson; Hazlitt Gallery; private collection

Exhibited: Hazlitt Gallery ‘Alexander Jamieson and His Wife Biddy Macdonald’, October-November 1971, No.2.

Notes: The work was painted whilst Jamieson was in Paris having won a scholarship from the Haldane Academy (Glasgow School of Art) £4000-£6000

203. Alexander Jamieson (1873-1937) British “Dancing Outside a French Cafe” Oil on canvas Signed and dated 1901, and inscribed and dated 1898 on a label verso 35.5” x 27.5” (90.1 x 69.8cm)

205. Circle of Laura Knight (1877-1970) British A Seated Lady in a Garden Chair Oil on canvas 16” x 11.25” (40.6 x 28.6cm) £500-£800

204. Circle of Samuel Luke Fildes (1843-1927) British Bust Portrait of a Lady Oil on canvas 24” x 20” (61 x 50.8cm) £300-£500

206. Bruno Cassinari (1912-1992) Italian “Figura, 1953”

Oil on paper laid down

Signed, and signed, inscribed and dated 1953 verso 19.5” x 15.25” (49.5 x 38.8cm)

Notes: Following his studies at Gazzola Art School to become an intaglio artist, at seventeen Cassinari became a student at the Humanitarian school in Milan under Bogiardi and took evening classes at the Accademia di Belle Arti di Brera in Milan. In 1934 he enrolled at the Brera Academy as a pupil of Aldo Carpi taking his diploma in 1938. The following year he won the National Award for young painters and joined the Corrente Group. He held his first personal exhibition in Milan a decade later and the same year moved to Antibes where he remained until 1952. It was while in Antibes he met Picasso and his style of painting changed from the tonal qualities in the spirit of the traditional Lombard painters in favour of a prismatic and strident colouration. His friendship with Picasso led to a one-man show in 1950 at the Musee Picasso in Antibes. He won the Grand Prize for Painting at the Venice Biennale with his Cubist-inspired paintings ‘The Lemon’ and ‘Still Life in Pink’.

£8000-£12000

207. Noel Gilford Adeney (1890-1978) British Portrait of Richard Adeney Playing the Flute Oil on canvas

Signed, and inscribed verso

36” x 28” (91.4 x 71.1cm)

Notes: Inscribed on label from Richard Adeney stating it was painted in 1937 when he was 17 years old

209. Attributed to Marius Bauer (1867-1932) Dutch

An Extensive Landscape Oil on card

Indistinctly signed with initials

Unframed 8.15” x 8.25” (20.6 x 20.9cm)

£100-£200

211. Maurice Frederick Codner (1888-1958) British “Woodmancote Church, Sussex”

Oil on artist’s board

Signed, and inscribed on labels verso

Unframed 14” x 18” (35.5 x 45.7cm)

Exhibited: ‘The Maurice Codner Memorial Exhibition’, R.S.W. Galleries, London, 1959

£100-£150

208. William Bernard Adeney (1878-1966) British “Farm Lane”

Oil on canvas

Signed and inscribed verso

21.5” x 25” (54.6 x 63.5cm)

£100-£200

210. Early 20th Century St Ives School

An Elegant Lady in a Garden Oil on panel

In a Watts style gilt composition frame

6” x 9” (15.2 x 22.8cm)

£150-£250

212. Maurice Frederick Codner (1888-1958) British A River Scene

Oil on artist’s board

Inscribed on a label verso

Unframed 12” x 16” (30.5 x 40.6cm)

Exhibited: ‘The Maurice Codner Memorial Exhibition’, R.S.W. Galleries, London, 1959, Cat no.63

£100-£150

£100-£200

213. Noel Georges Bouvard (1912-1975) French A Venetian Canal Scene Oil on canvas Signed

19.5” x 25.5” (49.5 x 64.8cm) £2000-£3000

214. Early 20th Century English School Apple Blossom

Oil on board

Signed with initial ‘P’, and inscribed on a label verso

9” x 11” (22.8 x 27.9cm)

Provenance: Upper Grosvenor Galleries, London, Cat No:21; Mrs Livsey, Taplow £200-£300

215. Freda Marston (1895-1949) British “Norfolk Landscape”

Oil on canvas

Signed

Unframed 30” x 40” (76.2 x 101.6cm) £200-£400

216. Guy Lipscomb (1881-1952) British “Old Japanese Dolls”

Oil on canvas

Signed, and inscribed verso

20” x 24” (50.8 x 61cm) £250-£350

217. William Henry David Birch (1895-1968) British “The Hambleton Hills” Oil on canvas laid down Signed, and inscribed in pencil verso 20” x 24” (50.8 x 61cm) £300-£400

218. Late 19th Century English School A View of Whitby Oil on canvas Indistinctly signed ‘A.M...’ 12” x 18” (30.5 x 45.7cm) £300-£400

Signed, and inscribed on a label verso

Unframed 9” x 12” (22.8 x 30.5cm)

Signed with monogram

7.5” x 10.5” (19.1 x 26.7cm)

Signed, with a sketch of flowers verso 24” x 20” (61 x 50.8cm)

Provenance: Estate of the Late Reverend John Watson

Signed with initials and inscribed and dated ‘46, and inscribed verso

Unframed 15.75” x 20.75” (40 x 52.7cm)

Inscribed verso

9.75” x 11.75” (24.8 x 29.8cm)

Signed with initials

20” x 30” (50.8 x 76.2cm)

Notes: This is one of a series of sunflower paintings by the artist, of which there’s an example in the Walker Art Gallery, Liverpool

219. Peter Gilman (1928-1984) British “Waldringfield, Suffolk” Oil on board

£100-£200

220. Melta Kombeck (20th Century) European “Covent Garden” Oil on board

£100-£200

221. Early 20th Century French School A Coastal Scene Oil on panel

£100-£200

222. Phyllis Parker (1910-1991) British View of the Thames Oil on artist’s board

£100-£150

223. Dorothy Dymock (1881-1984) British ‘Delphiniums’ Oil on canvas laid down

£100-£200

224. Phyllis Bray (1911-1991) British Sunflowers in a Landscape Oil on canvas laid down

£100-£150

Signed and dated 20” x 16” (50.8 x 40.6cm)

226. David Lloyd Smith (1944-) British A Venetian Scene Oil on canvas

Signed and dated 15.75” x 19.75” (40 x 50cm) £200-£300

225. David Lloyd Smith (1944-) British A Ballerina at a Piano Oil on canvas

£200-£300

Pamela Thalben-Ball

Signed, and inscribed on a label verso

20” x 24” (50.8 x 61cm)

Provenance: Open Exhibition, Art Federation Galleries £100-£200

227. Pamela Thalben-Ball (1927-2012) British/Australian Boats in an Estuary Oil on canvas Signed 16” x 20” (40.6 x 50.8cm) £100-£200

228. Pamela Thalben-Ball (1927-2012) British/Australian A River Landscape with a Stone Bridge Oil on canvas

Signed 16” x 20” (40.6 x 50.8cm) £100-£200

230. Pamela Thalben-Ball (1927-2012) British/Australian A River Landscape Oil on canvas

Signed

20” x 24” (50.8 x 61cm) £100-£200

229. Pamela Thalben-Ball (1927-2012) British/Australian “Tumut River N.S.W.” Oil on canvas

Michael Forster

231. Michael Forster (1907-2002) Canadian

(Garden Series)”

Acrylic and mixed media on paper

Signed with initials and dated 1998, and inscribed on a label verso

15.5” x 22” (39.4 x 55.8cm)

Provenance: Messum’s Fine Art, Marlow

Exhibited: Messum’s Fine Art, ‘Michael Forster’, 2008 £200-£300

232. Michael Forster

Childhood, Kahani”

Oil on canvas

Inscribed on labels verso

24.5” x 32.5” (62.2 x 82.5cm)

Provenance: Messum’s Fine Art, Marlow £400-£600

(1907-2002) Canadian “To Celebrate

“Alchemilla

and

11.75” x 15.75” (30 x 40cm)

20” x 24” (50.8 x 61cm) £200-£300

Signed and dated 1957

13.25” x 17.25” (33.6 x 43.7cm) £100-£200

Inscribed on labels verso

12” x 14” (30.5 x 35.5cm)

£200-£300

Signed

25.5” x 29.5” (64.8 x 75cm)

£200-£400

233. Hugh Frazer (20th-21st Century) British “Contemplation IV” Oil on canvas

Signed,

inscribed on a label verso

£100-£200

234. Carrington (20th Century) European A Group of Figures Oil on canvas

235. Myles Mence (1954-) British “The Causeway” Oil on board

Signed, and signed, inscribed and dated 2002 verso 12” x 16” (30.5 x 40.6cm) £100-£200

236. Maurice de Sausmarez (1915-1969) British ‘Seashells’ Oil on canvas

237. 20th Century English School A Harbour Scene with Shipping Oil on board

238. Ann Nosworthy (1927-2016) South African A Beach Scene with Figures Oil on canvas

239. Anthony Richard Cooke (1933-2006) British ‘Adur River, Shoreham’ Oil on board

Signed and dated ‘66

18” x 40” (45.7 x 101.6cm) £500-£700

240. Peter Berrisford (1932-2003) British The Colosseum, Rome Oil on board

Signed

17” x 33.75” (43.2 x 85.8cm) £150-£200

241. David Hyde (1947-) British A Traveller’s Camp Oil on canvas laid down

16” x 20” (40.6 x 50.8cm) £300-£500

242. Georgy Ivanovitch Beltsov (1920-2009) Russian

“A Spring Bloom”

