NARAHARI A. BANAVALIKAR DESIGN PORTFOLIO
M - +1.929.471.7222 E - narahari.b30@gmail.com
TABLE OF CONTENTS ACADEMIC WORKS • Spring Studio Project - Pavilion Design • Fall Studio Project - Testing Methods & Media • Summer Studio Project - Introduction to Methods & Media • Undergraduate Thesis - Multi-Disciplinary Art School
PROFESSIONAL WORKS • Nature’s Grove - Architecture Design • Mohenjo Daro - Production Design • Little Cooper’s - Interior Design • Jan Pro Cleaning Systems India - Interior Design • Furniture Series - Furniture Design • Ext. Facade Proposal - Facade Design
Academic Work: SP18, Pratt Institute. Pavilion at Omi International Arts Center, NY.
The concept of this pavilion ‘Beacon’, dwells around creating a self-sustaining, self-supporting structure which is built out of modular components and also uses a translucent performative skin or membrane which acts as a shelter that absorbs the light in the day, stores energy to generate power and emits light during the night. It is an attempt at understanding how these methods of a effective and sustainable design, architecture and construction can be utilized to create contemporary designs which are not limited to certain rigid shapes, sizes and tools in fabrication but can be formulated in a smart aesthetic way to bridge the gap between design and performance.
Design Conceptualization and Development
Form inspired from the sculpture-like form of a tree trunk to formulate habitable space inside.
Disintegrating the form to create paneled surface for ease of fabrication.
Introducing Modularity into the structure.
a. Top View Rendering. b. Plan at 20’ height. c. Plan at 3’ height.
a.
b.
c.
8’
16’
8’
8’
16’
16’ 10’ 6’
Elevation
360o view of the Structure to show all the ‘Asymmetric’ Extensions.
Section with Foundation.
Heart of the Beacon: Detail
Exploded Axonometric View of the Fabrication Process.
Progress Images of the Fabrication process with the Laser Cutting form-work, an intermediate layer of papier mache and a silicon coat.
Academic Work : FA17, Pratt Institute.
Testing Mediums & Methods : Projection Mapping and Augmented Reality. The course allowed students an opportunity to choose a series of methods and media articulating an area of focus and testing for the design research. The course focuses on advanced design methods of architectural visualization and architectural fabrication on a small scale project. The studio emphasizes the disciplinary aspects of architectural mediums, their design methods and output from proto-architecture to project proposals. This project aimed at evolving a space for the physical and virtual to co-exist and create varied experiences by means of ‘Projection Mapping’ and further provide a tool for the investigation of the physical through means of ‘Augmented Reality’.
a. Physical Model Image. b. Exploded Axonometric view of Physical and Virtual Model. c. Physical Model Image.
a.
b.
c.
a. Physical Model Image. b. 3-D PLA Printed Model Image.
a.
b.
a. Illustration of the Projection Mapping wrt. model. b. Physical Model with Projection Mapping. a.
b.
Academic Work : SU17, Pratt Institute. Introduction to Media and Methods.
This particular studio introduced students to the selective yet vital range of digital, physical and graphic media through a series of architectural design exercises and speculations. A series of sequential, short projects allowed to become familiar with different media-driven approaches ranging from a focus on architectural fabrication to architectural visualization. The course intends to expose students to the design methods and discourses surrounding architectural mediums as well as introduce them to the representational logics of innovation in contemporary architecture. Together with computer aided softwares, methods of digital fabrication like 3d Printing PLA/Powder, Laser cutting, CNC milling, Vacuum forming were used in to for representation of these designs.
Academic Work : SP14
Design Dissertation : Multidisciplinary Art School in Mumbai. The project was undertaken as a thesis project in the final year of studies for Bachelors in Architecture. All students had the liberty to pick any topic of their choice and prepare a detailed study for justification of the topic; followed by study of existing design schools in the country and appropriate selection of site and its analysis. The design is derived from the principle of inter dependence. The form and circulation of the design is formulated from the concept of “The Thinker� by Auguste Rodin. On one hand, Exposure to various forms of art would encourage, explore and experiment creatively with design. Secondly, a space does affect the way an artist feels, so a well designed space would benefit an artist. This exposure would be physical or just visual. Breaking the monotonous enclosed classroom structure and creating more breakout spaces which would be used by the students for multidisciplinary activities and interaction. The flexibility in space design is the central idea of the design.
