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70-ð³÷÷þ çàñíóâàííÿ Ïðèêàðïàòñüêîãî íàö³îíàëüíîãî óí³âåðñèòåòó ³ìåí³ Âàñèëÿ Ñòåôàíèêà ïðèñâÿ÷óºòüñÿ

Âèäàíî çà ñïðèÿííÿ òà ï³äòðèìêè ðåêòîðà óí³âåðñèòåòó ÷ëåíà-êîðåñïîíäåíòà Íàö³îíàëüíî¿ àêàäå쳿 íàóê Óêðà¿íè, äîêòîðà ô³çèêî-ìàòåìàòè÷íèõ íàóê, ïðîôåñîðà, çàñëóæåíîãî ä³ÿ÷à íàóêè ³ òåõí³êè Óêðà¿íè, ëàóðåàòà Äåðæàâíî¿ ïðå쳿 Óêðà¿íè â ãàëóç³ íàóêè ³ òåõí³êè Îñòàô³é÷óêà Áîãäàíà Êîñòÿíòèíîâè÷à


Äóåò àêîðäåîí³ñò³â «Êîíöåðò³íî» º ïðîôåñ³éíèì êîëåêòèâîì ²íñòèòóòó ìèñòåöòâ Ïðèêàðïàòñüêîãî íàö³îíàëüíîãî óí³âåðñèòåòó ³ìåí³ Âàñèëÿ Ñòåôàíèêà. Àíñàìáëü ñòâîðåíèé ó 2000 ðîö³ çà ó÷àñòþ Ìèðîíà ×åðåïàíèíà (äîêòîðà ìèñòåöòâîçíàâñòâà, ïðîôåñîðà, çàñëóæåíîãî àðòèñòà Óêðà¿íè, çàâ³äóâà÷à êàôåäðè ìóçèêîçíàâñòâà òà àêîðäåîííîãî ìèñòåöòâà) ³ Ìàðèíè Áóëäè (êàíäèäàòà ìèñòåöòâîçíàâñòâà, äîöåíòà). Ìóçèêàíòè º âîëîäàðàìè êóáê³â «Çîëîòî¿ Í³êè», ìåäàë³ Âèùî¿ ë³ãè ìåòð³â ñâ³òîâîãî àêîðäåîíà, â³äçíà÷åí³ äèïëîìàìè ëàóðåàò³â ì³æíàðîäíèõ êîíêóðñ³â ³ ôåñòèâàë³â, ïî÷åñíèìè ãðàìîòàìè ³ ïîäÿêàìè. Äóåò ñòàâ îäíèì ³ç íå áàãàòüîõ â Óêðà¿í³, âèêîíàâñüêèé ñòèëü ÿêîãî â³äçíà÷àºòüñÿ òâîð÷îþ ³íäèâ³äóàëüí³ñòþ, âèøóêàíîþ åñòðàäíî-äæàçîâîþ ìàíåðîþ ãðè, îðèã³íàëüí³ñòþ àíñàìáëåâîãî àðàíæóâàííÿ. Òåìàòèêà êîíöåðòíî¿ ïðîãðàìè êîëåêòèâó â³äîáðàæຠð³çíîìàí³òí³ ñòèë³, ìàë³ é âåëèê³ ôîðìè àêîðäåîííî¿ ìóçèêè ³ íàðàõîâóº áëèçüêî 50-òè êîíöåðòíèõ îïðàöþâàíü òâîð³â ïîïóëÿðíî¿ êëàñèêè, íàðîäíèõ ìåëîä³é, ìóçèêè â ñòèë³ «ðåòðî», òðàäèö³éíîãî ³ ñó÷àñíîãî òàíãî, åñòðàäíî-äæàçîâèõ êîìïîçèö³é.