Oil on canvas

Signed in Cyrillic, and signed and inscribed in Cyrillic verso

19.5” x 27” (49.5 x 68.6cm)

£300-£400

243. Vladimir Belsky (1949-2017) Russian

“Children by a River”

Oil on board

Signed in Cyrillic, and inscribed in Cyrillic in pencil verso

9” x 14.5” (22.8 x 36.8cm)

£200-£300

244. Vladimir Belsky (1949-2017) Russian

“Holidays at Sea”

Oil on canvas

Signed in Cyrillic, and inscribed in Cyrillic verso

12” x 20” (30.5 x 50.8cm)

£500-£700

245. Konstantin Razumov (1974-) Russian “On The Terrace” Oil on canvas

Signed in Cyrillic, and signed and inscribed in Cyrillic verso 21.75” x 18.25” (55.2 x 46.3cm) £4000-£6000

Signed in Cyrillic, and inscribed in Cyrillic verso 21.75” x 18.25” (55.2 x 46.3cm)

Signed 17.5” x 14” (44.4 x 35.5cm)

Signed and dated ‘53

24” x 20” (61 x 50.8cm)

Bears a signature

10” x 8” (25.4 x 20.3cm) £150-£250

246. Oleg Leonidovich Lomakin (1924-2010) Russian “While Reading” Oil on artist’s board

£500-£700

247. Joseph Oppenheimer (1876-1966) German Bust Portrait of a Lady Oil on canvas

£300-£500

248. Jita (20th Century) European The Fireman’s Rescue Oil on board

£300-£500

249. Manner of Robert Oscar Lenkiewicz (1941-2002) British Study of Ballet Dancers Oil on canvas

and signed and inscribed verso Unframed 30.75” x 21.5” (78.1 x 54.6cm)

251. 20th Century European School Half Length Portrait of a Lady Oil on canvas 29” x 24” (73.7 x 61cm) £1500-£2000

250. Arnold Balwe (1898-1983) German “Palma Mallorca” Oil on canvas Signed,

£800-£1200

252. Viktor Romanovitch Efimenko (1952-2017) Russian “Girl in a Window” Oil on board Signed in Cyrillic, and inscribed in Cyrillic verso 9” x 6.25” (22.8 x 15.9cm) £100-£200

253. Wilhelm (20th Century) European The Nativity Oil on board Signed Circular 5.75” x 5.75” (14.6 x 14.6cm) £100-£200

254. Patricia Govezensky (1961-) Israeli A Seated Lady Watercolour Signed, and inscribed on labels verso 15” x 11” (38.1 x 28cm) Provenance: Cunard Fine Arts £100-£200

255. Noel Ellis (1917-1988) British Self Portrait in Naval Uniform Oil on extended board 14” x 12” (35.5 x 30.5cm) £200-£300

256. Peggy Somerville (1918-1975) British “Nr Breda, Holland” Oil on paper laid down Signed, and inscribed on labels Unframed 18” x 14” (45.7 x 35.5cm) £200-£400

257. Peggy Somerville (1918-1975) British Self Portrait Oil on canvas laid down Inscribed on a label verso 14” x 8.25” (35.5 x 21cm) £200-£300

Oil

Inscribed and dated 63 verso

36” x 23.5” (76.2 x 59.7cm)

Signed and dated ‘03 on the mount

Overall 19” x 19” (48.2 x 48.2cm)

Signed

7.25” x 6” (18.4 x 15.2cm)

260. Ann Sutton (1935- ) British Untitled Textile

£200-£300

258. Philip Hemsley (1933-2009) British “Notre Dame”

on board

£200-£300

259. George Kennerley (1908-2009) British A Lady Seated in an Interior Oil on board

£200-£400

261. Willi Brunkow (1904-1983) German “An Knauer Spedition, D’dorf “(Dusseldorf)

Oil on canvas

Signed and dated ‘65, and inscribed verso 32” x 50” (81.3 x 127cm)

£300-£400

262. Claude Jousset (1935-) French “Village en Beauce Cormainville”

Oil on canvas

Signed, and signed and inscribed verso 21.25” x 25.5” (54 x 64.8cm)

£300-£500

263. 20th Century English School “Flinders v Stratford Bards”, a cricket match

Oil on board

Inscribed and dated August 1992

20” x 24” (50.8 x 61cm)

Provenance: The Loquens Gallery, Warwickshire

£300-£500

Signed, and signed, inscribed and dated 2005 verso 51” x 35.25” (129.6 x 89.5cm)

Signed, and inscribed on a label verso 19.5” x 19.5” (49.5 x 49.5cm)

264. Ruud Krijnen (1949-) Dutch “Angels” Oil on canvas

£200-£400

265. Jo March (1962-) British “West Trethake” Oil on canvas

£300-£400

266. Jacqueline Williams (1962-) British The Artist in her Studio Oil on board Signed with Initials 35” x 22.5” (89 x 57.1cm) £600-£800

267. Christine W Birchall (20th-21st Century) British “Spring Flowers by the Solent”

Oil on canvas

Signed, and inscribed verso 12” x 16” (30.5 x 40.6cm)

£200-£300

268. Mary Jackson (1936-) British “St Ives”

Oil on canvas

Signed, and inscribed verso 16” x 20” (40.6 x 50.8cm)

£200-£400

269. Sean Jefferson (1957-) British “Delft Distillation”

Oil on board

Signed and dated 2017, and inscribed verso 9” x 15” (22.7 x 38.1cm)

£200-£300

270. Paul Raymond Seaton (1953- ) British A Woman on a Path Oil on canvas Inscribed on a label verso 22” x 34” (55.8 x 86.3cm) Provenance: Hollywood Road Gallery, London £200-£300

271. Thomas James Carr (1909-1999) Irish Seated Figures on the Sea Front Oil on panel Signed 12.75” x 16” (32.4 x 40.6cm) Provenance: The Leicester Galleries £800-£1200

Edmond Xavier Kapp

Unframed

Unframed

277.

Unframed

Unframed 28.75” x 21.25” (73 x 54cm)

28.5” x 23.5” (72.4 x 59.7cm)

272. Edmond Xavier Kapp (1890-1978) British ‘Irises’ Watercolour and bodycolour

22” x 12” (55.9 x 30.5cm) £100-£150

273. Edmond Xavier Kapp (1890-1978) British Abstract in Orange and Green Oil on board

28.25” x 20” (71.7 x 50.8cm) £250-£350

274. Edmond Xavier Kapp (1890-1978) British “Dying Roses” Oil on board Signed and dated ‘56, and inscribed in pencil verso Unframed 18” x 12” (45.7 x 30.5cm) £100-£200

275. Edmond Xavier Kapp (1890-1978) British ‘Blue Jug and Chrysanthemums’ Oil on canvas

24” x 20” (61 x 50.8cm) £200-£300

276. Edmond Xavier Kapp (1890-1978) British Portrait of a Young Girl Oil on canvas

£150-£200

Edmond Xavier Kapp (1890-1978) British Abstract Portrait of a Lady Oil on canvas

£80-£120

278.

Unframed 19.75” x 25.5” (50 x 64.7cm)

279.

Unframed 18” x 23” (45.7 x 58.4cm)

280. Edmond Xavier Kapp (1890-1978) British

“The Tank, nothing under the sun is accidental (No.5)” Ink and watercolour

Signed, inscribed and dated ‘75

Unframed 11.75” x 18.75” (29.8 x 47.6cm)

Edmond Xavier Kapp (1890-1978) British Abstract in Pink and Blue Oil on canvas

£250-£350

Edmond Xavier Kapp (1890-1978) British ‘Across the Bay’ Oil on board

£100-£200

£80-£120

Unframed

Signed and dated ‘46

Unframed 18” x 11.75” (45.7 x 29.8cm)

281. Edmond Xavier Kapp (1890-1978) British ‘Blue Vase’ Watercolour and pastel Unframed 30.25” x 16.5” (76.8 x 42cm) £100-£150

282. Edmond Xavier Kapp (1890-1978) British Lady in a Shawl Oil on canvas

36” x 28” (91.5 x 71.1cm) £100-£200

283. Edmond Xavier Kapp (1890-1978) British Portrait of a Man Oil on board Unframed 28.75” x 21” (73 x 53.4cm) £80-£120

284. Edmond Xavier Kapp (1890-1978) British ‘Anemones and Green Jug’ Oil on extended panel

£200-£300

19”

24”

Signed and dated ‘63

25” x 36.5” (63.5 x 90.1cm)

Signed and dated ‘65

Unframed 19.5” x 26.5” (49.5 x 67.2cm)

285. Edmond Xavier Kapp (1890-1978) British Untitled Collage

x

(48.2 x 61cm) £200-£300

286. Edmond Xavier Kapp (1890-1978) British ‘Blue Wave’ Oil on canvas

£80-£120

287. Edmond Xavier Kapp (1890-1978) British Abstract in Grey and Black Watercolour and ink

£200-£300

Signed and dated 1957

22” x 16” (55.8 x 40.6cm)

Signed

Unframed 30” x 25” (76.2 x 63.5cm)

292.

