MVFF34 SOUVENIR GUIDE by MVFF

mill valley film festival 34

Oct.6-16,2011

souvenir program

To the Mill Valley Film Festival,

Congratulations on 34 years of wonderful programming. From all of your friends at oc tober 6 â&#x20AC;&#x201C;16, 2011

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TABLE OF CONTENTS 2

MAYOR’S PROCLAMATION

DIRECTOR’S NOTE

CFI BOARD OF DIRECTORS

CFI SPONSORS

CFI SUSTAINABILITY

CFI GREEN INITIATIVE

VENUES/MAPS

TICKETS/INFORMATION

OPENING NIGHT

CLOSING NIGHT

LIVE EVENTS AT 142 THROCKMORTON

NEW MOVIES LAB

CHILDREN’S FILMFEST

CFI EDUCATION

TRIBUTE TO GLENN CLOSE

SPOTLIGHT ON MICHELLE YEOH/THE LADY

TRIBUTE TO GASTON KABORÉ

CENTERPIECE: MY WEEK WITH MARILYN

SPOTLIGHT ON EZRA MILLER

SPECIAL PREMIERE: A FEW BEST MEN

SPOTLIGHT ON ELIZABETH OLSEN

RAIDERS OF THE LOST ARK

ACTIVE CINEMA

MVFF 2011: PREMIERES, CATEGORIES AND FOCUS

FILM NOTES, FROM A TO Z

122

SCREENING COMMITTEE

123

THE TAO OF FILM

125

IN MEMORIAM

126

SHUTTLE INFORMATION

127

FILM CALENDAR

128

THAT’S THE TICKET!

138

FESTIVAL STAFF

143

CREATIVE CREDITS

147

ADDITIONAL ACKNOWLEDGMENTS

153

CFI MEMBERS

168

PRINT SOURCES

174

FILMS BY COUNTRY

178

FILMS BY FILMMAKER

183

ADVERTISER INDEX

184

FILM TITLE INDEX

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MAYORâ&#x20AC;&#x2122;S PROCLAMATION

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cafilm.org

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DIRECTOR’S NOTE

WELCOME TO THE 34TH MILL VALLEY FILM FESTIVAL! Since 1978, we’ve been bringing audiences together with a diverse array of great films, and the remarkable artists behind them, in the firm belief that our mutual love of this medium remains a limitless force for self-expression and re-invention in all our lives. As we approach our 35th-year milestone, we are more than ever convinced of the power of cinema to unite and positively strengthen community, locally and internationally. Over the following 11 days, the Festival will present 144 films from 50 countries, including 30 official premieres, 10 of them world premieres—in addition to an alluring set of panels, workshops, special programs, Spotlights and Tributes—all in a vibrant social setting that brings the world to Mill Valley and Mill Valley to the world. It’s especially satisfying to offer two splendid Opening Night films that deal directly with the theme of re-invention. In Albert Nobbs, the inimitable Glenn Close (our guest and Tribute honoree this year) reprises the role she first played off-Broadway. The film, a long-pursued labor of love for Close, introduces a new audience to the story of a 19th-century Irish woman who lives as a man to work and survive in a male-dominated society. Our other Opening Night film, Jeff Who Lives at Home, the latest from the Duplass Brothers (makers of last year’s Cyrus), is the story of two brothers renegotiating the roles they were seemingly born to play but now no longer fit—especially the titular 30-year-old slacker, sure he has his own place in the universe even if technically he’s still living with his parents. Our Centerpiece film is a meticulously crafted British drama that lends an insider’s perspective to the storied clash between Laurence Olivier and Marilyn Monroe on the set of The Prince and the Showgirl. Based on Colin Clark’s diaries, My Week with Marilyn is a notable directorial debut from Simon Curtis, and features a stunning performance by the ever-surprising Michelle Williams (Wendy and Lucy; I’m Not There, MVFF 2007). Closing Night features a rollicking cinema send-up and salute with a screening of The Artist, Michel Hazanavicius’ irresistible satirical homage to the golden age of silent films, which earned Best Actor honors at Cannes this year for its irrepressible star, Jean Dujardin. MVFF’s unique characteristics as a meeting ground of local and world culture have everything to do with its roots in the cos-

mopolitan Bay Area. The local yet worldclass film talent here continues to be a source of important new work. Among the Bay Area filmmakers represented this year, we’re delighted to premiere the great Rob Nilsson’s new documentary— his 30th film. Another renowned veteran filmmaker and MVFF favorite, Robert M. Young (Human Error, MVFF 2004), returns with William Kurelek’s The Maze. A film he started and then temporarily abandoned— in 1969—it’s a haunting portrait of darkly inspired art-making. Recognizing cinema as a powerful tool for education and social activism remains a central part of the Festival’s mission. MVFF’s Active Cinema films inform audiences about the most pressing issues of the day while motivating them to engage the world around them in practical ways. Pamela Yates’s spellbinding Granito: How to Nail a Dictator—a documentary that mines for clues in a contemporary international human rights case against the political and military leadership who oversaw mass murder of Mayan citizens in 1980s Guatemala—is a supreme example of this power of film to not only inform but change the world. Equally urgent is Voices from the Shadows, a stirring documentary about the individuals who have fallen through the cracks of the medical establishment while suffering from debilitating chronic fatigue syndrome; and the utterly timely Heist: Who Stole the American Dream?, which explores the state-corporate corruption that wrecked the economy and what ordinary citizens can do to fight back. Another Active Cinema film is The Lady, a major new biographical drama by Luc Besson that brings renewed attention to the life and work of Myanmar prodemocracy leader and Nobel laureate Aung San Suu Kyi, played in a career re-defining moment by Michelle Yeoh, who is also the subject of one of our three Spotlight programs this year. Our Spotlight on Elizabeth Olsen hails the exciting new talent starring in Martha Marcy May Marlene, where she plays a young woman trying to return to normal life after leaving behind a cult. Our Spotlight on another brilliant young actor, 18-year-old Ezra Miller, comes with its own haunting and memo-

rable performance in an equally complex drama, We Need to Talk About Kevin, which pairs the talented young Miller with indie and art-film powerhouse Tilda Swinton. That these two gifted young actors propel such sophisticated and engaging dramas speaks to the enduring appeal of films for adults—not to be confused with “adult films”—the kind of art-house or specialty films thought all but dead a mere handful of years ago. The diagnosis was fl awed, we’re glad to report. Further discussion comes in the context of a panel we’ve organized this year, “The State of the (Independent Film) Industry,” with industry experts well attuned to rapidly changing production and distribution courses for non-franchise films. In “Meet the Experts,” our New Movies Lab series brings leading consultants in the business of film together with established and aspiring artists for direct, informal discussion around a range of basics, from sales and distribution to marketing and making industry contacts. In “Can a Film make the Difference?” a high-powered panel discusses getting films of conscience out into the world. With our two Tribute programs, we honor two great veterans of world cinema: acclaimed actress Glenn Close (aforementioned star of Opening Night’s Albert Nobbs) and West African filmmaker Gaston Kaboré. Our Tribute to Burkina Faso’s Kaboré includes rare US screenings of two seminal, internationally-acclaimed films. The Mill Valley Film Festival has been a proud part of the culture of the Bay Area and the film world for nearly 35 years. It’s a role we continue to revel in, while expanding to meet the needs of our audiences year-round. After all, what is it without you, our audience? For all of us at the Festival and California Film Institute, thank you for making what we do worthwhile.

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MARK FISHKIN MVFF Founder/Director

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CFI BOARD OF DIRECTORS FOUNDER/ EXECUTIVE DIRECTOR

Mark Fishkin

EMERITUS BOARD

ADVISORY BOARD

Ann Brebner

Peggy Haas

Rita Cahill

Senator Barbara Boxer

Sid Ganis

Stewart Boxer

Andrew McGuire

KC Lauck

Gary Meyer

Jeff Fisher

Mary Poland

Rita Cahill

Gordon Radley

Peter Flaxman

Michael Schwartz

Mark Fishkin

Henry Timnick

Robert Greber

Eric Schwartz

Linda Gruber

Skip Whitney

FOUNDING BOARD

Lois Kohl Shore

STEVE SHANE

CHRISTOPHER B. S M IT H

JENNIFER MAC C R E A DY

K E N N E TH B R OA D

ZACH ZE I SL E R

PRESIDENT

CO-VICE PRESIDENT

SECRETARY

TREASURER

M V F F MICHAEL DYETT

LA RRY EILENB ERG

LY N N E HA L E

R I C HA R D IDELL

TI MOTHY J O R STA D

B RU CE KATZ

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AMY K ER OES

JA NN M OORH EA D

J O N ATHA N PA R K E R

SU SA N SC HWA R TZ

D R. J O E L SK L A R

E VE LY N TOPPE R

mvff.com

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SPONSORS THE C ALIFORNIA FILM INSTITUTE IS PROUD TO ACKNOWLEDGE OUR 2011 SPONSORS AND SUPPORTERS MA JOR SPONSORS

ZAENTZ MEDIA CENTER A WAREHAM DEVELOPMENT

M V F F

MA JOR FOUNDATIONS AND INDIVIDUALS

the bernard osher foundation

GOVERNMENT SUPPORT

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MA JOR INDUSTRY SUPPORT

mvff.com

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SPONSORS SILVER CIRCLE SPONSORS

FESTIVAL CIRCLE SPONSORS

M V F F

MA JOR MEDIA SPONSORS

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HOTEL SPONSORS

SPECIAL SUPPORT

mvff.com

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Mill Valley Film Festival for 34 years of awesome films!

FRANTOIO RISTORANTE & OLIVE OIL CO. 16 years of wholesome food and olive oils! FRANTOIO RISTORANTE & OLIVE OIL CO. 152 Shoreline Hwy, Mill Valley, California 415.289.5777 - www.frantoio.com

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SPONSORS FESTIVAL EVENTS SPONSORS

chnl Exclusive Coffee & Tea of MVFF Exclusive Cheese of MVFF

PROMOTIONAL PARTNERS

ICG MAGAZINE

M V F F

PRODUCTS AND SERVICES SPONSORS

john sanborn

3 4 IN-KIND DONORS 123 Bolinas, Artisan Wine, Beer & Food Adam Neville Capitola Media Champagne French Bakery & Cafe Clean Slate Video Clif Family Winery Clos du Bois CMS, Inc. Courtesan Wines Delicious! Catering Event Marketing Works

Fiske Video Productions Fort Docs Galante Vineyards Grgich Hills Estate The Hess Collection Judy’s Breadsticks Korbel Brandy Lagunitas Brewing Company Los Osuna, The Spirit of True Agave Matthew Sumner Photography Mazzocco Sonoma

Mill Valley Flowers Noci Organic Gelateria & Café Roots of Peace San Rafael Chamber of Commerce San Rafael Joe’s SKYY Spirits TR Elliott Video Arts Whim Agency Whipper Snapper Restaurant

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CFI SUSTAINABILITY SUSTAINING THE MISSION: TO CELEBRATE AND PROMOTE FILM AS ART AND EDUCATION For more than three decades the California Film Institute has enriched the cultural lives of Marin County and Bay Area residents.

Through the generous support of our donors we are able to:

As we celebrate the 12th anniversary of the Christopher B. Smith Rafael Film Center, the 20th anniversary of CFI Education and the 34th Mill Valley Film Festival, we continue to work to secure the legacy of this exceptional cultural organization by making it ﬁnancially sustainable. In taking these steps now, we ensure that future generations—and future audiences—will be able to enjoy the rich and varied offerings of CFI’s three core programs: the Smith Rafael Film Center, the Mill Valley Film Festival and CFI Education.

• Bring Bay Area audiences into contact with the world’s most celebrated and visionary ﬁlmmakers.

• Continue the high-quality, innovative programming that has earned CFI its international reputation.

• Expand CFI Education to offer Bay Area students more media literacy and hands-on filmmaking programs and bring more filmmakers into local schools. • Increase our creative and financial support of filmmakers through year-round exhibition and distribution. For more information about how you can support CFI, please visit cafilm.org/support or email lbender@cafilm.org.

CFI WOULD LIKE TO THANK THE FOLLOWING INDIVIDUALS AND FOUNDATIONS FOR THEIR GENEROUS SUPPORT OF THE CALIFORNIA FILM INSTITUTE LEADERSHIP CIRCLE CHRISTOPHER B. AND JEANNIE MEG SMITH JENNIFER COSLETT MACCREADY

INVESTOR CIRCLE JACKIE AND KEN BROAD GRUBER FAMILY FOUNDATION HENRY TIMNICK

PLATINUM CIRCLE NANCY AND RICH ROBBINS CHRISTINE ZECCA FOUNDATION

LOIS AND MEL TUKMAN THE JAY PRITZKER FOUNDATION

SILVER CIRCLE

BRONZE CIRCLE

RICHARD TORRETTO

NANCY AND GARY CARLSTON

PEGGY TRETHEWEY

SABRINA CHEN-LOUIE

THE WHITNEY FAMILY

JOANNE DUNN

KAMALA GEROUX-BERRY AND DAVID BERRY

KATHLEEN O’HARA AND LARRY EILENBERG

ALICE CORNING

CATHERINE AND PETER FLAXMAN LISA GRAEBER

MARGARET E. HAAS

LYNNE HALE

K.C. AND STEVE LAUCK

LESLIE HANSEN

FRED M. LEVIN AND NANCY LIVINGSTON, THE SHENSON FOUNDATION

SUSAN AND RICHARD IDELL

CINDY AND JOHN MCCAULEY

DAWN LYON

AMY KEROES

BOBBIE MEYER

ROSEMARY AND KEVIN MCNEELY

ANONYMOUS

MARGARET O’DONNELL

JOSH AND CHRIS MCQUEEN

DRUSIE AND JIM DAVIS

TERESE AND ROBERT PAYNE

KATZ FAMILY FOUNDATION

GORDON RADLEY

STEPHEN AND MARY MIZROCH

MONAHAN PARKER, INC. ERIC SCHWARTZ

HEIDI RICHARDSON AND MICHAEL DYETT

MICHAEL AND SUSAN SCHWARTZ FUND

SHERYLE BOLTON AND STEVE SHANE

THE FENWICK FOUNDATION

MARJORIE SWIG

CAROLYN CAVALIER ROSENBERG, SANFORD ROSENBERG & MEDIA RESEARCH ASSOCIATES

THE JAY PRITZKER FOUNDATION

SAUL ZAENTZ TRUST

DEBORAH SANTANA

GOLD CIRCLE

M V F F

MARIE AND BRIAN COLLINS

ANONYMOUS (2)

DENNIS P. FISCO AND PAMELA POLITE FISCO

PAUL VIOLICH

JANN MOORHEAD DIANA ILES PARKER

SUSAN AND JOEL SKLAR

GIFTS IN MEMORIAM JENNIFER MACCREADY IN MEMORY OF CHARLES MCGLASHAN SUZI HYNES MEMORIAL FUND

MAJOR FOUNDATION SUPPORT THE BERNARD OSHER FOUNDATION

3 4

MARIN COMMUNITY FOUNDATION SAN FRANCISCO FOUNDATION

GOVERNMENT SUPPORT COUNTY OF MARIN

MAJOR INDUSTRY SUPPORT THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES

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CALIFORNIA FILM INSTITUTE GREEN INITIATIVE LED BY PG&E

a mission

•

a goal

•

a reality

We’re committed to making this a better planet. Through the Environmental Youth Forum, year-round screenings of socially conscious ﬁlms, Active Cinema at the Mill Valley Film Festival, PG&E’s ClimateSmart program at our ofﬁces and theaters, on-site recycling and many other efforts, we’re making it happen. A little action goes a long way. Join us.

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FALL IN LOVE WITH FILM

BECOME A MEMBER

• $5.50 for movie tickets* • Pre-release film screenings • Advance ticket purchase for the Mill Valley Film Festival AND MORE... cafilm.org * Excludes special events

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MAPS

FE S T I VA L V ENUE S

Smith Rafael Film Center

142 THROCKMORTON THEATRE 142 Throckmorton Avenue, Mill Valley CENTURY CINEMA 41 Tamal Vista Boulevard, Corte Madera

Laurel P

Missio

4th St.

A St.

CINEMARK L ARKSPUR L ANDING 500 Larkspur Landing Circle, Larkspur

ACQUA HOTEL 555 Redwood Highway, Mill Valley

3rd St.

. Tama lpais Ave

CINÉARTS@SEQUOIA 25 Throckmorton Avenue, Mill Valley

Ave.

n Ave

5th Ave.

B St.

CHRISTOPHER B. SMITH R AFAEL FILM CENTER 1118 Fourth Street, San Rafael

C St.

Lincoln

Lootens Pl.

VENUES

S A N R A FA E L

2nd St.

Lindaro

St.

ALBERT PARK / SAN R AFAEL COMMUNIT Y CENTER 618 B Street, San Rafael DONNA SEAGER GALLERY 851 Fourth Street, San Rafael 500 ft.

FR ANTOIO RISTOR ANTE 152 Shoreline Highway, Mill Valley

CHRISTOPHER B. SMITH RAFAEL FILM CENTER From US 101, take the Central San Rafael exit. Go west to 1118 Fourth St.

MILL VALLEY COMMUNIT Y CENTER 180 Camino Alto, Mill Valley PIATTI RISTOR ANTE & BAR 625 Redwood Highway, Mill Valley ROOTS OF PEACE 990 A Street, Suite 402, San Rafael

and Twitter

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TICKETS

. Ave

Parking is limited and metered near Festival venues. Please note the parking time limits as cars could be towed.

ler

Ride the free MVFF shuttle provided by Extranomical Tours. From 11:00 am to 11:00 pm each Saturday and Sunday, on the half hour, the shuttle departs from the Christopher B. Smith Rafael Film Center; and every hour the shuttle will pick up/drop off at the Mill Valley box ofﬁce; stopping at the Larkspur Hotel on the way.

Mil

LE AV E YOUR C A R . TA K E T HE SHU T T LE!

c ro

e. Av ra ade

. ve dA ar

GE T T HE L AT E S T INFORM AT ION FIR S T!

PA RK ING

. ve lA

Corte M

SAN R AFAEL HOSPITALIT Y LOUNGE 1118 Fourth Street, San Rafael

Follow MVFF on Facebook See mvff.com for details.

3 4

CINÉARTS@SEQUOIA

M V F F

MILL VALLEY

200 ft.

CINÉARTS@SEQUOIA & 142 THROCKMORTON THEATRE From US 101, take the Tiburon/East Blithedale exit and proceed west on Blithedale toward downtown Mill Valley. Turn left onto Throckmorton Ave.

cafilm.org

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TICKETS

INFORMATION

TICKET PRICES FOR REGULAR SHOWS: California Film Institute Members – $11.00 General admission – $13.50 Seniors (65+) & students – $12.00 Children’s FilmFest (all ages) – $10.00 5@5 shorts programs – $5.00 Family Flex Pass – $25.00 (provides admission to four Children’s FilmFest films + Kids’ Party) TICKETS GO ON SALE TO CFI MEMBERS BEFORE THE GENERAL PUBLIC; ON-SALE DATES ARE DETERMINED BY MEMBERSHIP LEVEL. Sept. 14, 4:00 pm – Director’s Circle, Premier Patrons and Cinema Benefactors Sept. 15, 4:00 pm – Gold Star and above Sept. 17, 4:00 pm – Associate, Film Fan and above TICKETS GO ON SALE TO THE GENERAL PUBLIC ON MONDAY, SEPT. 19, 2011, AT 10:00 AM. Tickets can be purchased in advance of screenings. A limited number of rush tickets will be sold on a first-come, firstserved basis. The rush line forms outside each venue beginning one hour before showtime. Rush tickets will be offered approximately 10 minutes before showtime. Cash only. No discounts.

T H E R E A R E T H R E E WAY S T O P U R C H A S E T I C K E T S: ONLINE

I N P E R S O N AT T H E B OX O F F I C E

BY PHONE 877.874.MVFF (6833)

Tickets are available 24/7 at mvff.com. Print-at-home tickets do not incur a service charge. Tickets delivered via mail (USPS) incur a $3.50 convenience fee. Note there are no ticket processing or service charges.

P R E- F E S T I VA L B OX O F F I C E Christopher B. Smith Rafael Film Center

Tickets can be ordered by telephone from the on-sale times (pre-Festival) and from 10:00 am to 6:00 pm, Sept. 19–Oct. 16. Telephone convenience fee is $10.00 for will-call orders. USPS delivery is an additional $3.50.

1 2 3 1118 FOURTH STREET, SAN RAFAEL

Sept. 14–Oct. 5 4:00–8:00 pm weekdays, 2:00–8:00 pm weekends Opening Night, Oct. 6: 3:00–9:00 pm

F E S T I VA L B OX O F F I C E S: The Mill Valley Film Festival has two box office locations; both open 30 minutes before the first show of the day and close when the last show starts. San Rafael: Box office is open Oct. 6–16 at the Smith Rafael Film Center, 1118 Fourth Street

Mill Valley: Box ofﬁce is open Oct. 5–16 at 85 Throckmorton Avenue

THE FINE PRINT

PATRON COURTESIES

ACCESSIBILITY

All orders are final. No refunds, exchanges, substitutions or replacements. MVFF is not responsible for lost, stolen, forgotten or damaged tickets, or tickets misdirected by the post office. To pick up tickets at will call, you must bring a valid photo ID that corresponds to the name on the credit card used to purchase the tickets. Convenience fees are nonrefundable. The convenience fee for phone sales is a fl at $10.00 per order.

• All seats are general admission, and multiple-seat saving is not permitted.

MVFF is committed to accommodating audience members with disabilities, offering early seating as needed. To receive assistance, please make yourself known to the theater manager. All screening venues and their bathrooms are wheelchair accessible. Assisted listening devices are available at the Rafael Film Center and the Sequoia Theater.

• While waiting in line, please be considerate of our neighbors and local businesses.

Ticket holders must arrive at least 15 minutes prior to showtime to ensure a seat.

• Please refrain from wearing perfumes and other scented products so that attendees with environmental sensitivities can enjoy the ﬁlms in comfort. Thank you.

Please note there are a number of seats reserved for CFI Patrons, Sponsors and special guests at each screening. These seats are clearly marked and may not be released to general admission seating.

• The use of cameras or other recording equipment is strictly prohibited during any screening or program. mvff.com

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Vice President Wealth Advisor 1101 Fifth Ave San Rafael, CA 94901 415-451-1406 helen.baldovinos@mssb.com http://fa.morganstanleyindividual.com/ helen.baldovinos/

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OPENING NIGHT Welcome to the 34th Mill Valley Film Festival! Our 11-day celebration begins with two exceptional Opening Night films and a Gala to remember.

ALBERT NOBBS

Thursday, October 6, 7:00 pm Film and Gala $125 ABRT06P

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Film Only $40 ABRT06R Christopher B. Smith Rafael Film Center

Glenn Close is extraordinary as Albert Nobbs, a woman who has spent her life avoiding poverty in mid–19th-century Ireland by dressing and working as a man, in this subtle, funny and heart-wrenching ﬁlm about the search for love and independence.

See page 93 for complete ﬁlm information.

ED RITGER

FOLLOWS EITHER OPENING NIGHT SCREENING

ED RITGER

OPENING NIGHT GALA

PENNI GLADSTONE

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I R E L A N D 2 0 1 1 • 1 1 3 MI N S

Thursday, October 6 9:00 pm–12:00 am Mill Valley Community Center After our Opening Night ﬁlms, join fellow guests at the Mill Valley Community Center for delicious savories and sweets, wine and cocktails and dazzling live music.

cafilm.org

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OPENING NIGHT OPENING NIGHT SPONSOR

JEFF WHO LIVES AT HOME

Thursday, October 6, 7:00 pm and 7:15 pm 7:00 pm Film and Gala $125 JEFA06P 7:00 pm Film Only $40 JEFA06S

U S 2 0 1 1 • 8 4 MI N S

7:15 pm Film and Gala $125 JEFB06P 7:15 pm Film Only $40 JEFB06S CinéArts@Sequoia

Jeff, a 30-year-old unemployed stoner who lives at home, is on a collision course with destiny in the Duplass brothers’ latest, funny, sincere and surprisingly moving exploration of life’s Big Questions.

See page 106 for complete ﬁlm information.

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ED RITGER

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mvff.com

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CLOSING NIGHT The 34th Mill Valley Film Festival comes to a perfect close with the screening of The Artist. After the ﬁlm, join us at our new Closing Night space, the San Rafael Community Center. With director Michel Hazanavicius, savor, indulge and unwind with the ﬁnest in gourmet cuisine, live music and an always-memorable atmosphere.

THE ARTIST

FRA NC E 201 1 • 1 0 0 MI N S

Sunday, October 16, 5:00 pm Film and Gala $75 ARTS16P Film Only $35 ARTS16R Christopher B. Smith Rafael Film Center

Sunday, October 16, 5:00 pm Film and Gala $75 ARTM16P Film Only $35 ARTM16S CinéArts@Sequoia

Cannes Best Actor Jean Dujardin is a silent-film star resisting the transition to sound in this French production co-starring Bérénice Bejo, set in 1927 Hollywood. Filmmaker Michel Hazanavicius’s sprightly and soulful backstage tale is a new silent classic for the ages.

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SPONSORED BY

See page 94 for complete ﬁlm information.

NANCY DYER

MISTI LAYNE

CLOSING NIGHT PARTY

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FOLLOWS THE CLOSING NIGHT SCREENING

Sunday, October 16 7:00 pm–10:00 pm Party only, $50 CPTY16P Albert Park/San Rafael Community Center 618 B Street, San Rafael (enter off of A Street)

mvff.com

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FALL INSPIRATION At Scandinavian Designs, we’ve got a new fall collection you’ll love. Our favorite, the Lamare, has it all- crisp, clean lines, high style and expert tailoring. It’s bench made in the USA with an eco friendly kiln dried, hardwood frame. Custom order from a wide selection of fabrics. Visit Scandinavian Designs today to view the complete line.

1212 Fourth Street San Rafael 415.457.5500 ScandinavianDesigns.com

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SCANDINAVIAN DESIGNS

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LIVE EVENTS AT 142 THROCKMORTON

PL AY LIKE A LION L I V E A CONCERT HONORING ALI AKBAR KHAN S A T U R D A Y, O C T O B E R 1 5 , 7 : 3 0 P M The Mill Valley Film Festival and Steep Productions, Inc. present another memorable live concert event, this time honoring the great Indian musician and teacher, Ali Akbar Khan. The subject of the new documentary Play Like a Lion: The Legacy of Maestro Ali Akbar Khan, Khan was revered by many, including musicians Mickey Hart, Zakir Hussain, Carlos Santana, John Handy and Derek Trucks— all of whom are featured in the film. This exciting celebration will showcase a diverse set of musicians inspired and influenced by the maestro. They will be celebrating the man, his family and the filmmakers as well as performing with Khan’s son, Alam Khan, and other master musicians from the Ali Akbar College of Music. Great music and surprise guests make up another MVFF live evening of brilliant collaboration! Steep Productions, Inc. Associate Producers: Larry Lautzker and Betsy Zeger. $50 AKBR15T

AL AM KHAN

ALI AKBAR KHAN

142 THROCKMORTON PRESENTS

TUESDAY, OCTOBER 11 TUESDAY NIGHT COMEDY, MARK PITTA & FRIENDS

THURSDAY, OCTOBER 13 THE ALLACOUSTIC GONZALO BERGARA QUARTET

Mark Pitta and Friends has evolved into a premier comedy showcase for up-and-coming comedians and established headliners. Many of the nation’s top comics stop by to work on material when they are in the Bay Area, and SF local Robin Williams has been a frequent guest as well. Past guests include Dana Carvey, Richard Lewis, Mort Sahl, Arj Barker, Hal Sparks and Kevin Nealon. For ticket information: 142throckmortontheatre.com

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The Gonzalo Bergara Quartet plays a modern variant of 1930s Django Reinhardt–inspired Gypsy jazz. Composer and lead guitarist Bergara mixes cascades of arpeggios with the sounds of Paris and his native Argentina, supported by an ace clarinetist and a honed rhythm section. Fiery and focused, Bergara and his hard-swinging band take their audience for a thrilling ride. • Best Jazz Band in Los Angeles 2007 - Los Angeles Magazine • Editor’s Pick 2008 - Guitar Player magazine • Two-time Finalists in the John Lennon Songwriting Competition 2010, Latin and World categories • DjangoFest Artist of the Year 2010

For ticket information: 142throckmortontheatre.com mvff.com

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Photographer: David Duncan Livingston

415.460.1575 License #395458

Plathco.com

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PHOTOGRAPHY: MARIKO REED

PHOTOGRAPHY: MARK SCHWARTZ

PHOTOGRAPHY: DAVID LIVINGSTON

PHOTOGRAPHY: MARK SCHWARTZ

S S

U U

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Architects 415 383 3139

w w w . s u t t o n s u z u k i a r c h i t e c t s . c o m

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a 501(c)(3) not-for-profit

Celebrating and promoting film as art and education

LLE Y A V L IL TH 34 M L S TI VA E F FIL M 16 ER 6 B O T OC

Distinctions of Merit

Il Davide Cucina Italiana 901 A Street, San Rafael

for all the right reasons!

Reservations 415-454-8080

Il Davide, a San Rafael tradition for 12 years, is proud to be a sponsor of the California Film Institute. Il Davide is conveniently located one half block from the Christopher B. Smith Rafael Film Center on A Street. Ample parkingis available at the A Street Garage. Come and enjoy sumptuous food and exquisite wines before or after your show!

www.ildavide.net

D owntown San Rafael welcomes the

Mill Valley Film Festival

After the movie, enjoy our many shops and restaurants!

Fresh. Local. Music. 3:00pm Sundays 7:30pm Tuesdays

Marin

Symphony

Alasdair Neale, Music Director

www.marinsymphony.org

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How passing on values happens. How creating a family legacy happens. If you want to involve your family in your charitable giving, you’ve come to the right place. Marin Community Foundation’s philanthropic advisors can work with you to ﬁnd practical, powerful ways to involve the next generation in making a difference. Whether it’s volunteering together as a family or using your fund at MCF as a tool for family philanthropy, we can help you create a tradition of compassion that lasts for generations.

Download the MCF Guide to Family Giving at www.marincf.org/familygiving.

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NEW MOVIES LAB THE STATE OF THE (INDEPENDENT FILM) INDUSTRY Saturday, October 15, 12:00 pm, Panel & Reception $20 NWMC15R Rafael It was only a few years ago that the media was pronouncing the death of film for adults—what we refer to as art house or specialty films—and with good reason. Specialty divisions from the majors as well as independent distributors were closing their doors in record numbers. Fear permeated all levels of the industry. In 2010, the climate seemed to change. The success of The King’s Speech, The Social Network and Black Swan, as well as smaller art-house fare like Winter’s Bone and documentaries like Buck, have served to sustain if not revive this important sector of moviemaking. Even a 3-D indie, Cave of Forgotten Dreams, surpassed expectations at the box office. One might presume it’s back to business as usual in the indie world, but that‘s just on the surface. The digital revolution is not on its way: It is here. Theaters are struggling to convert to digital formats and independent theater operators are wondering how to absorb the costs and keep up to speed with new technology. Release patterns are shifting, VOD is now available before theater, the merger of computer and television is evident at your local big-box outlet and independent filmmakers are funding and releasing their films via the internet. What is the future for non-franchise theatrical films? Well, it’s cloudy.