Circulation:
Circulation is the most important aspect. Wide corridors, Break out spaces, ramps motivates one to explore the structure, create and share.
West side Elevation
C
B
D
6.0 M WIDE ROAD
GREEN COURT
UP
GREEN COURT
SERVICE ENTRY AND LOADING-UNLOAIDNG AREA
A
LADIES TOILET
GENTS TOILET
A'
FOUNDRY (FOR METAL AND CERAMIC WORKSHOPS)
MATERIAL STORAGE ROOM
WORKSHOP AREA FOR SCULPTING DEPT.
DOUBLE HEIGHT ABOVE STATIONERY SHOP
INDOOR - GAMES
4.0
UP UP
M
VOID ABOVE
DN
UP
WID
UP
E ICE RV SE
OPEN WORKSHOP SPACE BASKETBALL COURT
UP UP
UP
AD
RO
OPEN ATRIUM (SPILLOUT/TEMPARORY EXHIBITION SPACE)
SEMI-OPEN WORKSHOP AREA FOR SCULPTING DEPT.
COLD STORAGE
GREEN COURT
UP
PREPARATION AREA
UP
KITCHEN
3.0 M
COOKING AREA
DN
WID
STORAGE
MID-LANDING
E RA MP
SERVING AREA
UP
SPILL-OUT SPACE
UP
SEMI-OPEN WORKSHOP AREA
UP
MID-LANDING GENTS TOILET LADIES TOILET
DN
SERVICE AREA
Interlink:
UP
GREEN COURT DEAN'S CABIN FRONT DESK VOID ABOVE
Interconnection between different spaces, thereby creating an interdisciplinary ‘Dialogue’ amongst students.
CEO CABIN
PANRTY
UP
ADMIN. DEPT.
GREEN COURT
DROP-OFF POINT
CONF. ROOM
ACCOUNT DEPT.
1
2
3
4
5
6
7
8
9
10
11
12
13
MAIN ENTRANCE
6.0 M WIDE ROAD
26 14
15
16
17
18
19
20
21
22
23
24
25
27 28 29 30
ST
DE
PE
6.0 M WIDE ROAD
PARKING AREA ( 50 CARS)
32 33 34
6.0 M
T
RIAN
42
31
35
WID
AD
RO
43
E 36
M
AD RO
6.0
44 45
WID
37
E
46
AD
RO UP
38
47
39
48
40
49 50
41
6.0 M WID E ROAD
C'
Open Spaces:
Constricted by buildings around the site, the design creates open pockets, semi-covered community spaces within the structure with landscapes attracting ample sunlight and ventilation.
Ground Floor Layout
D'
B'
4.0 M WIDE SERVICE ROAD
GREEN COURT UP
6.0 M WIDE ROAD
CANTEEN
C
C
D
B
A
A'
LASER CUTTING STUDIO
BOYS COMMON ROOM
A
A'
OPEN JURY AREA
SEMI-OPEN MODEL MAKING WORKSHOP SPACE
VOID BELOW
D
B
INT. DESIGN STUDIO 1
MATERIAL LABORATORY
INT. DESIGN STUDIO 2
INT. DESIGN STUDIO 3
INT. DESIGN STUDIO 4
B.ARCH (FIRST YEAR) STUDIO 1
B.ARCH (FIRST YEAR) STUDIO 2
B.ARCH (SECOND YEAR) STUDIO 1
B.ARCH (SECOND YEAR) STUDIO 2
GIRLS COMMON ROOM
SIT-OUT SPACE 3.0 M WIDE CORRIDOR
3.0 M WIDE CORRIDOR
3.0 M WIDE CORRIDOR
VOID BELOW 3.0 M WIDE RAMP
VOID BELOW
VOID ABOVE UP
TE
M E
B.ARCH (THIRD YEAR) STUDIO 1
CO RR IDOR
DARK ROOM NO. 1
WORKSHOP AREA FOR METAL SCULPTING DEPT.