Unframed 24” x 30” (61 x 76.2cm)

289.

Signed

Unframed 24” x 19.75” (61 x 50cm) Together with Studies of Heads, Unframed 24” x 24” (61 x 61cm) (2)

291.

Unframed 24” x 30” (61 x 76.2cm)

293.

Signed

Unframed 20” x 30” (50.8 x 76.2cm)

288. Zsuzsi Roboz (1929-2012) Hungarian/British Bust Portrait of a Lady Oil on canvas

£100-£200

Zsuzsi Roboz (1929-2012) Hungarian/British Bust Portrait of a Lady Oil on canvas

£100-£200

290. Zsuzsi Roboz (1929-2012) Hungarian/British Bust Portrait of a Man Oil on canvas

£100-£200

Zsuzsi Roboz (1929-2012) Hungarian/British A Fantasy Oil on canvas and collage

£100-£200

Zsuzsi Roboz (1929-2012) Hungarian/British A Man Reading Oil on canvas

£100-£200

Zsuzsi Roboz (1929-2012) Hungarian/British A Naked Lady in Moonlight Pastel on canvas

£100-£200

Signed ‘Joe’ and inscribed ‘For Brian with very best wishes’ Unframed 30” x 20” (76.2 x 50.8cm)

Together with a poster of Elizabeth Osborne and two signed lithographs by Sally McLaren

Provenance: Sack collection (4)

Signed, inscribed ‘AP V/X’ and dated 1981 26” x 39” (66 x 99cm)

Provenance: Sack collection

Signed, inscribed ‘OK to print- Proof (add touch of yellow ochre)’ and dated 1981

26” x 39” (66 x 99cm)

Provenance: Sack collection

Joe Tilson

294. Joe Tilson (1928-2023) British “Summer Exhibition Royal Academy of Arts, 1987” Poster

£100-£200

295. Joe Tilson (1928-2023) British “Proscinemi, for Persephone, 1981” Lithograph

£300-£500

296. Joe Tilson (1928-2023) British “Proscinemi, for Persephone, 1981” Lithograph

£300-£500

With a printer’s guild stamp, and inscribed on a label verso 31.5” x 46.5” (80 x 118cm)

Provenance: Knoedler Gallery, London; Sack Collection £100-£200

Signed, inscribed ‘proof’ and dated 1969 18.25” x 16” (46.3 x 40.8cm)

Provenance: Sack collection

Signed by Hockney ‘For Brian with love Grimm’, published by the Petersburg Press, April 1970 4.25” x 2.75” (8.3 x 7cm)

Provenance: Given as a gift by the artist to Dr Brian Sack; Sack Collection

Notes: This is the trade edition featuring Hockney’s etchings for the Grimm stories. The 39 black and white plates present here were first exhibited at the Kasmin Gallery in 1970 and published in four portfolio editions, reproduced here in miniature £500-£800

298. Jim Dine (1935-) American “Vegetables 7” Lithograph and collage

£200-£400

299. David Hockney (1937-) British “Six Fairy Tales” from The Brothers Grimm Miniature book

297. Stephen Buckley (1944-) British “Tuesday 1” Monotype

Signed, inscribed ‘Powis Terr’ and dated ‘Sept 1967’, and inscribed ‘Powis Terrace’ on a label verso 19.5” x 12.25” (49.5 x 31.1cm)

Provenance: Kasmin Limited, London (DH0328); Given as a gift by the artist to Dr Brian Sack (between 1967-1971); Sack collection

Note: Hockney was teaching a summer class at UCLA when he met student Peter Schlesinger. They began a long affair with Schlesinger travelling with Hockney between LA and Powis Terrace in London, where he enrolled at the Slade School of Art. Whilst with Hockney, he often modelled for the artist and appears in some of his early works, including Portrait of an Artist (Pool with Two Figures) which sold for $90 million dollars in 2018 as well as, Peter Schlesinger with Polaroid Camera and Peter Getting Out of Nick’s Pool. Schlesinger went on to pursue his own career as a visual artist, creating sculptures, paintings, and photographs.

£30000-£40000

300. David Hockney (1937-) British “Peter” (Peter Schlesinger) Ink

Frames

301. 19th Century English School A Gilt Composition Frame, rebate 50” x 40” (127 x 101.6cm) £40-£60

303. 20th-21st Century English School A Silver and Black Painted Frame, with inset glass, rebate 47.5” x 35.75” (120.8 x 90.8cm) £100-£150

302. 20th Century English School A Gilt Composition Frame, rebate 50” x 40” (127 x 101.6cm) £40-£60

304. 19th Century English School A Stripped Oak Frame, rebate 43” x 27.75” (109.2 x 70.5cm) £40-£60

305. 19th Century English School A Gilt Composition Frame, with Lely panels, rebate 38.25” x 29” (97.2 x 73.7cm) £80-£120

306. 19th Century English School A Painted Composition Frame, with swept centres and corners, rebate 38” x 25.75” (96.5 x 65.4cm) £30-£50

307. 19th Century European School A Gilt Composition Frame, rebate 36.5” x 28” (92.7 x 71.1cm) £50-£80

Provenance: Alexander

308. Early 20th Century European School A Carved Giltwood Frame, rebate 36” x 28.75” (91.5 x 73cm) £300-£400

309. Late 18th Century English School A Louis Style Carved Giltwood Frame, rebate 36” x 28.5” (91.5 x 72.4cm).

G Ley & Son £300-£400

310. 19th Century English School

A Carved Giltwood Frame with swept centres and corners, rebate 36” x 28” (91.5 x 71.1cm) £50-£80

312. 19th Century English School

A Gilt Composition Cushioned Frame, rebate 36” x 28” (91.5 x 71.1cm) £60-£80

311. 19th Century English School A Painted Composition Frame with swept corners, rebate 36” x 28” (91.5 x 71.1cm) £30-£50

313. 19th Century English School

A Gilt Composition Lely Panel Frame, rebate 36” x 28” (91.5 x 71.1cm) £300-£400

swept and pierced centres and corners,

314. 19th Century English School A Painted Gilt Composition Frame, rebate 36” x 28” (91.5 x 71.1cm) £80-£120

316. 20th Century English School

A Gilt Composition Frame, with

rebate 36” x 28” (91.5 x 71.1cm) £60-£80

315. 19th Century English School

A Painted Gilt Composition Frame, rebate 36” x 28” (91.5 x 71.1cm) £80-£120

317. 18th Century English School

A Carved Giltwood Chippendale Style Frame, circa 1770, rebate 35.25” x 28” (89.5 x 71.1cm).

Provenance: Alexander G Ley & Son £400-£600

318. Early 19th Century English School

A Darkwood Frame, with a gilt slip, rebate 33.5” x 26.5” (85.1 x 67.2cm £100-£200

319. Early 19th Century French School A Gilt Composition Empire Style Frame, rebate 33.5” x 23.5” (85.1 x 59.7cm) £200-£300

320. Late 18th Century European School A Horizontal Gilt Composition Frame, with swag decoration, rebate 32.5” x 23.5” (82.5 x 59.7cm) £300-£400

321. 19th Century English School A Maple Frame, with a gilt slip, rebate 32.5” x 23.5” (82.5 x 59.7cm) £50-£80

323. 19th Century English School A Gilt Composition Frame, rebate 32” x 22.25” (81.2 x 56.4cm) £80-£120

322. 19th Century Dutch School An Ebonised Frame, with a gilt inner edge, rebate 32.5” x 21” (82.5 x 53.3cm) £200-£400

324. Late 18th Century English School A Hollow Gilt Composition Frame, rebate 31.5” x 26.25” (80 x 66.7cm) £200-£300

326. 19th Century English School A gilt Composition Frame, rebate 30” x 25.5” (76.2 x 64.8cm) £200-£300

325. 20th Century English School A Gilt Composition Frame, with swept centres and corners, rebate 31” x 24.5” (78.8 x 62.2cm) £30-£50

327. Early 17th Century Italian School

A Fine Cassetta Frame, rebate 30” x 25” (76.2 x 63.5cm) £1500-£2000

328. 18th Century English School

A Carved Giltwood Frame, rebate 30” x 25” (76.2 x 63.5cm) £800-£1200

329. 18th Century English School

A Carved Giltwood Frame, with swept and pierced centres and corners, rebate 30” x 23.5” (76.2 x 59.7cm) £500-£700

330. 19th Century English School A Maple Frame, with a gilt slip, rebate 30” x 23” (76.2 x 58.4cm) £80-£120

332. 20th Century European School A Painted Frame, rebate 28.75” x 18.5” (73 x 47cm) £30-£50

331. 20th Century English School A Gilt Composition Frame with swept centres and corners, rebate 30” x 20” (76.2 x 50.8cm) £30-£50

333. 19th Century European School

A Set of Eight Biedermeier Style Frames, rebate 28.25” x 21.5” (71.8 x 54.6cm) (8) £600-£800