Ñôåðà òâîð÷èõ ³íòåðåñ³â ó÷àñíèê³â äóåòó «Êîíöåðò³íî» îõîïëþº êîíöåðòíî-âèêîíàâñüêèé, ïåäàãîã³÷íèé ³ íàóêîâèé íàïðÿìêè ä³ÿëüíîñò³. Ñåðåä íèõ ïðîâ³äíèì íàïðÿìêîì º êîíöåðòíå âèêîíàâñòâî. Ãåîãðàô³ÿ ãàñòðîëüíèõ ïîäîðîæåé äóåòó îõîïëþº ì³ñòà Óêðà¿íè, Ðîñ³¿, Óãîðùèíè, Ïîëüù³, Ëèòâè. Êîëåêòèâ áðàâ ó÷àñòü ó ð³çíîìàí³òíèõ ôåñòèâàëÿõ àêàäåì³÷íî¿, íàðîäíî¿ é åñòðàäíî-äæàçîâî¿ ìóçèêè: â³äêðèòòÿõ òà ãàëàêîíöåðòàõ ̳æíàðîäíîãî ê³íîôåñòèâàëþ (Åãåð, 2003, 2004, 2006), ²²-ãî ³ ²²²-ãî ̳æíàðîäíîãî ôåñòèâàëþ «Ãàðìîíèêà – äóøà Ðîññèè» (Ìîñêâà, 2004, 2005), òåëåâ³ç³éí³é ïðîãðàì³ ßíà Òàáà÷íèêà «×åñòü èìåþ ïðèãëàñèòü» (Êè¿â, 2005), äíÿõ ²âàíîÔðàíê³âñüêî¿ îáëàñò³ â Îïîëüñüêîìó âîºâîäñòâ³ (2005), XV ̳æíàðîäíîãî ñåì³íàðó-ôåñòèâàëþ àêîðäåîí³ñò³â (Ïàëàíãà, 2009); ²Õ ̳æíàðîäíîãî ôåñòèâàëþ àêîðäåîííî¿ ìóçèêè (Êîøàë³í, 2009), V²²² Áàëò³éñüêîãî ôåñòèâàëþ íàóêè (Ñëóïñüê, 2010), ²-ãî ³ V-ãî ̳æíàðîäíîãî êîíêóðñó-ôåñòèâàëþ àêîðäåîííî-áàÿííîãî âèêîíàâñüêîãî ìèñòåöòâà «AccoHoliday» (Êè¿â, 2006, 2010).


Ç Ð³øàðîì Ãàëüÿíî (Ôðàíö³ÿ) òà ³íñòðóìåíòàëüíèì òð³î ï³ä êåð³âíèöòâîì Îëåêñàíäðà Àíàí³÷åâà (Ðîñ³ÿ)


Óñï³øí³ âèñòóïè äóåòó «Êîíöåðò³íî» ñïîíóêàëè äî ïîÿâè íîâèõ ìèñòåöüêèõ ïðîåêò³â. Êîæåí êîíöåðò çàëèøàâ ó øàíóâàëüíèê³â àêîðäåîííîãî âèêîíàâñòâà áàãàòî ïðèºìíèõ ³ íåçàáóòí³õ âðàæåíü. Çóñòð³÷³ ³ òâîð÷³ çâ'ÿçêè îá'ºäíóâàëè ìóçèêàíò³â ç ö³êàâèìè ëþäüìè, çáàãà÷óâàëè ¿õ ñöåí³÷íèé äîñâ³ä òà íàäèõàëè äî ñòâîðåííÿ íîâèõ ³äåé ³ ìóçè÷íèõ ïðîãðàì. Íàñè÷åí³ ìèñòåöüêèìè ïîä³ÿìè ðîêè òâîð÷îãî äåñÿòèë³òòÿ âïèñàí³ â ³ñòîð³þ öüîãî êîëåêòèâó, ÿêà é ñüîãîäí³ ìຠñâîº ïðîäîâæåííÿ.

Ç Âàëåð³ºì Êîâòóíîì (Ðîñ³ÿ)


Âèñòóïè íà óêðà¿íñüêèõ ³ ºâðîïåéñüêèõ ñöåíàõ


Ç Í³êîëÿ Ìàñóòüº (Ôðàíö³ÿ), ̳ðêîì Ïàòàð³í³ (²òàë³ÿ), Þð³ºì Ñèäîðîâèì (Ðîñ³ÿ), É.Ñóíäåêâ³ñòîì (Øâåö³ÿ), À.Ãðåòå (Íîðâåã³ÿ), Àëüôðåäîì ̳ðåêîì (Ðîñ³ÿ), ³êòîðîì Âëàñîâèì (Óêðà¿íà), гøàðîì Ãàëüÿíî, ³ëüÿìîì Ñàáàòüº (Ôðàíö³ÿ).