STUDIO NO. 1
OPEN ATRIUM (SPILLOUT/TEMPARORY EXHIBITION SPACE)
DARK ROOM NO. 2
CO
STUDIO
IDOR
RR
NO. 2
B.ARCH (FOURTH YEAR) STUDIO 1 (40 STUDENTS)
3.0 M WIDE CORRIDOR
WID
3.0 M WIDE CORRIDOR
DN
DE
3.0
3.0 M WIDE RAMP
E
WID
3.0 M WIDE RAMP
M
3.0 M WIDE CORRIDOR
3.0 GREEN COURT
ILE
XT
. OF
PT
DE
UP
3.0 M WIDE RAMP
SIGN
DN MODEL MAKING STUDIO
3.0 M WIDE CORRIDOR
UP
VOID ABOVE
B.ARCH (THIRD YEAR) STUDIO 2
B.ARCH (FOURTH YEAR) STUDIO 2
PHOTO EDITING ROOM STUDIO
3.0
DIGITAL PHOTO EDITING ROOM
NO. 3
M
PRINT MAKING STUDIO
DN
WID
SPILL-OUT SPACE
E
MID-LANDING
RA
VOID BELOW
STUDIO
SPILL-OUT SPACE
MP
NO.4
DN
SPILL-OUT SPACE
M
B.ARCH (FIFTH YEAR) STUDIO 2
E WID RR CO
3.0
IDOR
M WID
DN
E RR
CO
PROF. CABIN
DN
IDOR
STORAGE ROOM
B.ARCH (FIFTH YEAR) STUDIO 2
3.0
WORKSHOP AREA FOR CERAMIC SCULPTING DEPT. DN
UP
UP GREEN COURT DN
DISPLAY AREA
DEPT. OF PAINTING
DISPLAY AREA
DN
DN
DEPT. OF PAINTING
UP MID-LANDING SPILLOUT SPACE
DISPLAY AREA
MID-LANDING
GENTS TOILET LADIES TOILET
GENTS TOILET LADIES TOILET
LOCKER ROOM UP
VOID BELOW UP
GREEN COURT
SERVICE AREA
3.0 M WIDE CORRIDOR
SERVICE AREA
PEBBLE COURT
UP
PEBBLE COURT
GREEN ROOM ROOM 1
ROOM 2
DINING AREA
GENTS TOILET LADIES TOILET
LEISURE ROOM
STAGE
STAFF AREA
UP
UP PANTRY
1 2
2
3
WAITING LOBBY
1
3
4
4
5
5
6
6
7
7
8
8
9
9
10
10
11
11
12
12
MID-LANDING
CONF. ROOM
13
MID-LANDING
14
DN
15
16
16
17
UP
13
14
15
MID-LANDING
17
UP
18 19
18 19 20 21
ENTRY TO THE AUDITORIUM
22 23 24
ENTRY TO ART CENTRE
GALLERY NO. 2
FRONT DESK GENTS TOILET
AV ROOM
DISPLAY AREA FOR STUDENT WORK
UP
GALLERY NO. 1
LADIES TOILET
DN
VOID ABOVE
UP
B'
First Floor Layout
C'
D'
B'
Second Floor Layout
C'
D'
C
C
D
B
D
B
A
A'
A
A'
SPILL-OUT SPACE
SPILL-OUT SPACE
UP
DN
MID-LANDING GENTS TOILET LADIES TOILET
3.0 M WIDE CORRIDOR
INDIVIDUAL WORSPACE AREA
SERVICE AREA
UP
LECTURE ROOM 1
GENTS TOILET LADIES TOILET
LECTURE ROOM 2 BOOK SHELVES
EASY READING AREA
MAIN ENTRANCE LECTURE ROOM 3
LIBRARY
ADMIN
LOCKER AREA
ARTIST ACCOM
ARTIST ACCOM
LECTURE ROOM 4 ARTIST ACCOM
SPILLOUT - SPACE
LECTURE ROOM 5
LECTURE ROOM 6
ARTIST ACCOM
ARTIST ACCOM
ARTIST ACCOM
B'
Third Floor Layout
C'
D'
B'
Roof Layout
C'
D'
ROOF THIRD FLOOR LEVEL
FIRST FLOOR LEVEL CIRCULATION
SECOND FLOOR LEVEL COMMUNITY SPACE
SERVICE ENTRY GROUND FLOOR LEVEL
Interior Views Rendering
Section B-B’
Exploded View of the structure.
