more than meets the eye.
nadia benita basilia
the values that shaped her identity
allitsniorg w th mindset a soc iablego-g e .rett investin others and expect nothing –that ’s w hat a gen iuen sievol asociable
a g ogetter quriky personality
mold abl e an d t e a c h a b l e a t t i edut
honest authentic n true learningand growing by days create a heart-warming andsoulful design works in search of meaning srewsanasaefilevilot ynam . i n s ip r e l o v e a n d kindness. hold dear deepconnections. a warm home nrael ,rpmi vo e a n d g row by days to expand self capacity. teachable attitude . looking atthe world w i th p u r e l sne sevilgnitcapmidna b l e s s ing o thers throughdesign work. always on th e go ex pl o r gni ngised efildna
is what made her secure
Flowers won’t grow in gardens of stone, but will grow through the A heart roughs.
our hearts will strengthen through the challenges in our lives
table of contents
Identity design
Kantan Kollektiv
Client
Kantan Kollektiv is a home décor –furniture company based in Ampang, Selangor.
The furniture is a mix of traditional and modern touch with rattan as its basic material. Each piece is uniquely hand crafted by family artisans passed from generation to generation.
Design Objective
Reposition the brand as a brand that goes toward modernity. While still keeping the elegance of traditional culture.
Changing perception that views rattan as traditional and unable to evolve to modern versions;
and focus on giving a modern spin on traditional culture. Yet, preserving its authenticity.
Brand Direction
Kantan Kollektiv, hand – crafted rattan furniture which reflect the evolving culture of the past and modern.
Logo Applications
After Inspiration
Logo Rationale
The logo is made from acombination of a furniture named “Spruce Coffee Table,” and a window representing home.
Then, thick line is weight is applied to achieve a simplistic direction, and to represent rattan.
Keywords
Elegant, simplistic, modern, homey, soothing, earthy.
Logo
Client
Kantan Kollektiv is a home décor –furniture company based in Ampang, Selangor.
The furniture is a mix of traditional and modern touch with rattan as its basic material. Each piece is uniquely hand crafted by family artisans passed from generation to generation.
Logo Applications
01 – main version
02 – invert version
03 – other color combination
04 – secondary logos
Design
Green colored name card – personal, cream colored – administration.
‘M’ letter refers to personal mobile number, and ‘T’ refers to office telephone.
Envelope Design
05 – Logo pattern is used for the envelope’s inside.
06 – Close up on company’s details.
Design
Design
07 – The folder is designed to illustrate a window. The flap can be opened as if it is opening a window. The right flap is purposely made longer to give a neat look.
08 – The showroom is located in Bangsar to target those with middle to high income.
Following the brand direction, the building is made with a homey feeling in mind. It is mainly painted in white to let the rattan and brand color stand out.
09 – To let the signage stand out, the counter is made with a concrete booth. Kantan’s logo is used as a pattern on the backdrop, which is created out of rattan.
10 – Showroom’s display introduction, complemented with the brand’s very own objective.
Showroom Display
11 – Collection Display. Products are displayed separately in their own space, so people can focus on appreciating each piece’s beauty.
12 – Window display featuring Kantan’s logo as the background on the deboss wall, with a small info label attached.
13 – The factory is located in an industrial area, used for manufacturing products and furniture. It also includes warehouse to store goods, management office, research & development, and workshop area.
Way Finding
14 – Rattan lamps are placed in the receptionist desk to give an accent of warmth and homey.
15 – Shows how the logo can be projected on different kind of treatments.
16 – Furniture icons pasted on packaging to help differentiate the goods.
Way Finding
17 – Toilet sign are placed big for maximum visibility.
Multifunction
18 – Decorative poster using the brand’s furniture icon.
19 – Showroom uniform for workers. The logo is embroidered on the pocket.
Packaging
20 – Tape design using the brand pattern, made out of logo.
Instagram product launch post. It showcases the products’ visual in different angle, how it looks like in an interior setup, and product info such as description, dimensions, and materials.
Initially I wanted to create a logo series made out of the company’s weaving patterns.
Furthermore, I tried to combine the graphic elements with Kantan typography.
Weaving patterns’ graphic elements
Elements combined with typography
On this stage, the logo’s line weight is not thick enough to represent rattan. To induce a homey feel, I added in a window-shaped framing to signify home..