INVITED GUESTS: Ed Arentz, distributor, Music Box Films; Tell No One, The Girl with the Dragon Tattoo (The Millennium Trilogy), Young Goethe in Love, The Conquest Ron Yerxa, producer, Bona Fide Productions; Little Miss Sunshine, Little Children, Cold Mountain, He Loves Me Annie Roney, producer, distributor, founder, ro*co ﬁlms; producer, Born into Brothels

MEET THE EXPERTS THE BUSINESS OF FILM Saturday, October 8, 11:00 am $15 NWMA08R Rafael What do you want from the business of film? With a wealth of experience in the US and internationally, consultants Peter Belsito and Sydney Levine offer an informal forum for filmmakers to discuss strategies on topics ranging from financing and co-production to marketing plans; sales and distribution; how to meet, make, find and develop industry contacts; strategies for securing festival screenings worldwide; and the value of markets (like AFM, Ventana Sur, Rotterdam CineMart, Pusan PPP, IDFA Forum). A golden opportunity for filmmakers. Come with your questions! Peter and Sydney will also be available through the weekend for one-on-one or small group chats. Make an appointment following the panel. Peter Belsito, consultant; former executive vice president, Film Finders; founding member, Independent Feature Project (IFP) Sydney Levine, consultant; founder/president, Film Finders; writer, SydneysBuzz, indieWIRE blog

CAN A FILM MAKE THE DIFFERENCE? THE ACTIVE CINEMA PANEL Sunday, October 9, 2:00 pm $15 NWMB09R Rafael The power of storytelling meets the potential for change in the projects of these ﬁlmmakers. Hear about the innovative ways, means and resources they’ve employed in getting their work seen, heard and acted upon—and, of course, made—as they discuss the passion and experience that drives and inspires them. Luc Besson, director, The Lady, The Fifth Element, La Femme Nikita Michelle Yeoh, actress, The Lady; Crouching Tiger, Hidden Dragon; Tomorrow Never Dies Pamela Yates, director, When the Mountains Tremble, Granito: How to Nail a Dictator

JOIN THE DISCUSSION See Voices from the Shadows and Thumbs and stay for great panel discussions following the screenings.

VOICES FROM THE SHADOWS

ALL IN THE THUMBS

MYSTERY, MYTH OR MADNESS?

SMARTPHONES AND EDUCATION

Saturday, October 8, 2:00 pm, Rafael VCES08R A discussion of the controversies and myths surrounding ME/CFS, an extreme form of chronic fatigue. As many people go undiagnosed or misdiagnosed, what positive steps can be taken to raise awareness and support the drive towards successful treatments?

Sunday, October 9, 4:45 pm, 142 Throckmorton Theatre THUM09T Smartphones are complex, multiplatform devices, but do they offer a beneﬁt or pose a threat to the educator? How can we use these pocket-sized computers to complement education and not distract from learning?

INVITED GUESTS: David Tuller, lecturer, Graduate School of Journalism at UC Berkeley; frequent contributor to the New York Times Natalie Boulton, ﬁlmmaker, Voices from the Shadows Dr. Jose Montoya, associate professor, Stanford School of Medicine See page 120 for complete ﬁlm information.

Other panelists to be announced. Following the panel, ticket holders are invited to a reception with the panelists, catered by Il Davide restaurant.

ALL PANELISTS SUBJECT TO CHANGE; UPDATES AT MVFF.COM.

INVITED GUESTS: Bill Couturié, Academy Award-winning documentary ﬁlm director (Common Threads: Stories from the Quilt) Michael Tollin, documentary ﬁlm and TV series producer, director and writer (Nickelodeon Network, Smallville, Coach Carter) Caroline Knorr, parenting editor at Common Sense Media Ingrid Hu-Dahl, Director of Next Gen programs, Bay Area Video Coalition, lecturer Moderator: John Morrison, CFI director of education

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See page 119 for complete ﬁlm information.

mvff.com

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9/22/11 5:20:54 AM

Ann Switzer Fine Art

E Stephan-Hill celebrates the Mill Valley Film Festival with a tribute to Elizabeth Taylor.

Art Works Downtown

Studio 37

1337 4th Street ~ San Rafael

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C a rol Pe e k CarolPeek.com

480 Gate Five Road Industrial Centre Building, Studio 257 Sausalito, CA 94920

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www.annswitzer.com

Studio

(801) 376 - 8284

Art Works Downtown Building

1325 4th Street between C & D, walk through Framing Interiors

9/19/11 10:35:41 PM

Sausalito Gallery & Studio 480 Gate Five Road Studio 235 Sausalito (415) 706 5051

z SueAverell.com z Sue @SueAverell.com

April - December ) Monday - Saturday 11am to 6pm Sunday By Appointment

) Reservations Required Please Call (415) 706 5051

Title: San Francisco Size: 48” x 48”

January - March

more info QR CODE read with your mobile device

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WEâ&#x20AC;&#x2122;RE PROUD TO PLAY A SUPPORTING ROLE.

The Academy extends congratulations to the Mill Valley Film Festival on the occasion of its 34th annual celebration of motion pictures.

www.oscars.org

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CHILDREN’S CHI ILDREN’S FILMFEST T

Indulge Your Circus Dreams What makes the big-top circus, an art that matured in the 18th centur y, so compelling to every new generation even in the digital age? The clowns, the highwire and trapeze acts, the bareback riders—all stick in our minds like cotton candy. Our Children’s FilmFest brings the circus to you.

Add to that a fantastic behind-the-scenes look at performer Kevin Clash, the human being responsible for the popularity of a certain fuzzy creature named Elmo. Being Elmo describes their rise to international fame, and is a charming love story between Clash, his puppet and their adoring public.

Our theme is from our signature ﬁlm, Circus Dreams, by Massachusetts-based documentary ﬁlmmaker Signe Taylor. The circus she chronicles, Circus Smirkus, is a training ground for young people ages 12 to 18. We’ll be joined on Sunday, October 9 by Bay Area graduates of Circus Smirkus in post-screening Q&A’s and enjoy a circus parade open to all children. We’ll also have a circusthemed children’s party and a clown workshop with Joan Mankin ($5) for young children.

Rounding out the program is Light of the River, a lovely and lyrical Japanese animation about a family of river rats who must relocate to the city; and Magic Silver, a Norwegian fable of good and evil set in a mountainous land peopled with gnomes. Magic Silver is part of a developing library of international children’s ﬁlms being collected by KidflixGlobal, the first company in the US to import ﬁlms specifically for children and families. OT

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THE GRE ATE ST BA RGA IN ON E A RTH! CHILDREN’S FILMFEST FLE X PA SS $25

•

PURCHA SE AT MVFF.C OM

Save $20! With the Children’s FilmFest Flex Pass, you can enjoy up to four Children’s FilmFest ﬁlms, our special screening of Raiders of the Lost Ark and the Children’s FilmFest Circus Party Extravaganza, all for one low price. Use the pass any way you like—four admissions to one ﬁlm, two

admissions to two ﬁlms, one admission to four ﬁlms and the party, etc. Bring the entire family, but be sure to join us! Children’s FilmFest Flex Passes are good for admission to the Children’s FilmFest programs, the Raiders of the Lost Ark special screening and the circus party only and are nontransferable.

C HILDREN ’S FILMFE S T PROGR A M S CIRCUS DREAMS BEING ELMO LIGHT OF THE RIVER MAGIC SILVER MAJOR INDUSTRY SUPPORT

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CHILDREN’S FILMFEST CIRCUS PARTY EXTRAVAGANZA October 15, 2:00–4:00 pm Throckmorton Theatre $5 CHPY15T Join us on our second weekend of ﬁlms for a Children’s FilmFest circus party at 142 Throckmorton Theatre in Mill Valley, includ-

ABOUT SUBTITLES To enhance very young viewers’ appreciation of foreign-language movies, we have actors read subtitles aloud. Where we can, we play the readings through individual headphones, to allow those who do not require the service to have an equally pleasurable ﬁlm experi-

ing balloons, prizes, performers and many other surprises, all served with a ﬁngerfood après-lunch by Whole Foods (with ice cream, of course!). There’ll even be some short ﬁlms—about the circus, naturally! Adults must be accompanied by children.

ence. Headsets are offered on a ﬁrst-come, ﬁrst-served basis to young people only. Films with readers are marked thus: Indicates subtitles with headphones Indicates subtitles read aloud

SPONSORED BY

A G E R E C O M M E N D AT I O N S The age range following each program description is a suggestion only. It cannot adequately address everyone’s sense of appropriate or inappropriate content. Each child is different, and each parent has different standards.

mvff.com

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Hot Tubs Saunas Cold Plunge

ING MARIN LIVE P L E H ILY EVER AFTER P P A H

Sundeck Therapeutic Massage

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School Street Plaza Fairfax Open Daily til Midnight

Congratulations to the 34th Mill Valley Film Festival

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CONTRACTING, INC. RESIDENTIAL & COMMERCIAL

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livelocalmarin.org 415.383.0667 MILL VALLEY www.mwgc.com General Contractor Lic. # 740644 B

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Celebrating 100 Years | 1911 - 2011

The CFI Select Collection Selected by the California Film Institute staff, this Mill Valley Library collection features film festival movies from 1978 to the present, standouts from the Rafael Theater, and a concentration of documentaries. Enjoy them anytime, always free.

Movies and Magazines Choose from our broader collection of over 3,500 DVDs including new releases, classic cinema, documentaries, foreign films, and TV series. Browse our movie magazines Film Comment, Screen World, and Variety.

Film Screenings Join us for documentary film screenings with filmmaker Q&As throughout the year. And donâ&#x20AC;&#x2122;t miss our Monday Night at the Movies with a new film series every month, presented by the Friends of the Library.

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CALIFORNIA FILM INSTITUTE EDUCATION CFI Education provides children and young people of diverse backgrounds the oppor tunity to learn about themselves and the world through film. For 34 years the Mill Valley Film Festival and the California Film Institute have pioneered creative ﬁlm programs for youth, providing year-round screenings, interactive sessions with film professionals and hands-on workshops to introduce students to film as a vibrant tool of communication and a rich cultural experience. CFI Education serves students as well as families, teachers and adults throughout the Bay Area.

A PLACE IN THE WORLD A six-ﬁlm, seven-month curriculum for 100 repeating students from diverse schools in Richmond, Oakland, San Francisco and Marin. Students examine international ﬁlms addressing universal coming-of-age issues.

ENVIRONMENTAL YOUTH FORUM

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Films, ﬁlmmakers, speakers and panels offer current thinking about environmental issues, with ﬁlms on all three screens of the Christopher B. Smith Rafael Film Center.

EDUCATION SCREENINGS AT THE MILL VALLEY FILM FESTIVAL (MVFF) CFI Education hosts free screenings of eight to 10 films followed by Q&A sessions featuring guest filmmakers. CFI also invites local and international filmmakers into Bay Area classrooms.

COMMUNITY CINEMA These multigenerational monthly screenings feature hardhitting, topical documentaries followed by discussions with special guests. Attendees include school groups as well as the community at large. Presented in partnership with ITVS and PBS’s Independent Lens series.

YOUNG CRITICS JURY An annual three-day intensive workshop held in July for youth ages 13 to 18 to learn critical thinking and ﬁlm curat-

Q&A AFTER FOOD STAMPED SCREENING

ing skills and an understanding of moviemaking techniques. Film industry professionals, many of them Emmy- and Academy Award® –winning ﬁlmmakers, teach seminars. Selected students critique a selection of youth-produced ﬁlms to be screened during the MVFF.

TEACHER WORKSHOPS Twice-yearly workshops designed by a working committee of Bay Area teachers to help incorporate ﬁlm into the classroom. The annual September workshop highlights the ﬁlms that will be offered during free education screenings at the MVFF. A late-winter workshop focuses on emerging, relevant themes.

FUTURE PROFESSIONALS – BEHIND THE CURTAIN Bringing the Young Critics Jury model to the students at the Canal Alliance Media Group. Includes lectures, workshops and ﬁlm-viewing opportunities at the Rafael and during the MVFF for participants and their families. PHONE: 415.383.5256 EXT 113 EMAIL: EDUCATION@CAFILM.ORG ONLINE: CAFILM.ORG

C F I E D U C AT I O N P R O G R A M S A R E M A D E P O S S I B L E W I T H S U P P O R T F R O M Fred M. Levin and Nancy Livingston, The Shenson Foundation

Jennifer Coslett MacCready

Joseph Donner Fenwick Foundation Nancy and Rich Robbins 44

cafilm.org

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CALIFORNIA FILM INSTITUTE EDUCATION

MY PLACE A five-day intensive workshop for at-risk youth using film as a storytelling technique. Youth are recruited through community social service agency referrals. Each student writes and films his or her own personal story, fostering a positive sense of empowerment. Programs take place in San Rafael, San Francisco and the East Bay.

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Discover What’s Next Kentﬁeld Campus 835 College Avenue Kentﬁeld, CA 94904 Indian Valley Campus 1800 Ignacio Boulevard Novato, CA 94949 www.marin.edu

DVD rentals / sales

International ﬁlms for kids and families!

Just imagine the possibilities at College of Marin. Ř

Transfer to a four-year university

Train for a new career

Learn new job skills

Enrich your life; make a plan for tomorrow

Outstanding faculty and staff

www.kidflixglobal.com ~Friends of Marin Center support the MVFF~

Sponsoring MVFF That’s The Ticket Bring in your Ticket Stub to Redeem our Special Offer

Looking for some adults-only Halloween fun in Marin? Get tickets for FOMC’s 1st Annual Spooktacular!

Friday, October 28th gift certificates • relaxing massage luxurious facials • therapeutic body treatments skin, bath & body care products

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■

7 - 11 PM

Elks Lodge 1312 Mission Street San Rafael ■

■

Costume prizes, sweet & savory buffet, beer, wine and no-host full bar. Dance the night away to live music by S’Cream

Event tickets and info: friendsofmarincenter.org

9/19/11 10:35:50 PM

a p r. c o m

HOME Where we create the memories we want to embrace for a lifetime.

FILM How we preserve those moments for family, nostalgia and love.

Memories Lived Memories Saved Memories Cherished

Where people, homes, and a bit of imagination intersect, youâ&#x20AC;&#x2122;ll find us.

ALAIN PINEL R EALTORS a Proud Sponsor of the Mill Valley Film Festival

CORTE MADERA 415.755.1111 | ROSS 415.755.1111 NOVATO 415.798.8111 | TIBURON 415.889.2000 | MILL VALLEY 415.384.1111

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GLENN CLOSE

DANGEROUS LIAISONS

FATAL ATTRACTION

TRIBUTE TO GLENN CLOSE PROGRAMANDRECEPTION Friday, October 7 8:00 pm Tribute and Reception $150 TRBT07P Tribute Only $50 TRBT07R Christopher B. Smith Rafael Film Center See mvff.com for reception details MVFF welcomes Glenn Close for a Tribute to her stellar career. Enjoy an onstage interview and a review of clips from her ﬁlms. Then join us for a memorable reception with regional Italian cuisine, house-made pastas, s, wood-fired pizzas and mesquite-grilled meats at Piatti Ristorante & Bar.

Since her debut in The World According to Garp and her performance the following year in The Big Chill, Glenn Close has demonstrated she can more than hold her own in fast company. She became a lightning rod for feminist politics in Fatal Attraction, but it is her signature combination of steeliness and covert vulnerability that has made her an actor to reckon with in such ﬁlms as Jagged Edge, The Natural and Reversal of Fortune. Her recent TV creation, ruthless litigator Patty Hewes in the legal drama Damages, adds yet another memorable variation to an impressive line of determined, strong-willed women with minds of their own. In her new ﬁlm, Close reprises her Obie Award–winning role as Albert Nobbs, a woman who has spent her life avoiding poverty in mid–19th-century Ireland by dressing and working as a man. It’s an extraordinary performance, a milestone in an already exceptional career. —Sura Wood Note: Albert Nobbs plays as this year’s co–Opening Night film on October 6.

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Glenn Close will be presented with the MVFF Award, designed byy celebrated artist Alice Corning. ALBERT NOBBS RECEPTION SPONSORED BY TRIBUTE SPONSORED BY TR

mvff.com

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TRIBUTE TO GLENN CLOSE

Glenn Close A Woman to Contend With B Y ZOË E LTON

Glenn Close is in Toronto. It’s ﬁlm festival season, and after a successful launch at Telluride of her new ﬁlm, Albert Nobbs, Close is now in the hustle and bustle of this city’s industry-driven festival. It’s amid this whirlwind that I get my 15-minute phone call as she navigates a day packed with interviews about her singularly remarkable performance as Nobbs, a mid– 19th-century woman who lives as a man in order to survive.

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Reprising her Obie-winning off-Broadway performance, and translating the play to the screen, has been a passionproject for Close for almost three decades. Pretty much her whole working life separates the two performances, giving pause to ponder the trajectory of this extraordinary career. It’s one that spans multiple genres—dramas, thrillers, musicals, period pieces and costume dramas, groundbreaking television and sometimes the outright wacky—and I can’t help but wonder where so many great performances come from. And there are many: from Jenny Fields in The World According to Garp to Alex Forrest in Fatal Attraction; from the Marquise Isabelle de Merteuil in Dangerous Liaisons to First Lady Marsha Dale in Mars Attacks!; from Cruella De Vil in 101 Dalmatians to Patty Hewes in Damages. But how do you get from any of these to a mid–19th-century woman who has spent her life dressing as a man out of sheer necessity? How do you get under the skin of an Albert Nobbs? Close spoke about the choices an actor may or may not have in taking on a role. She notes that choice is tough for an actor—“It’s rare for an actor to say, ‘I want to be doing this in 5 years’”— and I asked if she consciously sought out variety. She responds, “I remember when I had done Fatal Attraction, and then . . . I was offered Dangerous Liaisons, and people said, ‘Oh, you’re going to be typecast as a certain kind

of woman.’ I guess in some way I’ve done a lot of characters like that, but I do them because I find them interesting. There’s something about them I find challenging. So I guess no, I really don’t think that just because I’ve played an upsetting woman that I won’t play another upsetting woman.” She corrects herself, with a laugh: “Maybe ‘woman to contend with,’ not necessarily ‘upsetting.’” With Fatal Attraction, Close has said that she spoke to psychiatrists to see if the psychological trajectory of Alex Forrest was feasible. I asked what she learnt from them that supported the work or supported her, and whether their observations helped give her an empathetic understanding of this woman. “Absolutely,” she replied. “The process that I go through for any character is: I keep asking why—Why? Why? Why?” She continues: “I would say to these psychiatrists, why would you do that, why would she boil a bunny?” she recalls with a note of ironic humor in her voice. “Why would she throw up in the bushes, why would she do that? In the answer [to] what would cause that kind of behavior, [the key is] to construct a story for these characters. It usually leads you to finding a common humanity with them. I really feel very strongly

that no matter how badly anybody that you’re playing behaves, you have to ﬁnd the point where they’re human, maybe fragile, and you can love them in some way. Because if you judge them, you’re separating yourself from them and not doing them justice.” She remembers another instance when she consulted a psychiatrist while building a character. It was Blanche DuBois, whom she played at the National Theatre in London. Close “had this theory that [Blanche] was actually suffering from acute PTSD because she’d actually seen her young husband shoot himself in front of her. And that’s traumatic, an emotional trauma, and if that’s left unattended to, it leads to all the kinds of behaviors that she’s acting out. So it’s just an interesting way for me to understand her behavior. It’s all the symptoms: She’s reliving it, hearing the music—that’s all very PTSD.” That Close’s observation was held up by a psychiatric interpretation perhaps

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TRIBUTE TO GLENN CLOSE

reinforces the acute insight that she has in nailing the emotional truths of her characters. Yet another area in which she has excelled is costume drama, which can draw on a whole different set of creative muscles. In films like Dangerous Liaisons, Hamlet or The Lion in Winter, Close is transcendent, however voluminous the gowns, however regal the head piece. In considering how costume helps define character, she observes, “I use the costume fittings as a major, major [inspiration]; [it’s] very, very important to the process of finding a character.” And, more than that: “A great costumer is a very important collaborator in putting a character together. In film, where you’re lucky if you have any pre-rehearsal at all, I use those kinds of concentrations and thoughts when I’m having my costume fittings. Because it’s always very detailed,” she says, “and very well thought through. Costume has everything to do with it, you know: your undergar-

SELEC TED FILMOGR A PH Y 2011 WE NEED TO TALK ABOUT KEVIN 2011 ALBERT NOBBS 2007-PRESENT DAMAGES (TV) 2005 THE SHIELD (TV) 2004 THE LION IN WINTER 2001 SOUTH PACIFIC 1995 SERVING IN SILENCE: THE MARGARETHE CAMMERMEYER STORY 1991 MEETING VENUS 1990 HAMLET 1990 REVERSAL OF FORTUNE 1988 DANGEROUS LIAISONS 1985 JAGGED EDGE 1984 THE NATURAL 1984 SOMETHING ABOUT AMELIA (TV) 1983 THE BIG CHILL 1982 THE WORLD ACCORDING TO GARP 2008 AFTERSCHOOL ments; how you move, how you sit, how you stand; the height of your heels; the weight of your shoes. For Albert Nobbs, it was very, very important. I thought a lot about her costume: how long her pants were, and how big her shoes would be, and how heavy. How high the collar—we tried all kinds of [collars]—to hide the fact that she doesn’t have an Adam’s apple. All very, very detailed things. It’s tremendously important.”

protocol to how you waited on a table, and why you’re supposed to disappear into the wallpaper when you weren’t actually working.” I wonder whether, in the emotional trajectory of her character, Nobbs’s gravitation towards this work supported her invisibility. “Absolutely,” concurs Close. “In that time, waiters and servants were supposed to be invisible, so she becomes an invisible person inside an invisible job.” Miraculously, Close captures that invisibility—and it’s transﬁxing. But it is less an actual miracle than superb, incredibly detailed work. It is her incredible insight into the psyche of Nobbs, her love for the character and the rigorous creativity and physicality of costuming that bring such a fullness to the person we see onscreen. In the three decades since Close brought Nobbs to life onstage—“You’re talking basically about my whole [working] life!” she jokes—she has “been lucky enough to work a lot and hone my craft and raise a child, and all that subliminally you bring to a character.” And with that observation, she is away to her next interview. Shortly, she’ll be at her next festival, and Mill Valley will get its turn to celebrate this extraordinary performance and this remarkable career. A woman to contend with, indeed.

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The costuming in and of itself imposes a certain kind of physicality, as does the very nature of Nobbs’s employment: “Waiters were very formal; there is a certain mvff.com

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You are part of a greater community. Union Bank believes in the power of partnerships. That’s why we partner with communities and organizations to make a positive difference in the places where we work and live. To us, building a healthy community is the most valuable investment of all. Union Bank is proud to support the Mill Valley Film Festival.

Mill Valley Branch – 453 Miller Avenue, Mill Valley, CA 94941 Elaine Cramer, VP, Senior Priority Banking Relationship Manager, 415-380-6081 Strawberry Village Branch – 800 Redwood Hwy., Frontage Road, Suite 329, Mill Valley, CA 94941 Mary Kassis, VP, Branch Manager, 415-380-3782 Nicole Allen, Senior Relationship Banker, 415-380-3784

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MICHELLE YEOH

CROUCHING TIGER, HIDDEN DRAGON

SUNSHINE

PROGRAMANDRECEPTION Saturday, October 8 7:30 pm Spotlight and Reception $150 LADY08P Spotlight Only $50 LADY08R Christopher B. Smith Rafael Film Center See mvff.com for reception details

SPOTLIGHT ON MIC HELLE YEOH / THE L ADY Michelle Yeoh is in a class all her own. After an early career that saw this dancerturned-actress as an action and martial arts star in many top Hong Kong films, Yeoh’s breakthrough in the West came with the James Bond movie Tomorrow Never Dies; and her indelible presence in Ang Lee’s Crouching Tiger, Hidden Dragon was the stealth weapon that helped take this great fi lm to extraordinary heights. Now comes The Lady, a film about a different kind of fighter: Burmese prodemocracy activist Aung San Suu Kyi. Yeoh marshals her considerable talents to tell a compelling story that raises our awareness and understanding of the struggle of Suu Kyi and her people. Yeoh attends MVFF with Luc Besson, the internationally esteemed director and producer of The Lady.

T HE LA DY Join us for this special Spotlight Award in recognition of great artistry in the service of justice and human rights. The screening of The Lady will be followed by an onstage conversation with Michelle Yeoh, who will be joined by director Luc Besson.

FRANCE / UK 2011 145 MINS

This profound and epic love story, set against a backdrop of political upheaval, chronicles the lives of Burmese prodemocracy activist Aung San Suu Kyi (an exquisite performance by Michelle Yeoh, Crouching Tiger, Hidden Dragon) and her husband, British academic Michael Aris (David Thewlis, Naked).

After the program, the evening continues with h dinner at Frantoio Ristorante and Olive Oil Co., one of Marin County’s premier dining destinations. Michelle Yeoh will be presented with the MVFF Award, designed by celebrated artist Alice Corning.

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See page 107 for complete ﬁlm information.

SPOTLIGHT CO-SPONSORED BY

mvff.com

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SPOTLIGHT ON MICHELLE YEOH

Michelle Yeoh Portrait of a Lady BY DEANNA QUINONES

When American audiences ﬁrst took full notice of Michelle Yeoh, spiraling and slicing her way through Ang Lee’s epic martial arts marvel Crouching Tiger, Hidden Dragon in 2000, the torrent of adjectives used to describe her and her physically astonishing performance must have driven sales of Roget’s Thesaurus through the roof. But the one that most simply encompasses Yeoh’s essence is this: graceful. An aspiring ballerina who became a martial arts master and unexpected movie star, Yeoh, in MVFF’s Spotlight feature The Lady, takes on the role of Burmese prodemocracy leader Aung San Suu Kyi. It’s a perfect marriage of artist and subject as the strength, perseverance and unwavering grace of one mirrors and deeply informs the embodiment of the other.

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Born to Chinese parents in Malaysia in the early 1960s, Michelle Yeoh set her sights on professional ballet, beginning her training at age four. She moved to London in her teens and entered the Royal Academy of Dance, but a back injury suffered during a practice session put an abrupt end to her dream. With what would become her trademark resilience—the list of injuries and death-defying accidents she went on to endure is nearly as long as her ﬁlm credits—Yeoh shifted her focus to choreography and dramatic arts. But during a college summer break in 1983, she found herself competing for the title of Miss Malaysia (her mother had entered her into the competition). To her surprise, she took the crown at age 21 and didn’t return to her graduate studies. While serving her one-year term as Miss Malaysia, acting as a goodwill ambassador for the country, Yeoh met Hong Kong businessman Dickson Poon, who cast her opposite Jackie Chan in a watch commercial. Another commercial, with her future Crouching

Tiger costar Chow Yun-Fat, followed, and Poon, who had newly founded a production company, signed Yeoh to a fi lm contract. After a couple of small roles, her career kicked into action—literally—with the breakthrough 1985 feature Yes, Madam, a film that reawakened the “girls with guns” subgenre of Hong Kong action movies first made popular in the 1960s and featuring ass-kicking female leads. Suddenly, Yeoh, who never formally trained as a martial artist, was one of Hong Kong cinema’s “it girls,” and feisty, stunt-heavy roles followed. Asked by an interviewer years later why she took the action path, Yeoh explained, “I started off in Hong Kong and there audiences have grown up seeing their actors do their own stunts. If you wanted to come into their domain, there seemed no other way but to do this. Why would they accept you if you can’t even do what you’re supposed to do?” With her dancer’s discipline and a full-body dedication to the art, Yeoh trained tirelessly to prepare for each

role. But another serious injury stalled her trajectory: She ruptured an artery in her leg while filming Magnificent Warriors in 1986. Recovering from the physical setback, Yeoh took a non-action role in another film for Dickson Poon’s production company and then, in 1988, married the billionaire businessman and retired from acting. Fast-forward four years. Yeoh, amicably divorced and ready to make a comeback, roared back onto the action scene opposite Jackie Chan in Police Story 3: Super Cop, matching her costar in fight scenes and stunt work alike. The crowds, both Eastern and Western, went wild as Yeoh scored her first international action hit after the film was dubbed into English and released in the US (as Supercop) in 1996. Years of steady work ensued, making Yeoh the highest paid actress in Asia and costar to the biggest names in Hong Kong action cinema, including Chan, Jet Li and other top female stars Anita Mui and Maggie Cheung.

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SPOTLIGHT ON MICHELLE YEOH

When Crouching Tiger, Hidden Dragon premiered a few years later, Yeoh was finally fully transformed—from a Hong Kong cinema star to an international one, from an acrobatic fighting performer to a talented dramatic actress. Crediting Ang Lee with the trust he placed in her, and his recognition of her abilities beyond martial arts, Yeoh referred to him as “the most important director in my life.” She rode the tide of acclaim and awards the film accrued, including an Oscar ® for Best Foreign Language Film, and found herself in demand for dramatic roles. Unwilling to give up on action, Yeoh alternated between Hollywood and Hong Kong, appearing in the ensuing decade in films ranging from Memoirs of a Geisha and Sunshine to Reign of Assassins and The Touch (which she also produced). She sometimes straddled the two with roles in Hollywood actioners like The Mummy: Tomb of the Dragon Emperor, alongside Brendan Fraser and Jet Li, and Babylon A.D. with Mr. Fast & Furious, Vin Diesel, as well as lending her voice to Kung Fu Panda 2.

SELEC TED FILMOGR A PH Y 2011 THE LADY 2010 TRUE LEGEND 2008 BABYLON A.D. 2008 THE CHILDREN OF HUANG SHI 2007 SUNSHINE 2005 MEMOIRS OF A GEISHA 2000 CROUCHING TIGER, HIDDEN DRAGON 1997 TOMORROW NEVER DIES 1997 THE SOONG SISTERS 1993 ONCE A COP 1993 EXECUTIONERS 1993 BUTTERFLY AND SWORD 1993 THE HEROIC TRIO 1992 POLICE STORY 3: SUPER COP 1985 YES, MADAM 1984 THE OWL VS. BOMBO

gerous work, as well as the glow of so much success, Michelle Yeoh was the clear choice to portray Aung San Suu Kyi, a living icon of fierce determination and steadfast commitment. French director Luc Besson knew she was a perfect fit from the start. “When you meet an actress and you feel that it’s the role of her life,” Besson said in a CNN interview, “you have 50 percent of the job done. She was so involved in it. She learned how to speak like her, how to move like her. She was…like a sponge with the character.” The Lady is not a biopic but an exploration of the decade that marked Suu Kyi’s transition from devoted wife and mother raising her children in Oxford to the influential and revered political figure who faced down Burma’s generals and changed the course of that nation’s history. During filming, Suu Kyi was unexpectedly released from the house arrest she’d been under for the majority of the past 20 years and Yeoh was able to meet the woman she was embodying on screen. “You feel a real sense of calm when you’re with her,” Yeoh told the Guardian. “She’s a very striking figure. She is so proud of her culture and the best way to show it is with dignity and elegance.” SHEPARD FAIREY

Her next giant step onto the international stage came with the outrageously sexy and ultra-tough-chick role of Chinese agent Wai Lin in the 1997 James Bond flick Tomorrow Never Dies. You don’t recall who played Bond in that one? Who can? Yeoh’s performance was the one to watch, landing her on Entertainment Weekly’s list of 10 Best Bond Girls: “She wasn’t the first woman of color to match wits with 007 (although, woefully, there haven’t been many). But in 1997 she became the first one you could take seriously. Hong Kong action veteran Yeoh’s skilled and savvy Chinese agent was the first babe that could be called superhot on a truly global scale.”