334. 20th Century English School A Gilt Composition Frame with a fabric slip, rebate 28” x 22” (71.1 x 55.8cm) £30-£50

335. Late 18th Century English School A Gilt Composition Frame, rebate 28” x 20” (71.1 x 50.8cm) £80-£120

336. 19th Century English School A Gilt Composition Frame, rebate 27.75” x 21.75” (70.5 x 55.2cm) £80-£120

337. 19th Century English School A Darkwood Frame, rebate 27.75” x 20.75” (70.6 x 52.7cm) £80-£120

338. Late 18th Century English School A Gilt Composition Frame, rebate 27.5” x 19.5” (69.8 x 49.5cm) £150-£250

339. 18th Century French School A Carved Giltwood Frame, rebate 27.25” x 22” (69.2 x 55.8cm) £80-£120

340. 19th Century English School A Maple Frame, with a gilt slip, rebate 27.25” x 22” (69.2 x 55.8cm) £100-£200

341. Early 19th Century English School A Reverse Wooden Frame, with a gilt slip, rebate 27” x 20” (68.6 x 50.8cm) £80-£120

342. 19th Century English School A Fine Gilt Composition Frame, rebate 27” x 20” (68.6 x 50.8cm) £150-£250

343. 20th Century European School A Gilt Composition Hollow Frame, rebate 27” x 19” (68.6 x 48.2cm) £30-£50

344. 19th Century English School A Near Pair of Maple Frames, rebate 26.75” x 22.75” (67.8 x 57.7cm) (2) £60-£80

345. Early 19th Century French School A Gilt Composition Empire Frame, rebate 26.25” x 22” (66.7 x 55.8cm) £50-£80

346. 19th Century English School A Darkwood Frame, with a gilt slip, rebate 26” x 21” (66 x 53.3cm) £80-£120

347. 20th Century French School A Painted Carved Wood Frame, rebate 25.75” x 21.25” (65.4 x 54cm) £50-£80

348. Early 20th Century English School A Pair of Darkwood Frames, with gilt slips, rebate 25.5” x 20.5” (64.7 x 52.1cm) (2) £150-£250

349. 20th Century English School A Gilt Composition Frame, rebate 25.5” x 19” (64.7 x 48.2cm) £60-£80

350. Early 19th Century English School A Gilt Composition Frame, rebate 25.25” x 20” (64.1 x 50.8cm) £150-£250

351. Late 18th Century English School A Hollow Gilt Composition Frame, rebate 25” x 21” (63.5 x 53.3cm) £200-£300

352. 19th Century English School A Painted Carved Wood Frame, rebate 25” x 20.5” (63.5 x 52.1cm) £30-£50

353. 20th Century European School A Carved Wood Frame, rebate 24.75” x 18.75” (62.8 x 47.6cm) £30-£50

354. 19th Century English School A Cushioned Maple Frame, with a gilt slip, rebate 24.5” x 20” (62.2 x 50.8cm) £100-£200

355. 19th Century English School A Hollow Gilt Composition Frame, rebate 24.5” x 18” (62.2 x 45.7cm) £100-£200

356. 19th Century English School A Painted Composition Frame, with swept and pierced centres and corners, rebate 24.25” x 20.25” (61.6 x 51.4cm) £50-£80

357. Late 18th Century English School A Hollow Gilt Composition Frame, rebate 24” x 20” (61 x 50.8cm) £200-£400

358. Late 18th Century English School A Hollow Gilt Composition Frame, rebate 24” x 20” (61 x 50.8cm) £200-£300

359. 19th Century English School A Painted Composition Frame, with an arched top (horizontal) rebate 24” x 20” (61 x 50.8cm) £30-£50

360. Early 20th Century English School A Painted Composition Frame, with swept corners, rebate 24” x 20” (61 x 50.8cm) £40-£60

361. 20th Century English School A Gilt Composition Frame, with swept and pierced centres and corners, rebate 24” x 20” (61 x 50.8cm) £30-£50

362. 20th Century European School A Gilt and Painted Frame, rebate 24” x 20” (61 x 50.8cm) £30-£50

363. 20th Century English School A Wooden Frame, with inset print and glass, rebate 24” x 20” (61 x 50.8cm) £30-£50

A

A

364. 19th Century European School

A Hollow Gilt Frame, rebate 24” x 19” (61 x 48.2cm) £30-£50

365. 19th Century English School

A Gilt Composition Frame, rebate 24” x 18” (61 x 45.7cm) £30-£50

366. 20th Century English School

Gilt Composition Frame with swept and pierced centres and corners, rebate 24” x 18” (61 x 45.7cm) and another frame, rebate 23” x 17” (58.4 x 43.2cm) £30-£50

367. 20th Century English School

Painted Frame, with gilt inner and outer edges, rebate 24” x 18” (61 x 45.7cm) and another similar, rebate 24” x 18.75” (61 x 47.6cm) (2) £50-£80

368. 20th Century English School A Maple Frame with a gilt slip, rebate 24” x 18” (61 x 45.7cm) £40-£60

369. 19th Century English School A Hogarth Style Frame, rebate 23.75” x 19.75” (60.4 x 50cm) together with three other frames (various sizes) (4) £40-£60

370. Late 18th Century English School A Gilt Composition Frame, rebate 23.5” x 18” (59.7 x 45.7cm) £150-£250

371. Early 19th Century English School A Darkwood Frame, with a gilt slip, rebate 23.5” x 17.5” (59.7 x 44.4cm) £80-£120

372. 19th Century English School

A Pair of Black and Gilt Frames, with inset print and eglomise glass, rebate 23.25” x 19.25” (59 x 48.8cm) (2) £30-£50

374. 19th Century English School

A Maple Frame, with a gold painted slip, rebate 22.5” x 20” (57.2 x 50.8cm) £40-£60

373. 19th Century English School A Maple Frame with a gilt slip and inset print and glass, rebate 23.25” x 18.25” (59 x 46.3cm) £60-£80

375. 19th Century English School A Gilt Composition Frame, rebate 22.5” x 17.5” (57.2 x 44.4cm) £100-£200

377. 19th Century European School A Gilt Composition Frame, rebate 22.5” x 15.25” (57.1 x 38.7cm) £200-£300

376. 20th Century English School A Painted Wooden Frame, rebate 22.5” x 16.5” (57.2 x 41.9cm) £30-£50

378. 19th Century French School A Louis Style Painted Composition Frame, rebate 22.25” x 18.75” (56.5 x 47.6cm) £50-£80

380. 20th Century English School A Silver Frame, rebate 22” x 18” (55.8 x 45.7cm) £80-£120

379. 20th-21st Century English School A Painted Frame with gilt inner and outer edges and a white slip, rebate 22” x 18.5” (55.8 x 47cm) £50-£80

381. 20th Century European School

A Carved Darkwood Frame, rebate 22” x 10” (55.8 x 25.4cm), and another similar rebate 20” x 13” (50.8 x 33cm) (2)

382. Early 20th Century English School

A Set of Four Darkwood Frames, with silver slips, rebate 21.5” x 18.25” (54.6 x 46.3cm) (4) £200-£400

£200-£300

383. Early 20th Century French School A Painted Carved Wood Frame, with a white slip, rebate 21.5” x 18.25” (54.5 x 46.3cm) £30-£50

384. Early 20th Century French School A Painted Carved Wood Frame, with a white slip, rebate 21.5” x 18” (54.6 x 45.7cm) £40-£60

385. 20th Century French School A Painted Wooden Frame, rebate 21.5” x 18” (54.6 x 45.7cm) £60-£80

386. 19th Century English School A Darkwood Frame, with a gilt slip, rebate 21.5” x 16” (54.6 x 40.6cm) £80-£120

387. 20th Century English School A Black Painted Frame, rebate 21” x 18.25” (53.3 x 46.3cm) £30-£50

389. 19th Century French School A Gilt Composition Empire Frame, rebate 21” x 16.75” (53.3 x 42.5cm) £150-£250

388. Early 19th Century English School A Gilt Composition Frame, rebate 21” x 17.5” (53.3 x 44.4cm) £100-£200

390. 19th Century English School A Darkwood Frame, with a gilt inner edge, rebate 21” x 15.5” (53.3 x 39.3cm) £60-£80

392. Late 18th Century English School A Hollow Gilt Composition Frame, rebate 20.5” x 17.5” (52.1 x 44.2cm) £150-£250

391. Early 19th Century English School A Fine Pair of Gilt Composition Frames, rebate 20.75” x 15” (52.7 x 38.1cm) (2) £200-£300

393. 19th Century English School A Gilt Composition Frame, with swept centres and corners, rebate 20.5” x 16.75” (52.1 x 42.6cm) £40-£60

395. 20th Century French School A Painted Carved Wood Frame, rebate 20.5” x 16.5” (52.1 x 41.9cm) £60-£80

394. Early 20th Century English School A Darkwood Frame, with a gilt slip, rebate 20.5” x 16.5” (52.1 x 41.9cm) £80-£120

396. Early 19th Century English School

A Pair of Carved Giltwood Frames, with inset print and glass, rebate 20.25” x 13.5” (51.4 x 34.3cm (2)