Àêòèâíà êîíöåðòíà ä³ÿëüí³ñòü äóåòó äàëà ïîøòîâõ äî ñòâîðåííÿ ì³æíàðîäíèõ ìèñòåöüêèõ ïðîåêò³â. Ñï³ëüíî ç ðåêòîðàòîì Ïðèêàðïàòñüêîãî íàö³îíàëüíîãî óí³âåðñèòåòó ³ìåí³ Âàñèëÿ Ñòåôàíèêà òà äèðåêö³ºþ ²íñòèòóòó ìèñòåöòâ ñêëàäåí³ óãîäè ïðî íàóêîâó ³ êóëüòóðíó ñï³âïðàöþ ì³æ íàâ÷àëüíèìè çàêëàäàìè òà îñåðåäêàìè êóëüòóðè Óêðà¿íè, Ðîñ³¿, Ëèòâè, Ïîëüù³, Ñåð᳿. Óãîäè ïåðåäáà÷àþòü îðãàí³çàö³þ ñï³ëüíèõ íàóêîâèõ êîíôåðåíö³é, ïðîâåäåííÿ ìàéñòåð-êëàñ³â, îáì³í ìèñòåöüêèìè êîëåêòèâàìè, íàâ÷àííÿ ñòóäåíò³â òîùî. Ñï³âîðãàí³çàòîðàìè ìèñòåöüêèõ ïðîåêò³â º: Ìóçåé ðîñ³éñüêî¿ ãàðìîí³êè Àëüôðåäà ̳ðåêà, ̳æíàðîäíèé òâîð÷èé öåíòð ßíà Òàáà÷íèêà, Âèùà ë³ãà ìåòð³â ñâ³òîâîãî àêîðäåîíà, Ëèòîâñüêà àêàäåì³ÿ ìóçèêè é òåàòðó, Àêàäåì³ÿ Ïîìîðñüêà â Ñëóïñüêó, ³ëüíþñüêèé îðêåñòð àêîðäåîí³ñò³â «Consona», Öåíòð êóëüòóðè ì. Êîøàë³íà. Áåçïîñåðåäíÿ ó÷àñòü äóåòó â çàçíà÷åíèõ ïðîåêòàõ ñóòòºâî çáàãà÷óº òâîð÷èé ïîòåíö³àë êîëåêòèâó íîâèìè ôîðìàìè ä³ÿëüíîñò³, çîêðåìà öå: âèñòóïè íà â³äêðèòòÿõ ôåñòèâàë³â ç êîíöåðòíîþ ïðîãðàìîþ; ó÷àñòü â ðîáîò³ æóð³ ̳æíàðîäíîãî êîíêóðñó-ôåñòèâàëþ «AccoHoliday» (Êè¿â, 2005–2010); äîïîâ³ä³ íà ì³æíàðîäíèõ íàóêîâî-ïðàêòè÷íèõ ñåì³íàðàõ. Çäîáóò³ ðåçóëüòàòè çíàõîäÿòü ñâîº âèñâ³òëåííÿ â óêðà¿íñüêèõ ³ çàðóá³æíèõ íàóêîâèõ âèäàííÿõ.


×ëåíè æóð³ ² ̳æíàðîäíîãî êîíêóðñó-ôåñòèâàëþ àêîðäåîííîáàÿííîãî âèêîíàâñüêîãî ìèñòåöòâà «AccoHoliday» (Êè¿â, 2006)

Îðêåñòð XV ̳æíàðîäíîãî ôåñòèâàëþ àêîðäåîí³ñò³â (Ïàëàíãà, 2009)

2009 Âèñòóï êâ³íòåòó àêîðäåîí³ñò³â «Fantini Akord Kwintet» (ì.Êîøàë³í, Ïîëüùà) â ²âàíî-Ôðàíê³âñüêó


Ç âèäàòíèìè ðîñ³éñüêèìè ìóçèêàíòàìè: Âàëåíòèíîì Îñèïîâèì, Îëåêñàíäðîì Ñèçîâèì òà Îëåêñàíäðîì Àíàí³÷åâèì, ªâãåíîì Äåðáåíêîì, Îëåêñàíäðîì Äìèòð³ºâèì, Àíàòîë³ºì ²êîíí³êîâèì, ³êòîðîì Äóêàëüòåòåíêîì.