Aung San Suu Kyi, known as the Steel Orchid by some and as The Lady by a Burmese population banned from saying her real name, is a formidable woman whose personal and political history may astonish some viewers. Michelle Yeoh’s performance—full of spirit, maturity and unfaltering grace—and the acclaim sure to follow, should surprise no one who has witnessed the brilliant arc of her career, as ﬂuid as a grand jeté and as breathtaking as a ﬂying sword wielded by a master.

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Bearing the scars of so many years of demanding and danmvff.com

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BEFORE THE FILM

AFTER THE FILM

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GASTON KABORÉ

THE RED CARPET AT FESPACO

BURKINA CINEMA, OUAGADOUGOU

TRIBUTE TO GASTON KABORÉ PROGRAMANDRECEPTION Sunday, October 9 4:30 pm Tribute and Reception $50 WEND09P

In the three decades since Wend Kuuni’s release, Gaston Kaboré’s films have ignited a love affair with cinema in his tiny nation of Burkina Faso that has since become one of its indelible features. Exploring both the past, through precolonial quasimythical allegories, and the present, with his pointedly satirical take on post-independence, Kaboré’s most important contribution to African fi lm may yet be to its future, in the form of the talented young students he trains at his aptly named Imagine film school in Ouagadougou.

Tribute Only $25 WEND09R Christopher B. Smith Rafael Film Center

WEND KUUNI (GOD’S GIFT)

See mvff.com for reception details

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Join us for a Tribute program honoring the career of Gaston Kaboré, including an onstage conversation with Kaboré and a showing of Wend Kuuni (God’s Gift).

70 MINS

A mute boy in precolonial West Africa is found in the bush and adopted by Mossi villagers whose love and kindness help restore his voice in this rarely screened classic that established Gaston Kaboré as a major voice in African cinema.

Afterward, the evening continues with dinner at Acqua Hotel el Mill Valley, catered by Delicious! Catering.

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See page 121 for complete ﬁlm information.

Gaston Kaboré will be presented with the MVFF Award, designed by celebrated artist Alice Corning. TRIBUTE SPONSORED BY

CINEMA AFRICA SPONSORED BY

RECEPTION SPONSORED BY

mvff.com

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TRIBUTE TO GASTON KABORÉ

The House That Kaboré Built BY AT IS S A M A NSHOURI

Sandwiched between the Sahara’s vast expanse on one side and coastal rainforests on the other, the landlocked African nation of Burkina Faso sits on a high savanna plateau, where scattered trees and brush provide little relief from temperatures that regularly top 100 degrees Fahrenheit. With one of the lowest literacy rates in the world and better-developed nations surrounding it on all sides, Burkina just may be the last place on earth that you’d expect to find a flourishing film culture. But for the past several decades, in the mythical-sounding city of Ouagadougou, this tiny nation has not only cultivated an environment where African cinema is seen and appreciated by its own people, but has also helped spark a continent-wide movement to support African artists in telling their own stories, in their own voices.

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At the center of Burkina’s cultural life is native son Gaston Kaboré, awardwinning filmmaker and ambassadorat-large for the promotion of African visual culture around the world. Kaboré’s ascendance as the godfather of African film nearly didn’t come to pass: He was studying history in Paris when he first saw a feature made by a fellow African, the great Senegalese director Ousmane Sembène (Moolaadé, MVFF 2004). He enrolled in film school soon thereafter, determined to contribute to Africa’s onscreen re-envisioning of itself. He has since said, “Thanks to Sembène, I realized that film was not only entertainment, but could also be about one’s awareness of one’s own existence. The film made me question who I was.” T H E M O D E R N - D AY G R I OT Kaboré’s first feature-length film, Wend Kuuni (God’s Gift), is about an abandoned boy rendered mute by an unknown trauma. After being adopted into a new family and assimilated into village life, he eventually regains

his voice, but only after remembering his past. The film’s elegance and subtle allegory launched Kaboré into the international spotlight, even inspiring a “Back to the Villages” movement in African film. At home, the film’s success had much to do with Kaboré’s ability to capture the spirit of his own culture, albeit in an unfamiliar medium. Like a modern-day griot (in West African tradition, the village storyteller and memory-keeper), Kaboré held a mirror up to his society, translating a deeply entrenched oral tradition into a visual one. It is a vision that depicts life in Burkina Faso, both past and present. Wend Kuuni and Buud Yam both take place in precolonial times; Zan Boko ventures into the more complex, satirical territory of post-independence Burkina, where traditional values and new money bump up against each other, physically and psychologically. His fi ve feature films and numerous shorts and documentaries have earned the highest praise from critics and au-

diences worldwide, a testament to his artistry. But Kaboré knows better than most that for African filmmakers, creative challenges are only the beginning. PL ANTING THE SEEDS Films require money and equipment to get made, and those two things are in short supply across Africa. The lack of funding, infrastructure and resources is a daunting obstacle in its own right. However, the parallel struggle, which Kaboré recognized early on, is that an African visual culture must be built at home—not in the movie palaces of Cannes and Berlin but in the run-down theaters in his hometown and, more importantly, in the imaginations and aspirations of his fellow Africans. To that end, Kaboré has rolled up his sleeves, literally and figuratively, to create a productive environment for visual storytellers in his native country. From the time he returned to Burkina in 1976, he began planting the seeds for this cinematic flourishing. He brought his

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TRIBUTE TO GASTON KABORÉ

talent and expertise to the Institut africain d’éducation cinématographique, served as director of the Centre national du cinéma (both in Ouagadougou and now defunct) and was secretarygeneral of the Pan-African Federation of Filmmakers from 1985 to 1997. He’s shot all of his films in Burkina, employing professionals, nonprofessionals and no doubt many of his own former students. Even his forays into documentary film have addressed the state of African cinema; Reflections on the Cinema (1986), for instance, profiled directors from Mali and Mauritania and their struggles to get films made. In 1999, his dreams for a home base for African visual culture began to crystallize as a training institute for African filmmakers, a school he would go on to name “Imagine.” “I believe that a society that is confronted with images and values from abroad on a daily basis will eventually lose its identity and the ability to choose its own destination,” he has said. “Imagine is an attempt to wake us up and to keep our inner ears and eyes wide open.” Imagine’s programs cover the nuts and bolts of filmmaking—writing, cinematography, editing and so on—as well as the more ineffable qualities of a thriving culture, namely the combination of imagination and self-reflection characteristic of a society asserting its identity through the arts. A C ONTINENT REIMAGINED IN ITS OWN EYES Artists and storytellers engaged in these same efforts across the continent converge every two years at FESPACO, the pan-African festival that brings a spirit of self-discovery to Ouagadougou’s film-loving masses and to the intrepid international community that makes the biannual pilgrimage. MVFF Program Director Zoë Elton, a FESPACO veteran since the mid-’90s, wrote of its sights and sounds in her MVFF 2003 article “Cine Burkina.” “What you see outside the cinema informs what you see inside,” she wrote then. In a recent

FILMOGR A PH Y 2000 THE CORA PLAYER (WRITER) 1997 BUUD YAM 1995 LUMIÈRE AND COMPANY 1992 RABI 1988 ZAN BOKO 1982 WEND KUUNI (GOD’S GIFT)

conversation, Elton elaborated, “The experience of watching an African film with an African audience is incomparable. It gives such an insight into what’s funny, what’s shocking and ultimately what’s important to them.” Much like Kaboré, a single film ignited Elton’s passion for African film: Idrissa Ouédraogo’s Yaaba (1989). She swiftly set about planning a Tribute to Ouédraogo (MVFF 1994) and made Ouagadougou a regular stop on her festival travels. In the past two decades, this commitment to showcasing African film has brought dozens of films and filmmakers to MVFF (see sidebar). “It’s still such a huge struggle for a filmmaker to get a film made in Africa,” she explains. “It’s important to make the commitment to show them because if we don’t set our sights on that, then they simply won’t be seen here.” Elton points out that across the entire continent, artists and activists are joining Kaboré’s call to create an African visual culture. In Uganda, Academy Award nominee Mira Nair (Salaam Bombay, MVFF 1988) spearheads Maisha, a film lab with the mission statement, “If we don’t tell our stories, no one else will.” In war-ravaged Rwanda, filmmaker Eric Kabera (100 Days, MVFF 2003) founded the Rwanda Film Festival, which travels across his country, showing films on large infl atable screens. Since 2007, he has focused on building the nation’s first purpose-built cinema in Kigali. Sitting in the air-conditioned comfort of our local theaters, watching ourselves mirrored back through the imaginations

of Scorsese, Spielberg or the Duplass brothers, it’s hard to imagine a culture struggling to create its own reﬂection, let alone a city without a single functioning movie theater. With visionaries like Kaboré beating the drum, perhaps the time has ﬁnally come for Africans to experience the same sense of recognition, the same extraordinary range of emotions, the same understanding of life and the same cool, dark magic of the cinema.

AFRICAN GUESTS AT MVFF 1994 IDRISSA OUÉDR AOGO (Burkina Faso) 1994 HENRI-PIERRE KOUBAK A (Senegal) 1994 EL AINE PROC TOR (South Africa) 1994 ISA AC MELI MABHIK WA (Zimbabwe) 1995 WANJIRU KINYANJUI (Kenya) 1995 DANI KOUYATÉ (Burkina Faso) 1996 TSITSI DANGAREMBGA (Zimbabwe)

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1996 INGRID SINCL AIR (Zimbabwe) 1997 SERGE YANAGO (Burkina Faso) 1997 JEAN-MARIE TENO (C ameroon) 1998 THEO ESHETU (Ethiopia) 1998 FANTA RÉGINA NACRO (Burkina Faso) 1999 MWÉZÉ NGANGUR A (C ongo) 1999 MOUSSA TOURÉ (Senegal) 2000 JOHN RIBER, LOUISE RIBER (Zimbabwe)

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2002 ASSANE KOUYATÉ (Mali) 2002 OLIVER MTUKUDZE, JOHN RIBER, LOUISE RIBER (Zimbabwe) 2003 JEAN-MARIE TENO (Cameroon) 2003 DAVID HICKSON (South Africa) 2004 MARKUS JAMES AND THE WASSONRAI (US/Mali) 2006 ROBYN SLOVO, SHAWN SLOVO, BONNIE HENA (South Africa) 2007 GAVIN HOOD (South Africa) 2008 AHMED EL MAANOUNI (Morocco) 2010 STEFANIE SYCHOLT (South Africa)

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CENTERPIECE

SIMON CURTIS

M Y W E E K W I T H M A R I LY N CENTERPIECEPROGRAM

Director Simon Curtis is our special guest for MVFF’s Centerpiece screening of My Week with Marilyn.

Tuesday, October 11 6:45 pm

In his memoir, The Prince, the Showgirl and Me, Colin Clark chronicled an epochal moment on the set with the legendary Laurence Olivier and luminous Marilyn Monroe, but gallantly omitted a whirlwind week he spent touring Great Britain with the American actress and icon. Director Simon Curtis lifts the curtain on this idyllic time, when the young Clark provided the star with a welcome reprieve from the limelight. In his charming feature debut, Curtis succeeds in capturing Monroe’s notorious vulnerability along with the incomparably radiant charisma that would soon catapult her to stardom in Some Like It Hot (1956).

Centerpiece Film $30 MYWE11S CinéArts@Sequoia Celebrate the Festival’s midpoint with a screening of My Week with Marilyn and a conversation with director Simon Curtis.

M Y W E E K W I T H M A R I LY N UK 2011 100 MINS

Michelle Williams mesmerizes as Marilyn Monroe, Hollywood icon and upstart Method actor, coming head-to-head with British theatrical royal Laurence Olivier (Kenneth Branagh), her costar and director on the set of The Prince and the Showgirl, as witnessed by new production assistant Colin Clark (Eddie Redmayne).

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See page 110 for complete ﬁlm information.

CENTERPIECE SPONSORED BY

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EZRA MILLER

WE NEED TO TALK ABOUT KEVIN

SPOTLIGHT ON EZRA MILLER PROGRAMANDRECEPTION Thursday, October 13 7:30 pm Spotlight and Reception $50 KEVN13P Spotlight Only $25 KEVN13R

It is not often that young actors make a truly indelible imprint in their early roles. Those who have often end up the stars of the next generation: Jodie Foster, Leonardo DiCaprio, Anna Paquin. Eighteen-year-old Ezra Miller holds his own comedically and dramatically among Hollywood elite in indie favorites City Island, Every Day and Another Happy Day as well as Showtime’s Californication. But it is his work in We Need to Talk About Kevin—bringing intensity and nuance to the title role in a performance Variety called “chilling”—that will surely make the raven-haired actor a household name. —Alexis Whitham

Christopher B. Smith Rafael Film Center See mvff.com for reception details Our Spotlight program honoring Ezra Miller starts with an onstage interview and a special viewing of We Need to Talk About Kevin. After, join us for a memorable reception catered by Vin Antico just steps away in the Rafael Hospitality Lounge.

W E N E E D TO TA L K ABOUT KEVIN UK 2011 111 MINS

Lynne Ramsay’s artistically bold exploration of the relationship between a mother (Tilda Swinton) and her apparently psychopathic son (Ezra Miller) is a gripping ﬁlm that offers no easy answers to its troubling questions but will leave many needing to talk about Kevin.

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See page 120 for complete ﬁlm information. Ezra Miller will be presented with the MVFF Award, designed by celebrated artist Alice Corning.

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SPOTLIGHT ON EZRA MILLER

D O N ’ T

B E

A F R A I D

O F

T H E

D A R K

Ezra Miller’s Fearless Choices BY AT IS S A M A NSHOURI

At just 18, actor Ezra Miller has already taken more risks onscreen than most actors do in their entire careers. Coming on the heels of an intriguing series of roles showcasing his talent and intensity, his entirely disconcerting portrayal of the titular character in Lynne Ramsay’s We Need to Talk About Kevin is both a breakthrough performance and a declaration that his early promise was nothing more than child’s play.

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Miller’s Kevin is the embodiment of impenetrable malevolence: a teenager who commits the ultimate act of evil when he goes on a shooting rampage at his school, leaving death in his wake and his traumatized mother to wonder how she might have prevented the tragedy from happening. But instead of focusing on either the lead-up to or aftermath of the massacre, as some other recent ﬁlms have done, Ramsay’s ﬁlm dissects the primal relationship between mother and son, jumping back and forth in time to show the inception of dysfunction and its inevitable, terrible denouement.

terial than anything we have seen from Miller in the past, but even going back to his earliest years, the signs of a daring artist were already there. He made his debut at the age of six in Phillip Glass’s opera White Raven, and continued his vocal training with a childhood residency at the Metropolitan Opera. Though he eventually migrated away from opera, his years of absorbing high drama, Puccini-style, undoubtedly settled into his subconscious.

That Miller’s partner in this toxic binary is the formidable Tilda Swinton makes his command of the screen that much more impressive. Then again, here is a young man whose choice of ﬁlm roles reveals not only a willingness but an eagerness to plumb his own psychological depths in order to bring truth to his performances. As he has said, “That’s kind of the power of acting; you are routinely shocked to ﬁnd that anything you might want or need to access is already there. In a situation like preparing the role of Kevin, that can be a little terrifying.”

His first major television and film roles both came in 2008, with a fi ve-episode arc on Showtime’s racy, cult comedy, Californication, and a starring role in indie drama Afterschool. In the film, Miller is an alienated prep-school student who unwittingly captures two female classmates’ shocking deaths by drugoverdose on film, setting off a paranoid scramble to figure out what to do with the footage. An uncomfortable glimpse into this age of high-tech voyeurism and repressed adolescent rage, Afterschool is teen angst by way of the art house, a niche that may just have been designed expressly for Miller.

To be sure, the role of Kevin is a leap into signiﬁcantly more disturbing ma-

The following year, he brought his deadpan comic timing to the ensemble

cast of the sleeper hit City Island, costarring Andy Garcia and Alan Arkin. As a teen obsessed with online porn sites that feature obese women eating, Miller finds something relatable, even funny, in a young man’s exploration of his most shameful fantasies. Beware the Gonzo, his third film, solidified his knack for choosing canny material. A comedy set in the competitive world of high school journalism, the film, as its title suggests, pays homage to Hunter S. Thompson, Ralph Steadman and their particular brand of gonzo living. It refashions the teen comedy genre as a free-wheeling ode to youth and anarchy in a world saturated with over-polished, squeaky-clean studio productions, and underlines Miller’s affinity for the subversive, even when the material is decidedly light. In his short but potent career, Miller has returned several times to the theme of family and, in particular, to teenagers’ heightened desire for con-

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SPOTLIGHT ON EZRA MILLER

nection and acceptance. With each performance, he manages to stand out; whether he is playing disaffected, alienated or simply angry, he is always drawing from the truthful, raw emotion that comes with being an actual teenager. In 2010’s Every Day, which cast Helen Hunt and Liev Schreiber as his parents, Miller deploys both comedic and dramatic chops as a recently out young man struggling to ﬁnd his place within his own family, yet completely at home in the outside world. He also nails the role of bitter Elliot in the 2011 Sundance hit Another Happy Day (screening at MVFF), a dark family road-trip comedy with shades of Rachel Getting Married. Why this pull towards family-themed ﬁlms? “There’s nothing more important than trying to rectify the purity of home,” Miller has said. “It’s not necessarily your bloodline. It’s your family— those people who inform your psyche and your emotional self in such a huge

SELEC TED FILMOGR A PH Y 2011 WE NEED TO TALK ABOUT KEVIN 2011 ANOTHER HAPPY DAY 2010 BEWARE THE GONZO 2009-2010 ROYAL PAINS (TV) 2009 CITY ISLAND 2008 AFTERSCHOOL

way. It’s so important to, if possible, make those relationships work.” Which brings us back to We Need to Talk About Kevin, a ﬁlm in which the purity of home is not only unattainable but sullied in the most abject way possible by what Miller calls “the primordial wound” of mothering. At the most recent Cannes Film Festival (where everyone did, indeed, need to talk about Kevin) a thoughtfully ar-

ticulate Miller sat alongside Ramsay and Swinton, his two audacious Scots collaborators, and fielded questions during a press conference for the film. Asked if he felt any affinity for his character, Miller replied with the kind of honesty that only a teenager can truly possess: “To my horror,” he said, “I do feel connected with Kevin. . . . All sorts of good and bad exist within all of us. My approach to the film and the character was finding those parts of myself. The conditions and circumstances of a person’s life are going to make them who they are: So yes, I could have been Kevin.” A bold admission from such a young man, but one entirely in line with his fearless attraction to the murkier side of life. As he eloquently puts it, he’s interested in “bringing light to darkness and darkness to light.” So far, he is succeeding brilliantly at both.

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A FEW BEST MEN

DIRECTOR STEPHAN ELLIOTT

SPECIAL PREMIERE A FEW BEST MEN PROGRAMANDRECEPTION Friday, October 14 8:30 pm

Join director Stephan Elliott (The Adventures of Priscilla, Queen of the Desert) and surprise guests for this special premiere screening and celebration of A Few Best Men, his hilariously irreverent new ﬁlm, starring Xavier Samuel (Twilight) as a young British husband-to-be and Olivia Newton John as his Australian future mother-in-law.

Premiere Screening and Reception $50 AFEW14P

A F E W B E ST M E N

Premiere Screening Only $30 AFEW14R

AUSTRALIA 2011 91 MINS

Christopher B. Smith Rafael Film Center

When David (Samuel) travels to the Australian outback for his wedding, he is aided and (mostly) abetted by his “best men” (not to mention Ramsay, a much-beloved male sheep) in this outrageous comedy of ill manners.

See mvff.com for reception details This Special Premiere evening starts with a screening of A Few Best Men and continues with onstage conversation/Q&A’s with our noted guests. The celebration continues at the Donna Seager Gallery, a short stroll away, where guests will enjoy sumptuous cuisine in an elegant setting.

See page 103 for complete ﬁlm information.

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SPECIAL PREMIERE SPONSORED BY RECEPTION SPONSORED BY

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ELIZABETH OLSEN

MARTHA MARCY MAY MARLENE

SPOTLIGHT ON ELIZABETH OLSEN SPOTLIGHTPROGRAM Saturday, October 15 8:00 pm Spotlight $25 MART15R Christopher B. Smith Rafael Film Center

Elizabeth Olsen got her start acting alongside older sisters Mary-Kate and Ashley but soon emerged as a promising talent in her own right. Today her burgeoning career, already marked by challenging and complex roles, includes upcoming projects with seasoned professionals like Dakota Fanning, Catherine Keener and Jane Fonda. But her breakout performance came at this year’s Sundance Film Festival with a luminous and layered portrayal of a young woman recently free of an all-consuming cult in Sean Durkin’s Martha Marcy May Marlene. With this sensitive and affecting portrait, Olsen’s rising star reaches the brightest points in the ﬁrmament of independent cinema.

Join us for the Spotlight program featuring a conversation with Elizabeth Olsen, followed by a screening of Martha Marcy May Marlene.

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M A RT HA M A RCY M AY M A RLE N E US 2011 101 MINS

Martha is a young woman damaged by two years in a Family-styled cult who attempts to readjust to society and reconnect with her sister in this assured directorial debut, a sensitive and atmospheric rendering of a sensational subject.

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See page 109 for complete ﬁlm information. Elizabeth Olsen will be presented with the MVFF Award, designed by celebrated artist Alice Corning.

SPOTLIGHT SPONSORED BY

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SPOTLIGHT ON ELIZABETH OLSEN

Elizabeth Olsen Born to Play BY JEFF CAMPBELL

In 2011, Elizabeth Olsen arrived seemingly out of nowhere to become one of cinema’s most electrifying and exciting new actors. The 22-year-old New York University graduate debuted to tremendous acclaim at this year’s Sundance Film Festival in two movies— the psychological thriller Martha Marcy May Marlene and the horror remake Silent House—and was quickly crowned this year’s “it girl” by festival pundits and Hollywood media. A heady buzz now envelops the talented ingenue, and it’s safe to say if you haven’t heard of her yet, you will soon. Olsen has three more high-prestige projects in the can already: Peace, Love, and Misunderstanding, directed by Bruce Beresford; Red Light, co-starring Sigourney Weaver and Robert De Niro; and Liberal Arts, directed and

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written by Josh Radnor. Then again, you may recognize her: Lizzie, as she is known to friends, is the younger sister of celebrity twins MaryKate and Ashley Olsen. And the mature-beyond-her-years actress made her movie debut as a fi ve-year-old in the 1994 Olsen vehicle How the West Was Fun. In conjunction with its Spotlight Award and screening of Martha Marcy May Marlene, the Mill Valley Film Festival spoke with Ms. Olsen to discuss her new film, her famous siblings, playing Buck Hunter and the challenges of learning on the job. What are you most excited about with Martha Marcy May Marlene? What I think is exciting about this film is that I truly believe it’s a unique cinematic experience. It takes people on a psychological experience where everything that the audience goes through and thinks is supposed to mirror what the main character, Martha, is thinking. And I just find that to be a really inter-

esting way to tell a story. For me, I really respond to movies that play with nonlinear structure. That’s just what I like to watch.

I didn’t do research. I was actually cast about two to three weeks before we started shooting. It came really quick.

When you ﬁrst read the script, is that what you responded to, or was it the character herself?

All I really could do was approach the script and the things I connected to. And now I’m happy that this was all I could do because I think a lot of research might have added some sort of reverence on my part. I just tried to figure her out. She’s a woman who had a void in her life, and these people filled this void. How did they fill this void? From a very character-specific point of view. Always keeping what she’s in relation to as simple as possible, because the actual script and the film itself had so much ambiguity that it’s important for me—for an audience—to see something specific within that.

It was both, because I like to step outside of just my role and think of [the movie] as a whole. Martha, to me, is someone who a lot of people could call a victim. And she’s not. She’s not a victim. She’s someone who’s fearless and someone who continues to ﬁght in lots of different ways—ways that you deﬁnitely don’t expect. Some people have even said that there are some things she does that are really ugly, and yeah, we all do things that are ugly. We all have that in us. Just by the title alone, you know this is a complex character. How did you approach playing her? What sort of research did you do?

Was it difﬁcult to ﬁlm some of the scenes? It was, but we really had such a great group of people together, and it was such a safe environment. For things

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SPOTLIGHT ON ELIZABETH OLSEN

that were extremely vulnerable, they would just make everyone leave the set. Our ﬁrst AD, who is male, would even leave the room and have the second AD, who is female, call the shots for him, because he thought that was one way he could show respect. Through that you develop this trust with all these people. It’s really this amazing collaborative experience that we had. Was it easy to empathize with this woman? I have so much compassion and empathy for her. It’s hard to describe, but it’s like it’s this person that you love who’s going through something traumatic, and I do feel for her. That’s the only way I know how to feel for her, so it’s even hard to watch the movie from an objective standpoint. Is it hard to let go of a character like this at the end of a day? It’s not. Maybe something would stick, but I am truly a believer in you are not your character. That’s the only way I know how to approach things in order to be able to go on with my day when work is done. Also, we lived in this place in upstate New York, and there’s no internet, there’s no cell phone service. All we had was each other. At the end of the day we’d stay at this funny hotel that had a bar and restaurant with a pool table and Buck Hunter, if you know what that is, a game where you try not to shoot the deer.

SELEC TED FILMOGR A PH Y 2011 MARTHA MARCY MAY MARLENE 2011 SILENT HOUSE that I couldn’t actually even put a word to it until both films were done. They’re incredibly generous actors, and when they’re not on screen, and it’s just my shot, they’re giving at least equal the energy, but usually more so, than when they’re on camera, just to help me. That’s something that inspires me, and that’s the type of actor I want to be for other people as well. It seems like you’re choosing your films and your roles very carefully. Do you prefer smaller independent films or is it more project-to-project? It’s really project-to-project right now. I filmed fi ve movies this year, and the first four I was cast in before Sundance happened. It’s really only Liberal Arts with Josh Radnor that I’ve filmed since, and I was in the mood to do something light-hearted, with fun words to say and, you know, just something fun.

Based on your ﬁlms so far—Silent House being another one—it seems that you like living on the edge. Do you have anything against rom-coms? The funny thing is I have absolutely nothing against rom-coms. Name any that came out this year, I have seen all of them. I am a sucker for rom-coms. Not only do I love rom-coms, but a little secret of [Martha director] Sean Durkin is that he loves them more than I do. What was it like growing up with your sisters; what kind of inspiration were they for you as an actress? Ever since I was a little girl I’ve been asked that same question. And my answer since I’ve been single-digits has been: It’s all I’ve known. My siblings and I, we just sort of grew up with it. There’s nothing weird about it. It’s amazing to me that through all that goes on in the media—which I’ll just call negative, the abuse of privacy, tabloids and things like that—my sisters have been able continue to be some of the most hard-working people I know. They didn’t let that stop them. And it’s really inspiring to me.

So that’s how you would unwind, with Buck Hunter?

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I’m really bad at that game, so that would just make me frustrated. I didn’t play Buck Hunter. Other people would, though. I’m really competitive, so losing is really not fun for me. [laughs] This was only your second ﬁlm. Was there any person or experience in particular that helped you learn or helped you over a hurdle? Catherine Keener in Peace, Love, and Misunderstanding, as well as Hugh Dancy, Sarah Paulson and John Hawkes— all four of them—I learned these things mvff.com

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Proudly supporting the Mill Valley Film Festival since 2008

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“PG P &E” E refers to Paci a fic fi Gas G s an nd Electric Compa pany, a sub ubsid s diar iaar y of of PG PG&E Corrpporat attion. o ©2 on © 011 Paci acific ific fif Gas and Elect ectric tric Co C mpa paany. All rights res r erved.

PG&E applauds the Mill Valley Film Festival for energizing the arts

9/19/11 10:32:20 PM

RAIDERS OF THE LOST ARK

HARRISON FORD

RAIDERS OF THE LOST ARK

30TH ANNIVERSARY CELEBRATION

Monday, October 10, 7:00 pm

Grab your popcorn and come celebrate the 30th anniversary of Raiders of the Lost Ark— in all its big-screen glory!

Century Cinema in Corte Madera $12.50 RDRA10C

CHILDREN’S FILMFEST FLEX PASS

The evening begins with a screening of Raiders of the Lost Ark. From the ﬁrst snap of his bullwhip, you know Indiana Jones isn’t your run-of-the-mill, wise-cracking archaeologist-cum-adventurer. And minutes later, by the time Jones tumbles out of a boobytrapped cave—one hand on his fedora, the other clutching a golden idol, and a deadly boulder at his heels—you know you’re in for one of the greatest nonstop thrill rides in cinema history. With Raiders, Steven Spielberg reinvented the blockbuster action-adventure, while Harrison Ford cemented his status as the icon of roguish heroism, with a leather jacket so ﬁne it now hangs in the Smithsonian. The thrills continue with a sensational 30th anniversary celebration, including: • A Raiders trivia contest.

Purchase at mvff.com/cffp Raiders of the Lost Ark is part of the new Children’s FilmFest F l e x P a s s! E n j o y o u r s p e c i a l screening of this amazing film along with three Children’s FilmFest ﬁlms, plus the Children’s FilmFest Opening Party Extravaganza, for one low price.

• A very special panel of the ﬁlm’s creators, including Lorne Peterson, model supervisor, and model makers Steve Gawley, Paul Huston and Ease Owyeung; Bruce Nicholson, optical supervisor; Craig Barron, matte painting assistant; with moderator Jonathan Rinzler of Lucas Books. For true Raiders fans, an unmissable opportunity!

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• A costume contest: Dress like your favorite Raiders character and you may be chosen a winner! • Lots of prizes and giveaways! • Fedoras encouraged, for Indy-boys and Indy-girls alike! Sure, if Indy knew it was his birthday, he’d grumble something about “years” versus “mileage,” but to us, Indiana Jones never gets old. SPONSORED BY

See page 114 for more information. mvff.com

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Green Initiative,

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ACTIVE CINEMA EXPLORE ENGAGE TRANSFORM

ACTIVE CINEMA: A CREATIVE SOCIAL ACTION NETWORK

MVFF’s Active Cinema films are united in their commitment to explore the world and its issues, engage audiences, and transform society. After the lights come up and the credits roll, the images ingrained in us can still have an impact: Transforming ideas into deeds is what Active Cinema is all about!

GE T AC TI V E! CAN A FILM MAKE THE DIFFERENCE? THE ACTIVE CINEMA PANEL Join a dynamic group of panelists who share the ways and means they’ve used to successfully initiate change and raise awareness of the pressing issues that are the topics of their ﬁlm storytelling. Sunday, October 9, 2:00 pm $15 NWMB09R, Rafael For details, see New Movies Lab, page 37.

The Lady: MVFF honors the work of actress Michelle Yeoh and director Luc Besson for their great artistry and commitment to justice and human rights with their ﬁlm about Burmese prodemocracy activist Aung San Suu Kyi.

ACTIVE CINEMA CHAMPIONS Watch for our team of Active Cinema volunteers who will be on-site during the Festival to guide you to our presenting partners and the organizations that address the issues in Active Cinema ﬁlms.

ACTIVE CINEMA ON FACEBOOK ACTIVE CINEMA SPECIAL FILM EVENTS

Join Active Cinema ﬁlmmakers and supporters on Facebook and stay connected year-round.

Voices from the Shadows: A special panel discussion follows this screening [Saturday, October 8, 2:00 pm $15 VCES08R Rafael; page 55], addressing the urgent need for engagement around the issues and myths facing those dealing with ME/ CFS, an extreme form of chronic fatigue syndrome.