397. 19th Century French School

A Gilt Composition Barbizon Frame, rebate 20” x 16” (50.8 x 40.6cm)

£200-£400

£100-£200

398. 20th Century English School

A Maple Style Frame, with gilt inner and outer edges, rebate 20” x 14.5” (50.8 x 36.8cm) together with three other frames (various sizes) (4) £30-£50

399. 19th Century English School A Maple Frame, with a gilt slip, rebate 19.75” x 15” (50.1 x 38.1cm) and another similar frame, rebate 25.75” x 22” (65.4 x 55.8cm) (2) £60-£80

400. 20th Century English School

A Painted Medici Frame, with inset print and glass, rebate 19.5” x 18.5” (49.5 x 47cm) £40-£60

401. 19th Century English School A Maple Frame, with a gilt slip, rebate 19.5” x 15.5” (49.5 x 39.3cm) £80-£120

402. 19th Century European School A Gilt Composition Frame, rebate 19” x 15.75” (48.2 x 40cm) £30-£50

403. 19th Century English School A Cushioned Maple Frame, with a gilt slip, rebate 19” x 15” (48.2 x 38.1cm) £80-£120

404. 19th Century English School A Black Painted Frame, with a gilt inner edge, rebate 19” x 13” (48.2 x 33cm) and another similar, rebate 13.5” x 9.75” (34.3 x 24.8cm) (2) £50-£80

405. 19th Century English School A Black Painted Frame, with gilt inner and outer edges, rebate 19” x 13” (48.2 x 33cm) £60-£80

406. 20th-21st Century English School A Painted Frame with silver inner and outer edges and a white slip, rebate 18.75” x 15.5” (47.6 x 39.4cm) £50-£80

407. Early 19th Century Dutch School A Black Frame, rebate 18.75” x 14.75” (47.6 x 37.4cm) £200-£300

408. Early 20th Century European School A Gilt and Painted Composition Frame, rebate 18.5” x 15” (47 x 38.1cm) £50-£80

409. Early 19th Century English School A Hogarth Style Frame, rebate 18.5” x 14.75” (47 x 37.5cm) and four other similar frames (various sizes) (5) £40-£60

410. 19th Century English School A Silver Composition Frame, rebate 18.5” x 14.5” (47 x 36.8cm) and another similar, rebate 18” x 14.5” (45.7 x 36.8cm) (2) £80-£120

411. 19th Century European School A Gilt Composition Frame, rebate 18.5” x 10.5” (47 x 26.7cm) £80-£120

412. 19th Century English School A Gilt Composition Frame, with swept centres and corners, rebate 18.25” x 16.25” (46.4 x 41.3cm) £50-£80

413. 20th Century English School A Painted Composition Frame, rebate 18” x 15” (45.7 x 38.1cm) £40-£60

414. 18th Century French School A Carved Giltwood Frame, rebate 18” x 13.5” (45.7 x 34.3cm) £60-£80

415. 19th Century English School A Pair of Wooden Frames, with gilt slips, rebate 18” x 13” (45.7 x 33cm) (2) £200-£300

416. 20th Century European School A Gilt Composition Frame, rebate 18” x 13” (45.7 x 33cm) £40-£60

417. 20th Century English School A Black Painted Frame with a gilt inner edge, rebate 18” x 13” (45.7 x 33cm) £40-£60

418. 19th Century English School A Gilt Composition Frame, rebate 18” x 12” (45.7 x 30.5cm) £30-£50

419. 20th Century English School A Painted Frame, with gilt inner and outer edges, rebate 18” x 10.5” (45.7 x 26.7cm) £30-£50

420. Late 18th Century English School A Pair of Hollow Gilt Composition Frames, rebate 17.75” x 13.25” (45.1 x 33.6cm) (2) £200-£400

421. 20th Century English School A Gilt Composition Frame, with a black outer edge, rebate 17.5” x 13.25” (44.4 x 33.6cm) £30-£50

422. 19th Century English School A Silver Composition Frame, rebate 17.25” x 14.25” (43.7 x 36.2cm) £80-£120

423. 20th Century English School A Hollow Painted Frame, rebate 17.25” x 14” (43.8 x 35.5cm) £30-£50

424. 20th Century Italian School A Carved Giltwood Frame, rebate 17.25” x 13.5” (43.8 x 34.2cm) £80-£120

425. 20th Century English School A Gilt Composition Frame, with swept centres and corners, rebate 17” x 14.25” (43.2 x 36.2cm) £40-£60

426. Early 20th Century English School

A Darkwood Frame, with a silver slip, rebate 16.5” x 14.5” (41.9 x 36.8cm) £100-£200

427. 20th Century English School A Gilt Composition Ribbed Frame, with inset glass, rebate 16.5” x 14” (41.9 x 35.5cm) £60-£80

428. 19th Century Italian School

A Black and Gilt Painted Frame, with inset glass, rebate 16.5” x 13.25” (42 x 33.6cm) £80-£120

429. 19th Century English School

A Maple Frame, with a gilt slip, rebate 16.25” x 12.75” (41.3 x 32.4cm) and another similar, rebate 16.5” x 14” (41.9 x 35.5cm) (2) £60-£80

430. Mid 18th Century English School

A Fine Pair of Chippendale Style Chinoiserie Frames, with inset period engravings, rebate 16.25” x 12.5” (41.3 x 31.8cm) (2) £1000-£1500

431. Early 20th Century English School

A Pair of Wooden Frames, with gilt slips, rebate 16” x 14” (40.6 x 35.5cm) (2) £30-£50

432. 20th Century French School A Painted Carved Wood Frame, rebate 16” x 13” (40.6 x 33cm) £80-£120

433. 20th Century English School

A Gilt and Painted Frame, rebate 16” x 12.75” (40.6 x 32.4cm) £50-£80

434. 19th Century English School A Darkwood Frame, with a gilt slip, rebate 16” x 12” (40.6 x 30.5cm) £50-£80

437.

435. 19th Century English School

A Gilt Composition Frame, with swept centres and corners, rebate 16” x 12” (40.6 x 30.5cm) £50-£80

20th Century English School

A Maple Frame, with ribbed inner and outer edges, rebate 16” x 12” (40.6 x 30.5cm) £60-£80

436. 20th Century English School

A Hollow Gilt Composition Frame, rebate 16” x 12” (40.6 x 30.5cm) £100-£200

438. 18th Century English School

A Black Frame, with a carved giltwood slip, rebate 16” x 11.5” (40.6 x 29.2cm) and another similar frame, rebate 15.75” x 11.5” (40 x 29.2cm) (2) £150-£200

439. 19th Century English School

A Ribbed Composition Frame, rebate 15.75” x 13.5” (40 x 34.2cm) £100-£200

441. 19th Century English School

A Fine Gilt Composition Frame, rebate 15.75” x 11.8” (40 x 30cm)

440. 20th-21st Century English School

A Pair of Black Painted Frames, with gilt inner and outer edges, rebate 15.75” x 12.75” (40 x 32.4cm) (2)

442. 19th Century English School

A Walnut Frame, with a gilt slip and inset mirror glass, rebate 15.75” x 11.5” (40 x 29.2cm)

£200-£300

£100-£200

£200-£300

443. 19th Century English School A Gilt Composition Frame, rebate 15.5” x 12.5” (39.3 x 31.8cm) £40-£60

444. Late 18th Century English School A Darkwood Frame, with a painted gilt slip, rebate 15.5” x 11.5” (39.3 x 29.2cm) £50-£80

445. Late 19th Century English School A Darkwood Frame, with a gilt slip, rebate 15” x 12” (38.1 x 30.5cm) and another similar, rebate 12.5” x 10.5” (31.7 x 26.7cm) (2) £60-£80

446. 19th Century Dutch School A Black Painted Frame, (without slip) sight size 15” x 11.75” (38.1 x 29.8cm) £100-£200

449. 19th Century English School

A Set of Six Darkwood Frames, with gilt slips, rebate 14.5” x 14.5”

x 36.8cm) (6)

£200-£400

447. 20th-21st Century English School

A Painted Frame with gilt inner and outer edges, rebate 15” x 9” (38.1 x 22.8cm) £40-£60

(36.8

448. Late 18th Century English School

A Hollow Gilt Composition Frame, rebate 14.75” x 13” (37.4 x 33cm) £150-£250

450. 19th Century English School A Painted Composition Ripple Frame, rebate 14.5” x 11.5” (36.8 x 29.2cm) £30-£50

451. Early 19th Century Dutch School A Black Frame, with a gilt slip, rebate 14.5” x 11” (36.8 x 27.9cm) £200-£300

452. 18th Century English School A Wooden Frame, rebate 14.25” x 10.25” (36.2 x 26cm) £50-£80

453. Late 18th Century English School A Gilt Composition Frame, rebate 14” x 11” (35.5 x 27.9cm) £80-£120

454. Late 18th Century English School A Hollow Gilt Composition Frame, rebate 14” x 10.5” (35.5 x 26.7cm) £200-£300

455. 20th Century English School A Gilt Composition Ribbed Frame, rebate 14” x 10.5” (35.5 x 26.7cm) £40-£60