ENTRY
Section D-D’
Interior View Rendering
Professional Work : FA16 Architectural Design; Nature’s Grove, India. [Freelance Work] ‘Nature’s Grove’ is a weekend getaway residence designed for a musician and entrepreneur client at an ideal vantage point by the edge of a hill looking over a valley. Designed on a heavily contoured site, the house is structured into 3 areas zoning into private and public space where each of the rooms get a picturesque view of the valley which is wrapped in a lush green blanket during the monsoon season in the region. The concept for the design is formulated from the idea of building a house around a tree wherein the tree is not just an element of landscape, but is an integral part of the circulation and experience; the tactile engagement with these trees create a sense of coexistence for us and the nature which one does not quite find in the concrete jungle of the cities. The Project is completed at the planning stage and on-site work will begin this Fall.
A
B
E
C
A B
D
G
H
I
J
F
DECK OUTSIDE GUEST BEDROOM (7.8X5.8M)
1
1 TOILET (1.6X2.6M)
GUEST BEDROOM (4X4.77M)
2
2 OUTSIDE DECK LEVEL-2 (10.7X3M) - 2.00 M
3
3 5
OUTSIDE DECK LEVEL-1 (10.7X3M)
OPEN TO SKY COURTYARD (4X5.77M)
+ 0.00 M
LIVING AREA (9.5X4.15M)
7
+ 0.30 M
4 5
4 + 0.45 M
+ 0.45 M
UP
6
6
7
ENTRANCE FOYER (2.1X2.3M)
+ 0.60 M
KITCHEN & DINING AREA (5.9 X 4.8 M) + 0.60 M POWDER ROOM (1.2X2M)
8
8 + 0.00 M
B
A C
E
G
D H
I
B
Ground Floor Layout
F J
A
A
B
E
C
A B
D
G
H
I
J
A
B
F
FIRE PIT AREA
B
1
E
C
A
D
H
G
I
F
1 TOILET (1.6X2.6M)
MASTER BEDROOM-02 (4X4.77M)
2
2
3
POOL BAR
3 5
7 4 5
1
SWIMMING POOL (12X5M)
1
CHANGING ROOM (1.6X2.6M) SWIMMING POOL DECK -4.00M
4
LIVING AREA DOUBLE HEIGHT
2
2 STORE ROOM (2.25X1.85M)
6
6 7
3
MASTER BEDROOM-01 (6X3.3M)
3
TOILET (1.2X2M)
8
8
5 B
B
A C
E
G
D H
F I
B
A C
D
E
F G
J
A
Second Floor Layout
Basement Layout
B
A
Perspective View
2000
3850
2000
600
Section A-A’
Interior Views 8 6 4 1050
2998
3000
2400
4 3
3 3450
3300
6225
1050
6
3600
3300
2700
3000
2850
3300
8 2
2
Professional Work : FA14 Production Design; Mohenjo Daro Sets, India.[Ashutosh Gowariker Productions Pvt. Ltd.] Directed by Academy Award Nominee, Ashutosh Gowariker, this film is pictured in the ancient city of Mohenjo Daro. Mohenjo Daro being an historical site in the Indus Valley Civilization, this job demanded extensive research and analysis; a Production Design project involving a great aspect of architectural and cultural research followed by designing and execution of the sets. I have worked on this project as an Asst. Art Director for over two years after graduation and acquired immense knowledge in this field, not so different from Architecture. I was a part of the Art department responsible for the Set Design and the overall look of the sets which include developing comprehensive architectural drawings, 3-D modeling, along with property and furniture design. I had to pay minute attention to the details of the architectural elements while designing the prehistoric structures and artifacts. I was also a part of the Design Execution team. It was an outdoor location in Bhuj, Gujarat, India, where the massive sets were erected.