ACTIVE CINEMA SPONSORED BY

SEE FILMS, GET INVOLVED! Discover inspiration in Active Cinema programming by joining us for ﬁlm screenings and discussions throughout the Festival. Help support our ﬁlmmakers and special guests by becoming a catalyst for change. ACTIVE CINEMA FILMS BETWEEN 2 FIRES Agnieszka Lukasiak BUSONG (PALAWAN FATE) Auraeus Solito CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN Sascha Rice GIRLFRIEND Justin Lerner GRANITO: HOW TO NAIL A DICTATOR Pamela Yates

HEIST: WHO STOLE THE AMERICAN DREAM? Donald Goldmacher, Frances Causey

■

THE LADY Luc Besson OUR NEW FRONTIER: SUSTAINABILITY ■ THE NEW ENVIRONMENTALISTS John Antonelli, Will Parrinello, Tom Dusenbery

■

THE NEW FRONTIER: SUSTAINABLE RANCHING IN THE AMERICAN WEST Melinda Levin, Irene J. Klaver PORTRAIT OF A WINEMAKER: JOHN WILLIAMS OF FROG’S LEAP Deborah Koons Garcia

3 4

PARIAH Dee Rees SARABAH Gloria Bremer, Maria Luisa Gambale VOICES FROM THE SHADOWS Josh Biggs, Natalie Boulton THE WELCOME Kim Shelton

TRANSITION TOWN TOTNES Deborah Koons Garcia

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ACTIVE CINEMA MVFF34

AC TIVE

C INEMA

C O-PRESENTERS

Our co-presenters partner with us in the Active Cinema film series, and are actively working to effect change. You’ll find their names on each film’s program note and on slides following each screening, as well as links to their websites under Active Cinema at mvff.com. BETWEEN 2 FIRES

GRANITO: HOW TO NAIL A DICTATOR

PARIAH

maws.org

Marin Interfaith Task Force on the Americas

frameline.org

BUSONG (PALAWAN FATE)

mitfamericas.org

SARABAH

Center for Domestic Peace

Save Palawan Movement petitiononline.com/PA2010/petition.html

HEIST: WHO STOLE THE AMERICAN DREAM?

CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN

Ella Baker Center for Human Rights

UC Berkeley Institute of Governmental Studies

ellabakercenter.org

Frameline

Female Genital Cutting Education and Networking Project fgmnetwork.org

VOICES FROM THE SHADOWS Bay Area CFS Support Group

THE LADY

bayareacfs.blogspot.com

gspp.berkeley.edu

Burmese American Democratic Alliance

THE WELCOME

GIRLFRIEND

badasf.org

Veterans’ Village

Matrix Parent Network and Resource Center matrixparents.org

veteransvillage.org

OUR NEW FRONTIER: SUSTAINABILITY Sustainable Marin sustainablemarin.org

Here’s to the filmmakers who illuminate the screen. And in the process, us.

XFINITY is proud to sponsor the 34th Mill Valley Film Festival 1.800.XFINITY | xﬁnity.com

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FORT DOCS is proud to sponsor and provide fulfillment services to the Mill Valley Film Festival. Fort Docs is providing MVFF with: Â&#x2122; Storage and just-in-time delivery of Festival programs and posters Â&#x2122; Long-term storage of documents Â&#x2122; Temperature controlled storage of movie trailers Hard Copy Records, Digital Imaging, E-mail Management, Document Destruction, Consulting Services

www.ftdocs.com 707-571-8313

icg magazine

THE ULTIMATE RESOURCE FOR FILMMAKERS AND FILM LOVERS www.icgmagazine.com

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MAGAZINE

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PRODUCT DUCT

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ÂŠKodak. 2011. Kodak and Vision are trademarks.

Film. No Compromise. 2011SP-ADs1-PP.indd 90

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MVFF 2011 M V F F 2 0 11 P R E M I E R E S

FIL M C AT EG O R IE S

WORLD PREMIERES

VA L L E Y O F T H E D O C S

Day of the Flowers Heist: Who Stole the American Dream?

The latest in documentary ﬁlmmaking, because reality spins some of the most fascinating yarns of all.

One Through Love

SPONSORED BY

ZAENTZ MEDIA CENTER A WAREHAM DEVELOPMENT

The Planets The Real Rocky Smokin’ Fish Trust Me

5 @ 5 A N D M V F F SH O R T S An assortment of ﬁlmic gems, this year’s 5@5 matinee series takes its program titles from the songs of Elton John. SPONSORED BY

Voices from the Shadows What Happened Here William Kurelek’s The Maze

NORTH AMERIC AN PREMIERES

US C INEMA A showcase for new American ﬁlms by master and emerging ﬁlmmakers who share a talent for independent storytelling. SPONSORED BY

Between 2 Fires

ZAENTZ MEDIA CENTER A WAREHAM DEVELOPMENT

Bon Voyage Busong (Palawan Fate) The Butcher’s Wife A Few Best Men

WORLD C INEMA Stories that reveal elements of the universal while changing our ways of seeing and understanding our global neighbors.

Guru: Bhagwan, His Secretary & His Bodyguard

CHILDREN’S FILMFEST

Pegasus

Giving young people a taste of cultures and adventures they won’t ﬁnd anywhere else.

Sarabah

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SPONSORED BY

The Soul of Flies

US PREMIERES Collaborator Coriolanus

2 0 11 F O C U S

Dolphin Boy

FOC US C INEMA AFRIC A

Eco-Pirate: The Story of Paul Watson

Buud Yam (Gaston Kaboré, Burkina Faso) • Da Monzon, The Conquest of Samanyana (Sidy Diabaté, Mali) • The Destiny of Lesser Animals (Deron Albright, Ghana/US) • The Mosque (Daoud Aoulad-Syad, Morocco) • Pegasus (Mohamed Mouftakir, Morocco) • Sarabah (Gloria Bremer, Maria Luisa Gambale, US/Senegal) • Wend Kuuni (God’s Gift) (Gaston Kaboré, Burkina Faso)

Eliminate: Archie Cookson Heritage Jeff Who Lives at Home The Mosque Play Like a Lion: The Legacy of Maestro Ali Akbar Khan The Story of Film: An Odyssey

F O C U S G R E AT BR I T S

3 4

Coriolanus (Ralph Fiennes, UK) • Day of the Flowers (John Roberts, UK) • ELIMINATE: Archie Cookson (Rob Holder, UK) • Lotus Eaters (Alexandra McGuinness, UK/Ireland) • Shame (Steve McQueen, UK) • The Story of Film: An Odyssey (Mark Cousins, UK) • We Need to Talk About Kevin (Lynne Ramsay, UK) • Voices from the Shadows (Josh Biggs, Natalie Boulton, UK)

FOC US HE ALING Busong (Palawan Fate) (Auraeus Solito, Philippines) • Dolphin Boy (Dani Menkin, Yonatan Nir, Israel) • Girlfriend (Justin Lerner, US) • The Sacred Science (Nick Polizzi, US/Peru) • Voices from the Shadows (Josh Biggs, Natalie Boulton, UK) • The Welcome (Kim Shelton, US)

mvff.com

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F I L M S

M V F F

5@5: CIRCLE OF LIFE

5@5: DON’T LET THE SUN GO DOWN ON ME

5@5: HARD TIMES

5@5

“It’s the Circle of Life, and it moves us all.” So go the lyrics to a popular tune. And these ﬁ ve short documentaries keep the wheel turning. Discarded pens from around the world take on new life in Paul Meyer’s Penultimate (US 4 mins), while Lori Petcher’s Life Model (US 6 mins) reveals a 75-yearold nude ﬁgure model who has learned to love her body in the art she inspires. In Jim Sugar’s impressionistic Swimming in a Dream (US 7 mins) a group of Marin County swimmers explores what it means to achieve “the swimmer’s high,” and Doug Nichol’s Sunshine (US 14 mins) introduces us to an American advertising producer who travels to China to make a TV commercial, offering rare insight into modern-day “Mad Men” and the absurdity of the business. Finally, Pot Country (US 27 mins), by Kate McLean and Mario Furloni, gives us an intimate look at a community’s complex relationship with marijuana, the semilegal crop that powers the local economy in much of rural northern California. —Kelly Clement

Whether reaching out or in, help comes in unexpected ways in these shorts that explore how to deliver a message, soften the blow and simply lend a hand. Set in a rural town during World War II, a sweet and friendly widower is the bearer of bad news in James Khehtie’s The Telegram Man (Australia 14 mins), starring Australian great Jack Thompson. At Care-A-Spondence, an agency that specializes in “Dear John” letters, the best writer is hired to write a suicide note and begins to worry about what the final revisions will bring, in Jason Headley’s To Say Goodbye (US 19 mins). A doctor moonlights as a taxi driver and finds himself in a situation where his day-job skills are needed in Julio O. Ramos’s gripping A Doctor’s Job (Peru 11 mins). A disenchanted cleaning lady breaks from fluffing the pillows to help her elderly employer reconnect with her estranged brother in Lisa Melodia’s Confidante (US 18 mins). —Holly Roach

Whether you encounter a beast, odd shape, robot or human, all characters in this romping mash-up of 2-D, 3-D, stop-motion and live-action animation reﬂect a timeless and comical struggle through life. Rachel Moore’s Pop (US 3 mins) is an abstract journey through history, while Floyd the Android (US 4 mins) by Jonathan Lyons shows the antics of a not-so-brilliant hunk of metal. Bugs are explored in Zeke Norton’s Zapped! (Canada 2 mins) and further celebrated in the captivating imagery of Hannes Vartiainen and Pekka Veikkolainen’s The Death of an Insect (Finland 7 mins). Christmas Piggy (Denmark 8 mins) by R.S. Söderström is an evasively curly swine tale, while Grant Orchard’s A Morning Stroll (UK 7 mins) shows the pluck of a chicken navigating through time’s door. Being curved in a straight world proves challenging in Mario Adamson’s I Am Round (Sweden 14 mins) and Seven Days in the Woods (Sweden 6 mins) by Peter Larsson is a mesmerizing study of odd woodland scenes. Making a quirky splash, Juan Pablo Zaramella’s Luminaris (Argentina 6 mins) features a bright idea inspired through building bulbs. —Amanda Todd

T O TA L P R O G R A M 5 8 M I N S

Tuesday, October 11, 5:00 pm

5X5D11R, Rafael

Tuesday, October 11, 5:00 pm

Thursday, October 13, 5:00 pm

5X5C11S, Sequoia

5X5D13S, Sequoia

Friday, October 14, 5:00 pm

3 4

T O TA L P R O G R A M 6 2 M I N S

5X5C14R, Rafael

T O TA L P R O G R A M 5 7 M I N S

Monday, October 10, 5:00 pm

5X5H10R, Rafael Friday, October 14, 5:00 pm

5X5H14S, Sequoia

cafilm.org

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5@5: JUST LIKE STRANGE RAIN

5@5: THE LAST SONG

ALBERT NOBBS

5@5

WORLD C INEM A

When you don’t measure up to expectations, the world can seem like a lonely place. This collection of shorts explores the struggles of outsiders seeking a place to belong. When a young Iranian woman is stranded on the street without her headscarf, a neighbor offers gallant company in Saba Riazi’s subtle and elegant The Wind Is Blowing on My Street (Iran 16 mins). A man must confess to a crime he didn’t commit in order to protect a personal secret in Bethynia Cardenas Iñiguez’s Moonless Night (US/Mexico 13 mins). An African immigrant reinvents himself as a nameless London street-sweeper in an effort to escape the painful memories of his war-torn past, but realizes he cannot hide from himself in Harold Chapman’s Invisible (UK 15 mins). Pencil drawings present a threatening menace to those made of ﬂesh and blood after an eraser factory burns to the ground in Erik Rosenlund’s imaginative Out of Erasers (Sweden/Denmark 15 mins). —Holly Roach

Memories, misunderstandings and tall tales make up the stories of our lives in this collection of shorts that asks, “Is there something you want to tell me?” Julia Stiles stars as a young woman who receives a misdirected text message and lives out the real-life version of accidentally pushing “send,” in famed playwright and ﬁlmmaker Neil LaBute’s sexting (US 8 mins). Olivia misinterprets a text to her boyfriend and prepares to face the beginning and end of life as she knows it in Garry Bowden’s Saturn Rising (US 11 mins). When the neighbor boy, Neil Armstrong, walks on the moon, Mrs. Gorski remembers a promise made long ago in Arron Shiver’s nostalgic Good Luck, Mr. Gorski (Ireland/US 16 mins). Giancarlo Iannotta entices his mother into reminiscing over her prized childhood accessory in My Big Red Purse (US 3 mins). A boy experiences a startling rite of passage in Topaz Adizes’s Boy (US 9 mins), while Will Oldham stars as a father passing on the wisdom of centuries in David Lowery’s festival hit, Pioneer (US 15 mins). —Holly Roach

IRELAND 2011 • 113 MINS

T O TA L P R O G R A M 5 9 M I N S

Monday, October 10, 5:00 pm

5X5J10S, Sequoia

T O TA L P R O G R A M 6 2 M I N S

Wednesday, October 12, 5:00 pm

5X5J12R, Rafael

5X5L12S, Sequoia Thursday, October 13, 5:00 pm

5X5L13R, Rafael

F I L M S

Director Rodrigo Garcia Producers Bonnie Curtis, Julie Lynn, Alan Moloney Screenwriters Gabriella Prekop, John Banville, Glenn Close Cinematographer Michael McDonough Editor Steven Weisberg Cast Glenn Close, Mia Wasikowska, Aaron Johnson, Janet McTeer, Jonathan Rhys Meyers Print Source Roadside Attractions

Reprising her Obie-winning off-Broadway role, Glenn Close as Albert Nobbs is extraordinary in a performance that’s moving and subtle, funny and heart-wrenching. At a luxurious hotel in mid–19th-century Dublin, all the needs and niceties of its upper-crust guests are meticulously ministered to by the impeccable staff: maids (Mia Wasikowska among them) and cooks and menservants, including one rather shy butler named Albert Nobbs. While others ﬂ irt, “walk out” and gossip, Nobbs seems the perennial loner. Befriended by a rather dashing housepainter employed at the hotel, Nobbs is inspired to pursue his dreams of love and independence. But there’s a catch: Nobbs is a woman who has long dressed and lived as a man in order to escape destitution. Nobbs’s brave and awkward foray into the unfamiliar world of love and romance is touchingly rendered by director Rodrigo Garcia (Mother and Son) and his fantastic cast in this pitch-perfect, beautiful ﬁlm. —Zoë Elton Thursday, October 6, 7:00 pm

M V F F 3 4

ABRT06R, Rafael For Opening Night Gala information, see page 26. For Tribute to Glenn Close information, see page 49.

SPONSORED BY MÉNAGE À TROIS

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Proud Supporter of the 34th Annual Mill Valley Film Festival

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IN MEMORIAM C H A R L E S M C G L A SH A N

GA IL D O L G IN

MARIN COUNT Y SUPERVISOR AND CFI BOARD MEMBER

DOCUMENTARY FILMMAKER

Charles McGlashan was a dedicated, visionary public servant whose ﬁerce commitment to environmental causes was unwavering. His passion and enthusiasm for life and his work showed what can be done at the local level with extraordinary dedication. His work lives on in the courageous policy initiatives that have beneﬁted the people of Marin County.

Berkeley-based Academy Award–nominated filmmaker Gail Dolgin was a powerful force in the film community, an effective activist and an enlightened soul. She was working on two films at the time of her death: The Barber of Birmingham: Foot Soldier of the Civil Rights Movement, a short documentary playing at this year’s MVFF, and Crime After Crime.

S UZ I H Y NE S MEMBERSHIP A SSISTANT AND SUPERSTAR VOLUNTEER

Suzi was the membership assistant at the CFI ofﬁces for over a decade. Always gracious and warm, she had a smile for everyone who walked through our doors. Her biggest love was her family—her two daughters, Lisa and Kat, and her four grandchildren, James, Marco, Lily and Lauren. Suzi was an extraordinary cook, an avid San Francisco Giants season ticket holder and lover of ﬁlm. She is deeply missed by her family, friends and all of us at CFI.

J IM BOYC E SPONSOR OF THE MILL VALLE Y FILM FESTIVAL

Jim, a proud sponsor of MVFF, was a true Renaissance man—owner of Marin French Cheese Company, active environmentalist, lover of independent and African ﬁlm and a Bay Area sports enthusiast. Jim was a visionary, always reaching and thinking outside the box. With his wife, Kris, he was an experienced world traveler who lived life to the fullest.

M V F F 3 4

G EO RG E K U C H A R FILMMAKER George Kuchar was a prolific, pioneering and ardently low-budget “camp” filmmaker making underground films since the 1950s. Kuchar’s legacy looms especially large in the Bay Area, where he took up residence when he began teaching at the San Francisco Art Institute in 1971. His undeniable influence is evident in the work of independent filmmakers like Atom Egoyan, John Waters and the students he taught. For a MVFF Tribute to Kuchar in 1979, film critic Lenny Lipton noted: “Kuchar’s films are overtly insane . . . the utter insanity of perverted cliché is the genuine unwholesome appeal of Kuchar’s outlook.” mvff.com

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SHUTTLE SERVICE MILL VA LLE Y FILM FE S TI VA L SHU T TLE G O G R E E N A N D L E AV E YO U R C A R AT H O M E! Use the COMPLIMENTARY MVFF shuttle service for easy direct access to and from Festival venues. Shuttle service runs Saturdays and Sundays from 11:00 am to 11:00 pm with hourly stops.

100% carbon neutral shuttles generously provided by Extranomical Adventures

MILL VALLEY/ SAN RAFAEL LOOP MILL VALLEY

Leaving hourly on the hour: Downtown Mill Valley at the MVFF Mill Valley box ofﬁce. The MVFF Shuttle also stops at the Larkspur Hotel Mill Valley. S A N R A FA E L

Leaving hourly on the half hour: Directly in front of the Christopher B. Smith Rafael Film Center and MVFF Rafael Box Office. Shuttle space is limited and available on a first-come, first-served basis. Allow plenty of time in case you have to wait for the next service. The MVFF Shuttle provides alternative and equal transportation for all individuals. For an ADA accessible shuttle call 415.388.1234 between 11:00 am and 11:00 pm on Oct. 8–9 and Oct. 15–16, or ask a Festival staff member for assistance.

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FILM CALENDAR US CINEMA 6 PM

RAFAEL

VALLEY OF THE DOCS

WORLD CINEMA 7 PM

8 PM

9 PM

10 PM

CHILDREN’S FILMFEST 11 PM

5 PM

Albert Nobbs 7:00 PM ABRT06R 113 MINS

F RIDAY O CTO B E R 7

TH U RS DAY O CTO B E R 6

Jeff Who Lives at Home 7:00 PM JEFA06S 84 MINS

RAFAEL

THROCK

RAFAEL

11 AM

12 PM

1 PM

Young Critics’ Picks: The 2011 Youth Reel 11:00 AM YNGC08R 105 MINS

S SATU ATU RDAY R DAY OCTOBER 8

SEQUOIA

THROCK

2 PM

3 PM

Voices from the Shadows 2:00 PM VCES08R 63 MINS ELIMINATE: Archie Cookson 1:00 PM EMNT08R 87 MINS

RAFAEL

8 PM

The Business of Film 11:00 AM NWMA08R 90 MINS Busong (Palawan Fate) 11:00 AM BUSG08S 93 MINS

Being Elmo: A Puppeteer’s Journey 11:30 AM BENG08S 85 MINS

Sarabah 1:30 PM SARA08R 99 MINS

Da Monzon, Conquest of Samanyana 1:45 PM DMTC08S 110 MINS Smokin’ Fish 1:30 PM SMKN08S 90 MINS

Clown Workshop 2:00 PM CWNW08T 90 MINS

4 PM

Eco-Pirate: The Story of Paul Watson 6:00 PM ECPT07R 110 MINS

THROCK

Sarabah 7:00 PM SARA07T 99 MINS

6 PM

7 PM

Silence of Love 4:15 PM SNCE08R 105 MINS

Small, Beautifully Moving Parts 4:00 PM SBMP08S 73 MINS Magic Silver 4:15 PM MAGC08T 83 MINS

The Butcher’s Wife 8:30 PM BUTC07R 119 MINS

Hi De Ho Show 9:45 PM HDEH07S 90 MINS

8 PM

9 PM

10 PM

11 PM

Spotlight: The Lady 7:30 PM LADY08R 145 MINS

Lotus Eaters 6:15 PM EATR08R 78 MINS

Patang 4:15 PM TKTE08R 104 MINS

Beyond the Road 4:15 PM BYND08S 85 MINS

11 PM

Coriolanus 9:00 PM CRNS07S 122 MINS

Like Crazy 7:00 PM CRZY07S 88 MINS

Eames: The Architect and the Painter 3:30 PM EAME08R 94 MINS

10 PM

The Mosque 9:00 PM MSQU07R 80 MINS

Pegasus 6:30 PM PEGA07S 104 MINS

SEQUOIA

5 PM

9 PM

Granito: How to Nail a Dictator 6:30 PM GRAN07R 104 MINS

SEQUOIA

Jeff Who Lives at Home 7:15 PM JEFB06S 84 MINS

SEQUOIA

7 PM

SEMINARS/MUSIC/TBA

Tribute to Glenn Close 8:00 PM TRBT07R 90 MINS

RAFAEL

10 AM

6 PM

TRIBUTES/SPOTLIGHTS

RAFAEL

SEQUOIA

5@5 & MVFF SHORTS

What Happened Here 9:00 PM WHAT08R 95 MINS

Coriolanus 7:30 PM CRNS08R 122 MINS

Turn Me On, Dammit! 7:00 PM TURN08S 75 MINS The Good Doctor 6:00 PM DCTR08S 90 MINS

Miss Bala 9:00 PM MSSB08S 113 MINS

TBA

Our New Frontier: Sustainability 7:30 PM SUST08T 81 MINS

mvff.com

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FILM CALENDAR US CINEMA 10 AM

11 AM

12 PM

1 PM

2 PM

Circus Dreams 12:00 PM CRCD09R 82 MINS

RAFAEL

3 PM

5 PM

6 PM

Patang 3:00 PM TKTE09S 104 MINS

7 PM

8 PM

9 PM

Turn Me On, Dammit! 4:30 PM TURN10R 75 MINS

RAFAEL

Pariah 7:00 PM PARH10R 86 MINS

Summerland 4:00 PM SUMM10R 85 MINS

Da Monzon, The Conquest of Samanyana 6:30 PM DMTC10R 110 MINS

5@5: Hard Times 5:00 PM 5X5H10R 57 MINS

RAFAEL Trust Me 4:00 PM TRUS10S 113 MINS

SEQUOIA

THROCK

Busong (Palawan Fate) 7:00 PM BUSG10R 93 MINS

7 PM

8 PM

Thumbs 4:45 PM THUM09T 75 MINS

10 PM

Dolphin Boy 9:30 PM DPHN10R 84 MINS

10 PM

11 PM

Between 2 Fires 9:15 PM BETW09R 131 MINS

The Mosque 6:45 PM MSQU09R 80 MINS

Hello! How Are You? 9:00 PM HHRY09R 105 MINS

Holidays by the Sea 6:45 PM HDAY09S 77 MINS

Collaborator 8:45 PM CBRT09S 87 MINS

TBA

11 PM

The Good Doctor 9:30 PM DCTR10R 90 MINS

Small, Beautifully Moving Parts 9:00 PM SBMP10R 73 MINS

9 PM

SEMINARS/MUSIC/TBA

Play Like a Lion 8:00 PM AKBR09R 81 MINS

Granito: How to Nail a Dictator 5:45 PM GRAN09S 104 MINS

Raiders of the Lost Ark 7:00 PM RDRA10C 115 MINS

CINEMA

M MONDAY ONDAY O OCTOBER CTOBER 10 10

Pegasus 4:00 PM PEGA09R 104 MINS

Light of the River 2:30 PM RVER09T 75 MINS

4 PM

6 PM

TRIBUTES/SPOTLIGHTS

Girlfriend 6:30 PM GRFN09R 94 MINS

The Butcher’s Wife 3:45 PM BUTC09S 119 MINS

Summerland 12:15 PM SUMM09S 85 MINS

THROCK

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Trust Me 3:30 PM TRUS09R 113 MINS

Dolphin Boy 1:00 PM DPHN09S 84 MINS

SEQUOIA

5 PM

5@5 & MVFF SHORTS

Tribute to Gaston Kaboré 4:30 PM WEND09R 110 MINS

Active Cinema Panel 2:00 PM NWMB09R 90 MINS

SEQUOIA

4 PM

The Real Rocky 2:15 PM RCKY09R 93 MINS

RAFAEL

CHILDREN’S FILMFEST

Eco-Pirate: The Story of Paul Watson 12:30 PM ECPR09R 110 MINS

RAFAEL

S U NDAY O CTO B E R 9

VALLEY OF THE DOCS

WORLD CINEMA

Now, in addition to great cinema and Festival experiences, your Mill Valley Film Festival ticket brings you great rewards, discounts and special offers throughout the month of October.

Go to mvff.com for a list of participating merchants and look for this logo in the window:

Diana Vreeland: The Eye Has to Travel 7:15 PM VREE10S 77 MINS 5@5: Just Like Strange Rain 5:00 PM 5X5J10S 59 MINS

Stage Left: Theater in San Francisco 7:00 PM STAG10S 82 MINS

Lotus Eaters 9:15 PM EATR10S 78 MINS

Girlfriend 5:30 PM GRFN10T 94 MINS

cafilm.org

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FILM CALENDAR 4 PM

5 PM

6 PM

7 PM

8 PM

Diana Vreeland: The Eye Has to Travel 5:15 PM VREE11R 77 MINS

RAFAEL

Principles 4:45 PM PRCP11R 87 MINS

RAFAEL

5@5: Circle of Life 5:00 PM 5X5C11S 58 MINS

SEQUOIA

11 PM

4 PM

Smokin’ Fish 9:15 PM SMKN11R 90 MINS

Buud Yam 7:00 PM BUUD11R 97 MINS

Beyond the Road 9:30 PM BYND11R 85 MINS

Margin Call 8:15 PM MARG11S 106 MINS

Centerpiece: My Week with Marilyn 6:45 PM MYWE11S 100 MINS

ELIMINATE: Archie Cookson 9:30 PM EMNT11S 87 MINS

RAFAEL

Holidays by the Sea 4:00 PM HDAY12R 77 MINS

RAFAEL

Margin Call 4:00 PM MARG13R 106 MINS

RAFAEL

Bon Voyage 4:00 PM BNVG13R 83 MINS

6 PM

7 PM

The Forgiveness of Blood 4:00 PM FRGV13S 109 MINS

SEQUOIA

THROCK

5@5: Don’t Let the Sun... 5:00 PM 5X5D13S 62 MINS

9 PM

10 PM

Hello! How Are You? 4:00 PM HHRY12S 105 MINS

The Welcome 6:15 PM WLCM13R 93 MINS

Deaf Jam 6:45 PM DEAF13R 81 MINS

Shame 6:30 PM SHAM13S 99 MINS

Heist: Who Stole the American Dream? 7:00 PM WSTA13S 85 MINS

Heritage 8:45 PM HRTG13R 124 MINS

Principles 9:00 PM PRCP13R 87 MINS

Miss Bala 9:15 PM MSSB13S 113 MINS

Another Happy Day 9:30 PM AHDY13S 119 MINS

The Planets 6:45 PM PNTS12R 77 MINS

Stage Left: Theater in San Francisco 9:15 PM STAG12R 82 MINS

The Conquest 6:30 PM CNQT12S 110 MINS

Play Like a Lion 9:15 PM AKBR12S 81 MINS

William Kurelek’s The Maze 7:15 PM THEM12S 76 MINS

5 PM

6 PM

7 PM

8 PM

The Destiny of Lesser Animals 4:00 PM DSTN14R 89 MINS

TBA

The Soul of Flies 6:00 PM SUFS14R 80 MINS

10 PM

Story of Film: An Odyssey 7:00 PM STRY14R 90 MINS

Circus Columbia 7:00 PM CRSC14S 113 MINS

Heritage 8:45 PM HRTG14R 124 MINS

Restoration 9:00 PM REST14S 105 MINS

Eames: Architect and Painter 9:30 PM EAME14S 94 MINS

THROCK

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11 PM

The Planets 8:15 PM PNTS14R 77 MINS

My Week with Marilyn 6:30 PM MYWE14S 100 MINS 5@5: Hard Times 5:00 PM 5X5H14S 57 MINS

TBA

A Few Best Men 8:30 PM AFEW14R 91 MINS

5@5: Circle of Life 5:00 PM 5X5C14R 58 MINS

SEQUOIA

Bon Voyage 9:30 PM BNVG12S 83 MINS

9 PM

Sacriﬁce 5:00 PM SACR14R 132 MINS

RAFAEL

SEQUOIA

11 PM

The Prize 9:00 PM PRZE12R 103 MINS

The Sacred Science 6:30 PM SCRD12T 98 MINS

RAFAEL

10 PM

Another Happy Day 8:00 PM AHDY12R 119 MINS

5@5: The Last Song 5:00 PM 5X5L12S 62 MINS

4 PM

11 PM

Spotlight on Ezra Miller 7:30 PM KEVN13R 111 MINS

5@5: The Last Song 5:00 PM 5X5L13R 62 MINS

RAFAEL

8 PM

9 PM

The Story of Film: An Odyssey 6:30 PM STRY12R 90 MINS

5@5: Just Like Strange Rain 5:00 PM 5X5J12R 59 MINS

RAFAEL

SEQUOIA

8 PM

Like Crazy 6:00 PM CRZY12R 88 MINS

SEQUOIA

F RI DAY OCTOBER 14

5 PM

7 PM

SEMINARS/MUSIC/TBA

Pina 7:30 PM PNRK12L 100 MINS

THROCK

4 PM

TH UR SDAY OCTOB ER 1 3 THU RS DAY OCTOBER

6 PM

RAFAEL

THROCK

SEQUOIA

5 PM

LARKSPUR

California State of Mind: The Legacy of Pat Brown 8:00 PM CAST11R 88 MINS

Between 2 Fires 4:45 PM BETW11S 131 MINS

SEQUOIA

10 PM

TRIBUTES/SPOTLIGHTS

TBA

Collaborator 6:45 PM CBRT11R 87 MINS

5@5: Don’t Let the Sun Go... 5:00 PM 5X5D11R 62 MINS

RAFAEL

5@5 & MVFF SHORTS

CHILDREN’S FILMFEST

9 PM

Day of the Flowers 6:15 PM DAYF11C 100 MINS

CINEMA

TU E S DAY O CTO B E R 1 1

VALLEY OF THE DOCS

WORLD CINEMA

W E D NE S DAY O CTO B E R 1 2

US CINEMA

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FILM CALENDAR US CINEMA 10 AM

11 AM

12 PM

1 PM

2 PM

Being Elmo: A Puppeteer’s Journey 12:00 PM BENG15S 85 MINS

SEQUOIA

12 PM

1 PM

2 PM

TBA

Our New Frontier: Sustainability 4:15 PM SUST15R 81 MINS

Sacriﬁce 3:15 PM SACR15S 132 MINS

4 PM

TBA

S SU U NDAY OCTO OCTOB BER ER 1 16 6

TBA

SEQUOIA

THROCK

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Guru: Bhagwan, His Secretary & Bodyguard 12:00 PM GURU16S 95 MINS

5 PM

TBA

Silence of Love 6:30 PM SNCE15S 105 MINS

TBA

The Salt of Life 7:15 PM SATF15S 90 MINS

7 PM

The Artist 5:00 PM ARTS16R 100 MINS

11 PM

Lost Kisses 9:30 PM KSSS15S 80 MINS

The Soul of Flies 5:30 PM SUFS16R 80 MINS

The Artist 5:00 PM ARTM16S 100 MINS

Country Music 2:45 PM CNTR16S 105 MINS

9 PM

10 PM

11 PM

TBA

The Prize 5:45 PM PRZE16S 103 MINS

The Welcome 4:00 PM WLCM16T 93 MINS

8 PM TBA

The Salt of Life 6:00 PM SATF16R 90 MINS

The Destiny of Lesser Animals 3:30 PM DSTN16R 89 MINS

Circus Dreams 2:30 PM CRCD16S 82 MINS

Light of the River 2:15 PM RVER16T 75 MINS

10 PM

Shame 7:30 PM SHAM15R 99 MINS

The Sacred Science 6:30 PM SCRD15R 98 MINS

6 PM

Circus Columbia 3:15 PM CRSC16R 113 MINS

The Barber, The Brush and the Baton 1:00 PM BARB16R 89 MINS

RAFAEL

9 PM

Play Like a Lion (Live) 7:30 PM AKBR14T

3 PM

Lost Kisses 1:00 PM KSSS16R 80 MINS

RAFAEL

8 PM

SEMINARS/MUSIC/TBA

Spotlight on Elizabeth Olsen 8:00 PM MART15R 101 MINS

The Barber, The Brush and the Baton 4:45 PM BARB15S 89 MINS

RAFAEL

SEQUOIA

7 PM

Children’s Filmfest Circus Party 2:00 PM CHPY15TE

11 AM

TRIBUTES/SPOTLIGHTS

Young Goethe in Love 5:00 PM YGTH15R 102 MINS

Deaf Jam 2:15 PM DEAF15S 81 MINS

THROCK

10 AM

6 PM

William Kurelek’s The Maze 5:15 PM THEM15R 76 MINS

Heist: Who Stole the American Dream? 2:00 PM WSTA15R 85 MINS

The Forgiveness of Blood 12:15 PM FRGV15S 109 MINS

SEQUOIA

5 PM

Country Music 2:30 PM CNTR15R 105 MINS

The State of the Industry 12:00 PM NWMC15R 90 MINS

RAFAEL

4 PM

Guru: Bhagwan, His Secretary & Bodyguard 2:15 PM GURU15R 95 MINS

Magic Silver 12:30 PM MAGC15R 83 MINS

RAFAEL

5@5 & MVFF SHORTS

CHILDREN’S FILMFEST 3 PM

One Through Love 11:30AM THRG15R 120 MINS

RAFAEL

S ATU RDAY O CTO B E R 1 5

VALLEY OF THE DOCS

WORLD CINEMA

TBA

cafilm.org

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Planning on hosting a rehearsal dinner, cocktail party or company holiday event? Piazza D’Angelo offers two garden patios with views of the Mill Valley Square and garden. These rooms are private and can be heated and enclosed in the winter or completely al fresco in the warmer months. The Front Patio holds a maximum of 20. The Back Patio holds up to 40 for a seated dinner or 50 for cocktails and hors d’oeuvres with limited seating. In addition, our semi-private Back Dining Room holds up to 70 for a seated dinner and 100 for a cocktail reception. Piazza D’Angelo provides complete and professional event planning. We pride ourselves on making the whole process easier and more enjoyable for you and your guests. Please contact Sara Kmitch, our Director of Catering & Events, at 415.388.3468 or catering@piazzadangelo.com.