³ä Êàðïàò äî ×îðíîãî ìîðÿ


Ç âèäàòíèìè óêðà¿íñüêèìè ìóçèêàíòàìè: Ìèêîëîþ гçîëåì, Âîëîäèìèðîì Áåñôàì³ëüíîâèì, ßíîì Òàáà÷íèêîì, Âîëîäèìèðîì Çóáèöüêèì.


Ïåäàãîã³÷íèé íàïðÿìîê ä³ÿëüíîñò³ äóåòó âêëþ÷ຠâ ñåáå ïóáë³êàö³þ òà ðîçðîáêó íîâèõ âèïóñê³â íàâ÷àëüíî-ìåòîäè÷íèõ ïîñ³áíèê³â «Àðàíæóâàííÿ òà îáðîáêè êîíöåðòíèõ òâîð³â äëÿ äâîõ àêîðäåîí³â» (2002, 2004), ðåêîìåíäîâàí³ Ì³í³ñòåðñòâîì îñâ³òè ³ íàóêè Óêðà¿íè ÿê íàâ÷àëüí³ ïîñ³áíèêè äëÿ ñòóäåíò³â íàâ÷àëüíèõ çàêëàä³â êóëüòóðè ³ ìèñòåöòâ. Îñíîâîþ ¿õíüîãî ç ì ³ ñ ò ó ñ ò à ë è ï î ï óë ÿ ð í ³ ò â î ð è êîìïîçèòîð³â-êëàñèê³â, íàðîäí³ é åñòðàäí³ ìåëî䳿, äæàçîâ³ ï'ºñè ñó÷àñíèõ àâòîð³â. Çá³ðíèêè òàêîæ âèêîðèñòîâóþòüñÿ ó êîíöåðòí³é ïðàêòèö³ ïðîôåñ³éíèõ ìóçèêàíò³â.


Íàóêîâó ãàëóçü ñêëàäàþòü äîñë³äæåííÿ åñòðàäíî-äæàçîâî¿ ìóçèêè â àêîðäåîííî-áàÿííîìó ìèñòåöòâ³ Óêðà¿íè ³ çàðóá³ææÿ, à òàêîæ ïåðñïåêòèâ ¿¿ ðîçâèòêó êð³çü ïðèçìó ºâðîïåéñüêî¿ ³íòåãðàö³¿ êóëüòóð. Ðåçóëüòàòîì äîñë³äæåííÿ ñòàëà ìîíîãðàô³ÿ «Åñòðàäíèé îë³ìï àêîðäåîíà» (2008). ²í³ö³àòîðîì ïðîåêòó íàóêîâî-åíöèêëîïåäè÷íîãî âèäàííÿ º ̳æíàðîäíèé òâîð÷èé öåíòð ßíà Òàáà÷íèêà. Ðîáîòà ïðèñâÿ÷åíà êîìïëåêñíîìó âèâ÷åííþ ³ â³äòâîðåííþ ö³ë³ñíî¿ êàðòèíè ìóçè÷íèõ íàïðÿìê³â ñó÷àñíîãî àêîðäåîííî-áàÿííîãî âèêîíàâñüêîãî ìèñòåöòâà äðóãî¿ ïîëîâèíè ÕÕ – ïî÷àòêó ÕÕ² ñò., äåòåðì³íîâàíèõ äèíàì³êîþ ðîçâèòêó ñâ³òîâî¿ ìóçè÷íî¿ êóëüòóðè. Âèùåçãàäàíà ïðîáëåìàòèêà ðîçãëÿäàºòüñÿ â æóðíàëàõ «Íàðîäíèê», «Àêîðäåîí³ÿ», «Äæàç», «Intermusik»:


Ôåñòèâàëüíàÿ àôèøà ìóçåÿ ðóññêîé ãàðìîíèêè Àëüôðåäà Ìèðåêà» //Íàðîäíèê. – Ìîñêâà, 2004. – ¹ 4. – Ñ. 6–7; Ïîðòðåòû ñîâðåìåííûõ óêðàèíñêèõ êîìïîçèòîðîâáàÿíèñòîâ //Íàðîäíèê. – Ìîñêâà, 2005. – ¹ 1. – Ñ. 40–41; Ôåíîìåí ìíîãîãðàííîñòè òàëàíòà. //Íàðîäíèê. – ¹ 1. – Ìîñêâà, 2006. – Ñ. 38–39; Ìåòðû ìèðîâîãî àêêîðäåîíà â Êèåâå. Î ² Ìåæäóíàðîäíîì êîíêóðñå-ôåñòèâàëå «AccoHoliday» //Íàðîäíèê. – ¹ 3. – Ìîñêâà, 2006. – Ñ. 9–12; Àêîðäåîííî-áàÿííà òâîð÷³ñòü ïîëüñüêèõ ìóçèêàíò³â ó êîíòåêñò³ ì³æíàðîäíèõ ìèñòåöüêèõ âçàºìèí //Áàãàòîêóëüòóðí³ñòü ²âàíî-Ôðàíê³âñüêî¿ îáëàñò³ òà Îïîëüñüêîãî âîºâîäñòâà: Çá³ðíèê íàóêîâèõ ïðàöü çà ìàòåð³àëàìè ̳æíàðîäíî¿ íàóêîâî-ïðàêòè÷íî¿ êîíôåðåíö³¿. – ²âàíî-Ôðàíê³âñüê, 2008. – Ñ.156 – 161; Das Akkordeon-Kulturfestival in der Ukraine. «Acco-Holiday» 2009 //Intermusik, Nr. 9. – Deutschland, September 2009. – S. 8, 11; Ñâÿòî àêîðäåîííî-áàÿííî¿ ìóçèêè ó Êèºâ³ //Äæàç. – ¹ 3. – 2009.– Ñ. 5 – 7. Ïàëàíãñêîìó àêêîðäåîííîìó ôåñòèâàëþ è ñåìèíàðóïðàêòèêóìó – 15 ëåò //Íàðîäíèê, 2009. – ¹ 3. – Ñ. 2 – 4. Ïðàçäíèê àêêîðäåîííî-áàÿííîé ìóçûêè â Êèåâå. Êàòåãîðèÿ «Ìóçûêà âàðüåòå» //Íàðîäíèê, 2009. – 3 4. – Ñ. 3 – 5. Ìýòðû ìèðîâîãî àêêîðäåîíà. Òâîð÷åñêèå ïîðòðåòû ýñòðàäíî-äæàçîâûõ ìóçûêàíòîâ. ßí Òàáà÷íèê //Äæàç, 2009. – ¹ 5. – Ñ. 23 – 25. Ìýòðû ìèðîâîãî àêêîðäåîíà. Òâîð÷åñêèå ïîðòðåòû ýñòðàäíî-äæàçîâûõ ìóçûêàíòîâ. Âèêòîð Âëàñîâ //Äæàç, 2010. – ¹ 2. – Ñ. 26 – 30. Ìýòðû ìèðîâîãî àêêîðäåîíà. Òâîð÷åñêèå ïîðòðåòû ýñòðàäíî-äæàçîâûõ ìóçûêàíòîâ. Âàëåðèé Êîâòóí //Äæàç, 2010. – ¹ 4. - Ñ. 28-31. Þáèëåéíûé ìóçûêàëüíûé ôîðóì Âûñøåé ëèãè: V-é Ìåæäóíàðîäíûé êîíêóðñ-ôåñòèâàëü "AccoHoliday" - 2010. Íàðîäíèê, 2010. - ¹ 3.