Set Layout
Conceptual Models
MAIN GATE: As every fortified city, the city of Mohenjo Daro had guarded gates along all four of it sides. The 20x20’ wide gates are placed between 2 40’ towers on either sides which house guards accommodations on duty. This in recreation of the ‘South’ gate in particular.
22'-10" 3'
2'
2'
Site Image
3'
2'
2'
13'-1"
20'
4'-11"
29'-5" 34'-6"
TOWER 2 WITH INTERNAL CHAMBERS
Elevation
34'-6"
MAIN ENTRANCE
TOWER 1 WITH INTERNAL CHAMBERS
FRONT ELEVATION
Concept Sketch
Street Layout MAIN STREET: To picture the working of a city, it is essential to show the day to day lives of people living in the city. This 700’ long street was essentially designed and built to bring out this character of a typical street in the city in the Indus Valley Civilization. Elevation: On-Site Sketches
Site Images
80'
SENATE: Envisioned as an official building in the city of Mohenjo Daro, the Senate structure stood tall at 50’ height in the exterior set in Bhuj while the interior set was created in a studio in Mumbai.
6'
9'
9'
20'
6'
1'-6"
6'
9'
9'
6'
6'
10' 9'-5"
24'
9'
24'
9'
9'
9'
5'-6"
20'
8'
3'
7'
12'
3'
7'
20'
24'
80'
10'-6"
10'-6" 5'-6"
3'-6"
4'
9'
3'-6"
3' 9'
3'
9'
24'
6'
9'
24'
6'
20'
20'
6'
9'
9'
6'
15' 43'
6' 10'
13'
Floor Plan
Site Image
148'-6"
ARENA: This structure like Arena is envisioned to be built for the purpose of picturing a community gathering event like the annual sports or a mass meeting/announcement. In this particular instance, this set was built to capture an action sequence. This set was designed and built in a way that it could accommodate a full house of 300-350 people at one time.
9'-8" 12'
1'
12'- 0"
12'
1'
12'
12'
1'-6"
1'-6"
4'
12'
12'- 0"
8'-6"
8'-6"
12'
1'-6"
9"
22'-9" MAIN SEATING
3'-3"
FLAT PLATFORM SEATING
11'-3"
4'
4'
12'
12'-1"
FLAT PLATFORM SEATING
12'- 0"
13'- 0" 2'
2'
42'
12'- 0"
12'
2'
2'
4'
12'
3'
DN
10'-1"
32'
30'-4"
32'
TIGERS CHAMBER
10'
12'-1"
1'
4'
2'
MAIN ARENA GROUND (100'-80')
2'
2'
23'-4"
12'
80'
12' 2'
2'
100'
30'-4"
32'
MAIN ENTRANCE @ GROUND LEVEL
2'
2'
22'-6"
1'-4"
3' UP
4' 3'- 0" 6'
UP 12'
3'
12'
12'-1"
9"
3'-9"
9'
3' 6'-6"
12' 9'
12'
Floor Plan
38'
3'
8'
3'
6'-3"
Section
2'
38' 2'
10'
32'
3'
11'-2"
3' 12'
12'-6"
10'
° 87
6'
UP
3'- 0"
2'
8'
10'
MAIN PUBLIC ENTRANCE @ GROUND LEVEL
8'
3'-6"
12'
3'-3" 3'- 0" UP
2'
5'
16'
UP
2'
3'
3'-3"
UP 20'
Site Images
Floor Plan
Section
GREAT BATH: The Great Bath is one of the best-known structures amongst the ruins of Mohenjo Daro. The entire set was designed and erected in parts, ie. exterior in Bhuj and interiors in studio in Mumbai.