Piazza D’Angelo is a family run business with a long history. In 1980, two brothers from the southern toe of Italy moved to Marin with dreams of opening an authentic Italian restaurant. The dream came true a year later when co-owners Domenico and Paolo Petrone opened the now upscale trattoria Piazza D’Angelo. Piazza D’Angelo / D’Angelo Catering 22 Miller Ave., Mill Valley, CA 94941 (415) 388-2000 www.piazzadangelo.com

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FESTIVAL STAFF

MARK FISHKIN Founder / Director

(FRONT ROW TO BACK)

NOT PICTURED:

ZOË ELTON Director of Programming

MAYA ARGAMAN Special Events Intern

BEVERLY THORMAN Programming Assistant

ROBERT AVILA Copy Editor

HOLLY ROACH Programming Manager

CHASE AZIMI Programming Intern/ Niche Marketing

JANIS PLOTKIN Senior Film Programmer CLARE MORRIS Programming/Publicity Intern

JUDY BURNS Administrative Assistant

LAURA SWANBECK Programming Assistant / Active Cinema Coordinator

CONNIE CHANG Finance Manager

MONY KASHANI Programming Intern/ Niche Marketing ZOË ELTON Director of Programming

PHOTOS BY PENNI GLADSTONE

(LEFT TO RIGHT)

M V F F

COURTNEY BUFFINGTON Online Media Manager

MARY CATHERINE CUTCLIFFE Festival Manager

FRANK KIMBALL Festival Receptionist/Liaison

JOHN MORRISON CFI Education Director

EVA BROWN Volunteer Coordinator

STERLING HEDGPETH Box Ofﬁce Manager

MAUREEN GALLIANI Executive Assistant

MELANIE NICHOLS CFI Education Assistant

RICH CELESTE CFI Operations & IT Manager

KEITH METCALFE CFI IT Support

KAREN “KD” DAVIS Senior Programmer JESSE DUBUS Print Trafﬁc DAVEN GEE New Movies Lab Coordinator LAUREN FREYER Festival Operations Manager RYAN HASTIE Co-Technical Director KEVIN HEVERIN Marketing and Communications Manager KEILAN KING Programming Intern LUCY LAIRD Proofreader SCOTT LITTERAL CFI IT Support EMILY MIRON Hospitality Coordinator

3 4

JEN OBERTI Special Events Manager MARCUS PUN Film Clips Editor ROSE ANNE RAPHAEL Managing Editor JOANNE SORRESSE Special Events Assistant Manager JEROMY ZAJONC Membership and Community Manager DAN ZASTROW Co-Technical Director

138

cafilm.org

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FESTIVAL STAFF

(BACK ROW)

(FRONT ROW)

BEAU BLANCHARD Development Manager

WINIFRED MACLEOD Ad Sales & Marketing

NATALIE MARTENS Marketing & PR Associate

MARIA JONES Membership Assistant

LIANA BENDER Director of Development

CAROL DIBENEDETTO Transportation Coordinator

KATY HOGAN Publicity Coordinator

NADJA MARK Major Gifts & Foundations Manager JOHN CARDELLINO Guest Services Manager

F E S T I VA L T HE AT E R S TA FF GENEVIEVE GERST Theater Manager PHOEBE JOECKS Theater Manager L. JEFFREY MOORE Theater Manager JULIE ARMITAGE NICK COCCELLATO

TRAVIS JONES MICHAEL LOPRESTI DEREK PETRILLO TOOMAS ROHTLA ALYSANNE TAYLOR ETOSHA TERRYLL CAROLYN WATSON

JENNIFER DARDIS CAROL GOODMAN TIM ISOM MARIA JONES

PROJEC TIONIST INTERNS:

ASHLEY SCHUMACHER Hospitality Manager

M V F F

ATHENA MAVROUDIS Jr. Art Director

SMI T H R A FA EL FIL M C EN T ER S TA FF SENIOR PROJEC TIONISTS:

RICHARD PETERSON Director of Programming

GRIFFIN COUILLARD

DAN ZASTROW Manager

DAVID KRAH LUCY LAIRD NAYT MYERS DOUG NADEAU VANESSA NG

MICHAEL COLLINS

DARRELL LOUIE Corporate Development Manager

MAX SAVAGE

JAN KLINGELHOFER Program Consultant TIM FROSS Assistant Manager EMILY HILL Shift Manager ASHLEY BAKER ALIA BENSON

MICHAEL EDWARDS

GENEVIEVE GREEN RORY HARLIB CHASE HARRIS DEVON JOHNSON ZENA MACCARTHY JASON ROUNDS MATT SMITH SEAN SPINELLI-SKAKEL COLE SUTTON

3 4

NICOLE VU

ANNA CASTLETON

ROSE THERESA

SERGIO ELIZARRARAS

LISA YIMM SUMMER INTERNS College:

KEILAN KING

High School:

LARA LIEBERMAN

TYLOR SARRAFZDEH

ZACHARY HOFFMAN

EMILY SCHULMAN

JINIL FLEISCHMAN

CHRISTY MAERZ

DWIGHT SCALES

MICHAEL JOLLEY

GABE SHERMAN

SCOTT GRANLUND

CHRISTINA MALTEZ

SKYLAR THOR

MARTHA GREENBURG

COOPER NELSON

ALEXANDER KENNISON

mvff.com

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Visit daily and become a local expert in...

—Coffee and Drink Deals Locked & Loaded and Lowering the Bar, Wednesdays

—Weekly insider wine country tips Napa, Thursdays

—Farmers Markets Market Watch, Thursdays

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Every day, we send out the top reads, from heavily commented stories to must-attend events. Plus signing up for our newsletters automatically makes you a 7x7 VIP, giving you ﬁrst dibs on ticket giveaways and other goodies.

THIS IS SAN FRANCISCO

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CREATIVE CREDITS M V F F 3 4 T H E AT R I C A L T R A I L E R Created by Produced by

John Sanborn Kevin Heverin

DCP Film Processing/Prints

Technicolor EFILM/Deluxe

Thank you

Jason Apple Stacy Leigh Bailey Hal Cohen Margaret Cromwell Joseph Cropley Dolby Peter Eggers Henry Gonzalez Hugo Gordillo Bob Hoffman Bob Johns Roger Jones J. Kitazaki Maggie MacConnell Cathy Main Steve Restivo Marc Ross Kim Salyer Skip Sweeney Chris Taft Video Free America Video Arts David Weissman

M V F F

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John Casado John Casado Winifred MacLeod

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John Mavroudis, zenpop.com Richard Repas, Kenneth Lockerbie, Giraffex Inc.

FE S T I VA L P UBL IC I T Y Agency Principal Publicists

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Agency Principal Publicist

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JUST FOR THE MILL VALLEY FILM FESTIVAL. Visiting Marin for the Mill Valley Film Festival? Courtyard offers wonderful accommodations with convenience and sophistication. Special Rates for the Mill Valley Film Festival. Enjoy the sophistication and convenience Courtyard has to offer. Reserve a King bedroom and receive a special rate!

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ADDITIONAL ACKNOWLEDGMENTS Betsy Abendroth Ioan Allen Allied-THA Regional Marketing Ed Arentz Rod Armstrong Arianne Ayers BAFTA-LA Craig Baldwin Pat Barlow Jerry Barrish Jane Bay Peter Belsito David Bergad Dan Berger Andrea Bertolini Tim Bird Denis Bisson Linda Blackaby Jacob Blum David Bonbright Natalie Boulton Elizabeth Brambilla Ann Brebner Marty Brenneis Ken Broad Tom Bruchs Judy Burns Meghann Burns Rita Cahill California Newsreel John Casado CFI Advisory Board CFI Board of Directors CFI Emeritus Board CFI Founding Board CFI volunteers and interns Chicago Film Festival Gregory Chambet Mich Chau Stephanie Clarke Laura Costantino Graziella Danieli Ninfa Dawson Denver Film Festival David Dinerstein Dreyer’s Foundation Kathleen Drumm Larry Eilenberg Amir Esfandiari Eye Film Farabi Cinema Foundation Michael Farmer The Finnish Film Foundation Cathy Fischer Lindsay Fishkin Lorrie Fishkin Nancy Fishman Fox Searchlight Pictures Neil Friedman Sid Ganis

Daven Gee Ali Ghiorse John Goddard Len Gordon Sandy Gow Robin Gurland Lynne Hale Mary Hammond Muriel and Murray Hammond Kimberly Harmon Hilary Hart David Haydon Burr Heneman Terry Hines & Associates Melissa Howden Jonathan Howell Marcus Hu Richard Idell Icelandic Film Centre IFC Films IMCINE IRIB Sheran James Bruce Katz Deborah Kaufman Whitney Kimmel Jan Klingelhofer Rose Kuo Anne-Marie Kurstein Claudia Landsberger Larsen Associates Karen Larsen Sydney Levine Ken Lockerbie Monique Luddy Tom Luddy Jennifer MacCready Becky MacDonald Magnolia Pictures Atissa Manshouri Charles McGlashan Menemsha Entertainment Lucy Mercer Gary Meyer Mill Valley Library Foundation and The Friends Mill Valley Merchants Anita Monga Josh Moore Julie Morgan Jennifer Morris Russell Nelson Norwegian Film Institute Yuko Ohmori Mike Olcese Stephen Olsson Barbro Osher Joanne Parsont MJ Peckos Brandon Peters

Adrienne Pfeiffer Pixar Mimi Plauché KC Price Sue Priolo Elaine Proctor-Bonbright Marcus Pun Richard Repas Ged Robertson Romanian Cultural Institute Rachel Rosen John Sanborn San Francisco Film Society San Francisco International LGBT Film Festival Savory Thymes Susan Schwartz Jennifer Scott Screen Australia Kathy Severson Steve Shane Tiffany Shlain M.T. Silvia Toril Simonsen Dr. Joel Sklar Christopher B. and Jeannie Meg Smith Fiske Smith Smith Rafael Film Center staff Alan Snitow Sophoan Sorn Shelley Spicer Staci Stevens Judy Stone Tim Stone Jennifer Stott Strand Releasing Sophie Suberville Swedish Film Institute Lisa Taback David Tanaka Telluride Film Festival Blake and Bev Thorman Kyle Thorpe Michael Tollin Evelyn Topper VFX Society Delﬁn Vigil Janet Visick Jan Wahl Tracy Ward Clare Wasserman The Weinstein Company Bob Weir Ryan Werner The Woods Ron Yerxa YouthGive Zach Zeisler Ilona Ziok

mvff.com

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CFI MEMBERS Please note: The following lists include member names as of publication date.

C INEM A BENEFAC TOR Richard Barker, Joe and Sue Carlomagno, Tom Cohen and Kristi Denton Cohen, Douglas and Gail Dolton, Joanne Dunn, Steve and Sharon Edelman, Paul and Mary Elliott, Carla Emil and Rich Silverstein, Tracy Ferron, Joseph Fink, Mark and Lorrie Fishkin, Paul and Marcia Ginsburg, Michelle Grifﬁn and Tom Parker, Robert Griswold, Elisabeth Jaffe, Don and Donna Kelleher, Patricia Kendall, Anne LaFollette and Thomas Koegel, Lisa Layne, John Lobato, Victoria Love and R. Max Yusim, Jann Moorhead, Harold and Gertrud Parker, Dwight R. Peterson, James and Eleanore Plessas, Mary and Bill Poland, James and Kyle Redford, Art Rothstein and Julia Erickson, Lente-Louise L. Schwartz, Steve Shane and Sheryle Bolton, Bradley and Diane Shore, Sandy Siegal, Vickie Soulier, Francoise Stone, Lucinda Storm, Ruthellen Toole, Richard Torretto, Zach and Marlies Zeisler

PREMIER PATRON John and Sanda Blockey, Stewart and Barbara Boxer, Hillary and Joan Don, Nancy Heydemann, Lynn Holton and Bradley Rothbach, Devorah and Ben Jacoby, Michael and Chris Kasman, Todd Koons, Pamela Krasny, Mark and Lori Litwin, Deborah Matthies, Nion McEvoy, James Mochizuki, Zara and Dennis Muren, Catherine Newman, Cathy Nourafshan, Susan Pascall, Jana Rich, Barbara and Phil Richardson, Naomi Saunders, J. Dietrich Stroeh, Ray and Jean Taylor, Elaine Tope

DIREC TOR’S C IRC LE Jack Adams, Gina Allen, Ioan Allen, Nancy H. Angelo and Nancy McCauley, Joel Armstrong, Ann and Fabio Aversa,

Marie Baillargeon, Nancy J. Barash, Kevin Bartram, Lisa and Brian Beaudoin, John Becker, Robert and Ingrid Becker, Jean M. Bedecarrax, Marshall and Dorothy Bentley, Lisa Berghout, David Bernard, Anthony Bigler, Lori Bonn, Al and Pat Boro, Alan Boyar, Rick Bradley, Anji Brenner, Gina Brewer, Lisa G. Brow, William and Jill Burkart, Fabia Butler, Elizabeth Byers, Anne and John Caple, Nancy Carlston, Brian Chadbourne, Lisa Christensen, Janet Mercer Cohen, Cayla and Jerry Coleman, John Connolly, Gloria Contreras, Joel and Justine Coopersmith, Craig Corsini, Gatian Cunningham, Richard Cunningham, Violaine D’Amour, Abby Danielson, Heidi Darling, Drusilla Davis, Anna M. Devito, Gayle Donsky and Morton Stein, Tedi Dunn and William Svabek, Mary Edwards, Richard and Diane Einstein, Suzanne Engelberg and Jeff Appleman, Ruth Epstein and Mark Shaﬁr, Judith Ets-Hokin, Kim Facus, Joseph A. Faimali and Donita Decker, Nancy Farese, Josh and Stefanie Felser, Justin Flake, Sava Forry, James H. Forsell and Karen Soroca, Rose Ann Frank, Karen Fry, Neysa Furey, Jesse Gillingham, Larry Goldfarb, Chandra Gordon, Richard and Theresa Gordon, Catherine T. Goshay, Laurel Graver and Scott Kaplan, Clara Greisman, Susan Grelock, William and Mimi Grifﬁn, Diane Grubb, Kim Facas, Pat Gurin, Kathleen Hahn, Marvin Halpern, Adam Harrington, Bret Heiman, Monica Heredia, Allan Herzog, Erica Hess, Marcelo and Nora Hirschler, Jay Hlavka, Cheryl Hogan, Holly S. Hollenbeck, Lori Holmgren, Tony Hooker, Richard Hoskins, Rolf Howarth, Jim and Christine Howey, Bettina Hughes, Kimberly Hughes, Allan Jackman, Andree Jansheski, Ruggy Joesten, Lisa and Michael Kasperzak, Magaret Kathrein, Douglas and Cessna Kaye, Shelly Kelley, Francesca Kennedy, Kathleen King and Gerald Cahill, Manuela A. King, Michael Kleeman, Will Koza, Larry and Stephanie Krames, K.H. William and Andrea Krueger, Lynn and Roger Kuhn, Kevin Kurtz, Robert Kustel, Ellen and Louise Kutten, Paul and Patricia Laperriere, Lawrence and Melissa Lasky, Michael and Marsha Lasky, Bokara Leginere, Marie-Eve Levert, Huey Lewis and Sidney Conroy, Paul Liebman, Dee Dee Littrell, Nicole Lowe, Michael Luckoff, Janet Magelby, Janet Magleby, Bill Manheim, Michele Manos, Van and Lydia Maroevich,

Carol Marshall and Thomas Price, Diane and Laurence Martin, David Martinez, Yo Ann Martinez, Greg Mauldin, Yvonne Mcallister, Janet Mckinley, C.D. McKown, Scott McKown, Charles McQueen, Abigail Millikan-States, Madhav Misra, Jessica Montague, Michael Moore, Molly Moore, Paulette Moore, Mark Morris and Tracy Tandy, Russell and Suki Munsell, Walter and Muriel Murch, Laura Murra, Alice Nadler, Linda Nero, Robert Newcomer and Susanne Light, Jacklyn E. Ng, Susan O’Connell, Kevin O’Malley, Roberta O’Neale, Thomas Obletz, Ellen and Peter Obstler, David Ortez and Joli Wilson, Philip Ouyang, John Palmer, Anyra Papsys, Glenn and Donna Perelson, Domenico Petrone, Joy Phoenix, Gale Porter, Bruce and Theresa Raabe, Alice Rich, Steve Rizzo, Rosemary Roach, Rich Robbins, Narenda Rocherolle, Susan Royce, Nancee Rubinstein, Carole Rutherford, Helen Rutledge, Gretchen Saeger, Patricia Sarris, Maggi Saunders, Steve Scheck, Dorene and Robert Schiro, Jack Schwartz, Nadia Scipio Del Campo, Jane Scott and Janice Legow, Lisa Shanower, Maxx Sherman, Matthew Shier, Kirsten and Christopher Shilakes, Eileen Siedman, Michael and Marsha Silberstein, Helen T. Sklov, Robert Smith, Judy and John Sommer, Shelley Spicer, Bettina Sporkenbach, Leonard Stecklow and Karen Steiner, Elliot Stein, Terry Stelling, Joe Stewart, Steve and Carolyn Stromberg, Dierdre Stull, Sophie Suberville, Barbara Summers and Mark Graham, Laura Svienty, David Tanaka, Sari Taylor and Roger Pierce, Kenneth Taymor, Dede Teeler, Kerry Tepperman and Kimo Campbell, Will and Leslie Thompson, Blake and Bev Thorman, Kathryn Thyret, Jennifer Tomaro, Lily Toney, Joshua Townsend, Emily Tribe, Duilio Valenti, Stephen Vance, Lydia Vogtner, Diane and Michael Wakelin, Julie Walker, Lucinda Watson, Judy Webb, Jill Weissich, Matt Wilson, Richard and Kathy Wimmer, Teresa Wolf, Nickki Wood, Jerry and Sharon Young, Eric Zahra, Nina Zhito

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G OL D S TA R Pam Abendroth, Claire Adams, Chris Adessa and George McCluney, Caroline Alioto, Lorna Anderson, Janice Anderson-Gram, Doug and Patricia Ascher, Janet Attaway, Miriam Attias, Anna Bagdasarian, Georgia Bailey, mvff.com

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Stanley and Sara Bailis, Karen Barbour and David Sheff, Kathryn Barcos, Joan Barnes, Hathaway Barry, Greg Batlin, Richard Baum, Steve Beck, Leslie Bee, Bob and Alice Behray, Patricia Hale Belden, Andria Benner, Ernest M. Bergman, Cathrin Bernt, Linden and Carl Berry, Robert Berry, Arthur and Joanne Bjork, Bill Blackburn, Franklin and Jan Blackford, David Bloom, Karen and Steven R. Bluestone, Margaret Blunt, Melinda Booth, Bonita Bradley, Roberta Bradshaw, Daniel and Alanna Brady, Peter Brandelius, Mimi S. Brasch, Mara Brazer, Bernee Breen, Girija Brilliant, Michael and Vivien Bronshvag, Beverly Brown, Stephanie Brown, Patricia Bruens, Nanci Buck, Donald Buder, Chris Bunney, Shelley Buquen, Judy Burgio and Dale Biron, Marilyn S. Burns, Arlene and Roger Burstrem, Robert and Elza Burton, Robert Butler, Cia Byrnes, Donna Casella, Jack Chalmers, Stephen Charlip, Sharon Christovich, Andrea Clark, Kristin Clark, Marilyn Cleland, Ann and Mac Coffey, Richard and Carolyn Cogan, Nina R. Cohen, Trudi Coker, Ted and Melissa Congdon, Cecilia Conte, Pali Cooper, Jacqueline Cormier, Lauri Corrigan, Marney Craig, Elaine B. Cramer, John Crary, Jeff and Carleen, David and Renee Cullinan, Eliza Cummings, Robert and Marcia Dalva, Thomas and Marden Davis, Ninfa Dawson, Janine DeMartini, Juan Diaz, Tom Disher, David DorďŹ&#x201A; er, Daniel Drasin, Carol Duffy, Ruth Dundas, Rayna Edwins, Julian Eggebrecht, Carole Ellison and Gail Cohon Stein, Elaine Engman, Monique Epstein, Hayden Evens, Anna Everest, Cynthia Farina, Tawna Farmer, Bill and Carol Farrer, Richard Favaro, Raquel Feeney, Alan and Carol Feren, Rachel Ferrier, Cheryl Finley, Carl Flemming and Catherine McCormick, Abbi and Robert Fox, Andrea Fox, Deborah Fox, Janet Fox, Linda Fox, Bruce and Caroline Frantzis, Gerald and Gloria Fraser, Michael Freed, Jeffrey Freedman, Richard and Lynn G. Fregulia, Myra and Sheldon Freisinger, Lis Fuchs, Terry Furry, John and Naomi Garb, Barbara Gay, David Geisinger, Steve Gensler, Amy Gerbus, Rita Gershengorn, Marlene K. Gershik, Lewis and Helene Gibbs, Jeff and Jeane Gilliam, Judy Gilmore, James Goldberg, Karen Goldberg and George Green, Jonathan Goldman, Paul Goldsmith and Carin Garland, Lenore J. Gordon-Kokjer, Linda Graham, Robert and Judith Greber,

Frank Greene, Maureen Groper, Daniel Grossman, Stuart Hagmann, Fran Halperin and Eric Christ, Rev. Murray and Muriel Hammond, Eleanor Hanauer, William Hanna, Richard and Julie Harris, Fern Hassin, Nancy Hayes, Bill and Barbara Hazen, Helen Hebert, Alfred and Ruth Heller, Jude Heller, Tom Herington and Gary Topper, Sol Hernandez, Faye Hinze and Louis Hinze, Scott Hochstrasser, Jason Hoffman, James and Mary D. Holden, Jill and Lonner Holden, Patricia Holden, Deborah Holley and Scott Enblidge, Eliot and Margot Holtzman, Jo Howard, Timothy Howard, Trevor Hughes and Judy Derstine, Noreen Hulteen, Lisa and Jim Hynes, Patricia Irwin, Charles Isen, Helene Jaffe, Nick and Sandy Javaras, Roberta Jeffrey, Janet Jennings, Tina Jennings, Buz and Jan Johanson, Jeffrey and Jeri Johnson, Mary Jones, Alison Juestel, Anne Kaiser, Dan Kasman, Jim and Linda Kasper, Peggy Katcher, Athena Katsaros, Gillian Keirle, Jay Kell, Claudia Kelly, Todd Kendall and Susan Nelson Kendall, Russ and Marilyn Kiernan, Kim Kirley, Gail Kirst, Borg Klein, Lisa Kleinecke, William and Marion Kleinecke, Kristin Klindt, Anne Komer, Howard Kopit and Dorothy McQuown, Bruce Koren, Kathleen Korth and Laura Fenamore, Jeff and Tina Kroot, Ira Lansing, Jeffrey Lapic and Geraldine Caldarola, Tommy Lau, Larry Lautzker, Judith Layne, Kathryn Lazzaretti, Sharon Leach and Harry Oppenheimer, Louis Lenzen and Ranny Lenzen, Leslie and Jacques Leslie, Warren and Barbara Levinson, Mark and Elizabeth Levy, Janice J. Link, Ruth Livingston, James Long, Nurhan Long and John McCullough, Ellen Loring, Josh Lowden, J Mitchell Lowe, Gareth Loy and Lisa Hauck Loy, John MacLeod, Charles and Rose Maher, Katherine Mahoney, Barbara Major, Michael and Linda Malone, Lisa Mannheimer, Richard Mannheimer, Will Marona, Michael and Sharon Marron, Patricia Marshall, Leonard Mastromonaco, Ian Matzen, Susan Mayne, John Mays, Jennifer Mc Farland, Kirk McCabe, John and Cindy McCauley, James McElwee, Wallace McOuat, Maleea Meden, Meleea Meden, Barbara Meislin, Ann Marie Melanephy, Bob and Ink Mendelsohn, Merle and Carole Meyers, Kathleen Mikkelson, Melinda Moore, Penelope More, Chris Morgan, Julie Morgan, Ashton Morin, Christophe Morin, David Mount,

Katie Mullowney, Linda Munoz, David Nasaw and Carla Roth, Louise F. Nave, Anita Naylor, Linda Nelson, Melanie Nichols, Marianne Nishifue and Jonathan Ellis, Mark Northcross, Suzanne M. Oberlin, Roger and Cathy Odenberg, Darren Oliver, Stephen Olsson, Paul Orbuch, Marilyn Oronzi, Steve Oroza, Michael and Susan Painter, Robin Parer, Cynthia Parker, Melinda Pawlo, Katherine Pearsall, Robert and Audrey Pedrin, Bob and Sue Peisert, Sean Peisert, Kelli Petersen, Dominic Phillips, Mark Phillips, Patricia Pigman, Jean Pinto, Janne and Kalvin Platt, Heath Pollen, Peter Polt, Brooke Purcell, Edward Purdom, John Rader, Mary Lou Ragghianti, Wini Ragus, Marty and Naomi Rayman, Bridget Raymond, Margaret RedďŹ eld, Cathy Richardi, Jessica Ridge, Steve Riffkin, Diane Robak, Ken and Valerie Robin, Philip Robinson, Lisa Rodondi, Thomas and Patricia Rosbrow, Louis Rosenbaum, Joel Rosenberg, Dan and Dina Ross, Morton Rothman, Richard and Ruth Rozen, Jillian Rudman, Donna Saberman, Benny and Wendy Sadeh, Tom and Jill Sampson, Mark and Nancy Sanders, Lisa Santos, Raj Sardesh, Lisa Schallenberger and Paul Larson, Mark S. Schatz, Scott Scheidt, Lois Scheinberg, Sonja Schmid, David Schnapf, Roseann Schneider, Susan Schoenthaler, Donald J. Schuerholz Jr., Ashley Schumacher, Barbara Searles, Helena Sears, Pat Sebastian, Alexander Seidel, Roberta Seifert, Seda Sejud, Karen Serlin, Peg Shalen, Peter Shankel, Ann Shaw and Michael Grotjahn, Jane V. Singer, Joe Skelton, Caroline Smith, Fiske Smith, Judy Smith, Lee and Perry Smith, Lisa Smith, Martin and Emily Smith, Antoinette Snyder, Vivian C. and Harry Snyder, Carol Solomon, Leonard M. and Rita Sperry, Marilyn Spiering, Bonnie and Louis Spiesberger, Michele Spitz, Suzy Starke German, Richard and Susie Stern, Beverly Sterry, Saor Stetler, Norman and Runa Stone, Terry Strauss, Syd Strong, Chuck Stuckey and Donna Eng, Sander Stuip, Virginia Sturdevant and Jim Lyons, Charles and Sherri Sugarman, Kim Sugrue, Toby Symington, Julia Sze, Peter and Irene Tabet, Cheryl D. Tallman, Carole Talmage, Marian Taylor, Ellen F. Thomas, John and Joyce Thomas, Barbara Tomber, Mel and Lois Tukman, Gene and Jean Turtle, Chris Valentino, Madelon Van Lier, Jane Brown and Steve Voss, Linda Waddington,

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CFI MEMBERS Kenneth H. Waldeck, Michael and Diana Wanger, Deirdre A. Warin, Jessica and Art Wasserman, Dan Watrous, Pascal Wattiau, Phyllis Weber, Ellen K. Weiss, Sue Weiss, Stephen Weisz, Wells Rick, Susan Wheel, Linda Wilkie, Anne-Andree Wilson, Jody M. Wilson and Barbara Searles, Bruce and Marya Wintroub, Margaret Woodring, Patricia H. Woods, Kirke Wrench, Deborah Wright and Adele Anthony, Simon Young, Martin Zankel