̳æíàðîäí³ â³äçíàêè * Äèïëîì òà çîëîòà ìåäàëü Âèùî¿ ë³ãè ìåòð³â ñâ³òîâîãî àêîðäåîíà «Çà âèäàòí³ çàñëóãè ³ âàãîìèé âíåñîê ó ðîçâèòîê ñó÷àñíîãî àêîðäåîííîãî âèêîíàâñüêîãî ìèñòåöòâà» (Êè¿â, 2005). * «Çîëîòà ͳêà» ²² ³ ²²² Ìîñêîâñüêîãî ì³æíàðîäíîãî ôåñòèâàëþ «Ãàðìîíèêà – äóøà Ðîñèè» (Ìîñêâà, 2004, 2005). * Ñåðòèô³êàò Êàòàëîãó dzðêîâîãî Íåáà «Êîñìîñ-Çåìëÿ», ( Ìîñêâà, 2006). Äèïëîìè ëàóðåàò³â: - ² ̳æíàðîäíîãî êîíêóðñó «Êðèìñüêà âåñíà - 2001»; - ²² Âñåóêðà¿íñüêîãî ôåñòèâàëþ «Ç³ðêè áàÿíà íà Çàïîð³ææ³» (Çàïîð³ææÿ, 2002); - ²V òà V ôåñòèâàë³â äæàçîâî¿ ìóçèêè «Çèìîâèé äæåì â Ñòàí³ñëàâîâ³», «Âåñíÿíèé äæåì â Ñòàí³ñëàâîâ³» (²âàíîÔðàíê³âñüê, 2001, 2002); - V þâ³ëåéíîãî äæàçîâîãî ôåñòèâàëþ «Ïàï-äæàç-ôåñò» (Óæãîðîä, 2002); - ²²² ̳æíàðîäíîãî ìóçè÷íîãî ôåñòèâàëþ-êîíêóðñó «ÏåòðîÏàâëîâñêèå àññàìáëåè – 2003» (Ñàíêò-Ïåòåðáóðã, 2003); - ²² ³ ²²² Ìîñêîâñüêîãî ì³æíàðîäíîãî ôåñòèâàëþ «Ãàðìîíèêà – äóøà Ðîñèè» (Ìîñêâà, 2004, 2005); - ÕV ̳æíàðîäíîãî ôåñòèâàëþ-ñåì³íàðó «Ïàëàíãà – 2009»; - ²Õ ̳æíàðîäíîãî ôåñòèâàëþ àíñàìáë³â àêîðäåîííî¿ ìóçèêè (Êîøàë³í, 2009); - ïîäÿêà îðãêîì³òåòó Ïîìîðñüêîãî ðåã³îíó çà äîïîìîãó ³ ñï³âïðàöþ â ��ðãàí³çàö³¿ îñâ³òÿíñüêîãî ôîðóìó (Ñëóïñüê, 2010).


Òåìàòèêà êîíöåðòíî¿ ïðîãðàìè äóåòó «Êîíöåðò³íî» ïîïóëÿðí³ òâîðè êîìïîçèòîð³â-êëàñèê³â: É.Ñ.Áàõ. Òîêàòà ³ ôóãà (d-moll). Ò.Àëüá³íîí³. Àäàæ³î (g-moll). Â.Ñåìåíîâ. Áîëãàðñüêà ñþ¿òà. Êîçà÷îê ³ç ñèìôîí³¿ (g-moll) íåâ³äîìîãî àâòîðà ïî÷àòêó Õ²Õ ñò. Ïåðåêëàä äëÿ äâîõ áàÿí³â Ì. гçîëÿ. Äæ. Ðîññ³í³. Êàâàòèíà Ô³ãàðî ç îïåðè «Ñèâ³ëüñüêèé öèðþëüíèê». É. Øòðàóñ. Ïîëüêà «Òð³ê-òðàê». Â. Ìîíò³. ×àðäàø.

íàðîäí³ ìåëî䳿: Óãîðñüêèé òàíåöü «×àðäàø». Êîíöåðòíà îáðîáêà Ì. Äâ³ëÿíñüêîãî. Å. Ëåêóîíà. Àíäàëóç³ÿ. Ã. ijí³êó. Ðóìóíñüêèé âåñíÿíèé õîðîâîä. Ñåðáñüêå êîëî. Êîíöåðòíà îáðîáêà Ì. ×åðåïàíèíà. Ê. Íàìèñëîâñê³. Êëàðíåò-ïîëüêà.