456. 19th Century English School A Pre-Raphaelite Style Gilt Frame with inset glass, rebate 14” x 10” (35.5 x 25.4cm) £80-£120

457. 19th Century English School A Watts Style Gilt Composition Frame, rebate 14” x 10” (35.5 x 25.4cm) £80-£120

458. 19th Century English School A Painted Composition Frame, rebate 14” x 9” (35.5 x 22.8cm) £20-£30

459. 19th Century English School A Gilt Composition Watts Style Frame, rebate 14” x 8.75” (35.5 x 22.2cm) £50-£80

460. 17th Century Dutch School

An Ebonised Ripple Frame, rebate 13.5” x 11” (34.3 x 27.9cm) £400-£600

461. 19th Century European School

A Painted Composition Frame, with swept pierced corners, rebate 13.5” x 10.5” (34.3 x 26.7cm)

463. 19th Century Dutch School

A Gold Painted Dutch Black Frame, rebate 13.25” x 11” (33.6 x 28cm)

462. Early 20th Century European School

A Wooden Frame with a gilt inner edge, rebate 13.5” x 9.25” (34.3 x 23.5cm)

464. 19th Century English School

An Oval Gilt Composition Frame, with inset glass, 13.25” x 10.5” (33.7 x 26.7cm)

£50-£80

£30-£50

£80-£120

£30-£50

465. 20th Century Italian School A Black and Gilt Painted Frame, rebate 13.25” x 9.75” (33.6 x 24.7cm) £60-£80

467. 19th Century English School A Gilt Composition Frame, rebate 12.75” x 10” (32.4 x 25.4cm) £100-£200

466. 19th Century English School A Maple Frame, with a gilt slip, rebate 13” x 11” (33 x 27.9cm) £50-£80

468. 20th-21st Century English School

A Pair of Black Painted Frames, with silver inner edges, rebate 12.75” x 9.75” (32.4 x 24.8cm) (2) £150-£250

470. 18th Century Dutch School A Rippled Blackwood Frame, rebate 12.5” x 10.25” (31.7 x 26cm) £200-£300

469. Early 19th Century Dutch School A Blackwood Ripple Frame, rebate 12.5” x 10.5” (31.7 x 26.7cm) £200-£300

471. 19th Century European School

A Painted Composition Frame, rebate 12.5” x 10” (31.8 x 25.4cm)

472. 20th-21st Century English School

A Gilt Composition Frame, with swept and pierced corners, rebate 12.5” x 10” (31.8 x 25.4cm)

473. 20th-21st Century English School

A Silver Painted Frame, rebate 12” x 12” (30.5 x 30.5cm)

474. 20th-21st Century English School

A Painted Frame with silver inner and outer edges, rebate 12” x 12”

£30-£50

£40-£60

£40-£60

(30.5 x 30.5cm) £40-£60

476.

477.

475. 19th Century European School

A Wooden Frame, with bone inlay, rebate 12” x 10” (30.5 x 25.4cm) £40-£60

19th Century English School

A Ribbed Composition Frame, rebate 12” x 10” (30.5 x 25.4cm) £60-£80

19th Century English School

A Maple Frame, with a silver slip, rebate 12” x 10” (30.5 x 25.4cm) and wooden frame with a silver slip, rebate 18” x 13.5” (45.7 x 34.3cm) (2) £40-£60

479. 20th Century English School

A Gilt Composition Frame, rebate 12” x 8” (30.5 x 20.3cm)

478. 19th Century Dutch School

A Black Ripple Frame, rebate 12” x 9.5” (30.5 x 24.2cm)

480. 20th-21st Century English School

A Black Painted Frame, with gilt inner and outer edges, rebate 11.8” x 9.85” (30 x 25cm)

£200-£300

£200-£300

£50-£80

481. Late 19th Century English School

A

482. 20th Century English School

A

483. 20th-21st Century English School

A

Pair of Darkwood Frames, with gilt slips, rebate 11.5” x 9.5” (29.2 x 24.1cm) (2) £50-£80

Silver Composition Frame, rebate 11” x 8.5” (27.9 x 21.6cm) £100-£150

Painted Frame, with gilt inner and outer edging and a white slip, rebate 11.25” x 7.75” (28.6 x 19.7cm), without slip, rebate 12.5” x 9” (31.7 x 22.8cm) £50-£80

484. 17th Century Dutch School

A Darkwood Ripple Frame, with a later gilt slip, rebate 10.5” x 9.5” (26.7 x 21.5cm), without slip, 12.5” x 10” (31.7 x 24cm) £800-£1200

485. 19th Century English School

A Gilt Composition Frame, with an oval slip and inset print and eglomise glass, rebate 10” x 8.25” (25.4 x 20.9cm)

487. 19th Century English School

A Gilt Composition Frame, with swept corners, rebate 10” x 6”

486. 20th Century European School

A Gilt Composition Frame, with an oval sight, rebate 10” x 8”

488. 20th Century English School

A Gilt Frame, with a velvet panelling, rebate 9.5” x 7.5” (24.1 x 19cm)

£50-£80

(25.4 x 20.3cm) £30-£50

(25.4 x 15.2cm) £50-£80

£40-£60

489. 20th Century European School

A Black and Gilt Frame, rebate 9.5” x 7” (24.1 x 17.8cm) together with a pair of gilt frames, rebate 10.25” x 7” (26 x 17.8cm) (3)

490.

491.

£30-£50

19th Century English School

A Maple Frame, with a gilt slip and inset print and eglomise glass, rebate 9.25” x 7.5” (23.4 x 19cm) and another maple frame (2) £50-£80

19th Century English School

A Fine Barbizon Gilt Composition Frame, rebate 8.5” x 6” (21.6 x 15.3cm) £80-£120

492. 20th Century Italian School

A Painted Florentine Frame, rebate 6” x 3.85” (15.2 x 9.7cm) £50-£80

493. 19th Century English School

A Mechanical Easel, with winding handle, 66” x 27.25” x 26.75” (maximum height 86”) (167.7 x 69.3 x 67.9cm) (maximum height 218.4cm) £600-£800

494. Early 20th Century English School An Easel, 55.25” x 25.25” x 24.25” (maximum height 85”) (140.3 x 64.2 x 61.6cm) (maximum height 215.8cm) £500-£700

495. 19th Century English School

A Mechanical Easel, with winding handle, 77.5” x 25” x 25.5”

(maximum height 106”) (196.8 x 63.5 x 64.8) (maximum height 269.2cm)

£800-£1200

(Each

Forthcoming Fine Paintings & Frames Sale

Thursday 6th June 2024

To consign to our sales is just £10 (+VAT) per lot

Includes all commission, illustration and insurance. No other charges

Explanation of Catalogue Terms

The forename(s) (or asterisks where not known) and surname of the artist indicates, in our opinion, an original work by the artist named. The initials of the forename(s) and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his/her work.

‘Attributed to…’

‘Studio of … ’

‘Circle of … ’

‘Style of ’

‘Follower of … ’

‘Manner of … ’

‘After ’

‘Signed, Dated & Inscribed’

‘Highlighted Signature’

‘Bears a Signature’

‘Oil Painting’

‘Mixed Media’

In our opinion probably a work by the artist, but with less certainty as to authorship in whole or part

In our opinion a work by an unknown artist in the studio of the artist, possibly under the artist’s direction.

In our opinion a work of the period, by an unknown artist with the artist’s influence

In our opinion a work at a later date, by an unknown artist following the artist’s style

In our opinion a work at a much later date, by an unknown artist following the artist’s style.

In our opinion a work at an unknown date, by an unknown artist following the artist’s style.

In our opinion a work at a later date, by an unknown artist copying a work of the artist

In our opinion the signature, date and inscription are from the hand of the artist.

In our opinion the signature is/are from the hand of the artist, in whole or part, that may have been restored.

In our opinion the signature is not by the artist and has been added by another hand/hands at a later date.

In our opinion is painted in oils or acrylic

In our opinion a mixture or combination of part, some or all of the following - Oil, Watercolour, Gouache, Pencil, Ink or Print.

Consign to our 2024 sales

£10 (+VAT) per lot

Includes all commission, illustration and insurance

No other charges

BUYER’S FEES - All purchases are subject to a buyer’s premium, which is charged per lot at 25% of the hammer price plus VAT at the current rate of 20% will be added to the buyer’s premium of all lots.

CONDITION REPORTS - Condition repor ts can be requested by contacting us at info@parkerfineartauctions.com or calling us on 01252 20 30 20. Bidders must satisfy themselves as to the condition of each lot. A Condition Report is an honest expression of our opinion and not a statement of fact and is provided as a service to the Seller Requests for condition reports must be submitted 24 hours before the start of the sale. The absence of a condition report in this catalogue does not imply there are no imperfections in the works.

REQUEST FOR IMAGES

- More images can be found in the online catalogue. Requests for additional images of items in the sale can be made up to 24 hours before the start of the sale.

Please note the colours portrayed in the catalogue, and in additional images, are the best attempt at a likeness but cannot be confirmed as identical to the true colours.

Please note that, owning to the recent introduction of money laundering regulations clients wishing to bid in this auction will be asked to provide two forms of identification. This applies to new and existing clients.