FILM FA N Alex Aal, Selma Abdo, Eliott Adler, Thomas Aherns, Sherry Ruth Anderson, Dolph Andrews, Monica Andrews, Thomas L. Andrews, Ann Armour, Diane Baker, William M. Baker, Mary L. Barone, Wyna J. Barron, Colette Battaglia, and Frank Battat, Lauren Baxter, Candace Besso, Adrienne Biggs, Renee Binder, Carrie Birgbauer, Steven Birnbaum, Joan Bissell, Jennifer Boesel, Patricia Bonﬁlio, Carla Bourke, Jaclyne W. Boyden, Marty Brenneis, Ann S. Brenner, Mike Brenner, Delia Brinton, Inez Brooks-Myers, Joan Brown, Carla Buchanan, Carolyn Burt, Patricia Cahill, Carney and Kay Campion, Patrick Canlas, Joan and Robert Capurro, Lauren Cargill, Daisy Carlson, Sally Catalana, Ed and Susan Catmull, Leonard Charles and Lynn Milliman, Polly Cherner, Shelley Chesley, David Chittenden, J. Donald Cohen, Don Cohon, Nancy Conger, Kay Conneely, Linda Curtis, Tancredi D’Amore, Joan Dauria, Deirdre Dawson, Robert Dawson, Susie Decigaran, Warren and Edie DeGraff, Beth Deitchman, Ingrid Deiwiks, Mari Jon Di Basilio, Janeanne Doar, John Donley, Sheldon Dorph, Cheryl Douglas, Susan Duncan, Renee Dunn, Sheila Dutton and C.H. Fotch, Elaine Dvirnak, Eric Eichorn, Jon Elam, Laura E. Epp, Annabella Erickson, Pamela Farrell, Amy Faulkner, Aaron Faust, Aaron and Lisa Ferguson, Sherry and Robert Fink, Yolanda Fletcher, Cynthia Foster, Barbara Framm, Susan Frank, Ellen Franz, Marty Friedman, Ruth E. Friend, Jack Futoran, Katie Gaier, Kathleen and Ray Gaines, Stephanie Garbaczewski, Christine Gaudenzi, Diana Gay-Catania, Art Gimmy, William Goldsborough, Sylvia Goodman, Joy Graustark, David Green, Michelle Groleau, Wynne Grossman, Margaret Guevara, Ralph and Marsha Guggenheim,

Margie and David Guggenhime, Jennifer Gundlach, Rich Gutierrez, Nancy Hale, Cherrie Harden, Roy C. Hardiman, Kimberly and Mark Harmon, Tom and Barbara Harrison, Gayle Hartsook, David Haydon, Wayne H. Heldt, David Hermanson, Sheila Hershon, Arthur Heyman, Ken Hoard, Deborah Hodson, Joey Hoeber, Jacquelyn Hoffner, Russell and Susan Holdstein, Bruce and Linda Hopper, Kellee Hopper, Grace Hughes, Jeff Ivarson, Jim Jacobs, Jyll Johnstone and Michael Davis, Jeanette and Jack Kadesh, Jan Berry-Kadrie, Raymonde Kaplan, Lisa and John Katovich, Barbara Kautz, David and Beverlee Kell, Debbie Kern, Tom and Mari Kernan, Julie Kimball, Mark Klender, Marie-Christine Kollock, Deborah Kolly, Bill Konersman, Josephine Kreider, Avrid Kretz, Andrew M. Lamden, John and Signe Lando, Jean Larette, Kari Larsen, Bridget Latka, Don Leach, Barbara Lekisch, Annie Leonard, David Lesnini, Elsa Leung, Linda Levenberg, David and Sheila Levine, Joan Lillevand, Paula Loefﬂ er, Suzy Loughlin, David Lowe, Norm Luna, Janette Lutz, Christopher Lydon, Cheryl S. Lyons, Robert Macke and Karen Gallagher, Lucille Madden, Sandra Maitri-La Forgia, Jane Manning, Judith and Melvyn Mark, BJ Martin, Robert T. Matthew Jr., Richard Matthews, David May, Claire McBride, Connie McCarthy Kuhl, Tim McCarthy, Sandie L. McCreary, Patti McWilliams, Marty Melville, Miriam Meshel, Lauren Metzroth, Mary D. Mills, Victoria Mimiaga, Joyce Moldovan, Susan Montana, Daphne Moore, Michael Moore, Teresa Munoz, Lynda Najarian, Kes Narbutas, Alan Nayer, Bea Newhall, Katherine Norby, Lou Notti, Deborah O’Connor, Lynne Oberlander, Diane Ongaro, Harry Oppenheimer, Cindy Ostroff and Raoul Stepakoff, Trish Owen, Lorne Parker, Joyce Pavlovsky, Jeffrey Pearl, Richard Pechner, Debra Pellinacci and Bill Jennings, Jennifer Perini, Susan Piallat, Pamela Pierone, Peter and Dyan Pike, Chris Powell, Joni and Russ Pratt, John Prendergast, Michael Pringle, and Karen Pritzker, Paul and Christine Prusiner, Christa Quinn, Kathleen Quinn, Charles Raven, Laurie Reiche, Ulla Reilly, Frank and Sharon Rettenberg, Jim Revoir, Bobbe Rigler, Susan RoAne, Matthew Robbins, Susannah Robbins, Carol Robinson, Judith Rose, Cary Rosen, Deborah Ross, Peggy Ross, Paige Rothman, Bernadette Rowan,

Scot Russell, Edwin P. Sabrack Jr., Susan M. Saks, Daniel Scher, John Schlag, Alicia Schlesinger, Bruce and Suzanne Scott, Angelo Siracusa and Diana Rixey, Judith Snead, Howard Sohn, Daniel Sonkin and Mindy Rosenberg, Mary Jo Sorensen, Gill Stanﬁeld, Steve Starkey, Sarah Steen, Jeremy Stevermer, Mary Lee Strebl, Elizabeth Savage-Sullivan, Matthew Sumner, Karen Sutherland, Carol Svetcov, Beverly Tanner, Patricia Tanoury, Caryn Tantilla-Lentz, Stephen Thal, Phyllis and Max Thelen, Mack Tilling, Ellen and Robert Tollen, Richard Tuttle, Daina Vitols, Tanis Walters, Suzanne and David Warner, Marlena Weinstein, Louis Weller, Mary Beth Wheeler, Liz Wiegardt, Huguette Wildschutz, Derek Wilson, Frances Wilson, William Wilson, Najean Witt, Eleanor Yancey, Heather Young, Valerie Zabko, Phillip Ziegler

A S S OC I ATE Linda Abe, Becky Abel, Vicki Abeles, Samantha Abernathey, Marilyn Abers, Jacqueline Ableman, Arthur Ablin, Nancy Abodeely and Dubi Ben Shoham, Joanne Abrams, Matt Abrams, Alma F. Ada, Carolyn Adducci and Ron Charyn, Noma Adelman, Joseph Adkins, Jennie-Marie Adler, Charles Agler, Gary and Maureen Aguilar, Maureen Aguilar, Alyson Aiello, Eugene Albright, Leslie Alden, Kathleen Alexander, Kim Allen, Marlena Allison, Paul Alpert, Bunny Alsup, Robert Alto, Mick Amaral, Laura Anderson, Loretta Anderson, Michael Anderson, Shelley A. Anderson, Thomas Anderson, Trent W. Anderson, Heather Andrew, Nilda Andrews, Jacqueline Annes, Shahla Ansari, John Antonelli, Laura Arago, Kate Aragon, Ana Aranguren, Daniel Arauz, Louise Armour, Bill Arnold, Jean Arnold, Margaret Arnold, Michael Arnold, Burt Arnowitz, Betty Arnquist, Christina Arrostuto, Peti Arunamata, Pamela Ashkenazy, Aaron Augustis, Brian Aviles, Gwynne Axelrod, Mary Axelrod, Chase Azimi, Nancy Azizi, Lawrence E. and Barbara Babow, Laura Bachman, Anne Baele-Kouns, Krissy Bailey, Elliott Baim, Barbara Baker, Judy Baldassari, Steven Balick, Kelley Ballentine, Orest Balytsky, Ed Baquerizo, Philip and Valerie Baradat, Angela Barbus, Janice Barlow, Danan Barnett, Trinina Barreto, Kevin Barrett, Cynthia Barrows, Mai L. Bartling, mvff.com

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Jim Barton, Pamela and Ivan Barzakov, Pamela Baskin, Steven Batki, Heinz Bauman, Anne Baxter, Elizabeth Bayer, Betsy Bayha, Elizabeth Baylis, Diane Bazler, Suzanne Bean, Mary Anne Beauchamp, Pat Becker, Kathy Beckerley, Deborah Beckman, Colleen Beery, Diane Belben, Maria Belfor, Susan Belling, Mary Belshe, Liana Bender, David and Michele Benjamin, Antoinette Benoit, Robin Bentel, Ralph Berets, Jeff Berg, Terry Berkemeier, JoAnn Berman, Shirley Berman, Richard Bernini, Suzanne Berns, Philip M. Bernstein, Les Bersein, Elvera Berson, Brian Bettini, Julie Beuttler, Shirley Bickel, Nanette Biers, Betsy Bigbee, Gillian Biggs, Gregory Bilke, Pam Bird, David Bishop, Tim Blain, Michele L. Blaisdell, Sharon Blakley, Patricia Blanc, Annette Blanchard, Beau M. Blanchard, Rebecca Blasband, Tim Blaskovich, Faye Blatt, Patricia Blau, David Blaza, Kathy Bliss, Teresa Blok, Katherine Bloodworth, James Blue, Joseph Blum, Jacqueline and Thomas Bly, Dana Boardman, Barbara Bochner, William Bochner, Ronnie Bogart, Elizabeth Bolton, Susan Bonney, Bonnie Bookspan, Bonnie Borenstein, Cory Born, Kathleen Bornstein, Carolyn Botts, Sue Bowser, Ed and Nancy Boyce, Rebecca Brackman, Larken Bradley, Catherine Brady, Susan Brautovich, Tom Breese, Patti Breitman, Michael Breslin, Veronica Bretzer, Suzanne Brice, Elizabeth Briggson, Bridget Brink, Marucia Britto, Suzanne Broad, Greg Brockbank, Amy Brokering, Bruce Bronzan, Chloe Bronzan, Mary Lee Bronzo, Cherri Brown, Chris Brown, David Brown, Devi Brown, Julie Brown, Phillip Brown, Susie Buck, Bernd Buettner, Kerian Bunch, Nancy Bundschu, Dianne Burford, Ralf Burgert, Cheryl Burke, James B. Burke, Peggy Burke, Lisa Marie Burkhard, Ronald J. Burlick, Judy Burns, Leslie Burnside, Christa Butler, Robert O. Butler, Shirley Ryland Butt, Libby Byers, Jill Cagan, Meredith Cahn, Catalina Cain, Thomas Calandra and Maura Thurman, Karen Caldwell, Ellisa Cameron, Sue Campbell, Isabel Campoy, John Cardellino, Bethynia Cardenas, Maria Carlile, Leslie Carlsen, Linda Carlson, Helga Carlton, Lynne Carmichael, Pam Carr, Donna Carrillo, George Carvalho, Toni Casal, Mary Caserio, Danny Cassee, Al Casten, Jason Castle, Marti Cate, Padma Catell, Gina Catena, Paula Cavagnaro, Rich Celeste,

Kerri Cerundolo, Caryl J. Chakerian, Corliss Chan, Frank Chan, Nancy Chandler, Connie Chang, Gary Chappell, Torri Chappell, Alan Charne, Lisa Chasanoff, Alexis Chase, Jane CheshireAllen, Elizabeth Chiang, Michael Chiesa, John and Catherine Chiosso, Shana Chrystie, Joanie Ciardelli, Michael Cici, Sondra Claire, Elizabeth Cleere, Carla Clements, Janet Clover, Ronald Clyman, Leslee Coady, Cynthia Cobaugh, Nick Coccellato, Harris Cohen, Laurie Cohen, Michael Colacchio, Susan Coleman, Frank Colin, Quinn Collor, Daniel Colombo, Terry Colyer, Laura Comyns, Teresa Concepcion, Kevin Conklin, Linda Conley, Anthony Contini, Pam Cook and Paul Gietzel, Jim Cook and Patti Cook, Tom Cook, James Cooke, Elisabeth Cooper, Steven Cooper, Wayne and Geri Cooper, Holly Coplin, Jeff Coplin, Anna Coppola, Taye Corby, Jane Cornwell, Anna Cosentine, Laura Costantino, Sherry Costanza, Colleen Costello, Carolyn Sue Couls, Robert Couly, Linda County, Brigitte Coutu and Kevin Klatt, Elsie Covlin, Frances Cowan, Ginger Cowan, Clancy Cox, Crystal Cox, Janice M. Coyne, Maria Craft-Neto, Karen Criswell, Karen Crockett, Robert Crockett, Bridget Crowe, Drew Crowell, Chelsea Croy, Katherine Csizmadia, Marj Blake Cullinan, Robert Cullinan, Virginia A. Cunningham, Martine Curran, Diane Curtis, Sharon Cushman, Mary Catherine Cutcliffe, Tancredi Dâ&#x20AC;&#x2122;Amore, Jacqueline Dagg, Kerry Daly, Justine Daniel, James Danse, Linda G. Darby, Jennifer Dardis, Melinda Darlington-Bach, Daniel Davidson, Mindy Davidson, Paul and Ursula Davidson, Karla Davies, Lana Davis, Maradee Davis, Nancy S. Davis, Peter Davis, Stephen and Grania Davis, Deborah Dayhoff, Nancy De Bartok, Birgit de Fonderville, Sherna Deamer, Suzanne Degen, Thomas Delebo, Lisa Della Valle, Rene Dellosa, David Demarest, Helene L. Denebeim, Linda Denhart, Barbara Denouden, Susan Dent, Edward DeRosis and Robert Desmond, Joan Dettmer, William Devlin, Christine Dewey, Ernesto Diaz, Ernie and Deb Dibenedetto, Robin Diederich, Christophe Dinello, Barbara Dittmann, Khristina Divinigracia, Stephen and Victoria Dobbs, Dawn Dobras, Whitney E. Donaldson, Patrick Donohew, Ann Donovan, Emily Douglas, Angelo Douvos, R. O. Dowling, Holly Downes, Joe and Kendra Downey, Patricia Doyle, Diane Dresser,

William Driscoll, Ali Duerr, Carson Duffy, Wren Duffy, Robert Dunn, Karen Dunning, Elizabeth Duran, Philip Durbrow, Carol Durham, John Duvall, Rolanda Ebert, Teresa Eckton, Bonnie Edwards, Cristy Egan, Virginia Eggleston, Alisa Einwohner, Evelyn Eisen, Carol Ekleund, Meryl Elinson, Nancy Ellenbogen and Joel Lurie, Lisa Ellis, Richard Ellis, Zoe Elton, Douglas Emery, Eric Engstrom, Robert Epstein, Sophie Epstein, Philip and Judith Erdberg, Valerie Evans, Nicole Evatz, Joanne Fabian, Jonathan Fabio, Melanie Facen, Charles Falk, Ruth B. Falk, Francine Falk-Allen and Richard Falk, Ally Fan, Shih Yu Fan, Leon Farley, Mary K. Farman, Diana Farmer, Abigail Farrell, Warren Farrell, Blye Faust, Mary Pat Featherstone, Jeffrey Feierabend, Andrew Feldman, Saul and Gloria Feldman, Margaret Feldstein, Vickie Feldstein, John Ferguson, Laraine Ferguson, Wendy Amalin Ferguson, William Ferlatte, Elizabeth Fernbacher, Teresa A. Ferrari, Roy Fidler, Greg and Jeannie Filder, Daniele Filippetto, Francine Findley, Judith Fireman, Eliza Fischer, Sandra Fitting, Jinil Fleischman, Virginia Fleming, Margritha Fliegauf, Richard Flout, Robert York, Karen Fontana, Barbara J. Fopp, Jean-Louis Forcina, Alan Ford, Cheryl Ford, Curt Ford, Alicia Forester, Cheri Forrester, Millie K. Fortier, Joseph Foss, Elyse Foster and Bill Shalen, Paul Foster, Cathy and Federick Fox, Anna Francis, E Bond Francisco, Jean Fraschina, Christie Fraser, Margot H. Fraser, Bradley Frazee, Tom and Sally Freed, Eileen Freedland, Samantha Freimann, Denise Freinkel, Robert Freitas, Adele French, Jeffrey French, Lauren Freyer, Robert Fried and Wendy Cheit, Ruth Friedman, Wendy Friefeld, Claudia Fromm, Dianne Fruin, Bill Fulton, Linda Futrell, Mayra Gaeta, Marilynne Gagliardi, Davi Gainer, Sue and Paul Galassi, Anthony and Kimberly Galatolo, Michele Gale, Richard Gale, David Galland, Maureen and Lowell Galliani, Kathleen Gallivan, Barbara Galyen, Robin Gammill, Linda Garb, Deborah Garcia, Cydney Gardner, Rosalind Gardner, Julie Garner, Noni Garner, Ron Garry, Adam Gascho, Peter Gavin, Jay Gayner, William Gazecki, Rose Gee, Bob Gekas, Janice Gendreau, Blair Gershkow, Jacqueline Gerson, Genevieve Gerst, Josephine Geyer, Viviane Ghammachi, Elissa Giambastiani,

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CFI MEMBERS Dennis and Susan Gilardi, Barbara Gilbert, Cali Gilbert, Jill Gilbert, Matthew Gilbert, R.K. Gin, Joel Gingold, Libby Ginsberg, Penni Gladstone, Bridget Gleason, Barbara Glinn, Betsy Glover, John Godsey, Carol Goepp, Bob Goff, Ann Goforth, Candice Gold, Mark Goldberg, Leslie Goldgehn, Chuck Goldman, Dixie Goldsby, Mike A. Goldstein, Barbara Gollert, Christine Gonzales, Carol Goodman, Mark Goodman, Rick Gordon, Shelley M. Gordon, Laurel Gothelf, Dvora Govrin, Lindy Graham, Scott Granlund, Mary Gratiot, Christopher Gray, Frances Gray, Mitchell Greenberg, L.D. Greenberg, Martha Greenburg, Gisela Greene, Joanne Greene, Laura Greenfield, Gini Griffin, Betsy Griffi th, Linsey Grinder, Linda and Pat Groah, Bill Groshelle, Michael Gross, Vicki Gross, Pam Grossman, Seymour Grossman, Suzanne Groth, Nancy Grover, Justine Gubar, Connie Guerry, Marijane Guy, Khalil Habeeb, Richard Habib, Alan S. Ramadan and Christine Hahn-Ramadan, James Haig, Katy Halbrook, Suzonne Hale, Anne Hall, Douglas Hall, Tai Hallstein, Nancy E. Hamlett, Jennifer Hammett, Sonya Hammons, Doug and Liz Hancock, Desy Handra, Sandy Handsher, Kristine Handwerk Wiskes, Wendy Hannum, Bob Hansen, Michael Hansen, Peri Hansen, Alanna Hanson, Newton Harband, Kathe N. Hardy, Michael and Sandra Harner, Steve Harnsberger, Robert P. Haro, Kevin Haroff, Lauri Harper, Carol J. Harris, Jeffrey Harris, Sondra Harris, Adrienne Hart, Janet Hass, Sheryl Hausman, Galen Hayes, Bobbie Head, Paul Heere, Arlene Helfrich, Daniel Heller, Edie Heller, Rundi Heller, Karen M. Hemmeter, Jeff Hennier, Stephan Herrera, Laurie Herrmann, Shalene Hersh, Bonnie Herzog, John Hess and Gail Sullivan, Kevin Hessel, Johan Hestenes, Kevin Heverin, Carolyn Heyder, Bill Higgins, William Hill, Richard Hinz, Sam Hirabayashi, J.P. Hitesman, Georgyn Hittelman, Karin Hobbel, Lucelle Hoefnagels and David Harp, Marie T. Horrman, Arlene F. Hoffman, Zachary Hoffman, Katherine Hogan, Linda Hohlweg, Michael Holland, Patricia Holland, Susan Holland, Clare Hollander, Michael and Clare Hollander, Carol Hollenberg, Teri Hollowell, George Holmes, Mary M. Holt, Lorraine Hood, Ernest Hook, Liz Hotchkin, Peter C. Houser, Julia Howard, Lori Howard and Greg Wolff, Phoebe Howard,

Mary Hubert, Marian P. Hubler, Wesley Hudnall, Jolene W. Huey, Sandy and Chuck Hufford, Cynthia Hunter, Duffy Hurwin, Ron Hurwin, Michael Idell, Marsea Ilio, Elizabeth Imholz, Krista M. Inchausti, Gina Inez, Michael Ingerman and Madeleline Sloane, Carol Inkellis, Leslie Isaacs, Thomas Jackson, Jonathan Jacobs, Susan Jacobs, Merle Jacobson, Monica Jacobson, Carol Jaffe, Gary Jaffe, Kristin Jakob, Ellen James, Gail Jarach, Catherine Jasan, Laurie Javier, Sheila Jenkins, Charles Coleman and Juliann Jensen, Scott Jensen and Robin Ratner, Phyllis Jeroslow, Brad Jerrell, Richard and Rose Jeweler, Denise Jindrich, Abby Johnson, Beverlee Johnson, Darrell Johnson, Elaine C. Johnson, Janis Johnson, John Johnson, Judith Johnson, Julie Johnson, Kathryn E. Johnson and John Pierce Culver, Leland Johnson, Melanie Johnson, Richard C. Johnson, Russell Johnson, Jane Jonckheer, Margaret Jones, Maria Jones, Reese Jones, William Jones, Berit L. Jordan, Mary E. Jordan, Robert Jordan, T.C. Jordan, Laura Jorgenson, Peter Joseph, Claudette Josephson, Tom Joyce, Elyse Julius, Arnold E. Kahn, Julie Kahn, Laurie Kahn, Wendi Kallins, Winn Kalmon, Edward Kamen, Soumyaa Kapil, Lawrence Kaplan, Ron Kappe, Susanne M. Karch, Kay C. Karchevski, Laurel Kato, Jeff Katz, Shelley Katz, Sharon Kaufman, Lewis Kawahara, Ann Kaye, Robert Keast, Kimiko Keating, Susan Keel, Madeline and Clinton Kellner, Chris Kelly, Dianne Kelly, Nancy Kelly, Paola Kendrick, Alexander Kennison, Lowell Kepke, Jim and Ona Kettmann, Monib Khademi, Mary Khan, Ashok Khanna, Dorothy Kidd, Emily Kiesel, Carol Kimball, Keilan King, Lois King, Virginia King, Jo Ann Kirkhart, William Kirkland, Joan Kirsner, Scott N. Kivel, Susan Klausner, Hildegard Klee and Charlie Spurgeon, Lucy Klein, Pam Klein, Richard F. Klier, Jan Klingelhofer, Heidy Knoles, Bob Knox, Steve Knox, Sheryl Knutson, Neil Kobrin, Tim Kocee, William Koch, Katherine Koelle, Kathryn Kojimoto, Craig Kolb, Kristine Kolton, Karen Koster, Stephen Kozora, Jill Kramer, Neil Kraus, Travis Krepelka, Stanley Krippner, Constance Kroeck, Wendy Krueger, Karen Kuhn, Patricia Kunstenaar, Martin Kupferman, Bret Kushner, Denise Labuda, Laurel Ladevich, Karen Laffey, Ellen Lake, Brad Lakritz, J. Ronald Lally, Gregory W. Land,

Lela Landman, Karin Landstrom, Joanna Langenhan, Jennine Lanouette, Mary Lansing, Laura Larkin, Victoria Larsen, Chuck Lavaroni, Lynn Lavaroni, Alison Lavoy, David Law, Helen Law, Kay Law, Lois Layne, Marie D. Lazzari, Terry Lazzari, Claudine Le Moal, Arthur Leaffer, Eileen Leatherman and Mike Watt, Donald Lebuhn, Alexandra Lederer, Anna Lee, Donna Lee, Howard and Eileen Lee, Grace Misook Lee, Jon D. Lee, Stephanie Legras, Jacqui Lehman, Lynn Lent, Ray Lent, Kristina Lentz, Don Leonard, Denise M. Lucy and Francoise Lepage, Lori Lerner and Terry Berkemeier, Keith Lester, Margaret Leventer, Deborah Levine, Jane Levinsohn, Joanie Levinsohn, Michael Levinson, Sue and Marv Levinson, John Levy, Maryline Daviaud Lewett, Premsiri Lewin, Becky Lewis, Cathryn Lewis, Edward Lewis, Micah Lewis, Pam Lewis, Rita Lewis, Andrew Lie, Lara Lieberman, Linda Lieberman, Alice Liff, Amy Likover, Beth Lillard, Daniel Linder, Valerie Lindsay, Jerri Linn, Daphne Lipton, Christopher Lish, Ellen Litwiller, Minhoi Loanic, Mark Lochridge, Rita Lockett, Frako Loden, Kit Lofroos, Diane London, Shirley Long, Monica Lopez, Mike Lopresti, Catherine Loudis, Darrell Louie, Chris Loukides, Marion Lovett, Denise Lucy, Thomas Luehrsen, Bruce and Eleanor Lusignan, Barbara LuttigHaber, Karla Lutz, Kaitlyn Lydell, Dawn Lyon, Laurence Lyons, Claudia Macaubas, Becky MacDonald, Shirley Machin, Merrill Mack, Christina Maerz, Christine Maimon-Duclos, Jan Maisel and Doug Currens, John Malenic, Walter Mallory, Gordon Manashil, Marianne Mander, Eric Manginot, Harriot Manley, Atissa and Reza Manshouri, Edouard Marchand, Dave Marcon, Nadja Mark, Brian Marks, Laura Marks, Elyse Marshall, Natalie Martens, Mathew Martenyi, Diane Balmer Martin, Kate Martin, Lisa Martin, Madeline Martin, Maria Martinez, Susan Martling, Roy Mash, Margaret Mason, Deborah Masters, Cathryn Mathews, Melvin Matsamoto, Jane Matthewman, Ken Matusow, John Mavroudis, Gary Maxworthy, Bru McAboy, Michael Dean McCabe, Chelan McCandless, Duncan McCandless, Scott McCargar and Leona Weiss, Lila McCarthy, Charmene McClarren, Jane and Andy McClure, Mary Beth McClure, Mary Margaret McClure, Gary McConnell, Susan McCormick, mvff.com

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CFI MEMBERS

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Danielle McCoy, Bridget McCracken, Paulette McDevitt, Susan and Timothy McDonald, Berta McDonnell, Anne McElfresh, Marie McEnnis, Christney McGlashan, Jacquelyn McGrath, Shirley McGrath, Drew and Michelle McIntyre, Elaine McKenna, Margreta G. McKeown, Jeffrey McKinley, Debra McKnight Higgins, Janis McNair, Julie McNair, Chris McNamara, Sarah McNeil, Cynthia McReynolds, Carolyn Means, Gail M. Meblin, Ellie Mednick, Emilia Menjivar, Ann P. Meredith, John Mergendoller, Laura Merlo, Keith Metcalfe Esq., Iris Metz, Jennifer Metzger, Christopher Metzler, Ralph Metzner, Marcia Meyers, Cyr Miller, Janiss Miller, Judith Miller, Ken Miller, Mary Miller, Richard C. Miller, Ronald Miller, George Mills, Sholeh Mir, Dale Mirmow, Debbie Miskell, Carla Mistele, Laura Miwa, Curt Miyashiro, Lawrence Moehrke, Mary Moffat, Danielle Molinski, Robert A. Monsour, Susan Montrose, Anne Moore, Jeffrey Moore, Linda Moore, Loren L. Moore, Nancy Moore, Sheila Moore, Armando Morales, Jean Moran, Tom Moran, Melanie Morehead, Gail Morﬁn, Maureen Morgan, Tamara Morgan, Susan Moritz, Lev Morozoff, Barbara Morrison, John Morrison, Shirley Morrison, Marianne Morrissey, Cindy Morton, John Moses, Darlene Mosier, Deborah Moskowitz, Harriet Moss, Joel Moss, Phyllis Motell, Kaitlin Moyer, Philip Moyer, Douglas Muir, Marilyn Mulford, Anne Mulvaney, Chris and Bonnie Mumford, Catherine Munson, Shelly Munson, Erma Murphy, Jean Marie Murphy, Doug Murray, Eve Murto, Daniel Nackerman, Susan Nadal, Nancy Nagle, Sarah Nagle, Tamara Nance, Veronica Napoles, Hiro Narita, Nadine C. Narita, Alison Nash, John Natt, Ali Navarro, Claudia Naventi, Stephen Naventi, Maryleah Needels, Bruce Nelson, Joan Nelson, Marty Nelson, Susan Nelson, Phyllis Nervianni, Diane Neuhaus, Debra Newman, Linda Newman, Thomas Newman, Lisa Nicholls, Vicki Nichols, Kathy and L. Peter Niggeman, Joan Nilsen, Maryann Noble, Sandra Norberg, Lorraine Norby, Rachel H. Norman, Katherine Normant, Dia North, Kevin Notargiacomo, Cris Nuttall, Rebecca Nystrom, Atiye O’Brien, Sean O’Brien, Rem O’Donnelley and Diane Faw, Laura O’Malley, Catherine O’Reilly, Maryann O’Sullivan, Constance Oclassen, Audrey O’Connor, Anne K. Oklan, Carol J. Oldham, Robert Olson,

Peter Oppenheimer, Susan Orma, Patrick E. Orourke, Christa Ortman, Judy Osborne, Dianna & David Overmyer, Sharon OwWing, Christine Owens, Judith Page, Pat Palmer, Anita Palonsky, Joseph R. Palsa, Bert Pankler, Alan F. Paquette, Celeste Parcell, Amy J. Parker, Angela Parrinello, Gerald and Nancy Parsons, Joanne Parsont, Dean Pasvankias, Joel Pathman, Randi Patten, Samantha Payne, Carol Paz, Andrea Pearce, Robert Pearce, Susan and Jon Peck, Elizabeth Pepin, Dana Pepp, Cynthia Pepper, Angela Perez, Gael Perrin, P.J. Perring, Josephine Perry, Tamra Peters, Debra Petersen, Johanna Petersen, Neil Peterson, Richard Peterson, Linda J. Petri, Derek Petrillo, John Petrovsky, James and Adrienne Phalon, Ronald and Mary Pharis, Linda Philipps, Deborah Phillips, Kenneth Philo, Stephen Piatek, Yvonne Pierce, Kathleen Pieri, Edith and George Piness, Bon Pipkin, Maryam Pirnazar, Anne Pizzi, Robert Plath, Pamela Plumer, Teresa Poblete, Ann Pogrel, Emeigh Poindexter, Randall Pollak, Suzanna Pollak, William Pollak, Ivan Popgruev, Kim Potochnik, Christin Powell, John and Kittina Powers, Maria Powers, Francesca Prada, Dana Pratt, Eilleen Prendiville, Bill Proctor, Martha D. Proctor, Charlotte Prozan, Sarah and Henry Pruden, Alan Ptashek, Bob Pulvino, Dennis Puorro, Kenn Rabin, Evi Rachelson, Howard Rachelson, Beth Rader and Martin Lozano, Linda Radigan, Ramin Rahimian, Alissa Ralston, Tricia Rampersad, Rose Anne Raphael, Kirsten E. Rea, Robert Reedy, Miranda Rees, Leah R. Reich, Douglas Reilly, Steven Reinstein, Melanie Renn, Deborah J. Ress, M.A. Reybear, Bob Reynolds, Elwood Reynolds, Barbara M. Rice, Sheri Rice, Shelley Richardson, Valerie Richman, Stuart Rickey, Maybeth Ries, Thomas Riess, Lori Rifkin, Gary and Joyce Rifkind, Joyce Rifkind, Meredith Riley, Steve Ringel, Michael Ripps, Holly Roach, Alicia Robb, Zachary Robbins, Alan Roberts, Eric Roberts, Margaret Robertson, Anna Rocca, Jeffrey Roe, Sharon Roe, Susan Roegiers, Joanne Roessler, Henrietta Sharda Rogell, Shirley Rogowicz, Toomas Rohtla, BJ Rolph, Jessica Romm, Annie Roney, Margaret Ropers, Hank Rose, Lauraine Rose, Lisa C. Rose, Terry Rose, Melvin Rosen, Ruth Rosen and David Galin, Barbara Rosenbaum,

