The project should give students a chance to help with publicity and solicit Grammy votes when the time comes. It will also be a teaching tool for accounting and music business classes.
Daily Grind Ramping up MTSU’s involvement in all things George Jones isn’t the only work Blackmon has been doing. The winner of Blackmon’s Advanced Commercial Songwriting class competition got the chance to trade ideas with hit songwriter Erin Enderlin (’04), a friend of Blackmon’s. Opportunities for students to pitch original songs directly to publishers have been created and the relationship with performing rights organization ASCAP has been deepened and expanded. Concerts headlined by alums including Eric Paslay have raised money to hire new adjunct faculty members who will focus on students interested in genres outside the commercial country realm. Along the way, Blackmon published a textbook: Music Theory and the Nashville Number System: For Songwriters and Performers. His boss, Paulson, who calls MTSU’s songwriting program “one of the best in the country” and “a source of great pride for us,” likes Blackmon’s work. “Odie has taken it to new levels,” Paulson says. “His passion for songwriting translates into an extraordinary learning experience for our students.” Blackmon merely says he’s always been a creative person, only half joking when he says he could have been a jingle writer or an advertising copywriter. He’s added a jingle writing class to this fall’s curriculum. “You can make money in any market if you can write jingles for radio and TV,” he says. Blackmon is a natural mentor for aspiring student songwriters. Who better to look up to than a songwriter who had his first cut on MCA Records and who negotiated his first publishing deal while enrolled at MTSU?
MIDDLE of it ALL Bethany Scott (left) and Nancy Jones (right)
Gifts That Keep on Giving Nancy Jones, widow of country music icon George Jones, established a scholarship fund at MTSU in 2013 as a living memorial to the late singer. Mrs. Jones also recently opened a George Jones Museum in downtown Nashville. Odie Blackmon, a hit songwriter himself and director of MTSU’s Commercial Songwriting concentration, gave Jones the résumé of Bethany Scott, a stellar student in a class devoted to the study of George Jones. Scott had told Blackmon of her desire to work at the new museum. Jones promptly called Scott, and the two met in Murfreesboro for lunch. Before the lunch was over, Jones and her manager had hired Scott. (The museum officially opened in downtown Nashville this past April.) Scott’s father wrote on Facebook, “This means so much to my family. To see that girl . . . meet the Lady who saved the Legend for the last 30 years of his life and to return with her first job in the business she loves was, to say the least, moving. My mother was George Jones’s biggest fan; my dad loved Miss Nancy. They are smiling down from above . . . beaming with pride.” Jones says she’s very happy “with everything Odie has done with his students,” adding that she has since hired several other MTSU students who took Blackmon’s class. “We don’t even have to train them, they know the story so well,” Jones says, adding that she is pleased with the way the scholarship has been overseen “and so proud of Ashley Doris, the first recipient.” Blackmon describes it as “heartwarming” to see that Jones not only gave money to MTSU but also that “she genuinely cares about our students and takes an interest in them.”
These days, Blackmon’s efforts, whether directed True Blue! toward MTSU students or George Jones’s legacy, are bringing the University’s Donations to the George Jones songwriting program even more Scholarship Fund can be made online welcome attention. MTSU
at www.MTSU.edu/georgejones or by calling (615) 898-5595.
Ashley Doris
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