Then, I tried combining elements together without typography
Main Logo. This layout is used as the primary logo variation option.
Small Icon, Long Horizontal Text. Suitable for a wide horizontal layout.
Equal Width. Used for rectangle format, usually with a narrow working area.
Big Icon, Small Vertical Text Similar to the 2nd option, but more into contemporary feel.
Icon. Icon logo, without any text. Can also be used as a graphic element.
Packaging design
Lokal - Eunoia
Company Background
Lokal is an Indonesian brand offering authentic Indonesian food, based in Jakarta, West Java. They work in many ranges of food, including snacks, pastries and homemade spices.
Packaging
Problem
During this pandemic, students’ psychological well-being have been affected and this could trigger the emergence of negative thoughts. In the worst case, it can result in anxiety and depression.
Objective
Hence, Lokal wants to help boost students’ moods and encourage them to have positive thoughts by launching a new packaging design called “Eunoia”, which in Bahasa Indonesia means “good thoughts, beautiful thoughts.”
Snacks
The brand specifically uses Chocolate Bakpia, since chocolate is proven to help improve mood. Moreover, it is a traditional Indonesian pastry that also serves as a light snack that can be eaten anywhere.
Packaging
The packaging structure is inspired by “Tugu Jogja”, one of the landmarks in Jogjakarta, where Bakpia originated from. In addition, Jogjakarta’s authentic wall engraved pattern is used for the main graphic element.
Hidden Message
Hidden messages are placed in the packaging that can only be seen using a red lens provided. It is to symbolize perspective, how one must use the right perspective in order to see the goodness in everything.
Target Audience
The target audience for this packaging are students. Thus, red, blue, and cream colors are used to give a hint of contemporary style. The red color is used to signify the positive sides of things. Meanwhile, blue is used to signify the negative sides.
This project got featured on:
packageinspiration.com/eunoia/ worldbranddesign.com/eunoiapackaging-design-concept-createdby-student-nadia-benita-basilia/
ig/worldbranddesignsociety ig/favourite.design ig/europebranddesign
Structure
‘Bakpia’ is a lokal traditional snack originated in Special Region of Yogyakarta, Indonesia.
Therefore, the packaging structure is made using the shape of Prambanan temple to bring out the area’s culture.
Design Sketch
To bring out the authenticness, Yogyakarta’s wall engraved pattern is used for the motifs.
Wrapper
The motifs for outer packaging then implemented on the wrapper’s sticker design.
Hidden Message
–are placed inside the wrapper. The negative quotes are overlap with the positive ones, and the positive can only be clearly seen using a red lens.
Pattern Making
On this stage, the pattern making is separated into different branches.
Hence, the feedback was to create a pattern which connects to one and another (one flow).
Sticker Design Options
design
Being Chinese Indonesia
About ‘Being Chinese Indonesian’ is an answer book as to why Chinese Indonesian cannot speak Chinese. It is designed with a modern and contemporary visual style to represents the young generation(s) of Indonesia.
Target Audience -are those from other countries Chinese who are wondering why Chinese Indonesian cannot speak their descended language.
Poster design
Message
“Observe in silence, things will unravel” aims to remind people to be more observant so that we can see the hidden insight. People in this society wear a social mask to fit in due to the fear of rejection. They hide their struggles or problems to be seen as excellent.
We would often be shocked by others’ doings and not expect them to do something so sad. It’s all due to us only knowing them on the surface and not understanding the depths of the hidden insight. Thus, we could become wiser and better understand life through observant eyes.
First, after finding the right choice of typeface and the text hierarchy in Adobe Illustration; I convert the text in PNG format and transfer it to Photoshop.
Then, I separate all the alphabet in different layers and distort the letter using smudge tool.
After achieving the distortion that I desired, I then focus on exploring the background color. I generally use green – bluish color to convey depths, silence and somehow sad emotion. Then, I add on dark gradient layer to emphasize the text. After everything is settled, I change the gradient layer blending mode to subtract.
Then, I added plastic texture and played around with the gaussian blur to create depths. Following the feedback given, I refined the text distortion to smoothen the flow.
This project got featured on:
The One Academy Hall of Fame 2022 Motion Text
Campaign works
The Dark Side of Fridge
Group Project
Choo Jia Yee Joey Fong Nadia Benita BasiliaProblem
Not nearly enough people are aware that most household families have rotten ingredients at the back of their fridge.