Larry and Diane Rosenberger, Stan Rosenfeld and Patti Breitman, Rhonda Rossi, Barbara Rothman, Ellen Rothman, Ann Roulac, Francesca Roveda, Jenni Rowland, Sylvia Roye, Carmen Rozestraten, Danny Rubenstein, Meryl Rubenstein, David Rubinstein, Catherine Rufer, Linda Ruggieri, Suzanna Rumon, Susanna Russo, Joe Ryan, Karrie Nye Ryan, Susan Ryan, Joan Saffa, Arturo Salcedo, Marietta Saltzman, Susan Saltzman, Natalie Sandell, Yam Sang, Tylor Sarrafzadeh, Kei Sato, Carol Saturansky, Victoria Saxe, Holly Saxon, Dwight Scales, Sharilyn A. Scharf, Eric Schenk, Rochelle Scher, Dan Schlager, Eric Schmautz, Duncan Schmidt, Jon Schmidt, Mary Schmidt, Lorin and Barry Schneider, Peter Schneiderman, Barbra Schora, Robert Schroedl, Peter Schubert, Brian Schultz, Shiva Schulz, Laura Schwartz, Sylvia Schwartz, Sylvia Schwartz, Valerie Stoll Schwimmer, Michael and Laura Scott, Robert Sedor, Ellen Seh, Ethel Seiderman, Patricia Seidman, David A. Selders, Sela Seleska, Randy and Alex Selig, Terry Seligman, Robyn Sembenini, John Seminerio, Steven Senk, Susan Severin, Denise Shaheen, Shirin Shamloo, Kenneth Sharpe, Karen L. Shay, Abby Sheer, Nancy Shehi, Sally-Jean Shepard, Dianne Sheridan, David Sherman, Jack Sherman, Jay Sherman, Lisa Sherman, Carrie Sherriff and Steve Rosenberg, Stephen Shimm, Bob Shiner, Kerry Shlaes, Dagan Short, Nick Shryock, Emily Shulman, Starr Shulman, Nick Shyrock, Diane Sidjakov, Elizabeth Siedhoff, Gail Silva, Ivan Silverberg, Thalia Silverman, M.T. Silvia, Rebecca Simon, Jan Simonds, David Simonini, Carole Sirulnick, Linda Sisler, Amy Skewes-Cox, Matthew Slepin, Wendy Slick, Steven Sloan, Barbara Smith, Chandra Smith, Dina Smith, Fred J. Smith, Kara Smith, Lawrence Smith, Bonnie and Joe Smolen, Bill Smullin, Heidi Snead, Teressa Snyder, Ashley Soares, Tzeira Sofer, Carola Sohns, Jane Solomons, Greg Soltys, Annie Song-Hill, Dale Sophiea, Deborah Sorondo, L. Spackman, Charles Spaulding, Jesse Spencer, Marcia Sperling, Walt Spevak, Pamela Spitz, Joanne P. Spotswood, Alicia St. John, Mae Stadler, Suzanne Stafford, Anne-Marie Stark, Sam Stecklow, Gail Cohon Stein, Janice Stein, David Steinberg, Jane Steinberg, Kip Steinberg, Anna Stenberg, Renate Stendhal, William Stephens,

cafilm.org

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CFI MEMBERS Robert Sterling, Iris and Rich Stevens, Jamaica Stevens, Jean Stevens, Matthew C. Stiefel, Margaret Stiefvater, Arianne Stocking, Elizabeth Stone, Mike Stone, Vickie Strate, Pam Strayer, June Strunk, Dee Stuever, Diane A. Suffridge, Gail Sullivan, Richard and Judith Sullivan, Jane H. Summers, Bryce Sumnick, Michael Sundermeyer, Paul Supplee, Elizabeth Sutch, Jeff Sutton, Paula Suyehiro, Sandy Sverdloff, Laura Swanbeck, Dallas Swann, Michael J. Sweeney, Krysia Swift, Jefferey Szilagyi, Kecia Talbot, Kathyrn Tama, Else Tamayo, Lauri Tanner, Katherine Tatum, Alysanne Taylor, Jennifer Taylor, Marcia Taylor, Mark Taylor, Robin Taylor, Sally Taylor, Tim Taylor, Valerie Taylor, Catherine Teague, Rochelle Teising, Laurie Telder, Marcy Telles, Donna and Joseph Terdiman, Judy Terra, Nancy Terry, Etosha Terryll, Olga Thein, Nicholas Themely, Judy Thier, Deborah Thompson, Skylar Thor, Benjamin Thornton, Larry Thorstenberg, Jean Ray Tippo, Beatrice Tocher, Deborah Toizer, Nancy Tompkins, Marsha Torkelson, Susan Torres, Tamara Traeder, Michael Traina, Rick Trautner, Peter Trouw,

Lois Tucker, Elizabeth Tullis, Victoria Tuorto, Doug Turner, Jennifer Tusa, Terry Twitchell, Thom Uelk, Marco Ugolini, Janna Ullrey, Giti Underhill, Trudi Unger, Denise Unruh, Kevin Uriu, Amy Valens, Tom Valens, Mary Van Zomeren, Lauren Vanett, Nicole Vas, Mary Rita Vasquez, Kate Vidinsky, Janet E. Visick, Pamela Vita, Marjorie Wordsworth, Uwe Wagner, Gerrit and Sally Ann Wagter, Rachel Wahba, Bonita Wahl, John Walker, Shari Walker, Toni Walker, Patricia Wall, John Wallace, Margaret Wallace, Leslie Wallach, Martha R. Walters, Rene and David Ward, Kate Warner and Jim Maroney, Linda Warren, Silvia Wasek, Steven Wasserman, Carol Watson, Carol Watson, James Watson, Marcia Watson, Robyn and William Watson, Michael Waughtel, Robert Wazeka, Kit and Warren Weagant, Julia Weaver, Warren Weber, Bruce Webster, Mary Webster, Olivia Weinstein, Rona Weintraub, Leona Weiss, Milton Weiss, Ayumi Kie Weissbuch, Curt Wells, Lawrence Wells, Penny Wells, Davie Wendt, Eric Wendt, David Werdegar, Jay Wertzler, Zia Wesley, Barbara Wetzell, Sandra Wexler, Richard Wheeler, Lawrence White,

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PRINT SOURCES THE 36 Nic Weinfeld Interlochen Arts Academy nicolas.weinfeld@interlochen.org 2648 HOURS Nancy Popp Harvard-Westlake School npopp@hw.com hw.com ALBERT NOBBS Eddie Dotson Roadside Attractions eddied@roadsideattractions.com ALONE Phil Seneker Spot Productions, Inc. phil@spotﬁlm.com AMERICAN HOMES Jennifer Jordan Day Arrowire jenniferjordanday@gmail.com americanhomesﬁlm.com ANONYMOUS Sony Pictures Releasing sonypictures.com

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ANOTHER HAPPY DAY Stephanie Gauthier Watson Phase 4 Films sgwatson@phase4films.com phase4films.com THE ARTIST Jennifer Stott The Weinstein Company jennifer.stott@weinsteinco.com weinsteinco.com THE BARBER OF BIRMINGHAM Robin Fryday Purposeful Productions, Inc. tgirfryday@aol.com barberofbirmingham.com BEING ELMO: A PUPPETEER’S JOURNEY David Koh Submarine Deluxe dk@submarine.com submarine.com BETWEEN 2 FIRES Gunnar Almer Swedish Film Institute gunnar.almer@sfi.se BEYOND THE ROAD Charly Braun carlosbraun@hotmail.com

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BON VOYAGE Karin Huyzer Pupkin Film karin@pupkin.com pupkin.com

THE CONQUEST Ed Arentz Music Box Films earentz@musicboxﬁlms.com musicboxﬁlms.com

BOY Fred Joubaud OUAT Media fred.joubaud@ouatmedia.com ouatmedia.com

CORIOLANUS Jennifer Stott The Weinstein Company jennifer.stott@weinsteinco.com weinsteinco.com

BREAKING POINT Kendra Bradanini kbradanini@urbanschool.org

COUNTRY MUSIC Silvio Canihuante Cinépata silvio@cinepata.com cinepata.com

A BRUSH WITH THE TENDERLOIN Paige Bierma paigebierma@mac.com BUSONG (PALAWAN FATE) Jong de Castro jongi1@yahoo.com

DA MONZON, THE CONQUEST OF SAMANYANA Sidy Fassara Diabaté fassarasidy@yahoo.fr cncm@sotelma.net.ml

THE BUTCHER’S WIFE Ewa Bigio Smiley Film Sales Ltd. info@smileyﬁlmsales.com smileyﬁlmsales.com

DAY OF THE FLOWERS Jonathan J. Rae Independent Talent Group jonathanjrae@googlemail.com

BUUD YAM Gaston Kaboré imagine@fasonet.bf

DEAF JAM Judy Lieff Made-By-Hand, LLC deafjamdoc@gmail.com

CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN Sascha Rice 2658 Grifﬁth Park Blvd. #190 Los Angeles, CA 90039

THE DEATH OF AN INSECT Otto Suuronen The Finnish Film Foundation otto.suuronen@ses.ﬁ

CHRISTMAS PIGGY Elisabeth Rosen The National Film School of Denmark elr@ﬁlmskolen.dk CIRCUS COLUMBIA Brandon Peters Strand Releasing brandon@strandreleasing.com strandreleasing.com CIRCUS DREAMS Signe Taylor signe.taylor@gmail.com circusdreams.net COLLABORATOR Ruby Rondina eOne Films International festival.requests@gmail.com CONFIDANTE Lisa Melodia lisamelodia@gmail.com

THE DESTINY OF LESSER ANIMALS Deron Albright Bright Moon Pictures deronroy@gmail.com DIANA VREELAND: THE EYE HAS TO TRAVEL Samuel Goldwyn Films samuelgoldwynfilms.com A DOCTOR’S JOB Julio O. Ramos Andino Films andinofilms@gmail.com DOLPHIN BOY Dragoman Films info@dragomanfilms.com dragomanfilms.com EAMES: THE ARCHITECT AND THE PAINTER Jason Cohn Bread and Butter Films jason@breadandbutterfilms.com

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PRINT SOURCES ECO-PIRATE: THE STORY OF PAUL WATSON Anand Raghavan Screen Siren Pictures anand@screensiren.ca screensiren.ca

GURU: BHAGWAN, HIS SECRETARY & HIS BODYGUARD Philip Delaquis Das Kollektiv für audiovisuelle Werke GmbH info@daskollektiv.ch

ELIMINATE: ARCHIE COOKSON Ioanna Karavela Agent Pictures ioanna@agentpictures.com agentpictures.com

HEIST: WHO STOLE THE AMERICAN DREAM? Donald Goldmacher Connecting the Dots Productions donald.goldmacher@gmail.com

EXPOSURE CFI Education education@caﬁlm.org caﬁlm.org

HELLO! HOW ARE YOU? Anne Wiedlack m-appeal festivals@m-appeal.com m-appeal.com

A FEW BEST MEN Gary Hamilton Arclight Films gary@arclightfilms.com arclightfilms.com FLOYD THE ANDROID Jonathan Lyons Stupix Animation contact@stupix.com stupix.com THE FORGIVENESS OF BLOOD Kim Kalyka IFC Films kakalyka@ifcfilms.com GIRLFRIEND Demetri Makoulis Elephant Eye Films demetri@elephanteyefilms.com elephanteyefilms.com GOLD VIOLIN: BOW OF DEATH Mark Pope David vs Goliath Productions herterb@aol.com THE GOOD DOCTOR Martin Wendel Magnolia Pictures mwendel@magpictures.com magpictures.com GOOD LUCK, MR. GORSKI Allegra Huston Instant Fires LLC allegrahuston@gmail.com GRANITO: HOW TO NAIL A DICTATOR Paco de Onís Skylight Pictures paco@skylightpictures.com skylightpictures.com

HERITAGE TVP festivals@tvp.pl HI DE HO SHOW John Goddard villagemus@aol.com HIP HOP MAESTRO Christine Lee cylee88@mac.com HOLIDAYS BY THE SEA Valeska Neu Films Boutique valeska@filmsboutique.com I AM ROUND Andreas Fock Swedish Film Institute andreas.fock@sfi.se sfi.se INDEPENDENCE IN SIGHT Jason Jakaitis jakaitis@bavc.com INVISIBLE Simon Young Shorts International simon@shortsinternational.com shortsinternational.com JEFF WHO LIVES AT HOME Norma Perez Paramount Pictures norma_perez@paramount.com paramount.com THE KING Jason Jakaitis jakaitis@bavc.com THE LADY Lisa Taback Europa Corp. lisa@lt-la.com europacorp.com

THE LEMON TREE Peter Hansen Sonoma Valley High School phansen@sonomavly.k12.ca.us svhsvideo.com LIBRARY OF DUST Robert James NuReality Productions r.james@mac.com LIFE MODEL Lori Petchers loripetchers@yahoo.com 5efilms.com LIGHT OF THE RIVER Fumi Miyake NHK s01608-miyake@nhk.or.jp www3.nhk.or.jp/nhkworld/ LIKE CRAZY Ryan Bautista Paramount Pictures ryan_bautista@paramount.com paramount.com LOS DOS MORROS! John Morrison CFI Education education@cafilm.org cafilm.org LOST KISSES Mélanie Romat Adriana Chiesa Enterprises info@adrianachiesaenterprises.com adrianachiesaenterprises.com

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LOTUS EATERS Mark Lee McGuinnessLee Ltd. mark@mcguinnesslee.com LUMINARIS Juan Pablo Zaramella JPZtudio contact@zaramella.com.ar zaramella.com.ar

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MAGIC SILVER Larry Hulse KidflixGlobal larry.hulse@kidflixglobal.com kidflixglobal.com MALLRATS Lee Larcheveque Amherst Regional High School monarx@comcast.net MARGIN CALL Roadside Attractions vickye@roadsideattractions.com

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PRINT SOURCES MARTHA MARCY MAY MARLENE Russell Nelson Fox Searchlight Pictures russell.nelson@fox.com foxsearchlight.com

ONE THROUGH LOVE Stephen Olsson CEM Productions stephen@cemproductions.org cemproductions.org

MISS BALA David Dinerstein D Squared Films david@dsquaredﬁlms.com

OUT OF ERASERS Daniel Wirtberg Daemon Film daniel@daemonﬁlm.se

MISS SOUTH PACIFIC: BEAUTY AND THE SEA Teresa Tico Kauai Girl Productions haenagirl@gmail.com

PARIAH Kyle Thorpe Focus Features kyle.thorpe@focusfeatures.com focusfeatures.com

MOMO Jason Jakaitis jakaitis@bavc.com

PATANG Demetri Makoulis Elephant Eye Films demetri@elephanteyeﬁlms.com elephanteyeﬁlms.com

MOONLESS NIGHT Bethynia Cardenas Flor de Chapopote bethynia@gmail.com bethyniacardenas.com A MORNING STROLL Kaye Lavender Studio aka kaye@studioaka.co.uk studioaka.co.uk

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THE MOSQUE Daoud Aoulad-Syad daoud.aouladsyad@gmail.com MR. HAPPY MAN Matt Morris mattmorrisﬁlms@gmail.com mattmorrisﬁlms.com MY BIG RED PURSE Giancarlo Iannotta mybigredpurse@gmail.com MY WEEK WITH MARILYN Jennifer Stott The Weinstein Company jennifer.stott@weinsteinco.com weinsteinco.com NDAPEWA: I AM GIVEN Erin Buckley childrenofourvillages@gmail.com THE NEW ENVIRONMENTALISTS Mill Valley Film Group mvfg@aol.com mvfg.com THE NEW FRONTIER: SUSTAINABLE RANCHING IN THE AMERICAN WEST Melinda Levin University of North Texas melinda@unt.edu

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PEGASUS Fouad Challa Dreamaker Productions fchalla@dreamakerproductions.com dreamakerproductions.com PENULTIMATE Paul Meyers meyersp@stanford.edu PINA Elizabeth Brambilla IFC Films ebrambilla@ifcﬁlms.com PIONEER Jame M. Johnston Sailor Bear jmjﬁlm@gmail.com

PRINCIPLES Farabi Cinema Foundation fcf1@dpi.net.ir THE PRIZE Anne Delseth Urban Distribution International anne@urbandistrib.com urbandistrib.com RAIDERS OF THE LOST ARK Lucasfilm Ltd. publicity@lucasfilm.com THE REAL ROCKY Gary Cohen Triple Threat Television gary@triplethreattv.com triplethreattv.com RESTORATION Neil Friedman Menemsha Films neilf@menemshafilms.com menemshafilms.com RIGHT TO PLAY Gary Cohen Triple Threat Television gary@triplethreattv.com triplethreattv.com THE SACRED SCIENCE Nick Polizzi Three Seed Productions njplzi@gmail.com SACRIFICE Michael Silberman michaels@idpfilm.com

THE PLANETS John Sanborn sanborn707@aol.com

THE SALT OF LIFE Ben Crossley Marra Zeitgeist Films ben@zetigeistﬁlms.com zeitgeistﬁlms.com

PLAY LIKE A LION: THE LEGACY OF MAESTRO ALI AKBAR KHAN Abuela Luna Pictures info@abuelaluna.com abuelaluna.com

SARABAH Kristen Fitzpatrick Women Make Movies kﬁtzpatrick@wmm.com wmm.com

POP Rachel Moore Fast Trtle Studios fastlane@toastmac.com

SATURN RISING Garry Bowden Stealing Feeling garrybowden@gmail.com

PORTRAIT OF A WINEMAKER: JOHN WILLIAMS OF FROG’S LEAP Deborah Koons Garcia Lily Films info@lilyﬁlms.com lilyﬁlms.com

SEBASTIAN’S ADVENTURE Cheri Gaulke Harvard-Westlake School cgaulke@hw.com

POT COUNTRY Mario Furloni mariofurloni@gmail.com

SEE Cheri Gaulke Harvard-Westlake School cgaulke@hw.com

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PRINT SOURCES SEVEN DAYS IN THE WOODS Andreas Fock Swedish Film Institute andreas.fock@sﬁ.se sﬁ.se

SWIMMING IN A DREAM Jim Sugar Video Storytellers jimsugar@aol.com jimsugar.com

THE WELCOME Bill McMillan Two Shoes Productions mcmillan@ccountry.net thewelcomethemovie.com

SEXTING Tim Harms 72nd Street Productions timdavidharms@yahoo.com

THE TELEGRAM MAN James Khehtie skingame@gmail.com

WEND KUUNI (GOD’S GIFT) Gaston Kaboré imagine@fasonet.bf

THUMBS Gary Cohen Triple Threat Television gary@triplethreattv.com triplethreattv.com

WHAT HAPPENED HERE Rob Nilsson Citizen Cinema rnilsson@robnilsson.com robnilsson.com

TO SAY GOODBYE Jason Headley jason@jasonheadley.com

WHAT WOULD YOU DO? Jason Jakaitis jakaitis@bavc.com

TRANSITION TOWN TOTNES Deborah Koons Garcia Lily Films info@lilyﬁlms.com lilyﬁlms.com

WHILE YOU WERE GONE Sara Rüster Swedish Film Institute sara.ruster@sﬁ.se sﬁ.se

TRUST ME Fredrik Heinig St Paul Film fredrik.heinig@stpaul.se

WILLIAM KURELEK’S THE MAZE Nick Young nickyoung@gmail.com

SHAME Jonathan Lynch-Staunton HanWay Films jls@hanwayfilms.com hanwayfilms.com SILENCE OF LOVE Gregory Chambet TF1 International sales@tf1.fr tf1international.com SMALL, BEAUTIFULLY MOVING PARTS Lisa Robinson Sacha Pictures rockgarden@gmail.com SMOKIN’ FISH Luke Griswold-Tergis smokinfishmovie@gmail.com THE SOUL OF FLIES Jonathan Cenzual Burley El Mailan Films stmailan@yahoo.co.uk STAGE LEFT: A STORY OF THEATER IN SAN FRANCISCO Shelley Trott Kenneth Rainin Foundation shelley.trott@krfoundation.org krfoundation.org THE STORY OF FILM: AN ODYSSEY John Archer Hopscotch Films john@hopscotchfilms.co.uk hopscotchfilms.co.uk SUFFOCATION Cheri Gaulke Harvard-Westlake School cgaulke@hw.com SUMMERLAND Christof Wehmeier Icelandic Film Centre christof@icelandicfilmcentre.is icelandicfilmcentre.is SUNSHINE Doug Nichol American Buffalo Pictures dougnichol@mac.com

TURN ME ON, DAMMIT! Jonathan Howell New Yorker Films jonathan.howell@newyorkerfilms.com newyorkerfilms.com VOICES FROM THE SHADOWS Josh Biggs josh@isophia.co.uk isophia.co.uk THE WALK William Farley farleyfilm@gmail.com farleyfilm.com WE NEED TO TALK ABOUT KEVIN Dan Berger Oscilloscope Laboratories dan@oscilloscope.net oscilloscopepictures.net

THE WIND IS BLOWING ON MY STREET Saba Riazi saba0riazi@gmail.com A WOMAN’S DESCENT TO THE SACRED Sherry Ruth Anderson The Feminine Wisdom School sherrygreywolf@gmail.com femininewisdomschool.com YOUNG GOETHE IN LOVE Ed Arentz Music Box Films earentz@musicboxﬁlm.com musicboxﬁlms.com ZAPPED! Jeff Pryor Priority PR jeff@prioritypr.net prioritypr.net

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Congratulations to the Mill Valley Film Festival

Joseph L. Bauer, D.D.S. 613 STRAWBERRY VILLAGE ● MILL VALLEY 415-380-3600 171

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Welcome to the 34th Annual Mill Valley Film Festival!

Enjoy responsibly.

Facebook.com/ KenwoodVineyards

Twitter.com/ KenwoodVineyard

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FILMS BY COUNTRY *Denotes country of interest

A LBA NI A The Forgiveness of Blood

Out of Erasers The Story of Film: An Odyssey*

EC UA DOR Eco-Pirate: The Story of Paul Watson *

A FG H A NI S TA N The Welcome*

EL S A LVA DOR The New Environmentalists

A RG EN TIN A Luminaris

FI JI Miss South Paciﬁc: Beauty and the Sea

AUS T R A LI A A Few Best Men The Story of Film: An Odyssey* Swimming in a Dream* The Telegram Man Voices from the Shadows*

BER MUDA Mr. Happy Man*

BO SNI A A ND HER ZEG OV IN A Circus Columbia

BR A Z IL Beyond the Road

BUR K IN A FA S O

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Buud Yam The Story of Film: An Odyssey* Wend Kuuni (God’s Gift)

C A N A DA

FINL A ND

The Artist The Conquest Holidays by the Sea The Lady One Through Love Pina The Prize Silence of Love The Story of Film: An Odyssey* Swimming in a Dream*

G ER M A N Y Anonymous The New Environmentalists Pina Sarabah* Swimming in a Dream* Young Goethe in Love

JA PA N Light of the River The Story of Film: An Odyssey*

MALI Da Monzon, The Conquest of Samanyana

ME X IC O

G UAT EM A L A

MOROC C O

Granito: How to Nail a Dictator*

The Mosque Pegasus

HONG KONG

Summerland

INDI A Patang (The Kite) Play Like a Lion: The Legacy of Maestro Ali Akbar Khan* The Story of Film: An Odyssey*

INDONE SI A The New Environmentalists

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The Forgiveness of Blood Lost Kisses The Salt of Life The Story of Film: An Odyssey* Swimming in a Dream*

The Destiny of Lesser Animals

IC EL A ND

Christmas Piggy The Forgiveness of Blood

ITA LY

Miss Bala Moonless Night The Prize

Country Music Eco-Pirate: The Story of Paul Watson*

DENM A RK

Albert Nobbs Good Luck, Mr. Gorski Lotus Eaters Swimming in a Dream*

Dolphin Boy Restoration What Happened Here*

The Story of Film: An Odyssey*

Day of the Flowers *

IREL A ND

FR A NC E

C HIL E

C UBA

The Welcome*

I SR A EL

GHANA

The Butcher’s Wife Sacriﬁce The Story of Film: An Odyssey* Sunshine

IR AQ

The Death of an Insect

Collaborator Eco-Pirate: The Story of Paul Watson Pop Smokin’ Fish* Voices from the Shadows* William Kurelek’s The Maze Zapped!

C HIN A

Principles The Story of Film: An Odyssey* The Wind Is Blowing on My Street

IR A N

N A MIBI A Ndapewa: I Am Given

NE T HERL A ND S Bon Voyage

NE W ZE A L A ND Voices from the Shadows*

NORWAY Magic Silver Turn Me On, Dammit!

PA P UA NE W G U INE A Miss South Paciﬁc: Beauty and the Sea

One Through Love

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FILMS BY COUNTRY PERU A Doctor’s Job The Sacred Science

PHIL IPPINE S Busong (Palawan Fate)

P OL A ND Between 2 Fires Heritage

P OR T UGA L Swimming in a Dream*

ROM A NI A Hello! How Are You?

RUS SI A The Story of Film: An Odyssey*

SENEGA L Sarabah The Story of Film: An Odyssey*

SIBER I A The New Environmentalists

SPA IN Granito: How to Nail a Dictator* The Soul of Flies Swimming in a Dream*

S W EDEN Between 2 Fires I Am Round Out of Erasers Seven Days in the Woods The Story of Film: An Odyssey* Trust Me While You Were Gone

S W IT ZERL A ND Guru: Bhagwan, His Secretary & His Bodyguard

T UR K E Y One Through Love

UK Anonymous* Coriolanus Day of the Flowers ELIMINATE: Archie Cookson Invisible The Lady Lotus Eaters A Morning Stroll

My Week with Marilyn One Through Love Pina Shame The Story of Film: An Odyssey Swimming in a Dream* Voices from the Shadows We Need to Talk About Kevin

UK R A INE What Happened Here

URUG UAY Beyond the Road

US The 36 2648 Hours Alone American Homes Another Happy Day The Barber of Birmingham: Foot Soldier of the Civil Rights Movement Being Elmo: A Puppeteer’s Journey Boy Breaking Point A Brush with the Tenderloin California State of Mind: The Legacy of Pat Brown Circus Dreams Collaborator Conﬁdante Country Music Deaf Jam The Destiny of Lesser Animals Eames: The Architect and the Painter Exposure Floyd the Android The Forgiveness of Blood Girlfriend GOLD VIOLIN: bow of death The Good Doctor Good Luck, Mr. Gorski Granito: How to Nail a Dictator Heist: Who Stole the American Dream? Hi De Ho Show Hip Hop Maestro Independence in Sight Jeff Who Lives at Home The King The Lemon Tree Library of Dust Life Model Like Crazy Los Dos Morros! Mallrats Margin Call Martha Marcy May Marlene

Miss South Paciﬁc: Beauty and the Sea Momo Moonless Night Mr. Happy Man My Big Red Purse Ndapewa: I Am Given The New Environmentalists The New Frontier: Sustainable Ranching in the American West One Through Love Patang (The Kite) Pariah Penultimate Pioneer The Planets Play Like a Lion: The Legacy of Maestro Ali Akbar Khan Portrait of a Winemaker: John Williams of Frog’s Leap Pot Country Raiders of the Lost Ark The Real Rocky Right to Play The Sacred Science Sarabah Saturn Rising Sebastian’s Adventure See sexting Small, Beautifully Moving Parts Smokin’ Fish Stage Left: A Story of Theater in San Francisco The Story of Film: An Odyssey* Suffocation Sunshine Swimming in a Dream Thumbs To Say Goodbye Transition Town Totnes Voices from the Shadows* The Walk The Welcome What Happened Here What Would You Do? William Kurelek’s The Maze The Wind Is Blowing on My Street A Woman’s Descent to the Sacred

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V IE T N A M The Welcome*

Z IMBA BW E The New Environmentalists

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38 Miller Avenue

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FILMS BY FILMMAKER

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Adamson, Mario I Am Round . . . . . . . . . . . . . . . . . . . . . . . . .92 Adizes, Topaz Boy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93 Albright, Deron The Destiny of Lesser Animals . . . . . . . 101 Anderson, Sherry Ruth A Woman’s Descent to the Sacred . . . . . 115 Antonelli, John The New Environmentalists . . . . . . . . . . 111 Aoulad-Syad, Daoud The Mosque . . . . . . . . . . . . . . . . . . . . . . . 110 Baranski, Andrzej Heritage . . . . . . . . . . . . . . . . . . . . . . . . . . 105 Besson, Luc The Lady . . . . . . . . . . . . . . . . . . . . . . . . . . 107 Bhargava, Prashant Patang (The Kite) . . . . . . . . . . . . . . . . . . . 111 Bierma, Paige A Brush with the Tenderloin . . . . . . . . . . . 95 Biggs, Josh Voices from the Shadows . . . . . . . . . . . . 120 Boulton, Natalie Voices from the Shadows . . . . . . . . . . . . 120 Bowden, Garry Saturn Rising . . . . . . . . . . . . . . . . . . . . . . .93 Bradanini, Kendra Breaking Point . . . . . . . . . . . . . . . . . . . . . 122 Braun, Charly Beyond the Road . . . . . . . . . . . . . . . . . . . . 96 Bremer, Gloria Sarabah . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Buckley, Erin Ndapewa: I Am Given . . . . . . . . . . . . . . . 122 Burley, Jonathan Cenzual The Soul of Flies . . . . . . . . . . . . . . . . . . . 117 Cardenas Iñiguez, Bethynia Moonless Night . . . . . . . . . . . . . . . . . . . . .93 Causey, Frances Heist: Who Stole the American Dream? 105 Chandor, J.C. Margin Call . . . . . . . . . . . . . . . . . . . . . . . . 109 Chapman, Harold Invisible . . . . . . . . . . . . . . . . . . . . . . . . . . .93 Chen Kaige Sacriﬁce . . . . . . . . . . . . . . . . . . . . . . . . . . 115 Cinnamon, Molly See . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Claudel, Philippe Silence of Love . . . . . . . . . . . . . . . . . . . . . 116 Cohn, Jason Eames: The Architect and the Painter . 102 Cousins, Mark The Story of Film: An Odyssey . . . . . . . . 118 Couturié, Bill Thumbs . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 Curtis, Simon My Week with Marilyn . . . . . . . . . . . . . . . 110