ATTENDING THE AUCTION - If intending to buy you are required to register your name and details at our reception desk on the day of the auction. You will then be allocated a bidding number, which you use when bidding for an item.

ABSENTEE BIDS - You can place an absentee bid, and the auctioneer will bid on your behalf to obtain the lot as cheaply as possible as allowed by other bids and reserves. To make an absentee bid you can complete a bidding form at reception, telephone us, or send us your bid by email. You should give us the maximum hammer price you are prepared to pay, remembering to take into account the buyer’s premium and any taxes and charges payable on top of the hammer price.

Absentee bids must be submitted by close of business on the day before the sale If identical bids are submitted, the person who bid first will take precedence.

TELEPHONE BIDDING - You can take part in the sale by bidding over the telephone. Telephone lines must be booked by close of business on the day before the sale and are allocated on a first-come-first-ser ved basis.

ONLINE BIDDING - Bidding can be done through Easylive Auctions or the-saleroom.com. Bidding on these sites is directly through the relevant platforms and will incur extra commission charges. Please refer to the individual bidding websites for their individual terms and conditions.

PAYMENT -

Payment will be accepted, if you are a successful bidder, by bank transfer direct into our bank account, by debit card issued in the name of the Buyer by a UK bank and registered to a UK billing address, by all major UK issued credit cards issued in the name of the Buyer and registered to a UK billing address (up to £1000), or in cash up to £8,000 (subject to relevant money laundering regulations). The name of the bank account holder should match the name of the buyer. Payment may also be made by sterling personal cheques drawn on a UK bank account and made payable to ‘Parker Fine Art Auctions Ltd’, however Lots paid for by this method cannot be collected until your cheque has cleared. Payment can be made and purchases collected during the auction. All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge (not exceeding 1.5% per month on the total amount due). Monies from wire transfers and cheques must be cleared into our account for 24 hours before items may be collected

If the buyer has failed to collect within a period of two months (from sale date), Parker Fine Art Auctions reser ve the right to re-enter the uncollected items through auction, to recover the cost of storage and associated costs. At this time the buyer relinquishes all claims to ownership and any right to financial compensation

CO L LECTIO N - Be fo re b ei n g a b l e t o col l ec t yo ur pu rc has es yo u a re required to pay the hammer price, plus the applicable charges, and obtain a receipt acknowledging payment.

Once payment for lots has been received collection or transpor tation of purchased lots must be made within 14 days of the sale to avoid storage charges

We are open for collections Monday – Friday between 9am and 5pm, or by arrangement

STORAGE - Storage charges will be levied on all lots not collected within 14 days of the sale of £5 plus VAT per lot per day.

DELIVERY - If you are arranging your own professional collection and deliver y, please ensure the lot has been paid for and the transport company h as f u l l d e tai l s o f the item s t o b e co ll ec ted , a n d we h a ve re ce i ved a n authorisation note

In some circumstances some ver y small items may be posted for a fee, but this will be at the Auctioneer’s discretion and will be subject to your own Insurance and Liability Please contact us if you would like details of local shipping companies.

For Full terms and conditions please go to our website www.parker finear tauctions.com

Conditions of Sale for Public Auctions

`Parker Fine Art Auctions Ltd carries out business with Bidders, Buyers and Sellers on the following conditions and on such terms, conditions and notices as may be referred to herein. All Bidders, Buyers and others participating in a public auction accept that these terms apply to the exclusion of any terms and conditions contained in any of those person ’ s own documents even if the same purport to provide that they or some other terms prevail. Any particular public auction and/or any particular lot in an auction may be subject to different or additional terms which will be published in our auction catalogue online

The Buyer’s attention is particularly drawn to clause 24 (consumers) and clause 23 (non-consumers), which set out the extent of the Auctioneer’s and the Seller’s liability to the Buyer

Please read these Conditions together with our “Information for Buyers” document, which provides additional information and terms applicable to our auctions.

DEFINITIONS 1

In these Conditions:

“Auction Terms and Conditions” means these Conditions, the Terms (a) of Consignment and any other terms applicable to auctions conducted by the Auctioneer and notified to Buyers, Bidders and/or Sellers (as applicable);

“Auctioneer”, “ we”, “ us ” or “ our ” etc means the firm of Parker Fine (b) Art Auctions Ltd or its authorised auctioneer, as appropriate;

“Conditions” means these Conditions of Sale for Public Auctions (which (c) include the terms set out in “Information for Buyers”);

“deliberate forger y ” means an imitation made with the intention of (d) deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

“hammer price” means the level of bidding reached (at or above any (e) reserve) when the auctioneer brings down the hammer;

“Information for Buyers” means the document named Information for (f) Buyers at Public Auction containing additional terms and information for Buyers available on our website at www parkerfineartauctions.com;

“Lots” any items or group of items offered for sale by us as agents for (g) the Seller;

“Seller” means any person that appoints us as their agent to sell Lots on (h) their behalf;

“Terms of Consignment” means the stipulated terms and rates of (i) commission on which we accept instructions from Sellers or their agents including those terms set out in the document named “ Terms of Consignment for Public Auctions” which can be found on our website or are available upon request;

“Total Amount Due” means the hammer price in respect of the Lot sold (j) together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

“Sale Proceeds” means the net amount due to the Seller, being the (k) hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; “ you”, “ your”, etc. refer to the buyer as identified in Clause 3.4; The singular includes the plural and vice versa as appropriate; and (l) A person includes a natural person, corporate or unincorporated body (m) (whether or not having separate legal personality)

2. FORMATION OF CONTRACT

A contract for the sale and purchase of a Lot shall come into existence between the Seller and the Buyer on these Conditions upon acceptance by the Auctioneer of a bid by the Buyer

3. BIDDING PROCEDURES AND THE BUYER

3 1 Bidders are required to register their particulars before bidding by completing a sale registration form and to satisfy any security arrangements before entering the auction room to view or bid

3.2 Under the money laundering regulations in force we are required to verify the identity of all customers we transact with as well as any beneficiaries on behalf of whom they may transact Customers who are unable to or refuse to supply required identification documents and proof of address may not be able to bid at our auctions. Copies of

customer due diligence checks will be stored for as long as it is necessary to satisfy legal requirements in an appropriate storage facility which for the avoidance of doubt may include storage solely in electronic form

3.3 The maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the Auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise The auctioneer shall act reasonably in exercising this discretion. The Auctioneer shall rule the bidding and no bid may be retracted

3.4

The Buyer is the person who is successful in purchasing a Lot or Lots in accordance with these Conditions. Purchases made on behalf of a third party are the responsibility of the Buyer in the room. The Auctioneer reser ves the right to bid on behalf of the Seller for any Lot and to withdraw, consolidate or divide any Lot or Lots

3 5 Bidders shall be deemed to act as principals (i.e not on behalf of or as the agent of any other person).

3 6 Our right to bid on behalf of the Seller is expressly reserved up to the amount of any reserve below the bottom estimate and the right to refuse any bid is also reserved

4. INCREMENTS

Bidding increments shall be at the Auctioneer’s sole discretion

5 THE PURCHASE PRICE

The purchase price payable for a Lot is the hammer price plus a buyer’s premium thereon of 25% plus VAT on the premium at the rate imposed by law and is payable in accordance with clause 7.

6 VALUE ADDED TAX.

Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger or double dagger symbol. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots (Please refer to “Information for Buyers” for a brief explanation of the VAT position) 7

PAYMENT

7 1 Immediately a Lot is sold you will:

(a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in pounds sterling

7 2 Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether expressed or implied.

7 3 In order to comply with money laundering regulations we reserve the right to require proof of source of funds and/or confirmation of the nature and source of wealth for all receipts of monies from clients directly or from third parties for payments on behalf of clients. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either us or the Seller

8 TITLE AND COLLECTION OF PURCHASES

8.1 The ownership of any Lots purchased shall not pass to you until you have made payment in full in cleared funds to us of the total amount due.

8 2 You shall at your own risk and expense take away any lots that you have purchased and paid for no later than 14 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

8 3 No purchase can be claimed or removed until it has been paid for

9 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

9.1 If any Lot is not paid for in full and taken away in accordance with these Conditions, or if there is any other breach of these Conditions, we, as agent for the Seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract;

(a) to rescind the sale of that Lot and/or any other Lots sold by us to you;

(b) to resell the Lot (by auction or private treaty) in which case you shall be (c) responsible for any resulting deficiency in the total amount due (after

crediting any part payment and adding any resale costs) Any surplus so arising shall belong to the Seller;

to remove, store and insure the Lot at your expense and, in the case of (d) storage, either at our premises or elsewhere;

to charge interest at a rate not exceeding 1.5% per month on the total (e) amount due to the extent it remains unpaid for more than fourteen working days after the sale;

to retain that or any other Lot sold to you until you pay the total amount (f) due;

to reject or ignore bids from you or your agent at future auctions or to (g) impose conditions before any such bids shall be accepted; or to apply any proceeds of sale of other Lots due or in future becoming (h) due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of ) over any of your property in our possession for any purpose until the debt due is satisfied.