ìóçèêà â ñòèë³ «ðåòðî»: Á. Ïåéäæ, À. Ñòîóí. Ìîäíèé ãàâîò. Æ. Ïåéðîíí³í. Êîðîëåâà ìþçåòà. Äæ. Ïð³âàò, Ì.³òòåíåò. ×àêëóíêà. Ì.Ãëóáîêîâ. Êîíöåðòí³ âàð³àö³¿ íà òåìó ï³ñí³ Ë.Êí³ïïåðà «Ïîëå÷êî-ïîëå». À. Ôîññåí. Ôë³ê–ôëàê. ß. Âåéâîäà. Ðîçàìóíäà. Å. Ñàíòåóõ³í³. Äëÿ òåáå, гî-гòà.

òðàäèö³éíå ³ ñó÷àñíå òàíãî: Ì. Ðîäð³ãåñ. Êóìïàðñ³òà. Ñ. ²ðàäüº. Ãîëóáêà (Paloma). Äæ. Ãàäå. Òàíãî ðåâíîñò³ (Jaiousie). Ï. Ôðîñ³í³. Ëþáîâí³ ïîñì³øêè. À. Ï'ÿöîëëà. Àvå Ìàr³ÿ. Meditango. Îblivion. Adios Nonino. Libertango.

åñòðàäíî-äæàçîâ³ êîìïîçèö³¿: Ñ. Äæîïë³í. Âèøóêàí³ ñèíêîïè. Ç. Êîíôð³. Çàïàìîðî÷ëèâ³ ïàëüö³. Äæ. Êåðí. Äèì. Ò. Ìþðåíà – Æ. Êîëîìáî. Áàéäóæ³ñòü (Indifference). À.Àñòüºð, Ò.Ôàëëîíå. Á³äí³ êî÷³âíèêè. Ã. Øåíäåðüîâ. Âàð³àö³¿ íà òåìó Ê. Âåéëÿ «Ìåêê³-ìåññåð». Ï. Äåçìîíä. Ï'ºñà íà 5/4 (Take-five). Àðò Âàí Äàìì. Î÷³ ÷îðí³. À. Ìóç³÷³í³, Ð. Ãàëüÿíî. ϳñíÿ äëÿ Äæî (Song for Joss). Ñ.Òèõîíîâ. Íà ðàí÷î êîâáîÿ Äæåêà. Â. Êîâòóí. Ïðîùåííÿ.


Äóåò «Êîíöåðò³íî» â òåëåïðîãðàì³ ßíà Òàáà÷íèêà «×åñòü èìåþ ïðèãëàñèòü». Êè¿â, Ïàëàö ñïîðòó, 2005 ð.