Daly, Lance The Good Doctor . . . . . . . . . . . . . . . . . . . 104 Di Gregorio, Gianni The Salt of Life . . . . . . . . . . . . . . . . . . . . . 115 Diabaté, Sidy Fassara Da Monzon, The Conquest of Samanyana. . . . . . . . . . . . . . . . . . . . . . . . 100 Dolgin, Gail The Barber of Birmingham: Foot Soldier of the Civil Rights Movement . . . . . . . . 95 Dolman, Trish Eco-Pirate: The Story of Paul Watson . . 102 Donovan, Martin Collaborator . . . . . . . . . . . . . . . . . . . . . . . .98 Doremus, Drake Like Crazy. . . . . . . . . . . . . . . . . . . . . . . . . 107 Duplass, Jay Jeff Who Lives at Home . . . . . . . . . . . . . 106 Duplass, Mark Jeff Who Lives at Home . . . . . . . . . . . . . 106 Durkin, Sean Martha Marcy May Marlene . . . . . . . . . . 109 Durringer, Xavier The Conquest . . . . . . . . . . . . . . . . . . . . . . .99 Dusenbery, Tom The New Environmentalists . . . . . . . . . . 111 Elliott, Stephan A Few Best Men . . . . . . . . . . . . . . . . . . . . 103 Emmerich, Roland Anonymous . . . . . . . . . . . . . . . . . . . . . . . . 94 Farley, William The Walk . . . . . . . . . . . . . . . . . . . . . . . . . . 117 Feuerzeig, Jeff The Real Rocky . . . . . . . . . . . . . . . . . . . . 114 Fiennes, Ralph Coriolanus . . . . . . . . . . . . . . . . . . . . . . . . .99 Foerster, Zeke Mallrats . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Forbord, Austin Stage Left: A Story of Theater in San Francisco . . . . . . . . . . . . . . . . . . . . . . . 118 Friedman, Bernard American Homes . . . . . . . . . . . . . . . . . . . 102 Fryday, Robin The Barber of Birmingham: Foot Soldier of the Civil Rights Movement . . . . . . . . 95 Fuguet, Alberto Country Music . . . . . . . . . . . . . . . . . . . . . .99 Furloni, Mario Pot Country . . . . . . . . . . . . . . . . . . . . . . . .92 Gambale, Maria Luisa Sarabah . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Gao Xiongjie The Butcher’s Wife . . . . . . . . . . . . . . . . . . 97 Garcia, Rodrigo Albert Nobbs . . . . . . . . . . . . . . . . . . . . . . .93 Gisiger, Sabine Guru: Bhagwan, His Secretary & His Bodyguard . . . . . . . . . . . . . . . . . . . . . . 104

Goddard, John Hi De Ho Show . . . . . . . . . . . . . . . . . . . . . 106 Goldmacher, Donald Heist: Who Stole the American Dream? . 105 Griswold-Tergis, Luke Smokin’ Fish . . . . . . . . . . . . . . . . . . . . . . 117 Grubin, David William Kurelek’s The Maze . . . . . . . . . . 121 Hákonarson, Grímur Summerland . . . . . . . . . . . . . . . . . . . . . . 118 Häner, Beat Guru: Bhagwan, His Secretary & His Bodyguard . . . . . . . . . . . . . . . . . . . . . . 104 Hazanavicius, Michel The Artist . . . . . . . . . . . . . . . . . . . . . . . . . . 94 Headley, Jason To Say Goodbye . . . . . . . . . . . . . . . . . . . . .92 Hirakawa, Tetsuo Light of the River . . . . . . . . . . . . . . . . . . . 107 Holder, Rob ELIMINATE: Archie Cookson . . . . . . . . . 102 Howell, Annie J. Small, Beautifully Moving Parts . . . . . . 111 Hung, Ingrid 2648 Hours . . . . . . . . . . . . . . . . . . . . . . . . 122 Iannotta, Giancarlo My Big Red Purse . . . . . . . . . . . . . . . . . . .93 Jacobsen, Jannicke Systad Turn Me On, Dammit! . . . . . . . . . . . . . . . 119 James, Robert Library of Dust . . . . . . . . . . . . . . . . . . . . . 121 Jensen, Samantha Alone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Jersey, Bill Eames: The Architect and the Painter . 102 Johnson, David Momo . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Kaboré, Gaston Buud Yam . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Wend Kuuni (God’s Gift) . . . . . . . . . . . . . 121 Kasher, Miranda See . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Kempff, Frida While You Were Gone . . . . . . . . . . . . . . . 101 Khehtie, James The Telegram Man . . . . . . . . . . . . . . . . . . .92 Klaver, Irene J. The New Frontier: Sustainable Ranching in the American West . . . . . . . . . . . . . 111 Kling, Johan Trust Me . . . . . . . . . . . . . . . . . . . . . . . . . . 119 Koons Garcia, Deborah Portrait of a Winemaker: John Williams of Frog’s Leap . . . . . . . 111 Transition Town Totnes . . . . . . . . . . . . . . 111 LaBute, Neil sexting . . . . . . . . . . . . . . . . . . . . . . . . . . . .93 Lambert, Mary Miss South Paciﬁc: Beauty and the Sea . 116

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FILMS BY FILMMAKER Larsson, Peter Seven Days in the Woods . . . . . . . . . . . . .92 Lasley, Luke The Lemon Tree . . . . . . . . . . . . . . . . . . . . 122 Launing, Katarina Magic Silver . . . . . . . . . . . . . . . . . . . . . . . 108 Lee, Christine Hip Hop Maestro . . . . . . . . . . . . . . . . . . . .92 Lerner, Justin Girlfriend . . . . . . . . . . . . . . . . . . . . . . . . . 103 Levin, Melinda The New Frontier: Sustainable Ranching in the American West . . . . . . . . . . . . . 111 Levinson, Sam Another Happy Day . . . . . . . . . . . . . . . . . . 94 Lieberman, Nick Suffocation . . . . . . . . . . . . . . . . . . . . . . . . 122 Lieff, Judy Deaf Jam . . . . . . . . . . . . . . . . . . . . . . . . . 100 Lindberg, Lauren Independence in Sight . . . . . . . . . . . . . . . 122 What Would You Do? . . . . . . . . . . . . . . . . 122 Lowery, David Pioneer . . . . . . . . . . . . . . . . . . . . . . . . . . . .93 Lukasiak, Agnieszka Between 2 Fires . . . . . . . . . . . . . . . . . . . . . 95 Lyons, Jonathan Floyd the Android . . . . . . . . . . . . . . . . . . .92 Madmony, Joseph Restoration. . . . . . . . . . . . . . . . . . . . . . . . 114 Maftei, Alexandru Hello! How Are You? . . . . . . . . . . . . . . . . 105 Mann, Cory Smokin’ Fish . . . . . . . . . . . . . . . . . . . . . . 117 Markovitch, Paula The Prize . . . . . . . . . . . . . . . . . . . . . . . . . 113 Marks, Constance Being Elmo: A Puppeteer’s Journey . . . . 95 Marshall, Frank Right to Play . . . . . . . . . . . . . . . . . . . . . . . 114 Marston, Joshua The Forgiveness of Blood . . . . . . . . . . . . 103 Martinez, Edwin Los Dos Morros! . . . . . . . . . . . . . . . . . . . 122 McGuinness, Alexandra Lotus Eaters . . . . . . . . . . . . . . . . . . . . . . . 108 McLean, Kate Pot Country . . . . . . . . . . . . . . . . . . . . . . . .92 McQueen, Steve Shame . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Mellars, Joshua Dylan Play Like a Lion: The Legacy of Maestro Ali Akbar Khan . . . . . . . . . . . 113 Melodia, Lisa Conﬁdante . . . . . . . . . . . . . . . . . . . . . . . . .92 Menkin, Dani Dolphin Boy . . . . . . . . . . . . . . . . . . . . . . . 101 Meyers, Paul Penultimate . . . . . . . . . . . . . . . . . . . . . . . .92

Milani, Tahmineh Principles . . . . . . . . . . . . . . . . . . . . . . . . . 113 Moon, Hyeyon The Walk . . . . . . . . . . . . . . . . . . . . . . . . . . 117 Moore, Rachel Pop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .92 Morris, Matt Mr. Happy Man . . . . . . . . . . . . . . . . . . . . . 100 Motulsky, Nat Sebastian’s Adventure . . . . . . . . . . . . . . 122 Mouftakir, Mohamed Pegasus . . . . . . . . . . . . . . . . . . . . . . . . . . 112 Naranjo, Gerardo Miss Bala . . . . . . . . . . . . . . . . . . . . . . . . . 109 Nichol, Doug Sunshine . . . . . . . . . . . . . . . . . . . . . . . . . . .92 Nilsson, Rob What Happened Here . . . . . . . . . . . . . . . 121 Nir, Yonatan Dolphin Boy . . . . . . . . . . . . . . . . . . . . . . . 101 Norton, Zeke Zapped! . . . . . . . . . . . . . . . . . . . . . . . . . . . .92 O’Brien, Robert Sebastian’s Adventure . . . . . . . . . . . . . . 122 Olsson, Stephen One Through Love . . . . . . . . . . . . . . . . . . 110 Orchard, Grant A Morning Stroll . . . . . . . . . . . . . . . . . . . .92 Parrinello, Will The New Environmentalists . . . . . . . . . . 111 Perlmutt, Bent-Jorgen Diana Vreeland: The Eye Has to Travel . . 101 Petchers, Lori Life Model. . . . . . . . . . . . . . . . . . . . . . . . . .92 Polizzi, Nick The Sacred Science . . . . . . . . . . . . . . . . . 115 Pope, Mark GOLD VIOLIN: bow of death . . . . . . . . . . 113 Rabaté, Pascal Holidays by the Sea . . . . . . . . . . . . . . . . . 106 Ramos, Julio O. A Doctor’s Job . . . . . . . . . . . . . . . . . . . . . .92 Ramsay, Lynne We Need to Talk About Kevin . . . . . . . . . 120 Rees, Dee Pariah . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 Riazi, Saba The Wind Is Blowing on My Street . . . . . .93 Rice, Sascha California State of Mind: The Legacy of Pat Brown . . . . . . . . . . . 97 Roberts, John Day of the Flowers . . . . . . . . . . . . . . . . . . 100 Robinson, Lisa Small, Beautifully Moving Parts . . . . . . 117 Rogaar, Margien Bon Voyage . . . . . . . . . . . . . . . . . . . . . . . . . 96 Rosenlund, Erik Out of Erasers . . . . . . . . . . . . . . . . . . . . . .93

Sanborn, John The Planets . . . . . . . . . . . . . . . . . . . . . . . 112 Seneker, Ethan Alone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Shelton, Kim The Welcome . . . . . . . . . . . . . . . . . . . . . . 120 Shiver, Arron Good Luck, Mr. Gorski . . . . . . . . . . . . . . . .93 Söderström, R.S. Christmas Piggy . . . . . . . . . . . . . . . . . . . .92 Solito, Auraeus Busong (Palawan Fate) . . . . . . . . . . . . . . . 96 Spielberg, Steven Raiders of the Lost Ark . . . . . . . . . . . . . . 114 Stölzl, Philipp Young Goethe in Love . . . . . . . . . . . . . . . 122 Sugar, Jim Swimming in a Dream . . . . . . . . . . . . . . . .92 Sullivan, Larin Exposure . . . . . . . . . . . . . . . . . . . . . . . . . 122 Tanovic, Danis Circus Columbia . . . . . . . . . . . . . . . . . . . .98 Taylor, Signe Circus Dreams . . . . . . . . . . . . . . . . . . . . . .98 Tcheng, Frederic Diana Vreeland: The Eye Has to Travel . . 101 Timoner, Ondi Library of Dust . . . . . . . . . . . . . . . . . . . . . 121 Torre, Roberta Lost Kisses. . . . . . . . . . . . . . . . . . . . . . . . 108 Uthaug, Roar Magic Silver . . . . . . . . . . . . . . . . . . . . . . . 108 Vartiainen, Hannes The Death of an Insect . . . . . . . . . . . . . . .92 Veikkolainen, Pekka The Death of an Insect . . . . . . . . . . . . . . .92 Vreeland, Lisa Immordino Diana Vreeland: The Eye Has to Travel . . 101 Weinfeld, Nic The 36 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Weinstein, Ethan Sebastian’s Adventure . . . . . . . . . . . . . . 122 Wenders, Wim Pina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 Yates, Pamela Granito: How to Nail a Dictator . . . . . . . 104 Young, Robert M. William Kurelek’s The Maze . . . . . . . . . . 121 Zaballos, Henry The King . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Zakeri, Shyan Sebastian’s Adventure . . . . . . . . . . . . . . 122 Zaramella, Juan Pablo Luminaris . . . . . . . . . . . . . . . . . . . . . . . . . .92

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ADVERTISER INDEX 7x7 . . . . . . . . . . . . . . . . . . . . . . . . . . . .140 13 Bernard . . . . . . . . . . . . . . . . . . . . .142 123 Bolinas. . . . . . . . . . . . . . . . . . . . .136 Academy of Motion Picture Arts and Sciences . . . . . . . . . . . . . . . . . .40 Acqua Hotel . . . . . . . . . . . . . . . . . . . . .70 Alain Pinel Realtors . . . . . . . . . . . . . .47 Alice @ 97.3 . . . . . . . . . . . . . . . . . . . . .58 Ann Switzer . . . . . . . . . . . . . . . . . . . . .38 At Home at Sweet Things . . . . . . . . . .25 AT&T . . . . . . . . . . . . . . . . . . . . . . . . . . 151 AT&T Advertising Solutions . . . . . . .182 Sue Averell . . . . . . . . . . . . . . . . . . . . . .39 Balboa Cafe . . . . . . . . . . . . . . . . . . . .177 Helen Baldovinos -Morgan Stanley . . . . . . . . . . . . . . .25 Bank of Marin . . . . . . . . . . . . . . . . . . . .6 Bellam Self Storage & Boxes . . . . . . .86 Best Western Plus Corte Madera Inn . . . . . . . . . . . . . . . . . . .142 Bohemian . . . . . . . . . . . . . . . . . . . . . . .58 Bon Air Center . . . . . . . inside front cover Carol Peek Studio . . . . . . . . . . . . . . . .38 CatDV - Square Box Systems Ltd. . .163 Cavallo Point . . . . . . . . . . . . . . . . . . . 176 CBS 5 . . . . . . . . . . . . . . . . . . . . . . . . . .69 Champagne French Bakery Cafe . . .144 Classical KDFC . . . . . . . . . . . . . . . . .144 Clear Channel . . . . . . . . . . . . . . . . . .142 College of Marin . . . . . . . . . . . . . . . . .46 Comcast . . . . . . . . . . . . . . . . . . . . . . . .88 Comforts . . . . . . . . . . . . . . . . . . . . . . .35 Courtesan Wines . . . . . . . . . . . . . . . .142 Courtyard by Marriott Novato . . . . .144 Crumpler . . . . . . . . . . . . . . . . . . . . . . 141 Delicious! Catering . . . . . . . . . . . . . .152 Dolby Laboratories . . . . . . . . . . . . . .124 Dorothy J. Slattery, DDS . . . . . . . . . .142 East Bay Express . . . . . . . . . . . . . . .150 Eastman Kodak Company. . . . . . . . . .90 EFILM . . . . . . . . . . . . . . . . . . . . . . . . .126 Eileen Fisher . . . . . . . . . . . . . . . . . . . .16 Extended Stay Deluxe Hotel . . . . . . .150 Extranomical Adventures . . . . . . . .165 Fabrizio Ristorante . . . . . . . . . . . . . . .74 Final Draft, Inc. . . . . . . . . . . . . . . . . .136 Fiske Video Productions . . . . . . . . . .172 Folk Art Gallery . . . . . . . . . . . . . . . . . .74 Fort Docs . . . . . . . . . . . . . . . . . . . . . . .89 Frantoio Ristorante & Olive Oil Co. . .12

Friends of Marin Center . . . . . . . . . . .46 Frogs Hot Tubs. . . . . . . . . . . . . . . . . . .42 FUREVERMORE.com. . . . . . . . . . . . .146 Galante Vineyards . . . . . . . . . . . . . . . .74 Giraffex Graphic Design . . . . . . . . . .146 Golden Gate Transit. . . . . . . . . . . . . .152 Harbor Point Swim & Tennis Club . . .20 ICG Magazine . . . . . . . . . . . . . . . . . . . .89 Idyllwild Arts . . . . . . . . . . . . . . . . . . . .45 Il Davide Cucina Italiana . . . . . . . . . . .35 Illumigarden . . . . . . . . . . . . . . . . . . .172 Judy’s Breadsticks/Lovesticks . . . . .21 Kenwood Vineyards . . . . . . . . . . . . . .173 KGO Newstalk 810 . . . . . . . . . . . . . . . .64 Kidfl ixGlobal . . . . . . . . . . . . . . . . . . . .46 KQED. . . . . . . . . . . . . . . . . . . . . . . . . . .78 La Ginestra . . . . . . . . . . . . . . . . . . . . .21 Larkspur Hotel Mill Valley . . . . . . . . .80 Lexus of Marin . . . . . . . . . . . . . . . . . . .20 Live Local Marin . . . . . . . . . . . . . . . . .42 LRG Capital Group. . . . . . . . . . . . . . . .14 Lucasfilm Ltd. . . . . . . . . . . . . back cover Marin Arts Council . . . . . . . . . . . . . .132 Marin Community Foundation . . . . . .36 Marin French Cheese Company . . . . .65 Marin Independent Journal . . . . . . .160 Marin Magazine . . . . . . . . . . . . . . . . .134 Marin Suites Hotel . . . . . . . . . . . . . . .148 Marin Symphony . . . . . . . . . . . . . . . . .35 Maroevich, O’Shea & Coghlan Insurance Services . . . . . . . . . . . . .10 Matthew Sumner Photography . . . .172 Mazzocco Sonoma . . . . . . . . . . . . . . .177 Mechanics Bank . . . . . . . . . . . . . . . . .60 Ménage à Trois. . . . . . . . . . . . . . . . . .137 Meyer Media LLC . . . . . . . . . . . . . . . . .21 Mill Valley Flowers . . . . . . . . . . . . . .180 Mill Valley Inn . . . . . . . . . . . . . . . . . .135 Mill Valley Library Foundation & The Friends. . . . . . . . . . . . . . . . . .43 Mill Valley Services . . . . . . . . . . . . . . .89 Mitchel Berman Cabinetmakers . . . . .4 Montecito Shopping Center . . . . . . .172 Mountain Home Inn . . . . . . . . . . . . . .152 MUBI . . . . . . . . . . . . . . . . . . . . . . . . . . 167 MW General Contracting . . . . . . . . . .42 OSKA. . . . . . . . . . . . . . . . . . . . . . . . . . .66 Pacific Gas and Electric Company . . .84 Pacific Sun . . . . . . . . . . . . . . . . . . . . .164 A Party Center . . . . . . . . . . . . . . . . . .79

Pearl’s Phat Burgers . . . . . . . . . . . . .89 Peet’s Coffee & Tea . . . . . . . . . . . . . .145 Piatti Ristorante & Bar . . . . . . . . . . . 161 Piazza D’Angelo Ristorante . . . . . . .131 Pizza Antica . . . . . . . . . . . . . . . . . . . .133 Plath & Company. . . . . . . . . . . . . . . . .32 Post Street Surgery Center . . . . . . . .24 Private Ocean. . . . . . . . . . . . . . . . . . . .54 Cheryl Rabin . . . . . . . . . . . . . . . . . . . .38 Richardson Architects . . . . . . . . . . . .25 Rims & Goggles . . . . . . . . . . . . . . . . . .48 Ruby Livingdesign . . . . . . . . . . . . . . .149 SAGIndie . . . . . . . . . . . . . . . . . . . . . . .164 San Domenico School . . . . . . . . . . . . .59 San Francisco Bay Guardian . . . . . .159 San Rafael BID . . . . . . . . . . . . . . . . . . .35 San Rafael Chamber of Commerce . . . . . . . . . . . . . . . . . . .180 John Sanborn. . . . . . . . . . . . . . . . . . . .28 Scandinavian Designs . . . . . . . . . . . . .30 Seager Gray Gallery . . . . . . . . . . . . . .74 SF Weekly . . . . . . . . . . . . . . . . . . . . . .180 Sol Food . . . . . . . . . . . . . . . . . . . . . . .166 Spiritual Healing Center of Marin . .162 Stellar Spa . . . . . . . . . . . . . . . . . . . . . .46 Stephan-Hill Jewelry Designers . . . .38 Strawberry Village Dental Care -Joseph L. Bauer . . . . . . . . . . . . . . .89 Strawberry Village Shopping Center .5 Sutton Suzuki . . . . . . . . . . . . . . . . . . . .33 Sweet Things. . . . . . . . . . . . . . . . . . . .25 Technicolor. . . . . . . . . . . . . . . . . . . . . .68 Thrifty Car Rental . . . . . . . . . . . . . . .177 Town Center Corte Madera . . . . . . . . .4 Union Bank . . . . . . . . . . . . . . . . . . . . . .53 The Village at Corte Madera . . . . inside back cover Vimeo . . . . . . . . . . . . . . . . . . . . . . . . .181 Vin Antico . . . . . . . . . . . . . . . . . . . . . . .64 Vintage Oaks Shopping Center . . . . .52 Waters Edge Hotel. . . . . . . . . . . . . . . .75 Wells Fargo . . . . . . . . . . . . . . . . . . . . .18 The Whim Agency . . . . . . . . . . . . . . .160 Whole Foods Market . . . . . . . . . . . . . .76 Stephanie Wickham Witt -Paciﬁc Union . . . . . . . . . . . . . . . . . . .4 Yelp . . . . . . . . . . . . . . . . . . . . . . . . . . .150 Yet Wah Restaurant . . . . . . . . . . . . . . .58 Zaentz Media Center, A Wareham Development . . . . . . . . . . . . . . . . . . .8

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TITLE INDEX

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5@5: Circle of Life . . . . . . . . . . . . . . . . . . 92 5@5: Don’t Let the Sun Go Down on Me . . 92 5@5: Hard Times . . . . . . . . . . . . . . . . . . . 92 5@5: Just Like Strange Rain . . . . . . . . . 93 5@5: The Last Song. . . . . . . . . . . . . . . . . 93 The 36 . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 2648 Hours. . . . . . . . . . . . . . . . . . . . . . . 122 Albert Nobbs . . . . . . . . . . . . . . . . . . . . . . 93 Alone. . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 American Homes . . . . . . . . . . . . . . . . . 102 Anonymous . . . . . . . . . . . . . . . . . . . . . . . 94 Another Happy Day . . . . . . . . . . . . . . . . . 94 The Artist . . . . . . . . . . . . . . . . . . . . . . . . . 94 The Barber of Birmingham: Foot Soldier of the Civil Rights Movement . . . 95 The Barber, the Brush and the Baton . . . . 95 Being Elmo: A Puppeteer’s Journey . . . . 95 Between 2 Fires . . . . . . . . . . . . . . . . . . . 95 Beyond the Road . . . . . . . . . . . . . . . . . . . 96 Bon Voyage . . . . . . . . . . . . . . . . . . . . . . . 96 Boy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Breaking Point . . . . . . . . . . . . . . . . . . . . 122 A Brush with the Tenderloin . . . . . . . . . 95 Busong (Palawan Fate). . . . . . . . . . . . . . 96 The Butcher’s Wife . . . . . . . . . . . . . . . . . 97 Buud Yam . . . . . . . . . . . . . . . . . . . . . . . . . 97 California State of Mind: The Legacy of Pat Brown . . . . . . . . .97 Christmas Piggy . . . . . . . . . . . . . . . . . . . 92 Circus Columbia . . . . . . . . . . . . . . . . . . . 98 Circus Dreams. . . . . . . . . . . . . . . . . . . . . 98 Collaborator . . . . . . . . . . . . . . . . . . . . . . 98 Conﬁdante . . . . . . . . . . . . . . . . . . . . . . . . 92 The Conquest. . . . . . . . . . . . . . . . . . . . . . 99 Coriolanus . . . . . . . . . . . . . . . . . . . . . . . . 99 Country Music . . . . . . . . . . . . . . . . . . . . . 99 Da Monzon, The Conquest of Samanyana . . . . . . . . . . . . . . . . . . 100 Day of the Flowers . . . . . . . . . . . . . . . . 100 Deaf Jam . . . . . . . . . . . . . . . . . . . . . . . . 100 The Death of an Insect . . . . . . . . . . . . . . 92 Diana Vreeland: The Eye Has to Travel . . . . . . . . . . . . . . . . . . . . . . . . . . 101 The Destiny of Lesser Animals . . . . . . 101 A Doctor’s Job . . . . . . . . . . . . . . . . . . . . . 92 Dolphin Boy . . . . . . . . . . . . . . . . . . . . . . 101 Eames: The Architect and the Painter . . 102 Eco-Pirate: The Story of Paul Watson . . . . . . . . . . . . . . . . . . . . . . . . 102 ELIMINATE: Archie Cookson . . . . . . . . 102 Exposure . . . . . . . . . . . . . . . . . . . . . . . . 122 A Few Best Men . . . . . . . . . . . . . . . . . . . 103 Floyd the Android . . . . . . . . . . . . . . . . . . 92 The Forgiveness of Blood . . . . . . . . . . 103 Girlfriend . . . . . . . . . . . . . . . . . . . . . . . . 103

GOLD VIOLIN: bow of death . . . . . . . . . 113 The Good Doctor . . . . . . . . . . . . . . . . . . 104 Good Luck, Mr. Gorski . . . . . . . . . . . . . . 93 Granito: How to Nail a Dictator . . . . . . 104 Guru: Bhagwan, His Secretary & His Bodyguard. . . . . . . . . . . . . . . . . 104 Heist: Who Stole the American Dream? . . . . . . . . . . . . . . . . . . . . . . . . 105 Hello! How Are You? . . . . . . . . . . . . . . . 105 Heritage . . . . . . . . . . . . . . . . . . . . . . . . . 105 Hi De Ho Show . . . . . . . . . . . . . . . . . . . . 106 Hip Hop Maestro . . . . . . . . . . . . . . . . . . . 92 Holidays by the Sea . . . . . . . . . . . . . . . . 106 I Am Round. . . . . . . . . . . . . . . . . . . . . . . . 92 Independence in Sight . . . . . . . . . . . . . 122 Invisible . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Jeff Who Lives at Home . . . . . . . . . . . . 106 The King . . . . . . . . . . . . . . . . . . . . . . . . . 122 The Lady . . . . . . . . . . . . . . . . . . . . . . . . . 107 The Lemon Tree . . . . . . . . . . . . . . . . . . 122 Library of Dust . . . . . . . . . . . . . . . . . . . 121 Life Model . . . . . . . . . . . . . . . . . . . . . . . . 92 Light of the River . . . . . . . . . . . . . . . . . . 107 Like Crazy . . . . . . . . . . . . . . . . . . . . . . . 107 Los Dos Morros! . . . . . . . . . . . . . . . . . . 122 Lost Kisses . . . . . . . . . . . . . . . . . . . . . . 108 Lotus Eaters . . . . . . . . . . . . . . . . . . . . . 108 Luminaris . . . . . . . . . . . . . . . . . . . . . . . . . 92 Magic Silver . . . . . . . . . . . . . . . . . . . . . . 108 Mallrats . . . . . . . . . . . . . . . . . . . . . . . . . 122 Margin Call . . . . . . . . . . . . . . . . . . . . . . 109 Martha Marcy May Marlene . . . . . . . . . 109 Miss Bala . . . . . . . . . . . . . . . . . . . . . . . . 109 Miss South Paciﬁc: Beauty and the Sea . . . . . . . . . . . . . . . 116 Momo . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Moonless Night . . . . . . . . . . . . . . . . . . . . 93 A Morning Stroll . . . . . . . . . . . . . . . . . . . 92 The Mosque . . . . . . . . . . . . . . . . . . . . . . 110 Mr. Happy Man . . . . . . . . . . . . . . . . . . . . 100 My Big Red Purse . . . . . . . . . . . . . . . . . . 93 My Week with Marilyn. . . . . . . . . . . . . . 110 Ndapewa: I Am Given . . . . . . . . . . . . . . 122 The New Environmentalists . . . . . . . . 111 The New Frontier: Sustainable Ranching in the American West . . . . 111 One Through Love . . . . . . . . . . . . . . . . . 110 Our New Frontier: Sustainability . . . . 111 Out of Erasers . . . . . . . . . . . . . . . . . . . . . 93 Pariah . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 Patang (The Kite). . . . . . . . . . . . . . . . . . 111 Pegasus . . . . . . . . . . . . . . . . . . . . . . . . . 112 Penultimate . . . . . . . . . . . . . . . . . . . . . . . 92 Pina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 Pioneer . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 The Planets . . . . . . . . . . . . . . . . . . . . . . 112

Play Like a Lion: The Legacy of Maestro Ali Akbar Khan . . . . . . . . 113 Pop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Portrait of a Winemaker: John Williams of Frog’s Leap . . . . . . . . . . . . 111 Pot Country . . . . . . . . . . . . . . . . . . . . . . . 92 Principles . . . . . . . . . . . . . . . . . . . . . . . . 113 The Prize . . . . . . . . . . . . . . . . . . . . . . . . 113 Raiders of the Lost Ark . . . . . . . . . . . . 114 The Real Rocky . . . . . . . . . . . . . . . . . . . 114 Restoration . . . . . . . . . . . . . . . . . . . . . . 114 Right to Play. . . . . . . . . . . . . . . . . . . . . . 114 The Sacred Science . . . . . . . . . . . . . . . 115 Sacriﬁce . . . . . . . . . . . . . . . . . . . . . . . . . 115 The Salt of Life . . . . . . . . . . . . . . . . . . . 115 Sarabah . . . . . . . . . . . . . . . . . . . . . . . . . 116 Saturn Rising . . . . . . . . . . . . . . . . . . . . . . 93 Sebastian’s Adventure . . . . . . . . . . . . . 122 See . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Seven Days in the Woods . . . . . . . . . . . . 92 sexting . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Shame . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Silence of Love . . . . . . . . . . . . . . . . . . . 116 Small, Beautifully Moving Parts . . . . . 117 Smokin’ Fish . . . . . . . . . . . . . . . . . . . . . 117 The Soul of Flies . . . . . . . . . . . . . . . . . . 117 Stage Left: A Story of Theater in San Francisco . . . . . . . . . . . . . . . . . 118 The Story of Film: An Odyssey. . . . . . . 118 Suffocation . . . . . . . . . . . . . . . . . . . . . . . 122 Summerland . . . . . . . . . . . . . . . . . . . . . 118 Sunshine . . . . . . . . . . . . . . . . . . . . . . . . . 92 Swimming in a Dream . . . . . . . . . . . . . . 92 The Telegram Man . . . . . . . . . . . . . . . . . 92 Thumbs . . . . . . . . . . . . . . . . . . . . . . . . . 119 To Say Goodbye . . . . . . . . . . . . . . . . . . . . 92 Transition Town Totnes. . . . . . . . . . . . . 111 Trust Me . . . . . . . . . . . . . . . . . . . . . . . . . 119 Turn Me On, Dammit! . . . . . . . . . . . . . . 119 Voices from the Shadows . . . . . . . . . . . 120 The Walk . . . . . . . . . . . . . . . . . . . . . . . . 117 We Need to Talk About Kevin . . . . . . . . 120 The Welcome . . . . . . . . . . . . . . . . . . . . . 120 Wend Kuuni (God’s Gift) . . . . . . . . . . . . 121 What Happened Here . . . . . . . . . . . . . . 121 What Would You Do? . . . . . . . . . . . . . . . 122 While You Were Gone . . . . . . . . . . . . . . 101 William Kurelek’s The Maze . . . . . . . . 121 The Wind Is Blowing on My Street . . . . 93 A Woman’s Descent to the Sacred . . . 115 Young Critics’ Picks: The 2011 Youth Reel . . . . . . . . . . . . . . 122 Young Goethe in Love . . . . . . . . . . . . . . 122 Zapped!. . . . . . . . . . . . . . . . . . . . . . . . . . . 92

cafilm.org

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mill valley film festival 34

Oct.6-16,2011

souvenir program

To the Mill Valley Film Festival,

Congratulations on 34 years of wonderful programming. From all of your friends at oc tober 6 â&#x20AC;&#x201C;16, 2011