9.2 We shall, as agent for the Seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these Conditions

10. THIRD PARTY LIABILITY

10.1 All bidders, buyers and other members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury or for the safety of the property of persons visiting prior to or at a sale (except in each case as may be required by law by reason of our negligence)

11 COMMISSION BIDS

11.1 Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition and authenticity, we will if so instructed clearly and in writing execute bids on their behalf Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so

11 2 Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made

12 WARRANTY OF TITLE AND AVAILABILITY

12 1 The Seller warrants to the auctioneer and you that the Seller is the true owner of the property consigned or is properly authorised by the true owner to consign for sale and is able to transfer good and marketable title to the property free from any third party claims.

12.2 We are acting as the agent of the Seller only and give no warranty as to the Seller’s title to the Lot.

12.3 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statute, common law or otherwise are excluded to the fullest extent permitted by law

13. TERMS OF SALE

The Seller and the Buyer acknowledge that Lots are sold subject to the stipulations of these Conditions (including the Information For Buyers) in their entirety and on the Terms of Consignment as notified to the Seller at the time of the entry of the Lot

14. DESCRIPTIONS AND CONDITION

14 1 Whilst we seek to describe Lots accurately, it may be impractical for us to carr y out exhaustive due diligence on each Lot. Bidders are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied to a Lot Bidders also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

14.2 Subject to the foregoing neither we the auctioneer nor our employees or agents nor the Seller accept liability for the correctness of such opinions and all conditions, attributions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded

14.3

We are not liable for damage to gilded picture frames, plaster picture frames or picture frame glass. If the Lot is, or becomes dangerous, we may dispose of it without notice to you in advance in any manner we see fit and will be under no liability for doing so We shall not be liable for any damage to any Lot arising during the viewing, during the sale, or after the sale

14 4 We act as agents only Each Prospective Buyer by making a bid for a Lot acknowledges that they have satisfied themselves fully as to the attribution and condition of the Lot Pictures have not been removed from their frames unless specifically mentioned in the Condition Report (as in the event the item is unsold it must be returned to the Seller in the condition it was received by us). This Condition is subject to deliberate forgeries (clause 17).

14 5 Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation

15. TRANSFER OF RISK.

15 1 The risk in the Lot shall pass to the Buyer upon completion of the Sale by the Auctioneer

15.2 We are not responsible for the correct description, genuineness or authenticity of any Lot as per these Conditions. The Buyer is deemed to have inspected each Lot and satisfied himself/herself to the condition.

16. OWNERSHIP OF THE LOT

Title to the Lot purchased will not pass to the Buyer until the Buyer has paid us in full and cleared funds the total amount due pursuant to these Conditions and we have applied such payment to the Lot

17 FORGERIES

17 1 Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium unless:

(a) the catalogue description reflected the accepted view of scholars and experts as at the date of sale; or

(b) you personally are not able to transfer a good and marketable title to us, and in the event of clause 17.1 (a) or 17.1 (b) applying you shall have no rights under this condition.

17 2 The right of return provided by this clause 17 is additional to any right or remedy provided by law or by these Conditions

18. PRIVACY NOTICE.

We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website parkerfineartauctions.com

19. GENERAL

19.1 We shall have the right, at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

19 2 Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the Seller and/or the Auctioneer as appropriate.

19 3 Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the Seller and/or the auctioneer who may themselves enforce them

19 4 Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. NOTICES

Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting or in the event of email upon actual receipt of such email

21 NO WAIVER

Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect

22 LIABILITY

Nothing in these Conditions shall limit any liability which cannot legally be limited, including liability for:

(a) death or personal injury caused by negligence;

(b) fraud or fraudulent misrepresentation;

(c) breach of the terms implied by section 12 of the Supply of Goods Act 1979 (title and quiet possession) however attention is drawn to clause 12.2

23 LIMITATION OF LIABILITY TO NON-CONSUMERS

(This clause 23 applies only to non-Consumers)

23 1 Subject to clause 22, and unless you are an individual purchasing or selling the Lot for purposes which are wholly or mainly outside your trade, business, craft or profession (Consumer), our total liability to either the Buyer of the Seller (as appropriate) shall not exceed the value of the Lot sold by the Seller to the Buyer The following types of loss are wholly excluded by us:

(a) loss of profits;

(b) loss of sales or business;

(c) loss of agreements or contracts;

(d) loss of anticipated savings;

(e) loss of or damage to goodwill, and

(f ) indirect or consequential loss

23 2 Subject to clause 22, all conditions, warranties and other terms which might otherwise be implied by statute, common law or the law of equity, including without limitation the terms implied by sections 13 to 15 of the Sale of Goods Act 1979, are, to the fullest extent permitted by law, expressly excluded

24.1 LIMITATION OF LIABILITY TO CONSUMERS

(This clause 24 applies only to Consumers)

24 1 Consumers are reminded that we act only as an agent of the Seller and are not the supplier of the Lots

24 2 If the Auctioneer or the Seller fails to comply with these Conditions, it or they shall be responsible for loss or damage you suffer that is a foreseeable result of its or their breach of these Conditions or its or their negligence, but neither the Auctioneer nor the Seller shall be responsible for any loss or damage that is not foreseeable. Loss or damage is foreseeable if they were an obvious consequence of the breach or if they were contemplated by the Agent and/or the Seller and the Buyer at the time this contract was entered into.

25. RIGHT TO CANCEL

25 1 If you purchase a Lot at a virtual auction (an auction which is held online only so that there is no possibility for you to attend the auction in person) and you are contracting as a Consumer and the Seller of a Lot is a trader, you will have a statutory right to cancel your purchase of that Lot if you change your mind for any reason The provisions below set out your legal right to cancel in those circumstances

25 2 You may cancel your purchase at any time from the date of our order confirmation up to the end of the fourteenth day after the day of collection of the lot by you or the person specified by you for collection

25.3 To cancel your purchase, you must inform us of your intention to cancel it. You can do this by completing the model cancellation form which can be found on our website. If you use this method we will email you to confirm that we have received your cancellation. Alternatively, you send us your cancellation notice by any other method and then your cancellation is effective from the date you send us the email or post the letter to us.

25.4 If you exercise your right to cancel your purchase, you will receive a refund of the total amount due paid for the Lot in accordance with clause 7. When exercising the cancellation right, you must return the lots to us immediately at your own cost (as set out below)

25 5 You are entitled to a reasonable opportunity to inspect the Lots (which will include removing them from their packaging and inspecting them). At all times, you must take reasonable care of the Lots and must not let them out of your possession. They must remain in original, untouched condition. If you are in breach of your obligations to take reasonable care of the Lots in this clause 25 4, we will have a claim against you and may deduct from the refund costs incurred by us as a result of the breach.

25 6 This provision does not affect your statutory rights

25 7 The cancellation right described in this clause 25 is in addition to any other right that you might have to reject a Lot, for instance because it is a deliberate forgery as set out in clause 17 above

26 EXERCISING THE

RIGHT TO CANCEL

26 1 Where you have validly returned a Lot to us under your right of cancellation described in clause 25, we will refund the full amount paid by you for the Lot

26.2 Please note that we are permitted by law to reduce your refund to reflect any reduction in the value of the Lot, if this has been caused by your handling of the Lot in a way contrary to the conditions specified in these terms or which would not be permitted during a pre-sale exhibition held prior to an auction. If we refund you the price paid before we are able to inspect the Lot and later discover you have handled the Lot in an unacceptable way, you must pay us an appropriate amount

26 3 You will be responsible for returning the Lot to us at your own cost

26 4 We will process any refund due to you within the deadlines below:

(a) if you have collected the Lot but have not returned it to us: fourteen days after the day on which we receive the Lot back from you or, if earlier, the day on which you provide us with evidence that you have sent the Lot back to us; or

(a) if you have not collected the Lot or you have already returned the Lot to us: 14 days after you inform us of your decision to cancel your contract

26 5 We will refund you using the same means of payment that you used for the transaction.

26 6 Legal ownership of a Lot will immediately revert to the Seller if we refund any such payment to you

27.1 DISPUTES

Any dispute not herein provided for shall be settled at the sole discretion of the Auctioneer

28 FORCE MAJEURE

We shall not be in breach of these Conditions nor liable for the delay in performing, or failure to perform, our obligations under these Conditions (or otherwise) if such a delay or failure results from events, circumstances or causes beyond our reasonable control.

29 ENTIRE AGREEMENT

These Conditions constitute the entire agreement between the parties and supersede and extinguish all previous agreements, promises, assurances warranties representations and understandings between them, whether written or oral, relating to its subject matter. Except as set out in these Conditions, no variation of these Conditions shall be effective unless it is in writing and signed by the parties (or their authorised representative)

30 IMAGES

Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Parker Fine Art Auctions Ltd relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Parker Fine Art Auctions Ltd, subject to the provisions of the Copyright, Design and Patents Act 1988 Parker Fine Art Auctions Ltd and the seller make no representations or warranties that the buyer of a lot will acquire any copyright to other reproduction rights to it.

31. GOVERNING LAW AND JURSIDICTION

These Conditions shall be governed by and construed in accordance with English law and the parties irrevocably submit to the exclusive jurisdiction of the English courts

Thursday 9th May 2024

01252 20 30 20

info@parkerfineartauctions.com

parkerfineartauctions.com