Insight
Household families often do not have time, nor the habit to check their fridge regularly before buying new goods.
Idea
The goal aim is to remind people about the forsaken side of the fridge, changing their indifference towards food abandonment through provoking visuals of wastelands made out of rotten food.
01 – Visuals of exploding kimchi
02 – Visual of sprouting potatoes
03 – Visual of rotten steak Case Study
Ambient
Diorama of rotten food will be placed in supermarkets to surprise shoppers. The installation will also come with AR to educate shoppers on how abandoned wasteland are formed at the back of their fridge. It will then introduce the specifically designed NFC tags that reminds people of the forgotten items in the fridge.
NFC Tag are developed and produced to help people remember their goods stored in their fridge through the use of the MYFRIDGE app.
How It Works?
The NFC tag is pre-programmed to detect methane gas level emitted from food in a container using chemical sensors planted in the tag to measure the food quality.
Sources
https://thespoon.tech/scientiststransform-nfc-tags-into-spoiledmeat-sensors/
https://www.laoyaoba.com/n/546114
https://www.researchgate.net/ publication/345240749_Flexible_ Strain_Sensor_with_NFC_Tag_for_ Food_Packaging
Influencer
Q&A interviews with famous Malaysian Influencers are broadcast on Youtube to share about their darkest secret.
The interviews will then have a twist from asking about their personal juicy stuff to show their ‘dark side’ of their fridge, thus spreading awareness ofthis campaign.
Socials
Socials
Visuals are shared through various social media platforms to raise awareness of this campaign.
of
Out Of Home
Billboards will be placed in public areas to boost awareness. They have a scannable NFC code for the audience to download the ‘My Fridge’ app.
Print Ads
Print Ads
The print ads are visually created in a way that represents the unseen side of the fridge that creates an abandones ecosystem.
The visuals are art directed to elicit a dark mood to creep into people’s mind, reminding them of their forsaken food in their fridges.
Eiger - Get Lost
Ambient Road sign equipped with coordinates will be placed in highways, roadside, and parks telling people to get lost.
Problem
The recent pandemic has taken a toll on the world’s economy, affecting many business including Eiger.
Goal
To engage customers to get back on adventure and explore.
Ambient
Unique Selling Point
Offers experience with high quality items, and a community to connect
Target Audience
People who shares an aspiration to live a bold, experienced-rich life, and a love of nature.
Out of Home
Out Of Home
3D street art of adventure destination will be placed on unexpected areas such as malls and lrt floors.
To give the audience the opportunity to explore, Eiger will create a treasure hunt challenge using limited edition items.
Every week, Eiger will announce the items through website and location hints will be given through coordinates printed on ambients, out of home, and print ads.
Social Response
Socials Response
Eiger will invite Indonesian Influencers to kick start the exploration. The journey will then be broadcasted on social media to engage the audience.
Print Ads
Disgusting and provocative foods are used to signify the ‘unknown’.
Key visuals are placed in train stations, malls and magazines to encourage people to go out and explore.
Joint Venture
With GrabFood to increase exposure, engage excitement, and give the audience a taste of adventure in exchange for exploration.
The campaign will then be implemented in our partner’s food delivery application.
Photography pictures
Idea & Concept
Clothing is more than just fabric. A person’s clothing taste can illustrate their personality, habits, values, or even personal memories. Therefore, a non-living object was used as a model to demonstrate this hypothesis.
The Inspiration
Besides design, I am also interested in studying a person’s emotions and personalities. As my interest grows, I found an interesting fashion photography photo.
it made me realize how clothes can be posed playfully with the help of hoses. Then, I developed the ideas further and linked it with a person’s traits.
Night Scenery
Scenery
Scenery
01 & 04 – Langkawi, Malaysia
02 – Phuket, Thailand
03 – Gunung Datuk, Malaysia
Illustration works
Panic Buying
Idea
A series of sticker to illustrate people’s behaviour during the early stage of Covid–19.
Character
As a way to represent Indonesia’s culture, I use the ‘Bird of Paradise’ as the sticker character.
Besides, birds also have similar traits to human, which they can sense danger, loud, and are prone to stress.
Sticker Design
Design
Sticker Design
Sticker Reference Illustrated from human behavior during the early stages of pandemic.
Figure
Figure Drawing
Figure
Figure
You
Feel free to contact me