STILLS FROM THE FILM:
Professional Work : SU17 Interior Design; Little Coopers Preschool, India. [Freelance work] ‘Little Cooper’s Preschool’ was an interesting design project to work on. Apart from the fact that it is a preschool design and has to be mastered ergonomically, while conceptualizing ideas, there was great emphasis laid on creating an environment that is not only vibrant and fun but also a space where the kids are assimilating knowledge by their visual and tactile senses. The concept is a narrative giving a subtle understanding of the topography, wildlife around us which begins from the higher altitudes having the polar bears and snow clad mountains to the lush green foothills with rivers and streams and the animals found in such forests following into the city with a beach and eventually the aquatic life. All this has been achieved in the form of an artwork and material variation. With a limited carpet area, the space is segregated into playing, drawing, recital area and study areas.
37'-9"
2
4
17'-8"
1
3
1" 27'-52
22'-1"
22'
1
5
6
2 3 4 5 6 7 8 9 10 12 13 14 33
1" 9'-52
15 32
16 31
17 30
18 29 28
27
26
25
24
23
22
21
20
19
27'
Floor Plan 1. Entry 2. Pantry 3. Art in the Park 4. Lazy corner 5. Play Zone 6. Study Area
11"
1'-2"
1'-3"
9'-11"
8'-1"
Section
7'-9"
8'-3"
8'-3" 7'-5"
1" 1'-84
1" 2'-42
1" 1'-12
1'-2"
1'-2"
1'-2"
1" 2'-02
1'-2"
Plan
Elevation a
3'-23 4"
2'
1" 64
1" 52
1" 94
2'-63 4"
1" 94
1" 114
1" 114
1" 114
1" 114
1" 114
1" 114
1" 114
1" 114
1'-11"
1" 92
Elevation b
1" 2'-54
Site Images
Professional Work : FA17
Interior Design; Jan Pro Cleaning Systems, India. [Arjun Rathi Design Studio] ‘Jan Pro’ was a project I started working on in the execution phase. The design of the arches for the main cabin have been derived from sacred geometry proportions. This was a quick project and had a very tight time-line so everything had to be planned well in terms of the execution to avoid an spillovers. This was also a turnkey project so all the lighting and furniture were designed and built by the firm. This project helped me greatly with my on-site decision making abilities and also my management skills and I had to deal with client and the site contractor and working staff and vendors day to day and maintain a steady pace in the project.
Floor Plan
Section
Site Images
Professional Work : FA17 Furniture and Light Design. [Arjun Rathi Design Studio] Through the disciplines of Architecture, landscape, Interior Design and evolved concepts of ‘Psyche-tectural’ theory, the practice aims to innovative spatial forms that actively engage, enhance and influence the body, constantly challenging its relationship to the built environment. Since my engagement with the studio, I have worked on several projects in Architecture, Interior Design and also tried my skills towards Furniture and Lighting design. These are a few pieces that I have designed and executed. Each of these pieces are customized to the client requirements keeping the ergonomic nature of a product in mind and I have received positive feedback most times. Each time there has been a change of material which has given me in depth knowledge of the quality of the furniture produced.
1. Geodesic Dome Desk Lamp.
2. Arm Chair at a residence in Mumbai. Concept Sketch
Site Image Side Elevation
Front Elevation
3. Sacred Geometry Inspired Hex Pipe Furniture set for a private residence in Mumbai.
Concept Sketch
Elevation
Site Image
4. Blown Glass Disc chandelier for a private residence in Mumbai.
Professional Work : SP16
Ext. Facade Design; Peninsula Land Ltd., India. [Freelance Work] The design was a vertical assembly on the compound wall to draw attention towards this upcoming project. As elite as this area is, the client wanted a design that was very elegant and classy using minimal yet appropriate amount of colors, material and lighting. The scale of this vertical assembly was about 200 feet in length and 20 feet in height. The concept for the design was formulated from the idea of creating something that sets aside this building from all others in this metropolis. To achieve this idea we created a composition, which originated from the two ends of a large rectangular plane and formed a cluster in the center. We then placed a silhouette of the skyline of the city of Mumbai which acts as background to this golden Elevation. The lower portion of the wall was treated with a pattern of wooden members giving it a dynamic shape.