www.duetconcertino.at.ua


The duet of accordionists "Concertino” Myron Cherepanyn - Doctor of Fine Arts, Professor, Honored Artist of Ukraine, Chairman of the Musicology department and accordion arts of the Institute of Arts of The Precarpathian National University named after V. Stefanyk . Prize-winner of international competitions and festivals of pop and jazz music, a member of Major League of the masters of world accordion. Maryna Bulda - Candidate of Fine Arts, Associate Professor of the of the Musicology department and accordion arts of the Institute of Arts. Prizewinner of international competitions and festivals of pop and jazz music, a member of Major League of the masters of world accordion. The duet of accordionists "Concertino” was created in 2000 as a professional team of The Institute of Arts of The Precarpathian National University named after V. Stefanyk . It has become one of the few such teams in Ukraine due to its performance style which is particular for its creative singularity, exquisite pop and jazz manners of performance and the originality of their arrangement. The theme of ensemble’s concert program includes different trends of accordion music, as such as popular classic music, folk melodies, the variety dance music, retro style music, jazz pieces, concert tango by Astor Piazzolla etc.The sphere of the duet’s interests includes the concert and performance activity, the scientific research and educational work. Their solo performances took place in Ukraine, in Russia, in Hungary, in Poland and in Lithuania. The ensemble took part in openings and gala-concerts of the 2nd and 3rd International festival "Accordion is Russia’s soul” (Moskow, 2004, 2005), in the television broadcast by Jan Tabachnik "This is an honour to invite you”(Kyiv,2005), XV International seminar-festival of accordionists (Palanga, 2009); IX International festival of accordion music (Koshalin, 2009), I and V International competition-festival of accordion and bayan performance arts "AccoHoliday” (Kyiv, 2006, 2010).The musicians are rewarded with charters, decorations and diplomas of Prize-winners, they are owners of the cup of "Gold Nika” and the nominal medal of the members of Major League of the masters of world accordion. The achievements in their educational work are represented by the work "Arrangments and adaptations of the concert compositions for two accordions”: 1st addition (2002), 2nd addition (2004). The contents of this work includes popular classic music, folk and variety melodies, and also jazz pieces of modern composers. The training appliances make an essential contribution into the ensemble repertory of students of universities of arts and culture, they are used in the concert activities of the professional musicians as well. The scientific research of the participants of the duet refers the theme of variety and jazz music in accordion art of Ukraine and abroad today and in prospect of its development through the alembic of European integration of the culture . The monograph which is called "The variety Olympus of accordion”(2008) has become the result of their scientific research. The International Jan Tabachnik’s Creative Centre is the initiator of the project of scientific-encyclopedic edition. The work is devoted to the complex study and recreation of the complete system of music trends of accordion performance art of the second half of XX – beginning of XXI century, which is determined by the dynamics of the development of the world music culture. This problem is also regarded in Ukrainian and international professional music additions ( "Jazz”, "Narodnyk”, "Intermusic” ). The duet Concertino cooperates with outstanding musicians , with Higher educational institutions of Ukraine, international associations of accordionists and bayan players: The National Music Academy of Ukraine named after P. I. Chaikovsky, The International Jan Tabachnik’s Creative Centre, The Major League of the masters of world accordion (Kyiv), The Lithuanian Academy of music and theatre (Vilnyus), The museum of Russian accordion of Alfred Mirek (Moskow), The Institute of accordion (Finland), the music departments of Pomorsk Academy (Slupsk).


Íàóêîâî-³íôîðìàö³éíå âèäàííÿ Ñïîäàðåíêî ³êòîð Ìèõàéëîâè÷ Äóåò àêîðäåîí³ñò³â «Êîíöåðò³íî»

Âèäàâíèöòâî «Ì³ñòî Í» 76000, ì.²âàíî-Ôðàíê³âñüê, âóë. Íåçàëåæíîñò³, 53, òåë.: (0342) 55-94-93. Ñâ³äîöòâî ²Ô ¹ 9 â³ä 02.02.2001. ³ääðóêîâàíî: Äðóêàðíÿ «Ì³ñòî Í» 76000, ì. ²âàíî-Ôðàíê³âñüê, âóë. Íåçàëåæíîñò³, 53.

Ñïîäàðåíêî Â.Ì. Ñ 73 Äóåò àêîðäåîí³ñò³â «Êîíöåðò³íî»: Íàóêîâî-³íôîðìàö³éíå âèäàííÿ (óïîðÿäêóâàííÿ, ìàêåò òà õóäîæíº îôîðìëåííÿ). ²âàíî-Ôðàíê³âñüê: ̳ñòî-ÍÂ, 2010. - 24 ñ., ³ë.

 áóêëåò³ âèñâ³òëåíî êîíöåðòíî-âèêîíàâñüêó, ïåäàãîã³÷íó òà íàóêîâó ä³ÿëüí³ñòü äóåòó àêîðäåîí³ñò³â «Êîíöåðò³íî» Ïðèêàðïàòñüêîãî íàö³îíàëüíîãî óí³âåðñèòåòó ³ìåí³ Âàñèëÿ Ñòåôàíèêà, ³ñòîð³þ êîëåêòèâó ç ÷àñó éîãî ñòâîðåííÿ (2000 ð.) äî ñüîãîäåííÿ. Âèäàííÿ ³ëþñòðîâàíå ôîòîäîêóìåíòàìè, ïî÷åñíèìè â³äçíàêàìè òà ³íôîðìàö³éíèìè ìàòåð³àëàìè. ÓÄÊ 786.8 ÁÁÊ 85.315.4


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Spodarenko V. The duet of accordionists "Concertino" / Сподаренко В. Дует акордеоністів "Концертіно"