Elevation
ELEVATION
500
450
450
125
125
125
125
125
125
125
125
125
125
125
125
125
125
600
58415
Plan
PLAN OF THE UPPER SECTION WITH ACP PANELS AND CEMENT SHEETS
025x50mm PATTI OF ACP IN GOLDEN MIRROR FINISH.
Detail at A
20mm THK. CEMENT SHEET FIXED ON ALUMINIUM PIPE FRAMEWORK. 16mm THK. CEMENT SHEET CUT TO SIZES WITH 15mm THK. GROOVES AS PER DESIGN. 18mm LASER CUT SLITS IN 4mm THK. ACP, BACKLIT WITH FLOOD LIGHTS. 4mm THK.LASER CUT ACP SHEET FIXED ON ALUMINUM PIPE FRAMEWORK.
450
CONCRETE FOUNDATION TO SUPPORT THE STRUCTURE
450
100 ISMB M.S. I-BEAM EMBEDDED IN CONCRETE FOUNDATION TO SUPPORT THE STRUCTURE.
25X50mm ALUMINIUM PIPE FRAMEWORK TO SUPPORT ACP AND CEMENT SHEET CLADDING. DUMMY COLUMN WITH ALUMINIUM PIPE FRAMEWORK FINISHED WITH 16MM CEMENT SHEET. 50X50mm WPC MEMBER FINS FIXED ON WALL WITH ALUMINIUM PIPE FRAMEWORK. 16mm THK. CEMENT SHEET CLADDING ON EXISTING WALL SURFACE.
4mm THK.LASER CUT ACP SHEET FIXED ON ALUMINUM PIPE FRAMEWORK.
100 ISMB M.S. I-BEAM EMBEDDED IN CONCRETE FOUNDATION TO SUPPORT THE STRUCTURE.
100 ISMB M.S. I-BEAM EMBEDDED IN CONCRETE FOUNDATION TO SUPPORT THE STRUCTURE. 100 ISMB M.S. I-BEAM EMBEDDED IN CONCRETE FOOTING TO SUPPORT THE STRUCTURE.
25X50mm ALUMINIUM PIPE FRAMEWORK TO SUPPORT ACP AND CEMENT SHEET CLADDING.
25x50mm PATTI OF ACP IN GOLDEN MIRROR FINISH.
M.S. L-ANGLE M.S. BASE PLATE CONCRETE FOUNDATION TO SUPPORT THE STRUCTURE
16mm THK. CEMENT SHEET CUT TO SIZES WITH 15mm THK. GROOVES AS PER DESIGN. 12mm THK.METAL SHEET ON STEEL FRAMEWORK.
16mm THK. CEMENT SHEET CLADDING ON EXISTING WALL SURFACE. 50X50mm WPC MEMBER FINS FIXED ON WALL WITH ALUMINIUM PIPE FRAMEWORK.
M.S. PIPE TO SUPPORT THE WALL STRUCTURE.
DUMMY COLUMN WITH ALUMINIUM PIPE FRAMEWORK FINISHED WITH 16MM CEMENT SHEET.
Section A-A’
500
100 ISMB M.S. I-BEAM EMBEDDED IN CONCRETE FOUNDATION TO SUPPORT THE STRUCTURE FIXED ON M.S. BASE PLATE WITH M.S L-ANGLE. M.S. PIPE TO SUPPORT THE WALL STRUCTURE. M.S. PIPE TO SUPPORT THE WALL STRUCTURE.
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